FADE IN:
EXT. CITY STREET - DAY
SUPER: PHILADELPHIA 1995
A traffic jam caused by a broken stoplight. HORNS HONK. A
DRIVER flips the finger at a car stopped in the intersection
that blocks his left turn.
A MOUNTED COP blows his WHISTLE as his horse trots to the
chaos.
A BUSINESSMAN sprints from one of the many large office
buildings, ignors a BEGGAR on the sidewalk.
RUBY BROWN (30s), black, average-looking, no makeup, bargain-
basement outfit, drops a few coins into the Beggar's hat.
BEGGAR
Bless you, sister.
She hops onto a waiting bus.
EXT. RUBY'S HOUSE - DAY
Flower baskets hang from the porch of an old, but well-taken-
care-of, two-story.
INT. RUBY'S HOUSE - DAY
A small black boy, JOEY BROWN (age 4), jumps into Ruby's arms
as she opens the screen door.
JOEY
Mama!
RUBY
You miss me, baby?
Joey nods with a big grin.
INT. KITCHEN - DAY
Warm and inviting. A child's finger-painted pictures cover
the refrigerator door.
HOLLY WILSON (late 40s), stout, reaches into the oven and
removes a pan of homemade biscuits. Ruby ladles stew into
bowls. Joey meticulously arranges three silverware place
settings.
RUBY
...He didn't!
HOLLY
He certainly did.
Joey beams.
RUBY
You're getting so big.
JOEY
I'm gonna be the daddy of the
house!
Ruby's smile fades a little. Holly ruffles Joey’s hair.
HOLLY
Someday maybe, but not today -
now thank the man upstairs for
this fine food and let's eat.
They all take a seat. Joey bows his head.
JOEY
Thank you, Lord, for Aunt Holly's
stew. Amen.
He grabs his spoon.
Genres:
["Drama","Slice of Life"]
Ratings
Scene
2 -
A Heartbreaking Hymn
EXT. CHURCH - DAY
A spirited HYMN can be heard coming from this old, wooden,
inner-city Baptist church.
INT. CHURCH - DAY
Holly, stands amongst the CHOIR, hits the high notes.
The PARISH clap their hands to the lively beat, sing along.
Ruby and Joey sit in a front pew. Joey sings mighty loud and
a bit off key. Ruby smiles down at him.
EXT. CHURCH - DAY
PASTOR FREE (mid 40s), takes his handkerchief, wipes the
sweat from his brow as he shares a few words with the
parishioners filing out.
EXT. SIDEWALK - DAY
Water from a fire hydrant sprays onto a group of CHILDREN
cooling themselves from the summer's heat.
Joey skips in front of Ruby and Holly past a run-down housing
project.
RUBY
Joey, stay right with us,
okay?
He skips back, takes her hand.
EXT. SIDEWALK - CONTINUOUS
SHARON MILLER (mid 20s), white with greasy, blonde hair and
dark circles under her eyes passes a wad of cash to a...
HISPANIC MAN. A cobra tattoo winds up the side of his neck,
ending with its venomous fangs poised to strike on his cheek.
PAULEY MILLER (4), light-skinned black, twirls in circles.
Sharon grabs his tattered Cinderella T-shirt.
SHARON
Stay still, you're making me
dizzy!
She pockets something.
SHARON
Let's go.
Pauley smiles, gives a little wave as he passes Joey with
Ruby and Holly.
JOEY
That's a girls' shirt, huh,
Mama?
Pauley frowns, folds his arms across his chest, covers the
princess picture. He trots to catch up with his mom. Sharon
hurries toward a project apartment.
RUBY
Shhh. Be careful what you say,
baby --
JOEY
I'm not a baby!
RUBY
Even more reason not to hurt
somebody's feelings. You're big
enough to know better.
The sound of an ice cream truck, playing a child's nursery
rhyme TUNE, can be heard close by. The truck crosses an
intersection, heads away from them.
JOEY
It's the ice cream truck!
Wait! Wait for me!
Joey takes off after the truck, dashes into the street.
RUBY
Joey!
Tires SQUEAL. A THUD.
HOLLY
Oh, my Lord!
Ruby rushes into the street.
Holly remains frozen, her hand clutches her chest. She slowly
falls to her knees, unable to catch her breath.
EXT. HOSPITAL - DAY
A SIREN WAILS - an AMBULANCE pulls into the Emergency Entrance.
INT. HOSPITAL - DAY
Ruby sits in a cold, sterile waiting room, alone.
A solemn-faced DOCTOR, in scrubs, walks toward her. Ruby
stands. He quietly confronts her. She shakes her head in
disbelief...
RUBY
No. No! NO!
Ruby breaks into heart-wrenching sobs, collapses into the
chair.
INT. CHURCH - DAY
The church packed with MOURNERS.
The Pastor stands before two polished pine coffins.
Ruby sits in the front row. One by one the mourners offer
her their sympathy.
MOURNER
You know why Holly left us. She
didn't want Joey to go it alone.
She'll watch over him, just like
she always watched over you.
INT. CHURCH - DAY
The Choir soulfully sings. The spot where Holly previously
stood now stands empty.
CHOIR
(sings)
Abide with me; fast falls the
eventide. The darkness deepens;
Lord, with me abide. When other
helpers fail and comforts flee,
help of the helpless, O abide
with me.
EXT. CEMETERY - DAY
Ruby, in a dazed state, stares at the side-by-side graves.
Both coffins are lowered into the ground.
Mourners wipe their tears.
The Pastor delivers his eulogy.
CHOIR (V.O.)
(sings)
Swift to its close ebbs out life's
little day. Earth's joys grow dim,
its glories pass away.
EXT. HOUSING PROJECT - DAY
Pauley squats on the small patch of weedy lawn outside a run-
down apartment, plays with a rusty old toy truck.
CHOIR (V.O.)
(sings)
Change and decay in all around I
see. O thou who changest not,
abide with me.
INT. SHARON'S APARTMENT - SAME
Sharon puts a needle to her arm.
CHOIR (V.O.) *
(sings)
I need thy presence every passing
hour. What but thy grace can foil
the tempter's power?
INT. RUBY'S HOUSE - NIGHT
Ruby lies curled in a fetal position on a small youth bed,
hugging a teddy bear.
CHOIR (V.O.)
(sings)
Who, like myself, my guide and
stay can be? Through cloud and
sunshine, Lord, abide with me.
The hymn fades in the background.
INT. SHARON'S APARTMENT - DAY
As day breaks...
Pauley, in dingy underwear, sleeps on a soiled mattress lying
on the floor. A roach crawls over his cheek, pausing at a
smudge of chocolate near his lips.
Pauley stirs, brushes the bug off. He wipes the sleep from
his eyes, rises, and drags his well-worn blankie into the
battered...
HALLWAY
He slowly opens a door, peeks inside.
Sharon's asleep in bed. Sprawled out beside her is a ROUGH-
LOOKING MAN, his hairy arm flung across her bare back.
Pauley closes the door, quieting the man's SNORES.
Genres:
["Drama"]
Ratings
Scene
3 -
Desperate Encounters
INT. RUBY'S HOUSE - DAY
The glare of the sun wakes Ruby. Her tear-swollen eyes open.
INT. OFFICE BUILDING LOBBY - DAY
LAUGHTER echoes as EMPLOYEES leave the building.
A yellow 'Wet Floor' caution sign stands on the marble tile.
Ruby puts her cleaning supplies into a closet.
EXT. SIDEWALK - NIGHT
The sun has set, it's now getting dark at an early hour. Ruby
steps down from a bus. Leaves rustle across her path. She
pulls her sweater close, shields herself from the chilling
wind. She walks by a group of HALLOWEENERS.
Across the street stand Sharon and Pauley. Pauley, dressed
only in a T-shirt and jeans, hops up and down while Sharon
looks around anxiously.
Ruby stares at Pauley - she starts forward, as if to meet
them, but stops when the two are joined by THREE BANDANA-
WEARING MEN. Ruby shakes her head and, with a sorrowful
look, turns in the opposite direction.
EXT. ALLEY - NIGHT
Sharon steps into the alley with the men.
Pauley watches the children across the street trick-or-
treating. He turns away with a frown, kicks at a pile of
trash, then walks up beside his mom and the three men.
MAN WITH SCAR
You need to step it up, bitch.
SHARON
Man, money's been tight, you
know --
MAN WITH SCAR
Me and the bank got us an
agreement - they don't sell shit
and I don't give credit. No cash,
no candy.
The men walk away, leaving Sharon and Pauley in the alley.
Sharon paces back and forth, wrings her hands. She's clearly
upset.
PAULEY
I'm cold, Mommy.
Sharon scoops Pauley up onto her hip, carries him away.
INT. SHARON'S APARTMENT - NIGHT
Sharon opens the door. A sickly-white, PUDGY-FACED MAN with
a bad comb-over and a cheap suit enters.
LATER
The Pudgy-faced Man tucks his shirt into his trousers, puts
on his sport coat and leaves.
Sharon closes the door behind him, reaches for a jacket. She
hurries down the hall, glances into Pauley's room.
Pauley lies asleep on the mattress. She shuts his door and
leaves the apartment with two crisp twenties in hand.
INT. SHARON’S APARTMENT - DAY
Sharon munches from a bag of Cheese Doodles. Sitting cross-
legged on the sofa, she watches “Good Morning America.”
Nodding off, she slowly rocks back and forth.
PAULEY (O.S.)
Mommy!
Sharon jerks - her eyes pop open.
SHARON
Ya scared me!
Pauley stands in his undies. His dark, curly locks fall into
his eyes.
PAULEY
I'm hungry.
Sharon offers the bag of Cheese Doodles.
SHARON
(sings)
Pauley Walley doodle all the
day.
She giggles, her eyes glazed in a drugged stupor.
Genres:
["Drama","Urban"]
Ratings
Scene
4 -
Echoes of Responsibility
INT. RUBY'S HOUSE - DAY
Ruby scrapes an egg and toast from her breakfast plate into
the trashcan. She washes and dries the plate, puts it into
the cupboard.
Placing the dishtowel onto the refrigerator handle, Ruby *
pauses to trace the painted impression of a small handprint,
attached to the fridge door.
INT. SHARON'S APARTMENT - DAY
A phone RINGS and RINGS and RINGS. An answering machine
picks up.
SHARON'S VOICE
(filtered)
I must not be home. Leave a
message.
FEMALE VOICE
(filtered)
Hi, it's me. Don't forget about
Wednesday. I'll pick you up after
work, around six. And, Sharon,
please don't disappoint Mom and
Dad. They really want to see you
and Pauley, that's all they've
been talking about lately.
Sharon sits in the darkened hallway, smokes a cigarette,
listens.
FEMALE VOICE
(filtered)
Call me if you can. If not, I'll
see you Wednesday.
INT. CHURCH - DAY
The Pastor stands at the door of the church with Ruby.
PASTOR
I won't take no for an answer,
and Carol said don't you dare
bring anything. She's been baking
for a week.
Ruby smiles weakly.
ELDERLY LADY
Pastor Free, could I have a moment?
PASTOR
Why certainly, Mrs. Stillman...
(to Ruby)
We'll see you Thursday then,
Ruby.
The Pastor takes the Elderly Lady by the arm, helps her into
his office.
Genres:
["Drama"]
Ratings
Scene
5 -
Family Tensions on the Turnpike
INT. SHARON'S APARTMENT - NIGHT
DONNA MILLER (mid 30s), white, well-dressed and well-groomed,
runs her fingers through Pauley's hair, smoothes the unruly
curls.
DONNA
Grandma can't wait to see you.
PAULEY
And Pap-pap?
DONNA
Pap-pap too.
(whispers)
They're hoping your mom will
let you stay for a visit.
SHARON (O.S.)
Don't even start that crap.
Sharon, dressed in beat-up blue jeans and faded T-shirt,
enters the living room, cigarette in hand.
SHARON
He'll be coming back home
with me, where he belongs.
DONNA
I hope you packed something
nice for tomorrow.
INT./EXT. DONNA'S SUV (MOVING)- NIGHT
Donna drives along the Pennsylvania turnpike - Sharon in the
passenger seat, Pauley, buckled into a booster seat in the
rear, naps. Country music plays on the radio.
They drive through farm country.
Sharon pulls out a cigarette.
DONNA
Don't even light that --
SHARON
I didn't plan to.
Sharon changes the radio station to a rap song.
DONNA
You know I--
SHARON
--hate that music. Yes, I know.
DONNA
I don't want to fight, listen to
whatever you want.
(beat)
Mom and Dad are so worried about --
Sharon turns up the radio. Donna gives her a dirty look and
quickly turns it down, glances back at Pauley. He stirs.
Sharon stares out at the Amish farms, tries to stay focused,
but her eyelids seem to weigh a ton. They exit from the
turnpike at the Lancaster PA sign.
EXT. MILLERS’ FARM - NIGHT
Donna pulls into a long gravel drive leading up to a house.
EXT. MILLERS’ FARM HOUSE - NIGHT
DARLENE MILLER (50s), opens the screen door. She walks out
onto the wraparound porch, followed by HARRY MILLER (late
50s). Donna comes up the porch steps with Pauley in hand.
DARLENE
There's my Pauley Walley!
You're getting so big!
Darlene picks him up and hugs him, he giggles. She and Donna
exchange a smile and peck on the cheek. Harry gives Donna a
hug. Sharon steps onto the porch, carrying a duffel bag.
SHARON
He doesn't like to be called
that, Mom.
HARRY
(reaches for her bag)
I'll get those for you, honey.
SHARON
I got it, Dad.
Genres:
["Drama"]
Ratings
Scene
6 -
Bittersweet Harmony
INT. MILLERS' DINING ROOM - NIGHT
Sharon stands in the doorway watching...
The family is gathered, cheerfully chatting away. Donna
removes the dinner dishes from the china cupboard and places
them on the table. Harry lifts Pauley onto the piano bench.
Pauley pounds the keys. Darlene laughs.
Sharon grimaces. With shaking hands she caresses her
temples, walks out of the dining room.
HARRY
(to Pauley)
Scoot over and let me show you
how it's done. I used to sing
this one to your mom when she
was a little girl.
INT. BATHROOM - SAME
The music has changed from Pauley's ear-piercing creation to
the tune of "You Are My Sunshine." Sharon can hear her dad
singing.
HARRY (O.S.)
(sings)
You are my sunshine, my only
sunshine. You make me happy,
when skies are gray.
Sharon opens her purse, pulls out a straw, cut down to about
two inches. She removes a small glassine packet, about the
size of a postage stamp and opens it, revealing a grayish
powder.
INT. DINING ROOM - SAME
Pauley looks up at Harry with a big-dimpled smile.
INT. BATHROOM - SAME
Sharon stares into the mirror, wipes the powder residue from
her nose. She closes her eyes and softly sings along.
HARRY (O.S.) & SHARON
(sing)
You'll never know, dear, how
much I love you. Please don't
take my sunshine away.
Sharon opens her eyes. Tears stream down her cheeks, yet
she's smiling.
INT. MILLERS’ BEDROOM - DAY
The sun shines in through the window blinds.
Sharon lies in bed. With a moan, she tosses and pulls the
blanket over her head, knocks a picture off the nightstand.
The picture lies on the floor - one of Sharon, in the middle
of a football field, at the very top of a pyramid of
cheerleaders.
INT. MILLERS’ KITCHEN - SAME
Thanksgiving dinner ingredients are spread throughout the
room.
Darlene and Donna, busy at work, prepare the meal.
EXT. MILLERS’ FARM - SAME
Harry and Pauley walk toward the barn, Harry carries a pail.
PAULEY
Can I help ya feed her?
HARRY
Sure, you can give Betsy her
special treat.
PAULEY
Grandma’s pumpkin pie?
Harry laughs.
INT. BARN - CONTINUOUS
Harry and Pauley stand before a stall.
Harry gives Betsy, an old mare, a rub on the snout - takes an
apple out of his pocket and hands it to Pauley.
HARRY
Lay it flat in the palm of your
hand and let her take it from you.
You wouldn’t want her eating up
those fingers by mistake.
Pauley looks at his fingers and quickly shakes his head.
PAULEY
I need them fingers!
Pauley takes the apple and carefully holds it up. The mare
takes it. Pauley beams.
Harry pitches some straw into the stall.
Pauley stands on a bale of hay and pets the horse.
Genres:
["Drama"]
Ratings
Scene
7 -
Thanksgiving Tensions
INT. PASTOR'S DINING ROOM - DAY
CAROL FREE (late 40s), places a large platter, holding a
scrumptious looking turkey, in the middle of the table.
Ruby, right behind her, carries two side dishes.
Pastor Free and his THREE TEENAGE SONS take seats at the
table.
INT. MILLERS' DINING ROOM - DAY
The Miller family, including GRANDMA MILLER (80s), pass the
serving bowls around the table.
Pauley's eyes open wide with wonderment as he helps himself
to heaping spoonfuls of this and that.
SHARON
Your eyes are bigger than your
stomach --
DARLENE
Let him go, there's more than
enough to go around.
SHARON
He shouldn't make a pig of
himself.
Pauley looks embarrassed. Harry scoops a huge pile of
stuffing on his own plate and snorts out an OINK sound.
Pauley grins.
SHARON
You spoil him, Dad.
GRANDMA
My, these potatoes are so
creamy. Not a lump in 'em.
DARLENE
He's just hungry, Sharon.
SHARON
Are you saying I don't feed
him?
GRANDMA
Grandpa used to say he could
choke on my lumps.
DONNA
Mom's not saying that, but he
is underweight for his age.
SHARON
No he's not, he's just fine!
DARLENE
Why don't you let him stay with
us through Christmas, and then --
Sharon throws down her napkin.
SHARON
What a friggin' joke! First you
try to take him from me and now
you're asking my permission.
GRANDMA
I guess some folks like the lumps.
Genres:
["Drama"]
Ratings
Scene
8 -
A Moment of Reflection
INT. PASTOR'S HOUSE - DAY
Ruby helps Carol clear the dining table. The three sons head
into the living room to turn on the football game.
PASTOR
Ruby, come keep me company.
Ruby glances at all the dishes.
CAROL
Go. The boys are going to help
me clean up. Aren't you, guys?
They answer with an I-guess-we-have-no-choice look.
EXT. PASTOR'S HOUSE - DAY
Ruby and the Pastor sit on the front porch swing. He smokes
a cigarette.
PASTOR
I know I should quit. Guess
we all have our vices to deal
with.
(beat)
How you doing, Ruby?
RUBY
As good as can be expected,
I guess. Spending my nights
questioning why God would put
me through this. Why would he
take all three of my loved
ones? What did I do --
PASTOR
God has a plan, we can't
question --
RUBY
He should just take me, too.
PASTOR
In time, but for now, you're
here with us to do His good.
RUBY
Cleaning toilets? Sorry, but
I think they can find a
replacement if I were to --
Carol comes out onto the porch, interrupts.
CAROL
Did you ask her yet?
The Pastor shakes his head.
Carol takes his cigarette and stubs it out.
CAROL
Ruby, we really need someone
to take Holly's place. With
the fundraiser coming up, there's
no way that Mrs. Stillman can
handle it.
PASTOR
Of course it doesn't pay much, but
after the fundraiser's done, it'll
only take a few hours a week.
RUBY
Oh, I don't know. Let me think
about it, okay?
PASTOR
All right, no pressure... but it
is for a good cause.
Genres:
["Drama"]
Ratings
Scene
9 -
Tensions and Choices
EXT. MILLERS' HOUSE - NIGHT
Darlene smothers Pauley with kisses, while Donna, at the open
door, gives Grandma a hug.
DRIVEWAY
Harry and Sharon load the suitcases into the trunk of the
car. He hands her some money.
SHARON
I don't need --
HARRY
Nonsense. You make sure Santa's
good to Pauley.
He gives her a hug.
HARRY
Come back for Christmas, okay?
Sharon shakes her head.
SHARON
I can't forgive her, Dad. Now
she wants to take over. When he
was born she didn't want anything
to do with him. He embarrassed
her.
HARRY
She was angry with you, Sharon.
Not him. It was never about the
color of his skin.
Loaded down with Thanksgiving dinner leftovers, Darlene and
Donna arrive at the car. Darlene buckles Pauley into the car
seat. Donna kisses her dad.
Darlene attempts to hug Sharon, but it's uncomfortable for
both of them.
EXT. PHILADELPHIA SIDEWALK - NIGHT
Sharon hands cash to another street DEALER, while Pauley sits
on the cold cement sidewalk, wiping his runny nose with his
jacket sleeve.
DEALER
Looks like you hit the jackpot.
Good thing, too, cuz price went
up five a bag.
SHARON
Why the hell is that?
DEALER
Just call it inflation, less
you wanna make a drop for me.
I could cut you a sweet deal --
SHARON
Not with the kid.
DEALER
He'll make a clean cover.
SHARON
Can't chance it.
Sharon takes Pauley's hand and pulls him up, walks away.
DEALER
Sure bet you'll have a change
of heart when your well runs
dry.
Genres:
["Drama","Family","Urban"]
Ratings
Scene
10 -
From Fundraisers to Fear
INT. CHURCH - DAY
Ruby sits at the office desk, uses the calculator. She
records figures into a ledger.
She turns the swivel chair around, opens a small safe, and
places a lockbox and ledger inside it.
MONTAGE - CHURCH FUNDRAISER EVENTS
-- Tables and chairs line the church basement. BINGO
PLAYERS, cards spread out in front of them, fill all the
chairs.
Some lucky charms lie about. Ruby sells the cards and Carol
the snacks - coffee, soda, pizza slices and hot dogs. Pastor
Free calls out the numbers.
-- Tables and chairs line the church basement - this time
filled by DINERS, plates of fish and fries placed before
them.
With friendly smiles, Carol and Ruby serve the dinners, while
the Pastor and his sons - in the kitchen with rubber gloves
to their elbows - scrub the dirty dishes.
-- A dance floor is set up in the center of the church
basement, with tables and chairs off to the side. TEENAGERS
dance to the DJ's MUSIC.
Strutting her stuff, Carol hip-hops with a group of YOUNG
GIRLS. The Pastor and Ruby laugh. Her sons roll their eyes
and then join in, trying their best to keep up with their old
mom.
END MONTAGE
INT. CHURCH OFFICE - DAY
Pastor Free, Carol and Ruby examine figures.
PASTOR
Well, I'll be... we just set
a record! Everything else is
icing on the cake.
Carol rubs her back, with a faked expression of pain.
CAROL
It must have been the hip-hop
that did it.
They laugh as the Pastor imitates some of her moves.
EXT. DOWNTOWN SIDEWALK - DAY
A dark, dreary day - a steady drizzle.
Ruby wraps her scarf around her neck, lifts her umbrella, and
exits the office building.
A SALVATION ARMY LADY rings her BELL. Ruby drops a few coins
into her pot, continues among the crowd.
Ruby waits at her bus stop.
Sharon and Pauley walk by.
Ruby watches as they enter into a nearby deli.
A Police cruiser pulls up and parks nearby, but out of sight
of the deli windows. Two UNIFORMED OFFICERS, hands on their
holsters, get out of the car.
A Sedan, followed by a second cruiser, pulls into the alley
that runs to the back of the deli.
A bus drives past the deli as the two Officers enter.
INT. DELI - CONTINUOUS
The Officers walk through the store, past a few CUSTOMERS.
Pauley sits in the corner near the counter with two crayons
and paper, scribbling away.
The CLERK behind the counter signals with his eyes to a door.
Officer #1 rounds up the customers, nods toward the exit.
Taking the hint, they all leave.
The Clerk withdraws a gun that was tucked inside his jeans.
The Officers draw their weapons.
The Clerk (Undercover Cop) eyes Pauley and signals to another
Officer, OFFICER DRUMMOND. The Officer quietly comes up
behind Pauley, scoops him up, covers his mouth to stifle any
words.
OFFICER #1
(quietly into radio)
It's going down, back storage
room.
EXT. DELI - DAY
Drummond carries Pauley from the building. Pauley pulls,
with all his might, to remove the cop's hand from his mouth.
PAULEY
Let me go! Let me go!
Pauley attempts to kick the Officer.
Drummond takes him, kicking, to the cruiser. He reaches in
for the radio but drops it on the seat as he struggles to get
a better hold on this squirming little boy.
Drummond opens the rear door to put Pauley into the back
seat.
Pauley bites his hand.
DRUMMOND
You little --
RUBY (O.S.)
What's wrong, Officer?
DRUMMOND
Ma'am, this is a crime scene,
you'll need to clear the area.
Ruby’s umbrella hides her face.
RUBY
I'm the boy's Aunt! What's
wrong?
Pauley screams out, his arms flail.
PAULEY
I want my mommy!
SHOTS ring out from the alleyway. The Officer plops Pauley
into Ruby's arms and is on the move as he speaks.
DRUMMOND
Wait in the cruiser!
Reluctantly Ruby follows the Officer's orders, sitting half
in, half out of the car with Pauley in lap. She looks around
and at Pauley, tears run down his cheeks. Hugging him
tightly, she takes a deep breath and rises from the seat.
Genres:
["Drama","Crime","Family"]
Ratings
Scene
11 -
Desperation and Comfort
EXT. ALLEY - DAY
Sharon and FIVE OTHERS are spread-eagle against the wall.
TWO PLAINCLOTHES DETECTIVES stand off to the side, notepads
in hand, speak with the Clerk Undercover Cop.
SHARON
Where's my kid?
OFFICER #3
I didn't see any kid, lady.
Sharon's now hysterical, she tries to run.
SHARON
I gotta find my boy.
Officer #3 grabs Sharon, slams her back against the wall.
OFFICER #3
You should'a thought about
your boy's welfare a little
sooner, instead of peddlin'
your poison.
Drummond overhears.
DRUMMOND
The kid's with his Aunt.
SHARON
What the hell's she doin' here?
Officer #3 jerks Sharon's arms behind her back, slaps the
cuffs onto her wrists. She winces in pain.
OFFICER #3
You have the right to remain...
A paddy wagon pulls into the alley.
EXT. DELI - DAY
Drummond returns to his car. He looks around. Ruby and
Pauley are gone.
EXT. SIDEWALK - DAY
Ruby carries Pauley, his face buried in her shoulder. He
sobs. She walks fast, checks back behind her every so often.
RUBY
Shhh, don't cry. Your mommy
will be okay. She just needs
some time to get this all
straightened out.
PAULEY
I want my mommy.
RUBY
I know, I know you do - I'm
just gonna take good care of
you for a while, until she's
back.
PAULEY
Are you my mommy's friend?
RUBY
Yes, yes I am. She wants me
to watch you for her. She
didn't want the policeman to
take you.
PAULEY
I didn't do anything bad.
Ruby wipes his tears away.
RUBY
Of course you didn't, sweetie.
You're safe with me, okay?
Pauley nods.
Genres:
["Drama","Crime"]
Ratings
Scene
12 -
Desperate Pleas and Tough Love
INT. POLICE STATION - DAY
Sharon and the other Drug Dealers are fingerprinted.
CAPTAIN'S OFFICE
The CAPTAIN looks riled.
CAPTAIN
You left the kid?
DRUMMOND
With his Aunt - I didn't think
she'd take off.
CAPTAIN
Let's get her on the phone.
DRUMMOND
I tried, no answer.
The Captain lets out a huff.
LATER
Sharon makes her allotted call.
SHARON
(into phone)
Mom, I'm in trouble.
INT. MILLERS' HOUSE - DAY
Darlene slowly lowers herself into a kitchen chair.
DARLENE
Oh my God. How bad is it?
INTERCUT BETWEEN POLICE STATION AND MILLERS'
SHARON
It's bad. I've been arrested.
Darlene takes a deep breath, her lip quivers. Harry enters
the kitchen. Darlene covers the mouthpiece and whispers...
DARLENE
(to Harry)
She's been arrested again.
HARRY
How much does she need?
SHARON
I need to make bail.
DARLENE
No. Not this time.
HARRY
What? How much does she
need, Darlene?
SHARON
Mom!
DARLENE
Where's Pauley?
SHARON
Mom, I need you to get me
outta here! I'm gonna be
sick!
Harry snatches his coat off a hook.
HARRY
Where is she?
DARLENE
Where's Pauley?
Darlene grabs Harry's arm.
SHARON
Donna got him. I promise,
I'll go back into rehab.
DARLENE
It didn't work. Maybe this
might.
Genres:
["Drama","Crime"]
Ratings
Scene
13 -
A Night of Choices
EXT. CHURCH - NIGHT
Ruby and Pauley walk, hand in hand, up the church steps.
INT. CHURCH - NIGHT
The church is empty, lit only by dim night-lights.
Ruby enters the office, lifts Pauley onto a chair. She opens
the desk drawer and pulls out a pack of cheese crackers and
hands it to him. He rips it open and devours them.
Ruby removes a key chain from her purse, kneels down in front
of the small safe. She inserts a key, turns the combination
lock. It opens.
EXT. RUBY'S HOUSE - NIGHT
Ruby carries Pauley, asleep, up the porch steps.
INT. MILLERS' HOUSE - NIGHT
Darlene hangs up the receiver.
DARLENE
Still no answer. Why hasn't
she called?
Harry paces the floor, runs his hand through his hair.
INT. RUBY'S HOUSE - NIGHT
Ruby lays Pauley on the sofa, covers him with an afghan.
ATTIC
Ruby kneels down, opens the lid of a dusty trunk. She
removes a Marine Corps uniform and hugs it to her chest. She
grabs a large box, fills it with articles from the trunk.
RUBY'S BEDROOM
Ruby packs some clothes into suitcases.
She starts to walk out of the room, but returns to gather up
pictures - framed and sitting on her dresser - of Joey,
Holly, and a wedding picture of herself and her groom.
ANOTHER BEDROOM
Ruby rummages through a dresser drawer containing official-
looking papers.
CHILD'S BEDROOM
Ruby packs some of Joey's clothes and toys.
KITCHEN
Ruby puts some grocery items into shopping bags. She takes
the painted pictures from the refrigerator door, gently folds
them and slides them into the side of her purse.
She takes keys from a hook, goes out the back door, her arms
full of items.
INT. JAIL CELL - NIGHT
Sharon lies curled up on a cot. Sweat beads on her forehead.
She trembles, pulls the rough wool blanket up to her chin.
INT./EXT. OLD CHEVY (MOVING) - NIGHT
Ruby drives along a secluded back road, her eyes well up.
Pauley, buckled into a car seat, sleeps.
Ruby, overwhelmed, pulls to the side of the road, lays her
head on the steering wheel.
RUBY
Oh, God. What have I done?
Pauley whimpers. Ruby looks back at him.
RUBY
Shhh, baby. I'll take good
care of you, I promise.
EXT. CONVENIENCE STORE - NIGHT
Ruby finishes pumping gas. She pays the YOUNG CLERK at the
window, walks away with a map in hand.
INT./EXT. OLD CHEVY (MOVING) - DAY
The glare of the sun blinds Ruby. She lowers the visor. An
angel clip holds a picture of Joey and Holly.
PAULEY (O.S.)
Who's that? I seen that kid
before.
Ruby glances back and smiles, Pauley points at the picture.
RUBY
That's my little boy and my
sister.
PAULEY
Where is he?
RUBY
He's with his daddy.
PAULEY
I don't have a daddy.
RUBY
I never had a daddy either.
... You hungry?
Genres:
["Drama"]
Ratings
Scene
14 -
Bittersweet Moments
EXT. SIDE OF ROAD - DAY
Standing a few feet from the car, Pauley zips up his fly. He
walks back to the car.
Ruby spreads a tablecloth out on a grassy area. She zips his
jacket all the way up.
RUBY
It's cold, huh?
Pauley nods.
RUBY
Next time we'll stop at
McDonald's.
PAULEY
Can I get a Happy Meal?
RUBY
Yep, whatever you want.
Pauley breaks into a real big smile.
Ruby takes an individual serving size box of Frosted Flakes
and reaches into a small cooler for a pint of milk. She pops
open the box, pours a little milk into it, takes a plastic
spoon from a bag and sets the meal in front of Pauley.
Ruby peels a banana, adds a few slices to the cereal, then
eats the rest of the banana.
PAULEY
Is Mommy gonna get me today?
INT. JAIL CELL - DAY
A MATRONLY GUARD places a tray of food into Sharon's cell.
Sharon doesn't move, she remains trembling on the cot - she
looks like hell.
MATRONLY GUARD
Your bail wasn't posted. You'll
be transferred to county today.
Maybe they can get ya into detox.
INT. CHURCH OFFICE - DAY
Pastor Free opens the safe. He removes the lock box. Opens
it to find only a folded note. He looks puzzled. He
reads...
INT./EXT. OLD CHEVY (MOVING) - DAY
Ruby and Pauley drive through downtown Harrisburg. Holiday
decorations adorn the streets.
RUBY (V.O.)
I'm sorry. I know the money was
for the needy. Right now, no one
needs it more than I do. I've
realized God's plan and I'm
following it. Please forgive me,
Ruby.
Pauley gazes at a huge, sparkling Christmas tree.
They pull into a McDonald's.
INT. MCDONALD'S - DAY
Pauley eats a Happy Meal, plays with a small toy.
Ruby's expression turns sad as she watches him. He looks up
at her with a ketchup smile. Ruby smiles back, wipes the
ketchup from his mouth.
Genres:
["Drama","Family","Crime"]
Ratings
Scene
15 -
Custody Concerns
INT. DONNA'S UPSCALE APARTMENT - DAY
Donna enters, throws her keys on the sofa table and sets down
a suitcase. She walks into her...
KITCHEN
Opens the refrigerator, grabs a soda.
Numbers flash on her answering machine. She hits play...
DRUMMOND (V.O.)
(filtered)
This is Officer Drummond with the
Philadelphia Police Department.
I need to speak to a Donna Miller.
Please have her call me at two one
five, five five six, one two one
two.
BEEP
DARLENE (V.O.)
(filtered - frenzied)
Donna, is Pauley okay?
INT. CAPTAIN'S OFFICE - DAY
The Captain sits at his desk. Officer Drummond stands beside
him.
Darlene, Harry and Donna take a seat.
CAPTAIN
The FBI has been called in.
They'll be contacting you.
DONNA
She said she was me?
DRUMMOND
She said she was his Aunt.
DARLENE
Does Sharon - his mother - know
yet?
CAPTAIN
No, she's in detox at county.
From what I hear, she's having
a real tough time of it.
Harry, angry, stares at Drummond.
HARRY
How could this happen? He was
in your custody.
DRUMMOND
(defensive)
I didn't put the four-year-old
on the streets.
HARRY
Neither did we!
Darlene lays her hand on Harry's arm.
DARLENE
We petitioned the courts for
custody and were denied.
Grandparents have no rights.
DONNA
They couldn't even get scheduled
visitations. They get to see
him once or twice a year.
HARRY
Now, thanks to you, Officer
Drummond, maybe never again.
CAPTAIN
We aren't to blame for your
daughter's lifestyle, Mr. Miller.
We'll do what we can to get him
back.
Genres:
["Drama","Crime"]
Ratings
Scene
16 -
A Night of Care and Comfort
EXT. DECENT-LOOKING MOTEL - NIGHT
Ruby's old Chevy is parked in front of a motel room.
INT. MOTEL - NIGHT
Pauley bathes in a tub full of bubbles, plays with the small
McDonald's toy. Ruby washes his hair.
PAULEY
I'm glad you're my mommy's
friend.
RUBY
So am I, Joey.
PAULEY
Not Joey, Pauley. Did you
forget my name?
RUBY
Oh, silly me, huh?
LATER
Ruby helps Pauley into pajamas - nice warm flannel ones, just
his size, with teddy bears dressed as baseball players.
Ruby pats the bed and he jumps onto it.
RUBY
Do you pray, Pauley?
Pauley looks puzzled. She takes his hands, folds them
together.
RUBY
Now bow your head.
She gently pushes his head down slightly.
RUBY
Close your eyes.
He closes his eyes and she begins her prayer.
RUBY
Dear Lord, we need your guidance.
Pauley has to be away from his
mommy for a while. Please help
him to be a brave little soldier,
until she can one day come for
him. Watch over his mommy and
watch over us. Amen... Say amen.
PAULEY
Amen!
She tucks him in. He lays his curly locks on the clean white
pillow and snuggles down, all comfy. She kisses his cheek.
RUBY
Goodnight, baby.
Genres:
["Drama","Family"]
Ratings
Scene
17 -
Bittersweet Connections
INT. COUNTY PRISON - DAY
Sharon, in prison garb, is escorted to a visiting area. She
still appears sick.
Darlene, Harry, and Donna sit at a table, waiting. Sharon
sits down across from them. Darlene says something.
Sharon looks startled, then angry. Harry takes her hand.
Sharon breaks down. She lays her head on the table and
cries.
EXT. BUNGALOW - DAY
A white picket fence surrounds a little house. The small
lawn is covered with snow.
INT. BUNGALOW - DAY
The house is furnished with old, but in fair shape, mismatched
pieces of furniture.
Ruby unpacks her boxes and suitcases.
Pauley gets excited when he finds a box with a few toys.
LATER
Ruby collapses into a recliner. Pauley jumps into her lap,
causing the recliner to tilt way back.
RUBY
Whoa!
They laugh.
LATER
Pauley snuggles on Ruby's lap. She reads a book to him. As
she turns a page...
PAULEY
That's pretty.
RUBY
What's that, babe?
He points to one of her rings.
PAULEY
It sparkles.
Ruby stares at her rings with fondness - a simple band
accompanied by an engagement ring, set with a small diamond.
RUBY
It’s very special to me...
Ruby turns her gaze to Pauley.
RUBY
...just like you.
Pauley's face lights up.
MONTAGE
-- Ruby and Pauley decorate a small Christmas tree. She
lifts him up to place an angel on the top branch.
-- Sharon sits at a table with her PUBLIC DEFENDER.
-- It's snowing. Ruby and Pauley build a snowman.
-- Sharon stands in court, a JUDGE sentences her.
-- Pauley comes into the living room, sleepy-eyed. He sees
presents, wrapped with bows, under the tree. His eyes light
up.
-- Sharon, sitting in the back of a Police van, is driven
through the gates of the Women's State Prison. The gates
close behind her.
END MONTAGE
Genres:
["Drama"]
Ratings
Scene
18 -
A Joyful Deception
EXT. BUNGALOW - DAY
The sun shines. Daffodils bloom.
INT. BUNGALOW - DAY
Ruby, dressed in her Sunday best, straightens Pauley's
lopsided bow tie.
RUBY
Now remember, what's your name?
PAULEY
My name is Joey Brown.
RUBY
Good job! Ready?
Pauley nods with a grin.
INT. BAPTIST CHURCH - DAY
The church is filled to capacity.
Ruby and Pauley walk down the aisle. A COUPLE scoots over to
allow them a seat.
The CHILDREN look sweet in their Easter outfits.
PASTOR JAMES (mid 40s), enters. The service begins.
LATER
The congregation sings a hymn. Pauley gazes up at Ruby,
mesmerized by her voice. As the chorus is repeated, he joins
in with every 'Hallelujah'.
LATER
As the Parishioners file out, Pastor James says a few words
to each one.
PASTOR JAMES
(to Ruby and Pauley)
Welcome to our church.
RUBY
Thank you, it was a very
uplifting service, Pastor.
PASTOR JAMES
Are you new to town?
RUBY
Yes, yes we are.
PASTOR JAMES
Well, welcome to our town.
I hope to see you both again.
RUBY
Thank you, you will.
EXT. CHURCH - DAY
As Ruby and Pauley leave, Ruby notices the church's Daycare
Center sign.
Genres:
["Drama","Family"]
Ratings
Scene
19 -
A Sweet Conversation
INT. BUNGALOW - DAY
A table set for two - ham, mashed potatoes, vegetables, and a
sweet potato pie.
Pauley cleans the remaining gravy off his plate with his
dinner roll.
RUBY
Did you leave any room for
dessert?
PAULEY
Mmm hmm.
Ruby slices the pie.
RUBY
How would you feel about
going to daycare?
PAULEY
What's daycare?
RUBY
It's a class, with a teacher
and other children your age.
You'll learn lots of things,
and play lots of games.
He thinks.
PAULEY
Will you be there?
RUBY
No, I'd drop you off for a
little while and then come
back for you.
PAULEY
You wouldn't forget me?
RUBY
No way would I forget you,
silly! It would give you a
chance to play with other kids
and I could get a job while
you're there, make us some
money. Maybe we could go on
vacation this summer.
PAULEY
What's that?
RUBY
You'll see. It's doing lots
of fun stuff!
Genres:
["Drama","Family"]
Ratings
Scene
20 -
Tender Moments at the Daycare
EXT. CHURCH DAYCARE - DAY
Ruby and Pauley stand outside the entrance. She kneels down
to speak with him, eye-to-eye.
RUBY
Now remember, you have to
call me Mommy.
PAULEY
When's my real mommy comin'
to get me?
Ruby takes his hands.
RUBY
Do you miss her?
Pauley pauses a moment before answering - his eyes well up
with tears, he slowly nods. Ruby appears troubled.
Suddenly Pauley wraps his arms tight around her neck...
PAULEY
But I sure like being with you!
A look of relief washes over Ruby.
INT. DAYCARE - DAY
Pauley looks around the room.
Small desks stand in a circle. A chalkboard runs the length
of one wall. A workstation holds crayons, construction paper,
and all the art supplies a child could want. A poster board
covered with many pictures.
EIGHT BOYS and SIX GIRLS between the ages of 2 and 4 sit at
the desks.
Pauley smiles as the TEACHER introduces him.
Ruby stands at the door with the SECRETARY.
SECRETARY
Looks like he'll be fine.
INT. DINER - DAY
Ruby sits at a table with a cup of coffee and newspaper. She
searches through the classifieds, circles a help wanted ad.
EXT. UPPER-CLASS HOUSE - DAY
Ruby rings the DOORBELL, admires the manicured landscape.
EXT. DAYCARE - DAY
Ruby picks Pauley up, buckles him in the car seat.
RUBY
How was it?
PAULEY
It was fun! I made something
for you!
Pauley reaches into his backpack and pulls out a picture - a
painted impression of his handprints.
Ruby takes it, handles it with special care. She stares at
it with a faraway look in her eyes.
Pauley, crestfallen by her silence, hangs his head.
RUBY
I love it. I absolutely love it.
Pauley perks up, grins proudly.
Genres:
["Drama","Family"]
Ratings
Scene
21 -
Secrets and Surveillance
EXT. PRISON - DAY
Visiting day. GUARDS watch a fenced-in area with picnic
tables as PRISONERS meet with FAMILY and FRIENDS. Sharon and
Donna sit opposite each other at a table.
Sharon lights a cigarette. Donna reaches into her purse and
pulls out a snapshot. She hands it to Sharon.
DONNA
This was all I could find.
You didn't take many pictures.
Sharon stares at the photo of herself and Pauley. Her eyes
tear up, but she quickly hides her feelings.
SHARON
Any leads yet?
Donna shakes her head.
SHARON
I can't believe he just
disappeared.
DONNA
We can't give up hope. Agent
Smith says they're doing all
they can. We just have to wait
and --
SHARON
Waiting's all I can do, thanks
to them!
DONNA
How can you blame Mom and Dad?
SHARON
They didn't even --
DONNA
It wouldn't have mattered.
People could have died!
(softer)
You could have died.
SHARON
I didn't know it was cut with
that shit.
INT. UPPER-CLASS HOME - DAY
Ruby bends over, cleans a toilet. She glances out the window
and sees...
EXT. POOL AREA - CONTINUOUS
A GROUP OF TEENAGERS at the pool. Laughter echoes as the
boys, horsing around in the water, splash the girls sunning
themselves poolside.
INT. MASTER BEDROOM - DAY
Ruby vacuums. She stops to pick up an earring from the
carpet, opens a large jewelry chest and places the earring
among the other sparkling gems. She closes the chest.
INT. DAYCARE - DAY
Pauley and a little girl paint while the other children play.
The Secretary, holding an advo (missing child alert) card, is
in conversation with the Teacher.
SECRETARY
His birth certificate says
Joey Brown, but this picture...
INSERT PHOTO OF MISSING CHILD
It's not a good photo of Pauley - blurry, and he's only about
three-years-old in it.
BACK TO SCENE
Ruby enters, unnoticed. She walks over to the Teacher and
Secretary. They appear a bit startled. Ruby catches a
glimpse as the Secretary hides something behind her back.
Ruby doesn't flinch.
RUBY
Sorry, I'm a bit early. It's
such a beautiful day I wanted
to take Joey to the pool.
TEACHER
Yes, yes it is a nice day for
a swim.
Ruby turns toward Pauley.
TEACHER
Which pool are you going to?
INT./EXT. OLD CHEVY (MOVING) - DAY
Ruby nervously glances into the side mirror, checks the
traffic behind her. She looks in the rearview mirror, back
at Pauley.
RUBY
Is everything okay at school?
PAULEY
Anne said she paints better
than me. I told her, I don't
think so!
RUBY
Did the teacher say anything
to you?
PAULEY
Ah-huh, she told me I paint
real good for my age.
RUBY
Anything else?
PAULEY
She wanted to know when my
birthday is.
RUBY
What'd you tell her?
PAULEY
I don't know.
RUBY
You don't know what you told
her? Think real hard.
PAULEY
I don't know my birthday.
EXT. BUNGALOW - DAY
Two cars pull up to the house. One is a Police Cruiser.
ONE FEMALE OFFICER and a CHILD WELFARE WORKER walk up to the
front door. ANOTHER MALE OFFICER goes to the back of the
house.
EXT. CITY POOL - SAME
A Police Cruiser drives up.
Genres:
["Drama","Family","Crime"]
Ratings
Scene
22 -
Undercover Adventures and Desperate Dreams
INT./EXT. OLD CHEVY (MOVING) - DAY
Ruby, her car once again loaded with boxes, turns onto Route 30.
Pauley cries.
RUBY
Don't cry. We have to go --
PAULEY
I don't want to go! I have
friends!
RUBY
But it's summertime. Time to
go on vacation.
PAULEY
V'cation? Doing lots of fun
stuff?
RUBY
Yep, and we're gonna start with
a game called... Undercover.
PAULEY
Under the covers, like build a
fort?
RUBY
No, not like that - like Superman
and Spider-man.
Pauley's face lights up.
PAULEY
I get to be Spider-Man!
RUBY
No, we won't pretend to be them.
We'll make up our own characters.
I want to be... um... Bob --
Pauley giggles.
RUBY
What's so funny?
PAULEY
That's a boy's name.
RUBY
Then you pick me a name.
PAULEY
What is your name?
RUBY
Ruby.
PAULEY
That's a good one. I pick that.
INT./EXT. OLD CHEVY (MOVING) - NIGHT
Ruby's car emerges from a tunnel, crosses a long suspension
bridge. The lights of the downtown Pittsburgh PA skyline come
into view - they sparkle off the waters of the three rivers.
EXT. PITTSBURGH SIDEWALK - DAY
Ruby and Pauley, she wearing a sun hat and he a Pirates
baseball cap, enter a five-and-dime store.
INT. MOTEL BATHROOM - DAY
Pauley sits in a chair, a towel wrapped around his shoulders.
Ruby, whose own hair is very much shorter now, uses barber
shears to remove his curly locks.
EXT. PITTSBURGH SIDEWALK - DAY
Ruby and Pauley enter a Beauty Supply Store.
INT. BEAUTY SUPPLY STORE - CONTINUOUS
Ruby selects some make-up, tries on wigs. Pauley laughs at
some of her choices. They both agree on one. She is now a
redhead.
INT. LIBRARY - DAY
Ruby sits at a computer. Pauley stands beside her.
ON COMPUTER SCREEN
In the search area - REGULATIONS FOR HOME SCHOOLING - is
typed.
BACK TO SCENE
Ruby reads and takes notes. She finishes.
A group of CHILDREN gather around a LIBRARIAN. The children
sit on the floor. The Librarian shows them the front of a
Dr. Seuss book.
RUBY
(to Pauley)
I need you to stay right here
until I get back. If that lady
stops reading, I want you to sit
right over there and wait for me,
okay? If anyone asks, I'm in the
restroom.
Pauley nods. She walks him over to the children. He takes a
seat beside a LITTLE BOY.
EXT. PAWNSHOP - DAY
Ruby enters a pawnshop.
As seen through the window, she walks up to the MAN behind
the counter, removes her wedding rings.
INT. THREE RIVERS STADIUM - NIGHT
Ruby and Pauley, both in Pirate caps and T-shirts, sit in the
upper section of the bleachers.
A VENDOR comes by.
VENDOR
Hot dogs! Ice cold lemonade!
Ruby signals the Vendor.
ON FIELD
JEFF KING comes to bat. He whacks one out to right field.
AL MARTIN runs in to score.
BLEACHERS
The crowd ROARS and, like a giant wave, hands roll across the
stadium. Pauley enthusiastically joins in. Ruby smiles.
PAULEY
Can I be a ball player?
RUBY
Maybe someday.
PAULEY
No, today! As my under the
cover!
EXT. MOTEL PARKING LOT - NIGHT
Ruby removes a license plate from another car, replaces it
with her plate.
INT./EXT. OLD CHEVY (MOVING) - NIGHT
Ruby and Pauley on the move again.
INT. PRISON CELL - NIGHT
Lights out. Sharon lies on a cot, stares at the ceiling. Her
dark cell is lit only by dim light from the walkway.
Sharon glances at her CELLMATE, asleep, softly snoring.
Sharon rises, her cot springs SQUEAK.
Her Cellmate, momentarily disturbed by the sound, flops over.
Sharon slips her hand beneath her thin mattress, withdraws a
folded, paper napkin. She unfolds it to reveal a short straw
and a packet of heroin. Sharon sits on the floor, opens the
baggy.
Sharon lines up the powder, leans over.
PAULEY (O.S.)
Mommy.
Sharon looks around, tries to focus in the dark room. She
shakes it off, puts the straw to the powder.
PAULEY (O.S.)
Mommy, I'm cold.
Sharon spins around and sees Pauley, in his Cinderella T-
shirt, standing outside her cell, looking in through the
bars.
Sharon awakes from sleep, bolts upright, gasps. She jumps
off the cot, stumbles to the cell door, screams...
SHARON
Pauley! Pauley!
She searches the empty walkway for a glimpse of him.
SHARON
Let me out of here! I gotta
find my boy!
CELLMATE (O.S.)
Shut the hell up, ya crazy
bitch!
Sharon's hysterical, tears stream down her frightened face.
Genres:
["Drama","Family","Adventure"]
Ratings
Scene
23 -
New Beginnings and Hidden Secrets
EXT. ROW HOUSE - DAY
Ruby unpacks the car. Pauley waits on a stoop. A little
white boy, DEREK (6), sits down beside him.
DEREK
Hi! My name's Derek, what's
yours?
PAULEY
Ah... ah...
DEREK
What's a matter kid, don't you
know your name?
Ruby walks past them, box in hand.
RUBY
His name's Jeff King, he's a
little shy.
Pauley beams.
PAULEY
Yeah! Jeff King, just like
the ball player!
INT. ROW HOUSE - DAY
Ruby washes the dirty windows while Pauley and Derek color.
LATER
Ruby applies a fresh coat of paint to the walls.
RUBY
You're supposed to put the
paint onto the walls, babe.
Pauley holds a child's art brush. His face and hair are
splotched with drops of paint.
EXT. ABANDONED WAREHOUSE / DOCK AREA - NIGHT
Ruby parks the car. She surveys the area, there's no one in
sight. She removes the stolen license plate and pitches it
into the Chesapeake Bay.
She opens the trunk, takes out a road flare and a gas can.
Ruby douses the car's interior with the gasoline, steps back,
ignites the flare, tosses it into the backseat. Flames
engulf the inside of the car. Ruby runs away.
EXT. BUS STOP - NIGHT
Ruby waits. A bus with the lit up destination of DOWNTOWN
BALTIMORE pulls up.
EXT. ROW HOUSE - NIGHT
Ruby knocks on her neighbor's door. Derek, HIS MOM, and
Pauley answer it.
EXT. ROW HOUSE - DAY
A potted plant sits on the stoop. Ruby's windows sparkle in
the sun - all the neighboring windows are dull with grime.
INT. ROW HOUSE - DAY
A birthday cake with five lit candles sits on the kitchen
table, a large wrapped box beside it.
Pauley, wearing a paper party hat, smiles, takes a deep
breath and blows out the candles. Ruby and Derek, both in
party hats, clap.
Pauley unwraps the present, happy to find a basketball.
LATER
Pauley and Derek play in the kitchen. Pauley attempts to
steal the bouncing basketball from Derek as he dribbles it
around the table. Ruby enters as a kitchen chair upsets.
RUBY
No bouncing in the house.
DISSOLVE TO:
Genres:
["Drama","Family"]
Ratings
Scene
24 -
Dribbling Dreams
INT. ROW HOUSE - DAY
DEREK (now 16), and pimply-faced, paces the kitchen floor,
dribbles a basketball while...
PAULEY (now 14), his dark curly locks are back, sits at the
table doing schoolwork.
Ruby enters (now 40s), no longer in the red wig.
RUBY
Haven't I told you - no bouncing
in the house?
(off Derek's dumbfounded look)
I think I did. Last week, the
week before, the week before that.
Derek grins sheepishly. Ruby smiles back.
PAULEY
Soon as I finish, we're going
to the park.
Ruby picks up her purse, heads out the door.
RUBY
Have fun. See you at suppertime.
LATER
Derek, dribbling again...
DEREK
C'mon, c'mon, c'mon!
PAULEY
I gotta finish this.
DEREK
Just do what I do, every other
one is false.
PAULEY
That's why you're flunking.
DEREK
Who needs school anyway? You're
the smartest kid I know and you
never went.
PAULEY
Still have to do the work, make
the grades.
EXT. PRISON - DAY
Sharon (now mid 30s), walks from the prison gate.
PAULEY (V.O.)
I plan on being somebody, someday.
Genres:
["Drama","Family"]
Ratings
Scene
25 -
Hoops and Heartbeats
EXT. STREET BASKETBALL COURT - DAY
Pauley and Derek play one-on-one.
Two white girls, DIANE (16), trashy-looking, and MARY LOU
(15), a little softer but still with a rough edge, sit on the
paint-chipped bleachers, watching the guys.
DEREK
Looks like we have a coupla' fans.
Pauley steals the ball from Derek, shoots it and scores.
LATER
Derek sits on the bleachers beside Diane, takes a drag off
her cigarette.
Pauley remains on the court, shooting hoops. He sinks one
after another.
Mary Lou seems impressed.
DEREK
(yells to Pauley)
Hey, Kobe, take a break, will ya?
LATER
Derek and Diane make out on the bleachers.
Pauley and Mary Lou play on the court.
Mary Lou shoots and misses.
MARY LOU
It's gettin' too damn dark.
Recovering the ball, Pauley shoots a hook shot, sinks it.
PAULEY
Excuses, excuses.
MARY LOU
And what's your excuse?
PAULEY
For what, kicking your butt?
MARY LOU
No...
She glances at her friend.
MARY LOU
...I can think of better ways
to pass the time.
PAULEY
It's getting late.
Genres:
["Drama","Coming-of-age","Slice of life"]
Ratings
Scene
26 -
Unpacking Secrets and Social Pressures
INT. MILLERS' HOUSE / BEDROOM - NIGHT
Sharon unpacks some items from a box, puts them into a
dresser drawer. Her mom appears at the doorway.
DARLENE
You need any help?
Sharon shakes her head. Dejected, Darlene turns away.
SHARON
But I could use some company.
INT. MILLERS’ KITCHEN - LATER
Sharon and Darlene sit at the table, sip tea.
DARLENE
It's been considered a cold
case for years now.
SHARON
So they do nothing?
DARLENE
Not unless they get a new lead.
SHARON
What about that P.I. Dad hired?
Darlene shakes her head.
DARLENE
I have all of his notes. I'll
get them for you. It's not much,
just bits and pieces of her life
before --
SHARON
Yeah, Dad told me. I guess I was
hoping for more.
EXT. SIDEWALK - NIGHT
Pauley hurries down the sidewalk. Derek sprints to catch up.
DEREK
Slow down, man.
PAULEY
You know I have a curfew.
DEREK
It's only eight o'clock,
mama's boy.
Pauley throws him a look.
DEREK
Diane's mom's goin' away next
weekend. We gotta come up with
a plan cuz eight o'clock ain't
gonna cut it.
PAULEY
I don't think --
DEREK
C'mon, don't wimp out on me.
PAULEY
They're not my type.
DEREK
You're fourteen, man, you ain't
even gotta type yet!
INT. ROW HOUSE KITCHEN - NIGHT
Pauley sneaks in the back door, not noticing Ruby at the sink
doing dishes.
RUBY
Boo!
Pauley jumps. Ruby laughs.
RUBY
Running a little late, aren't we?
PAULEY
Sorry, Mom, lost track of time.
RUBY
You hungry?
LATER
Ruby sits at the table, drinks a cup of coffee, while Pauley
chows down.
RUBY
I don't like you going to
people's houses that I haven't
met. Why can't you use the
library?
PAULEY
It closes at five on Fridays and
Derek has to stay after school.
RUBY
What kinda trouble did he get
into this time?
PAULEY
Wise crackin' in class, again.
RUBY
His poor mother. If he don't
straighten up he'll have her
in an early grave.
Ruby considers while Pauley takes his dish to the sink.
RUBY
Okay, but all the tutoring in
the world won't help that
attitude of his.
Genres:
["Drama"]
Ratings
Scene
27 -
A Journey of Healing
EXT. CEMETERY - DAY
Sharon, a bouquet in hand, walks past graves.
She stops at a small headstone. It reads: HAROLD MILLER -
BELOVED HUSBAND AND FATHER. She kneels, lays the flowers
down. Her eyes glisten with tears.
SHARON
I miss ya, Dad.
Sharon runs her hand across the cold granite stone.
SHARON
I wish I could take it all back,
do it all over again. I’m sorry
I screwed our lives up, but I
promise... I’m going to be the
daughter that you and Mom always
wanted me to be.
She rises and starts to walk away, but turns back...
SHARON
And, Dad, if Pauley's with
you, tell him I love him.
INT. SHARON’S BEDROOM - DAY
Sharon packs an overnight bag. Darlene comes to the door.
DARLENE
Do you think this is a good
idea?
SHARON
I'll be okay... He didn't
give us enough. I need more.
Sharon looks at the worry that shows on her mom's face.
SHARON
Pack a bag.
DARLENE
What?
SHARON
Come with me. I have to be back
to work on Friday or they’ll be
short a counselor, so it's only
a couple days. Donna would
love to see you.
INT. DONNA'S APARTMENT - DAY
Sharon, Darlene, and Donna prepare lunch. Their relationships
appear to be mending: conversation, smiles, a bit of laughter.
LATER
The three sit at the table, plates empty.
SHARON
I'm gonna check around.
DONNA
You want us to come along?
SHARON
No. I have to do this myself.
Genres:
["Drama"]
Ratings
Scene
28 -
Echoes of the Past
INT. PAULEY’S BEDROOM - DAY
Ruby boxes some of Pauley’s old clothing.
Pauley stands watch.
She digs back in the corner of the closet and brings out a
Baltimore Ravens jersey.
RUBY
Does this still fit you?
PAULEY
That’s my favorite shirt.
RUBY
That’s why it’s way back in the
corner, huh?
PAULEY
Yeah, I was hiding it from you.
She laughs.
RUBY
When you gonna learn, you can’t
hide nothing from your mama?
EXT. RUBY'S OLD HOUSE - DAY
Sharon glances at what used to be Ruby's house in Philadelphia,
no longer well taken care of.
She walks to a neighbor's door, knocks. An OLDER LADY answers.
Sharon shows her a picture of Ruby. The Lady shakes her head.
Sharon continues to the next house.
EXT. BAPTIST CHURCH - DAY
An announcement posted on the exterior bulletin board:
CLOTHING DRIVE, IF YOU DON’T WEAR IT, PLEASE SHARE IT.
Ruby and Pauley walk into the church. Pauley carries a large
box.
EXT. SIDEWALK - DAY
Sharon steps down from a bus, walks past a small grocery
store, bars on windows. She continues toward what used to be
her own project apartment. She stops and stares at the
graffiti covered walls and boarded up doorways.
INT. SHARON'S APARTMENT - DAY (FLASHBACK)
Young Pauley, in his dingy undies, sits curled on an old sofa
watching a cartoon on TV. Sharon asleep beside him. A
commercial comes on, showing a new toy. He shakes his mom.
She stirs.
SHARON
(mumbles)
Hmm? What, babe? What do you
want?
PAULEY
Look at that bear, Mommy. He
talks.
In a stupor, Sharon gives a smile then closes her eyes again.
Pauley climbs down off the couch, picks up a syringe from a
cluttered end table beside Sharon. Playing with it, he
begins to put it near his arm.
The needle is slapped from his hand.
SHARON
Don't you ever touch one of
those!
He looks up at Sharon as she screams at him.
SHARON
You hear me? I mean never ever!
Genres:
["Drama"]
Ratings
Scene
29 -
Confrontation in the Church
EXT. SIDEWALK - DAY (BACK TO PRESENT)
Sharon turns her back on the memories, crosses the street.
INT. RUBY'S OLD CHURCH - DAY
With Carol Free singing the lead, a CHOIR practices the song
"Whispering Hope."
Sharon enters, glances around, slides into a pew in the back
and listens to the choir.
PASTOR FREE (O.S.)
(to Sharon)
Inspirational, isn't it?
Sharon looks up to see Pastor Free.
PASTOR FREE
Can I help you with something?
SHARON
I hope so.
Sharon shows him Ruby's picture.
INT. CHURCH OFFICE - DAY
Pastor Free sits at his desk. Sharon paces.
SHARON
You're sitting there making
excuses for her. She stole my
boy. She stole from you, the
church.
PASTOR FREE
I prayed for her and your son...
I also prayed for you.
SHARON
You know nothing about me.
PASTOR FREE
We could all use His guidance
through prayer. I had hoped --
SHARON
You sing and talk about hope.
I had it when I walked in here,
but it's always the same.
Sharon holds back her anger.
PASTOR FREE
Maybe you can find comfort
knowing that Ruby, deep down,
is a good person and that your
son is in loving hands.
SHARON
But they're the wrong hands!
Do you know where they are?
Pastor Free slowly shakes his head.
PASTOR FREE
No. No, I'm sorry I can't help
you.
Genres:
["Drama"]
Ratings
Scene
30 -
A Glimmer of Hope
INT. CHURCH - CONTINUOUS
Sharon storms from the office, past the choir, who now sing
another hymn - softly, quite angelic.
THE CHOIR
(sings)
At the close of the day, when you
kneel to pray, will you remember
me? I need help every day; this
is why I pray, will you remember
me?
Sharon, fights back tears, slows her pace.
Spent, she sinks into a pew. Her breathing becomes erratic.
She’s going to have a meltdown right here, in this church.
SHARON
Dammit!
Noticing her, some of the choir members stop singing. They
look at each other.
Sharon starts to laugh at herself.
SHARON
What was I expecting - some sort
of freakin’ miracle?
Eyeing the situation, Carol Free motions for the choir members
to resume their song.
CHOIR
(sings)
When you pray, will you pray for
me, for I need His love and His
care? When you pray, will you
pray for me, will you whisper my
name in your prayer?
OFFICE
Pastor Free hurries out of his office clutching an envelope.
CHURCH
Sharon glances at a stained-glass window, of Jesus on the
cross. No longer can she hold back the tears. She sighs.
SHARON
A little guidance wouldn’t hurt,
ya know?
Sharon hangs her head.
SHARON
Where are you, Pauley?
CHOIR (O.S.)
(sings)
When I pray, I will pray for you,
for you need His love and His
care. When I pray, I will pray
for you, I will whisper your name
in my prayer.
PASTOR FREE (O.S.)
(softly)
Sharon.
Sharon looks up. Pastor Free takes her hand, places the
envelope into it.
PASTOR FREE
I don't know how much this will
help. It could be just another
dead end.
Sharon looks questioningly at the envelope addressed to the
church. No return address, just a postmark.
SHARON
I don’t understand.
PASTOR FREE
I've been receiving anonymous
donations from Baltimore for a
few years now. I think she
may be repaying her debt.
Sharon wipes her tears away.
SHARON
Thank you.
PASTOR FREE
I don't know for sure if it's
her.
SHARON
That's okay. It's something.
PASTOR FREE
Some of that hope we sing about.
She smiles.
Genres:
["Drama"]
Ratings
Scene
31 -
A Night of Revelry and Revelations
INT. DIANE'S HOUSE - NIGHT
Rap music blasts. Diane and Mary Lou dance around.
Diane falls into Derek's lap, gives him a long kiss.
Pauley turns on the TV to ESPN.
MARY LOU
Is that all you think about?
Pauley shrugs.
A KNOCK ON THE DOOR. Diane smiles.
DIANE
Must be the delivery boy.
DEREK
Pizza?
Diane bursts out laughing, jogs away to answer the door.
DEREK
What's so funny about pizza?
Mary Lou shakes her head, she doesn't get it either.
PAULEY
She's strange.
MARY LOU
Who are you to talk about being
strange?
DEREK
Yeah, bud, I think she's hot!
Diane returns, carrying a small baggy.
DIANE
(tries to sing like Pink)
"I'm comin' up, so ya better get
this party started."
LATER
Diane passes a homemade pipe to Derek. He takes a hit and
passes it to Pauley. Pauley hesitates.
DIANE
Looks like we have a freakin'
virgin among us.
Mary Lou whispers something to Diane. They snicker.
DEREK
Bud, it's only weed. It'll
loosen you up a little.
Pauley appears doubtful.
DEREK
Trust me, it won't kill ya.
LATER
Derek and Diane, on a ratty old couch, go at it again.
Mary Lou sits close to Pauley. He edges away.
Offended, Mary Lou throws the TV remote in his lap.
MARY LOU
Here! I'm sure you'd rather --
PAULEY
I'm sorry! It's just that...
He's at a loss for words.
MARY LOU
We all gotta grow up sometime.
He kisses her.
EXT. SIDEWALK - NIGHT
Derek's on cloud nine, he walks backwards, talking up a
storm.
DEREK
I told ya, didn't I?
PAULEY
It was all right.
DEREK
All right? Man, you gay or what?
PAULEY
No! She's just not my type.
DEREK
Problem is, you're lookin' for a
Cadillac, when you should be...
Derek makes a few suggestive pelvic thrusts.
DEREK
...drivin’ a Ford.
Pauley laughs.
PAULEY
You’re goofy. You gotta get your
mind out of the gutter - she seems
like she might be a nice girl.
Derek snickers, gives Pauley a slap on the shoulder.
DEREK
You gotta get real, man. We ain’t
looking for nice.
Genres:
["Drama","Coming of Age","Teen"]
Ratings
Scene
32 -
Family Obligations
INT. ROW HOUSE - DAY
Pauley sprints down the hallway, just as Ruby comes up the
steps, laundry basket in arms. He rushes past her.
PAULEY
Bye, Mom.
RUBY
Whoa, where's the fire? You
didn't even have breakfast yet.
PAULEY
Gotta meet Derek.
RUBY
Hate to pull rank, but Derek's
gonna have to wait.
Pauley stops at the front door, Ruby looks down at him.
RUBY
I need you to fill in for me at
the kitchen today. I have to
work.
PAULEY
Aw, Mom, it's Saturday, I --
RUBY
They like to eat on Saturdays, too.
INT. PAULEY'S BEDROOM - DAY
Sports posters line the walls. The bed's unmade. Some
clothes lie on the floor beside it.
Ruby walks in, still carrying the laundry basket. She shakes
her head and sighs.
She gathers items from a hamper, picks up a T-shirt and jeans
off the floor, tosses them into the basket.
Suddenly her expression changes to one of concern. She grabs
the T-shirt and sniffs it.
EXT. SIDEWALK - DAY
Pauley dashes across the street. Derek looks bummed out.
DEREK
(yells at Pauley)
Couldn't you get out of it? Ya
should'a come up with somethin'!
PAULEY
(yells back)
What was I going to tell her?
I'll be done around seven. Meet
me then.
Genres:
["Drama"]
Ratings
Scene
33 -
Echoes of the Past
EXT. MILLERS’ FARM - DAY
Sharon feeds the chickens, while Darlene gathers eggs.
SHARON
It was hard. I couldn’t
concentrate. I found myself
preaching to them. Me, of all
people. I know that’s not the
way to reach them, but I can’t
seem to shut my mouth.
DARLENE
(regretfully)
Yeah, I know, I’ve been there.
SHARON
Mom, you did the right thing.
You had to stop being an enabler.
DARLENE
Your dad had a hard time with it.
(beat)
Are you going to call Agent Smith?
SHARON
No. I’m going to go there myself.
DARLENE
How? You can’t leave --
SHARON
Don’t worry, I’ll do it by the
book. I’ll never jeopardize my
freedom again.
INT. DINER - DAY
The small diner packed with the LUNCH CROWD.
Ruby refills coffee cups.
A newspaper lies on the counter.
Ruby cleans the counter, lifts the paper. She sees the
headline - EIGHT DEAD, TWENTY HOSPITALIZED - she reads...
INSERT CLIPS OF NEWSPAPER ARTICLE
Authorities do not yet know whether the heroin in Friday's
overdoses was laced with Fentanyl...
A thirty-year-old man was found dead by his girlfriend, a
needle still in his arm...
INT. BEDROOM - DAY (FLASHBACK)
A shabby room.
YOUNG RUBY (age 7), stands beside a bed.
YOUNG RUBY
Mama... Mama, wake up.
Her MOTHER lies in the bed, her back to Ruby. She does not
stir, her lifeless eyes stare blankly - a needle protrudes
from her arm.
LADY'S VOICE (V.O.)
Ma'am, can I please have a menu?
END FLASHBACK
INT. DINER - DAY
Ruby lays down the paper, picks up a menu.
LATER
The diner now full of DINNER CUSTOMERS.
Ruby looks at the clock - 6:30 p.m. She walks into the
kitchen, grabs her purse and a set of car keys.
RUBY
Thanks, I really appreciate it.
JILL, the short order cook, smiles.
JILL
No problem, just don't forget to
pick me up for church in the
morning.
RUBY
You sure you got a ride home?
The Cook nods as she puts up an order, rings the BELL.
Genres:
["Drama","Family"]
Ratings
Scene
34 -
Contrasting Lives
INT. SOUP KITCHEN - DAY
A cafeteria setting...
The PATRONS here look different from those at the diner.
WINOS, ADDICTS, and HOMELESS FAMILIES - all, obviously, in
need of a helping hand.
Pauley serves up a huge portion of mashed potatoes to a THIN,
TIRED-LOOKING MAN.
THIN MAN
Thanks, kid.
Pauley nods. He looks out the window, sees Derek, Diane and
Mary Lou entering a pool hall across the street.
INT. POOL HALL - SAME
A ROUGH-LOOKING CROWD stares as Derek, Diane, and Mary Lou
enter. Diane flashes a smile to a BIKER-TYPE.
DIANE
(to Derek)
Get a table, will ya? I see
an old friend.
Diane walks up to the Biker, gives him a hug. Derek watches.
Mary Lou hands Derek a cue stick.
MARY LOU
Don't look so worried. She's
got lots of friends. I'll rack
'em.
INT. SOUP KITCHEN - SAME
Pauley washes a pot, while BEN (60s), white with stubble that
gives him a rugged look and wrinkles that seem to say “been
there, done that”, cleans off the counters.
BEN
So what do you think?
PAULEY
Sure, sounds good.
RUBY (O.S.)
You two need any help?
Ruby enters the kitchen, sets down her purse.
PAULEY
Hey, Mom!
BEN
Nope, your replacement got
everything under control.
You got yourself a good boy
here, Ruby.
RUBY
I know it, Ben. They don't
come any better.
Pauley blushes.
BEN
Hope you don't mind, but I've
asked him to help me at the
Youth Center. We're gonna get
a basketball team started.
RUBY
Good idea,
(to Pauley)
a little less tutoring time.
INT. POOL HALL - SAME
Diane pockets something.
BIKER
You owe me.
DIANE
You know I'm good for it.
Diane walks over to the pool table. Mary Lou hands her the
cue stick.
MARY LOU
I better git. I'll see you
guys later.
Genres:
["Drama","Slice of Life"]
Ratings
Scene
35 -
Conflicting Plans
INT. SOUP KITCHEN - NIGHT
Ruby and Pauley walk toward the front door.
PAULEY
Derek's meeting me out front,
so --
RUBY
Humph... Derek and I seem to have
conflicting schedules. I borrowed
Jill's car, I was hoping --
Derek peeks his head inside the door.
DEREK
Hey, bro, ya said seven. Hey,
Mrs. King.
RUBY
Hi, Derek.
INT./EXT. SOUP KITCHEN - CONTINUOUS
Pauley steps outside with Derek and Diane. Ruby stands at
the door.
RUBY
Wait a minute, Jeff.
Pauley turns back.
RUBY
I'd like you to come with me.
PAULEY
We got plans --
RUBY
This won't take long. You can
meet up with Derek and...
Ruby pauses for an introduction.
PAULEY
Diane --
Derek drapes his arm over Diane’s shoulder.
DEREK
Yeah, this is my girl, Diane.
RUBY
Nice to meet you, Diane.
Diane, chews her gum, barely offers a smile.
DEREK
(to Pauley)
We're goin' over Mary Lou's,
we'll meet ya there.
(to Diane)
Where's she live at?
DIANE
End of Elm, in the cul-de-sac,
big white house.
Genres:
["Drama","Family","Slice of Life"]
Ratings
Scene
36 -
A Night of Family Tunes
EXT. MARY LOU'S HOUSE - NIGHT
Mary Lou steps out of the house, onto the porch, and rings
the DOORBELL. The TUNE of "God Bless America" plays. She
lets out a huff.
INT. MARY LOU'S HOUSE - CONTINUOUS
She reenters and monkeys around with the doorbell box.
DAD (O.S.)
What are you doing, babe?
Her DAD (40s), wearing a bowling shirt, steps over.
MARY LOU
I need a sports song.
DAD
Here, I'll get it.
He takes a pair of tweezers from her and fiddles inside the box.
DAD
Why a sports song?
MARY LOU
Oh, no reason, just tired of
hearing "Here Comes Peter Cotton
Tail." Easter was a month ago.
DAD
I didn't even notice that was
still on... try it now.
Mary Lou reaches outside and rings the bell. A verse of "Take
Me Out To The Ball Game" plays.
KEVIN (5), hops into the foyer and around Mary Lou.
KEVIN
Hey! I liked the bunny song!
Her MOM, wearing a matching bowling shirt, comes in carrying
jackets and hands one to Dad.
MOM
Wish us luck, honey.
She gives Mary Lou a peck on the cheek, then picks up Kevin
and gives him a big smooch.
MOM
And you be good for your sister.
DAD
Real good, cause she needs to
study. Right, Mary Lou?
With a smile, Mary Lou rolls her eyes.
Genres:
["Drama","Family"]
Ratings
Scene
37 -
Lessons in the Night
INT./EXT. CAR (MOVING) - NIGHT
Ruby drives through a seedy section of town.
PAULEY
Mom, what are you doing?
RUBY
I want to show you something.
PAULEY
Here?
RUBY
Yes.
Ruby slows down as they drive past THREE LADIES on a corner
dressed in mini skirts. One wears fishnet stockings, one a
bikini-type top, and the last, a very sheer blouse.
RUBY
Do you see those ladies?
PAULEY
Mom!
RUBY
Do you?
PAULEY
How can I miss them?
Ruby continues on past some STREET PUNKS.
She drives past a GIRL (17), with a TODDLER slung over her
hip. She appears strung-out, a look of desperation on her
young face.
PAULEY
What are we doing here?
RUBY
You think these people ever
thought they'd end up like
this? That this was their
goal in life?
Pauley doesn't answer.
RUBY
Do you think they're bad people?
Pauley shrugs.
RUBY
Some maybe, but most are just
like you and me, good people
that made --
Genres:
["Drama"]
Ratings
Scene
38 -
Awakening Hope
INT. NEW LIFE BEHAVIORAL CLINIC - NIGHT
SHARON
-- bad choices.
Sharon stands in front of a GROUP of about thirty people
ranging in age from 15 to 50, male and female, black, white,
and Hispanic.
Behind her is a chalkboard with two words written on it in
bold letters - DEATH and INCARCERATION.
SHARON
You took the wrong road, but it’s
not too late to change directions.
Sharon studies their faces. The OLDEST MAN leans back in a
wooden chair, rocks it on two legs. A TEEN yawns, looks like
he's ready to fall asleep. A TWENTY-SOMETHING BLONDE fiddles
with her hair, checking out the split ends.
Sharon's voice rises.
SHARON
Dammit, people! C'mon! Don't you
get it? The road you're on now
will only put you...
Sharon SMACKS the chalkboard.
SHARON
...six feet under or behind bars!
The group wakes up, sits up a bit straighter.
SHARON
How many have friends in jail?
All hands rise.
SHARON
How many of you know someone who
died doing their dope?
They nod sadly.
SHARON
You're no different than them,
just maybe a little luckier.
SHARON
Sooner or later your luck's gonna
run out, cause that's where a
junkie's road ends.
She looks at them, sees through their tough exteriors, and
softens.
SHARON
I know you're scared. I certainly
was. Still am. But you can do it.
Just believe in yourself, okay?
Genres:
["Drama"]
Ratings
Scene
39 -
A Night at Mary Lou's
INT./EXT. CAR (MOVING) - NIGHT
The scenery has changed. This is a nice neighborhood.
RUBY
That's how I found her.
Pauley looks at Ruby, deeply saddened.
RUBY
I don't remember much of her, but
I don't think my mom was a bad
person. She just made bad
choices.
Pauley nods slowly, takes it all in.
Ruby turns onto Elm Street. She pulls up to the big white
house at the end of the cul-de-sac.
RUBY
This must be the place.
PAULEY
Are you sure you're okay, Mom?
I don't have to --
RUBY
No, go ahead, but... don't lose
track of time.
EXT. MARY LOU'S HOUSE - NIGHT
Pauley steps onto the welcome mat, rings the DOORBELL. He
looks surprised, then impressed, when he hears "Take Me Out
To The Ball Game." He smiles until...
He hears the BARKING of what sounds like a very large dog.
KEVIN (O.S.)
Let me get it this time!
MARY LOU (O.S.)
No, no, I'll get it.
The BARKING continues. Mary Lou opens the door. She looks
different, prettier without any makeup.
MARY LOU
Hi.
Pauley enters and is affectionately attacked by SHADOW, a
black Lab. Kevin tugs on the dog's collar.
KEVIN
Shadow.
Pauley scratches the dog's neck.
PAULEY
Good boy.
MARY LOU
Now you did it.
PAULEY
Did what?
MARY LOU
He'll never leave you alone,
that's why he's named Shadow.
KEVIN
And I'm Kevin!
MARY LOU
My little brother - who I got
stuck babysitting on a Saturday
night.
She grabs Kevin and tickles him. He laughs and wiggles away
from her, then runs from the room, screaming.
Pauley looks at Mary Lou. Seeing a different side of her, he
smiles.
MARY LOU
Diane and Derek are in the den,
c'mon.
They walk through the house. Pauley looks around, it's warm
and inviting. Family pictures grace the walls.
They enter the...
DEN
Derek and Diane are sprawled out on the couch, making out.
Mary Lou CLEARS HER THROAT.
They pause at the sound, look up at Mary Lou.
Mary Lou nods toward Kevin, a gesture that says - not in
front of the kid.
Reluctantly, they sit up. Diane takes Derek by the hand.
DIANE
You don't mind if I show Derek
your room, do you?
MARY LOU
Well, actually --
DIANE
We won't mess it up. C'mon,
Derek.
Derek winks at Pauley on the way out of the room.
INT. UPSTAIRS HALLWAY - NIGHT
Diane leads Derek down the hall. She peeks into the master
bedroom, spots the king-size bed. She turns to Derek. He
nods. They enter and close the door behind them.
INT. MASTER BEDROOM - NIGHT
Derek awkwardly gropes Diane, moving way too fast. She
shoves him away - he falls back on the bed.
DEREK
What?
DIANE
Give a girl room to breathe,
why don't cha?
She turns away.
DEREK
Where you going?
Diane walks into the adjoining...
BATHROOM
She closes the door, but it doesn't latch and opens slightly.
She looks around, opens the medicine cabinet and checks out
the contents, but nothing seems to interest her. She takes
perfume from the vanity, generously sprays herself.
A pair of gold earrings lies next to the bottles of cologne.
BEDROOM
Derek kicks off his shoes, props himself up with the bed
pillows.
He takes a remote from the nightstand, turns on the TV to a
music video channel. He gazes toward the bathroom door, it's
ajar, but he can't see in.
INT. DEN - NIGHT
Mary Lou's on the couch, studying from a schoolbook on her
lap, while Pauley plays X-box with Kevin.
Shadow lies on the floor, his head on Pauley's lap.
Kevin's tongue hangs out of his mouth, moves along with his
body as he controls his man. He's really into the game.
KEVIN
Naa, naa - naa, naa - naa, naa!
PAULEY
He beat me again!
MARY LOU
He whipped your butt! How's
it feel?
She smiles.
MARY LOU
Time for bed.
KEVIN
Aww, one more.
MARY LOU
Nope --
KEVIN
Just one more, please?
PAULEY
Yeah, pretty please. Give me
one more shot at him!
Mary Lou sighs.
MARY LOU
Okay, but only cause you both
look so pitiful.
Genres:
["Drama","Family"]
Ratings
Scene
40 -
Late Night Disruptions
INT. BATHROOM - NIGHT
Diane, now wearing the gold earrings, leans over the vanity
and snorts a line of coke.
DEREK (O.S.)
Hey...
Derek peeks his head in the door.
DEREK
...What's takin' so long?
Diane looks up at him and smiles. She offers her straw.
INT. DEN - NIGHT
Pauley finishes a game. Kevin's asleep beside Shadow, the
game controller still in his hand. Mary Lou covers him with
an afghan.
PAULEY
Well, I finally won one.
MARY LOU
I don't think it counts - he
fell asleep.
PAULEY
A forfeit's as good as a win.
He smiles. Mary Lou shakes her head.
PAULEY
You're different than I thought.
MARY LOU
You too.
PAULEY
Why are you friends with her?
MARY LOU
I could ask you the same thing.
Diane and Derek come into the den.
DEREK
(loudly)
Got any food around here?
PAULEY
Shhh.
Pauley points at Kevin.
PAULEY
It's getting late --
DEREK
Oh, that's right. My bud here
turns into a pumpkin at midnight,
oh wait, make that eleven o'clock
- even earlier than freakin'
Cinderella!
Pauley gives Derek a look.
PAULEY
You coming?
DIANE
I gotta go too!
Diane picks up a DVD.
DIANE
Hey, can I borrow this?
MARY LOU
Diane, you still got the other
two.
DIANE
I forgot. You'll get them back.
Diane carries the DVD out.
DIANE
See ya tomorrow.
Genres:
["Drama","Coming of Age","Teen"]
Ratings
Scene
41 -
Fractured Connections
INT. NEW LIFE BEHAVIORAL CLINIC - DAY
Sharon walks into an office, tosses a folder onto a desk.
RON GOODWIN (50s), sits behind the desk.
SHARON
Well, I had to kick another one
out.
RON
Dirty urine?
SHARON
Stealing. It's so damn
frustrating!
Sharon looks out the window at a GROUP sitting at a picnic
table, on smoke break.
Ron takes the folder from his desk to a filing cabinet.
SHARON
Most of 'em are here cause they're
court ordered. They're not
listening to me.
Ron walks to the window, stands beside Sharon, looks out.
RON
You got a tough group there. Just
don't let 'em push your buttons.
They're looking for a reason to
fail.
Outside, alone under a tree, sits a YOUNG BOY. He cradles
his knees to his chest.
There's a scuffle at the picnic table. A COUNSELOR breaks it
up.
SHARON (O.S.)
Who's the kid?
The Young Boy buries his head in his knees, cries.
RON (O.S.)
Twelve-years-old. Just got out
of detox.
SHARON
He's just a baby.
RON
That's why your teen lectures are
so important. We have to get to
them, before they get to us.
SHARON
I've been hoping you could set
some up for me in Baltimore.
I need your okay --
RON
Baltimore? We need you here.
SHARON
I have a lead on my son. It's a
needle in a haystack, but I have
to check it out.
RON
What about the police?
SHARON
They haven't found him in ten
years. I guess if he were a
Senator's son, instead of a
junkie's, it would be different.
RON
I'll see what I can do. I'll
contact your Parole Board.
A NURSE comes to the door.
NURSE
They didn't okay it, Ron.
RON
What?
The Nurse shakes her head.
RON
Get them on the phone!
The Nurse leaves.
RON
HMO. Ten bags a day and they
think outpatient's gonna help?
Assholes!
EXT. DEREK'S ROW HOUSE - DAY
Pauley and Derek sit on the stoop.
DEREK
It was a rush, man.
Inde-freakin'-scribable.
PAULEY
I can't believe --
DEREK
Don't give me that holier-than-
thou crap attitude of yours.
PAULEY
You're changing, man. Diane's --
DEREK
Diane's the best thing that ever
happened to me!
Derek gets up, opens his door...
PAULEY
I think you're making a bad
choice.
Derek enters, closes the door behind him.
Genres:
["Drama"]
Ratings
Scene
42 -
Tensions in the Diner
INT. DINER - DAY
Ben sits at the counter, reads a newspaper.
Sitting at a table by the window are TWO CITY POLICEMEN.
Ruby keeps an eye on the officers as she serves the counter
CUSTOMERS. She refills Ben's coffee cup. He throws the
newspaper down on the counter.
BEN
Jesus!
Ruby jumps, spills his coffee.
BEN
Oh man, sorry, Ruby.
He grabs some napkins, sops up the mess.
The officers glance over to the counter. Ruby notices them
noticing her. She takes a deep breath.
RUBY
I'll get it, Ben.
She wipes the counter and, with trembling hands, replaces
Ben's saucer. Ben notices her hands.
BEN
I didn't mean to scare you.
RUBY
You just startled me is all.
What got you so riled?
Ben nods toward the paper.
BEN
We lost another one.
Ruby reads the article and sighs, shakes her head.
One of the Policemen, PETE, steps to the counter to pay the
bill. Ruby takes his money.
BEN
(to Pete)
Why you guys dragging your feet
on this?
Ben points to the newspaper article.
BEN
You haven't made one arrest.
Twelve deaths, and not one arrest.
PETE
Well, that's one way to get 'em
off the streets.
BEN
What? C,mon, Pete, you grew up
in this area --
PETE
Yeah, and now I live in Elmhurst --
BEN
You think that makes your kids
safe? Living in middle-class
suburbia? It's everywhere,
affecting everybody --
PETE
Hey, we lock 'em up and the system
lets 'em back out with a slap on
the wrist. Rehabilitation, my ass,
and we're paying for it.
BEN
I'm talking about the dealers, for
God's sake. Lock them up and --
PETE
And another one takes their place.
Ruby hands Pete his change.
PETE
If these dopers are willing to die
to get high, I can't stop 'em.
Ben turns away in disgust, notices Ruby's trembling hands as
she slips them into her apron pockets.
The Policemen walk out.
BEN
And there go our city's finest.
Ben studies Ruby as she waits on other customers.
LATER
The lunch crowd has emptied out.
Ruby, coffeepot in hand, approaches Ben.
RUBY
Want me to top it off?
BEN
No, had enough. Gotta get back
to the center.
Ben takes out his wallet.
BEN
If I'm gettin' too personal, ya
can tell me to mind my own
business, but I've been a
counselor all my life. I can
tell when a person's troubled.
Ruby seems a bit startled by his remark.
RUBY
What do you mean, Ben? Nothing's
bothering me, 'cept an aching
back and tired feet.
BEN
I saw your reaction to the cops.
Ben lifts a trembling hand.
RUBY
Just a little gun shy. You might
say it comes with the color.
Although he’s not convinced, Ben nods and gets up to leave.
BEN
We all have our pasts.
RUBY
It's nothing I'm ashamed of.
BEN
Like I tell the kids, long as you
can look in the mirror and like
what you see, then all's fine.
(off her silence)
I'm here if you ever need to
talk.
Genres:
["Drama","Crime"]
Ratings
Scene
43 -
Connections and Conflicts
EXT. SIDEWALK - DAY
Pauley and Mary Lou walk hand in hand.
MARY LOU
She won't return my calls. She
got a bunch of my stuff.
PAULEY
I wouldn't count on getting it
back.
MARY LOU
I don't care about the DVDs, but
I'm missing my Grandmother's watch.
I don't know if it was worth much,
but it meant a lot to me.
PAULEY
Maybe I can talk to Derek, ask him
to keep an eye out for it.
MARY LOU
Don't bother. She’s got him under
her spell.
INT. POOL HALL - DAY
With Derek by her side, Diane speaks with the Biker. She
hands the gold earrings (from Mary Lou's) to him. He checks
them out and nods, slips her two small stamp-size bags.
INT. PRINT SHOP - DAY
The CLERK gives Ben a stack of printed flyers.
Ben looks one over.
INSERT FLYER SNIPPETS
Get High on Life -- Guest Speaker
BACK TO SCENE
Ben pays the clerk and leaves.
INT. DINER - DAY
Ruby, behind the counter, pours Ben a cup of coffee.
The bell on the door DINGS as Pauley and Mary Lou enter.
BEN
Just what I needed, a couple of
able-bodied volunteers.
PAULEY
Hey, Ben. Hi, Mom.
Mary Lou smiles brightly.
PAULEY
Mom, this is Mary Lou. Mary Lou,
this is my mom and Ben.
RUBY
Pleased to meet you, Mary Lou.
PAULEY
What'd we volunteer for, or
should I even ask?
Ben shows him a flyer.
BEN
I need you to pack the house.
We gotta spread the word -
“just say no.”
Pauley nods.
LATER
Pauley sits next to Mary Lou in a booth, Mary Lou’s schoolbook
open between them.
MARY LOU
I’m so behind. I’m gonna flunk
this final and end up in summer
school.
PAULEY
No you won’t. You can’t. I got
plans for our summer.
MARY LOU
Like what?
PAULEY
You’ll see. Fun stuff.
MARY LOU
Tell me.
PAULEY
I’ll tell you after you pass your
test.
She smiles and they put their heads together over a problem.
AT THE COUNTER
Ruby takes an order of fries from Jill, the cook.
Jill nods toward Pauley and Mary Lou.
JILL
She’s cute.
RUBY
Seems real nice, too. Whew, I
think I can breathe a little
easier now.
(looks up)
Thank you, Lord.
JILL
Amen!
With a smile, Ruby grabs two milk shakes, carries them and
the fries to Pauley’s booth.
INT. MILLERS’ DINING ROOM - DAY
Sharon sits on the piano bench, stares at a framed snapshot
of her dad and Pauley playing the piano. She sets it down
and begins to play “You Are My Sunshine.”
Genres:
["Drama","Family","Slice of Life"]
Ratings
Scene
44 -
Apathy and Intervention
EXT. DEREK'S ROW HOUSE - DAY
Pauley knocks on the door. Derek's Mom answers.
DEREK'S MOM
Hi, Jeff.
PAULEY
Hi. Is Derek home?
DEREK'S MOM
No, I was hoping he was with you.
He must be with that girl again.
PAULEY
Diane?
DEREK'S MOM
Yeah, Diane. Whadaya think of
her?
PAULEY
Ah... she's okay I guess.
INT. CLOTHING STORE - DAY
Diane and Derek wander from rack to rack. Diane watches as
an OLDER LADY heads to a dressing room with an armful of
garments. Diane winks at Derek, grabs a few things from a
rack, and enters the neighboring stall.
DRESSING ROOM
Diane looks down. A purse sits on the floor of the adjoining
stall. She drops a blouse on top of it. She slowly picks up
the fallen item, along with the purse.
EXT. SIDEWALK - DAY
Pauley and Mary Lou hand out the flyers to passing KIDS.
EXT. SEEDY SIDE OF TOWN - NIGHT
Diane and Derek make a drug buy.
EXT. DIANE'S HOUSE - DAY
Pauley knocks on the door.
Derek answers. His eyes are glazed over.
DEREK
Jeff, my man.
INT. DIANE'S HOUSE - DAY
Diane's passed out on the sofa. Derek sits on the coffee
table, Pauley in an old chair.
PAULEY
How's school going?
DEREK
Ain't goin' no more.
PAULEY
What?
DEREK
I was flunkin' out anyway. What
the hell's the difference?
Derek takes a cigarette butt out of a full ashtray and lights
up.
LATER
Pauley stands at the door.
PAULEY
Come down to the youth center, I
could really use you on the team.
DEREK
Yeah, yeah, maybe I'll do that.
PAULEY
Oh and by the way...
Pauley pulls a folded flyer from his pocket, hands it to
Derek.
Genres:
["Drama","Crime"]
Ratings
Scene
45 -
A Race Against Time
EXT. NEW LIFE BEHAVIORAL CLINIC - DAY
Sharon sits on a bench with the twelve-year-old patient.
They talk, they smile. A COUNSELOR comes over and the young
boy leaves with him.
Sharon looks up to see her boss watching from the office
window. He gestures for her to come up.
INT. NEW LIFE BEHAVIORAL CLINIC - DAY
Sharon enters the office.
RON
How’s the kid?
SHARON
I think he’s gonna be fine. He’s
got a good attitude, just got
mixed up with the wrong crowd.
His parents are transferring him
to another school.
RON
That’s a good start.
He hands her a list.
RON
You got the okay.
SHARON
I really appreciate this, Ron.
RON
You only have a week though.
SHARON
Boy, that’s not --
RON
That’s all they went for, but if
you need more time, I’ll see what
I can do.
Sharon looks at the list.
RON
I scheduled them all in that
specific zip code you gave me,
like you asked.
INT. YOUTH CENTER GYMNASIUM - DAY
A basketball game in progress. Ben referees.
Ruby and Mary Lou sit with OTHERS on the bleachers.
Pauley shoots and scores.
Ruby pumps her fist with a...
RUBY
Woot! Woot! Woot!
Mary Lou laughs. Claps.
EXT. BALTIMORE BUS STATION - DAY
Sharon steps down from a bus.
MONTAGE - SHARON’S SEARCH
--Sharon speaks to an auditorium full of school students.
Sharon shows an advo card (missing child alert card), which
displays pictures of Ruby and Pauley from 1995 and also
possible age progression sketches, to teachers and students.
Negative responses each time.
--Sharon enters a large grocery store, shows the pictures to
the GROCERY CLERKS.
--Sharon speaks to a small group of young teens and parents
in a church basement.
After the meeting, while refreshments are served, Sharon
shows the pictures.
--Sharon orders a meal in McDonald’s. She takes her order
and starts to walk away, but turns back. She pulls the advo
card out of her purse and shows it to the GIRL AT THE
COUNTER.
--Sharon speaks at a NA meeting.
As the meeting breaks up, she shows her card.
--Another school. More heads shake no when she shows the
pictures.
END MONTAGE
Genres:
["Drama"]
Ratings
Scene
46 -
Cookie Dance and Friendly Farewells
EXT. ROW HOUSE - DAY
Pauley jogs up his steps, looks like he could use a shower.
He glances towards Derek's house when he hears arguing coming
from within - Derek and his mother. He shakes his head and
enters his home.
INT. ROW HOUSE - CONTINUOUS
Pauley sniffs the air.
PAULEY
(yells)
Something sure smells good!
RUBY (O.S.)
Baking some cookies for tonight.
Pauley runs up the flight of stairs.
PAULEY
I gotta hit the shower.
KITCHEN
The radio plays. The counter is full of cookies, all
different kinds.
Ruby removes a cookie sheet from the oven.
LATER
Ruby places the cookies into boxes. An upbeat song comes on
the radio. Ruby sings along, sways her hips to the beat,
does a few nice dance moves.
PAULEY (O.S.)
Woo... get down, girlfriend.
Ruby jumps, turns toward Pauley, standing in the doorway.
RUBY
How long you been standing there?
PAULEY
Long enough to catch your moves.
He tries to do an imitation of her. She swats him with a
dishtowel.
RUBY
Looks like you inherited my two
left feet.
He notices all the boxes.
PAULEY
Holy smokes, Mom, you're not
feeding an army.
EXT. ROW HOUSE - DAY
Pauley, loaded down with the boxes of cookies, steps out of
his house at the same time Derek, CDs in hand, comes from
his.
DEREK
Jeff, my main man.
PAULEY
Hey! How's it going?
DEREK
Hangin' in there. You?
PAULEY
I'm heading off to the Rec.
You're coming, aren't you?
DEREK
Ah, yeah, yeah... it's cool.
PAULEY
Great, you can help me carry
some of these --
DEREK
Oh, sorry man, gotta meet up
with Diane first. I'll catch
ya there.
Derek heads off. Turns back to give Pauley one last look.
Pauley gives a nod goodbye.
Genres:
["Drama"]
Ratings
Scene
47 -
Fractured Reflections
INT. MOTEL ROOM - DAY
A cell phone RINGS. Sharon, in a robe and hair wrapped in a
towel, comes from the bathroom, grabs her phone.
SHARON
(into phone)
Hello ... Hi, Mom ... No, nothing.
I’ve been all over the place, no
one knows them ... Yeah, I’m
getting ready to go to another
meeting ... Thanks, I need it.
I’ll talk to you tomorrow ... Bye.
INT. YOUTH CENTER - DAY
The gymnasium transformed into a meeting hall. TEENS trickle
in, take seats on folding chairs.
Pauley and Mary Lou enter. He takes the boxes over to a
table set up for refreshments.
LATER
Most of the chairs filled as Ben begins to speak.
BEN
Hi, everyone. I'm glad you could
make it here tonight.
Pauley looks around and toward the door.
PAULEY
(whispers to Mary Lou)
I really thought he'd be here.
Dammit, he promised.
BEN
As you probably all know by now,
we've recently lost twelve young
souls from the Baltimore area,
taken away from us by a deadly
epidemic.
INT. DIANE'S BATHROOM - DAY
Derek stares into the mirror. He's lost weight - all skin
and bones, eyes sunken, dark circles beneath them.
BEN (V.O.)
And I'm not talking about the bird
flu, I'm talking about the real
pandemic that has swept through
this town like a wildfire...
Heroin.
SMASH! Derek’s fist shatters the mirror.
Genres:
["Drama","Thriller"]
Ratings
Scene
48 -
The Grip of Addiction
INT. YOUTH CENTER - DAY
Mary Lou takes Pauley's hand.
BEN
It grabs hold and won't let go.
They call it the devil... Well,
I heard about a lady that fought
that devil and won. I asked her
here to share her story.
Sharon walks up to the podium, stands in front of it.
SHARON
Thank you, Ben, for inviting me
here.
She looks into the faces of the teens.
SHARON
Hi, everyone. My name is Sharon,
and I'm an addict. Ben said I
beat the devil, but believe me,
it didn't come without a price.
SHARON (CONT’D)
While it has you in its grasp it
rules your life...
INT. DIANE'S HOUSE - DAY
Derek sits on the sofa, stares at the TV. His eyes flutter
open and closed. With a bandaged hand, he fumbles to light a
cigarette.
He notices Ben's flyer lying on the coffee table, picks it up
and stares at it. His eyes tear up.
SHARON (V.O.)
...Every waking hour you have only
one thing on your mind - your next
fix. And you'll do anything to
get it.
Derek, a cigarette perched on his lip, releases the flyer.
It flutters to the floor. With trembling fingers he opens a
stamp-size glassine packet. He butts the cigarette stub out
and picks up a short, cut-off straw.
Derek snorts the gray powder.
His breathing quickly becomes erratic. He gasps, as his eyes
roll back in his head.
SHARON (V.O.)
No matter what the consequences.
Genres:
["Drama"]
Ratings
Scene
49 -
A Night of Crisis
INT. YOUTH CENTER - NIGHT
The meeting is over and the teens mingle.
Sharon and Ben stand in the midst of a small group as they
ask more questions.
Pauley and Mary Lou serve the refreshments - coffee, punch,
and Ruby's cookies. Mary Lou looks at Sharon.
MARY LOU
(to Pauley)
That poor woman - I can't imagine
that kind of life.
PAULEY
It just takes one stupid moment,
one mistake you can't undo.
Sharon steps over, pours a cup of coffee.
MARY LOU
(to Sharon)
Thank you for sharing that with us.
Sharon nods, looks from Mary Lou to Pauley. Her eyes fix on
Pauley.
A phone RINGS.
SHARON
(to Pauley)
Have we met before?
PAULEY
No, ma'am, I don't think so.
BEN (O.S.)
Jeff, you're wanted on the phone.
Sharon watches Pauley as he picks up the pay phone. She sees
his expression change to a look of concern. He rushes back to
Mary Lou and takes her arm, leads her to the side of the
room.
PAULEY
(to Mary Lou)
That was Diane, Derek OD'd!
MARY LOU
Oh my God!
PAULEY
C'mon, we gotta get to the
hospital.
Pauley and Mary Lou head for the door, past Sharon.
SHARON
Pauley!
MARY LOU
Jeff, I think she's talking to you.
Pauley glances back at Sharon.
SHARON
Pauley?
He looks puzzled, takes Mary Lou's hand and rushes out.
INT. CITY BUS - NIGHT
Pauley and Mary Lou sit on the crowded bus.
MARY LOU
Wasn't that her little boy's name?
PAULEY
What?
MARY LOU
The speaker, I think her son's
name was Pauley.
INT. SHARON'S LIVING ROOM - (FLASHBACK)
Sharon offers a bag of Cheese Doodles.
SHARON
(sings)
Pauley Walley doodle all the day.
MARY LOU (V.O.)
Jeff.
INT. BUS - NIGHT (BACK TO PRESENT)
Pauley stares out the window, not hearing Mary Lou.
MARY LOU
Jeff, this is our stop.
INT. EMERGENCY ROOM - NIGHT
Diane sits in a chair. A POLICEMAN and DOCTOR question her.
INT. ER ADMITTANCE AREA - NIGHT
Pauley and Mary Lou approach the registration desk.
INT. ER WAITING AREA - LATER
Pauley and Mary Lou sit waiting.
MARY LOU
That could have been me, Jeff.
PAULEY
No, you never would have --
MARY LOU
I was so stupid. I just did
anything she said - I thought
she was so cool.
Pauley takes her hand.
MARY LOU
It's getting late, I gotta get
home. I wanna see my mom.
They stand.
MARY LOU
Call me when you hear anything,
okay?
Ruby and Derek's Mom enter. They speak to Mary Lou as she
walks out, then go over to Pauley.
DEREK'S MOM
Is he okay?
PAULEY
They won't let me see him.
Derek's Mom rushes to the nurses' station.
RUBY
Have you heard anything?
Pauley shakes his head with sudden anger.
PAULEY
I should have stopped him!
Ruby hugs him.
The Policeman comes out with Diane and walks toward them.
Ruby takes a deep breath.
Genres:
["Drama"]
Ratings
Scene
50 -
Confronting Shadows
INT. HOTEL ROOM - NIGHT
Sharon paces the floor, on her cell phone...
SHARON
(into phone)
He looked just like Pauley would.
(tears up/smiles)
He has his dimples, his eyes, his
hair...
SHARON (CONT’D)
No, I didn’t have a chance to show
it, then I didn’t know what to do.
I was afraid to warn them, maybe
she’d run off again, so I came
back here to think. I’m going to
see the guy that runs the center
in the morning. Mom, I really
think it’s him!
THE SOUND OF A DRIBBLING BASKETBALL ECHOES
INT. YOUTH CENTER - DAY
Pauley, dripping with sweat, dribbles like a man possessed.
He moves the ball back and forth, up and down the court.
He finally shoots, and misses.
He drops to his knees, buries his head in his hands.
SHARON (O.S.)
You okay?
Pauley looks up, tears in his eyes. He turns his head away a
brief moment, wipes his face, and rises.
PAULEY
We lost another one.
SHARON
Did you know him?
Pauley nods slowly.
PAULEY
He was my best friend.
Sharon's visibly upset by this. She grabs his arms, inspects
them for needle marks, blurts out...
SHARON
Are you... Have you --
He pulls away from her.
PAULEY
No... no! I'd never do that!
Sharon composes herself.
PAULEY
I should have tried harder!
Maybe I could have stopped him.
SHARON
We all make our own decisions,
Pauley, it's not your fault.
PAULEY
(snaps)
Why do you keep calling me that?
My name's Jeff. Jeff King.
Ben walks out of the office. Pauley walks away.
BEN
Sharon? Is there something I
can help you with?
SHARON
Yeah, I needed to see you.
INT. BEN'S OFFICE - DAY
Ben sits back in his chair, relaxed, as Sharon paces the
floor, talking. (Inaudible)
Ben's eyes grow wide. He sits forward, shakes his head with
a look of disbelief.
EXT. POLICE STATION - DAY
Sharon walks into the Police Station.
Genres:
["Drama"]
Ratings
Scene
51 -
Tensions Rise at the Diner
INT. DINER - DAY
Ben walks into the diner.
Ruby works hard behind the counter. She looks at him and
smiles.
Ben's expression so solemn.
Her smile fades.
BEN
It's time we talk.
INT. DINER - DAY
Ben and Ruby sit at a table, in conversation. (Inaudible).
Pete and ANOTHER COP enter.
EXT. DINER - DAY
Ruby, handcuffed, escorted to a waiting Police car.
A CROWD watches the scene as Ruby is put into the back seat.
The Police car pulls away.
Ben stands among the crowd.
INT. YOUTH CENTER - DAY
Pauley and ANOTHER BOY (10), shoot hoops. The Boy misses.
PAULEY
Try pushing it off the tips of
your fingers, you'll get more
lift.
The Boy tries and fails.
PAULEY
No, like this.
Pauley demonstrates.
The Boy gives it another try and sinks the shot.
Ben enters, walks over to Pauley, speaks to him. (Inaudible).
Shaking his head in disbelief, Pauley backs away from Ben,
slams the ball against the wall.
INT. POLICE STATION - DAY
Ben and Pauley enter, walk towards a glass-enclosed office.
INSIDE OFFICE
TWO DETECTIVES and a CAPTAIN speak to...
Sharon and a LADY (her badge identifies her as someone from
Child Welfare Services).
The Captain looks up, and through the glass he sees Ben and
Pauley.
Sharon follows his gaze. Pauley enters the office. Ben
remains outside.
INT. POLICE STATION - DAY
Ben speaks to Pete.
BEN
You have to let him see her!
PETE
I'll see what I can do.
Genres:
["Drama","Crime"]
Ratings
Scene
52 -
Confrontation of Truth
INT. INTERROGATION ROOM - DAY
Ruby sits alone, waiting.
A FEMALE OFFICER opens the door to allow Pauley to enter.
He sees Ruby and breaks down.
RUBY
I'm sorry, baby.
He wipes the tears from his red, puffy eyes.
He sits down across from her.
PAULEY
Why, Mom?
RUBY
It's complicated --
PAULEY
Lies are always complicated -
the truth is plain and simple.
Isn't that what you taught me?
RUBY
I needed to protect you.
PAULEY
Why? You didn't even know me.
RUBY
I knew your life. I'd been there --
PAULEY
You told me about your mom, why
didn't you tell me about mine?
RUBY
I planned on telling you someday,
it just --
PAULEY
I thought you were the perfect mom,
but you're not my mom, you're
nothing but a lying kidnapper!
RUBY
Jeff!
PAULEY
Jeff? Wow, you don't even know my
real name.
He rises from the chair.
RUBY
You don't understand.
He pounds on the door.
RUBY
Please, let me explain! You
wanted to stay with me.
PAULEY
I was only four-years-old. I
didn't know right from wrong, but
you should have.
The door opens. He leaves.
Ruby stares at the closing door, tears roll down her cheeks.
INT. JAIL - CONTINUOUS
Pauley slowly walks away from the room. He sees Sharon, Ben,
and the Child Welfare Worker in the Captain's office.
Unnoticed, Pauley continues out the doors.
EXT. JAIL - DAY
Pauley boards a city bus.
Genres:
["Drama"]
Ratings
Scene
53 -
The Search for Pauley
INT. CAPTAIN'S OFFICE - DAY
Through the glass, Ben sees Ruby being escorted down the hall.
CHILD WELFARE WORKER
(to Ben)
They okayed it. We'll have an
officer take Pauley to get some
of his things, they'll meet you
at your place.
CHILD WELFARE WORKER (CONT’D)
(to Sharon)
This will take a few weeks. Try
not to rush him. He's got to be
very confused right now.
INT. JAIL - DAY
Sharon and Ben walk toward the exit.
PETE (O.S.)
Ben!
Ben turns back.
PETE
Pauley's gone.
MONTAGE
-- Pauley gets off the bus, walks through a seedy section of
town, past boarded up storefronts.
-- Ruby is fingerprinted and booked.
-- TWO HOOKERS stop Pauley. He shakes his head and walks
away. The ladies laugh.
-- A GUARD escorts Ruby to her cell. She walks inside. The
metal door CLANGS shut.
-- Pauley hands a DEALER cash.
END MONTAGE
INT. YOUTH CENTER - DAY
Ben and Sharon enter the gym. Ben approaches some BOYS,
question them (INAUDIBLE), then walks back to Sharon.
BEN
They haven't seen him. I was
sure he'd be here.
INT./EXT. BEN'S CAR (MOVING) - DAY
Ben drives. Sharon stares out the window, searching.
EXT. MARY LOU'S HOUSE - DAY
Ben rings the doorbell.
Mary Lou answers the door, surprised to see Ben and Sharon.
MARY LOU
What's wrong?
BEN
Jeff's missing.
SHARON
Is he here?
Mary Lou shakes her head.
MARY LOU
No. What do you mean he’s
missing?
(to Sharon)
Why are you --
BEN
Do you have any idea where he'd
be?
MARY LOU
No... no, I've been trying to
call him. There's no answer at
his house. He was supposed to
let me know about Derek’s...
you know, arrangements. Do you
think he’s okay? I know he’s
upset --
BEN
I’m sure he’s fine, probably just
needed some time alone. I’ll have
him call you when he shows up.
Mary Lou nods.
Genres:
["Drama"]
Ratings
Scene
54 -
A Second Chance
INT./EXT. BEN'S CAR (MOVING) - DAY
It's starting to get dark. Ben glances at Sharon.
BEN
Maybe he's just not answering the
phone.
They drive by a small neighborhood park.
SHARON
Stop! There he is.
EXT. PARK - DAY
Pauley sits on the bleachers overlooking the basketball court
he and Derek played on. He stares at a small baggie in his
hands.
EXT. BEN'S CAR - DAY
Ben and Sharon get out of the car. As Ben starts forward,
Sharon touches his arm.
SHARON
Let me talk to him. I need to
do this.
Ben nods.
EXT. PARK - DAY
Pauley sees Sharon approaching. He jumps from the bleachers
and runs in the opposite direction.
SHARON
(yells)
Pauley, wait!
Pauley stops and shouts at her.
PAULEY
Just leave me alone!
SHARON
Please --
PAULEY
How many times are you going to
mess up my life?
He walks away.
SHARON
Stop!
Pauley turns, but continues walking (backwards). He holds up
the bag of heroin.
PAULEY
This must be something really
great. People die for this shit.
SHARON
No, people die because of it.
(beat)
What are you doing with it, Pauley?
He stops. Tears stream down his face.
PAULEY
We were best buds ever since I can
remember. He chose this over me!
You chose it over me! Why? Why
would --
SHARON
People make mistakes.
PAULEY
Don't worry - I'll never make your
mistakes! I'm not like you!
SHARON
I hope you're not like me. I hope
you're smarter than me, but you're
my son. Pauley, you're my --
PAULEY
No! No, I'm Ruby's son! You
didn't love me. You loved this!
Pauley throws the heroin packet at her. It falls to the ground.
She slowly picks it up. Sharon walks to Pauley and takes him in
her arms. He tries to push her away, but his defenses break down
and he surrenders.
SHARON
(words broken by sobs)
I'm so, so sorry. Let me make it
right. Please, give me a second
chance. I promise to make it
right.
Pauley stares into her eyes.
Sharon backs away, slowly opens the packet and releases the
powder into the wind.
INT. FUNERAL HOME - DAY
Pauley, Mary Lou, and Ben sit behind Derek’s Mom as the services
take place. Pauley clenches his jaw tight, holds in his
emotions. Mary Lou wipes her eyes.
INT. MILLERS’ BEDROOM - DAY
Sharon changes the appearance of this feminine, pink bedroom
by applying a fresh coat of blue paint. She smiles.
Genres:
["Drama"]
Ratings
Scene
55 -
Bittersweet Farewells
INT. JAIL CELL - DAY
Ruby writes a letter.
INSERT STATIONARY: Dear Pauley
INT. BEN'S KITCHEN - DAY
Ben pours a cup of coffee. A phone RINGS. Ben answers it.
INT. BEN'S HOUSE / BEDROOM - DAY
Pauley packs his things into a duffel bag.
A KNOCK on the door...
Pauley turns to see Ben enter.
BEN
They got the results. She'll
meet us at the house.
Pauley zips his bag shut.
PAULEY
Why don't I remember her?
BEN
Self-preservation maybe. It might
be a time in your life that you'll
never want to remember.
Ben puts a hand on Pauley's shoulder.
BEN
But don't be afraid of the future,
Sharon's a different person now.
Ben picks up the duffel bag.
BEN
You all set?
Pauley nods and follows Ben out of the room.
EXT. ROW HOUSE - DAY
The door opens. Pauley, Sharon, Ben, and Mary Lou walk out,
arms loaded down with boxes.
They load the boxes into Sharon's car.
Ben closes the trunk of the car.
PAULEY
I guess we're ready.
Mary Lou takes Pauley's hand.
Sharon looks at the two of them.
SHARON
I'll wait in the car.
Sharon and Ben walk away.
Mary Lou looks at Pauley, sighs.
PAULEY
I'll write you every day, I
promise.
Mary Lou nods.
MARY LOU
I'll never forget you.
They embrace.
Genres:
["Drama"]
Ratings
Scene
56 -
Letters of Loyalty
INT. JAIL VISITING AREA - DAY
Ruby's seated across from Ben.
BEN
He's top notch.
RUBY
I can't afford --
BEN
He agreed to take your case
pro bono. He owes me one.
RUBY
Thanks, Ben.
BEN
Have you heard from Pauley?
EXT. MILLERS' HOUSE - DAY
Darlene comes out the door.
Donna comes out onto the porch as Darlene rushes to meet the
car pulling up to the house.
Sharon and Pauley get out of the car.
Darlene takes Pauley's face in her hands.
RUBY (V.O.)
He won't answer my letters.
I don't blame him, not one bit.
INT. MILLERS' HOUSE - DAY
Sharon shows Pauley his room. She leaves him while he
unpacks some things.
BEN (V.O.)
He just needs some time.
Pauley takes out a picture of himself and Ruby, packed
beneath some clothes. He looks at it and gently places it
inside a nightstand drawer.
INT. MILLERS' HOUSE - DAY
Pauley, Sharon, and Darlene sit down to dinner. Conversation
seems to flow naturally. Pauley smiles.
EXT. MILLERS' HOUSE - DAY
SUPER: SEVEN MONTHS LATER
Pauley, in a warm, hooded sweatshirt, sits on the porch
swing, writing a letter.
Sharon comes out and leans against the porch rail, looks up
at the clouds.
SHARON
Looks like we're gonna have a
storm.
PAULEY
Yeah, it does.
Sharon wraps her sweater tighter around her, turns back
toward Pauley.
SHARON
Writing to Mary Lou again?
Pauley shakes his head.
PAULEY
I've decided to write Ruby.
Sharon sits in the rocker.
SHARON
I see.
PAULEY
She doesn't deserve this.
Where's her second chance?
SHARON
She kidnapped you, Pauley.
PAULEY
But she thought she was saving me.
Sharon studies him.
PAULEY
If I had to pick a mom... I mean,
if I had no mom, and had to
choose one, I'd pick Ruby.
Sharon nods with a look of understanding.
Genres:
["Drama"]
Ratings
Scene
57 -
Confrontation and Verdict
INT. RUBY'S CELL - DAY
A GUARD comes to the cell door.
GUARD
You have a visitor.
INT. JAIL - DAY
Ruby is led to the visiting area. She sees Sharon seated,
waiting at a table. She pauses.
GUARD
(to the both of them)
Visiting hours are about over, so
make it quick.
Ruby takes a seat. Sharon stares at her.
RUBY
Is Pauley okay?
SHARON
It hurts not knowing, doesn't it?
A pause.
SHARON
He's doing just fine, considering.
RUBY
Then why are you here?
SHARON
I need you to explain... make me
understand. You know what it's
like to lose a child, how could
you take my son from me?
Ruby sighs and shakes her head.
RUBY
How could I not?
SHARON
What? You saw a chance to replace
your boy by stealing mine?
Ruby remains calm, soft-spoken.
RUBY
That's not how it was. I saw a
child in need, cold and hungry...
How could you take him there?
He was your baby.
Sharon, suddenly angry and defensive, brushes back tears...
SHARON
I know it was wrong! You don't
have to tell me that! I've blamed
myself everyday for ten years, but
that doesn't make what you did
right! I had family that would
have cared for him. They loved
him, too. You took --
RUBY
I never saw family. I just saw
what you were giving him, and I
knew that life all too well. No
child deserves it.
Sharon takes a deep breath.
SHARON
I thought you would show some
remorse.
RUBY
Remorse? This wasn't something
I planned. I made a split-second
decision, there was no turning back.
I am sorry for the pain it caused
you and your family, but I won't
apologize for doing what I did.
It's what Pauley needed.
GUARD (O.S.)
Time's up.
Ruby stands. Sharon watches as the Guard leads her away.
INT. JAIL - DAY
Sharon retrieves her personal belongings from a visitor's
locker. She opens her purse and removes a letter. She walks
to a SECURITY GUARD sitting in a glass-enclosed cubicle. She
slips the letter through a slot.
SHARON
Could you see that Ruby Brown
gets this?
SECURITY GUARD
It needs to go through --
SHARON
It's from her son.
The Security Guard nods, seeming to understand its importance.
SECURITY GUARD
I'll see that it gets to the
mailroom.
INT. COURT - DAY
Ruby sits at the defense table beside her lawyer, MR. HILLMAN.
Ben sits behind her.
Behind the PROSECUTION'S table sit Sharon, Darlene, and Donna.
The JURY is seated.
The JUDGE (60s), grandfatherly-looking, addresses the jury.
JUDGE
Madame Foreman, has the jury
reached a verdict?
MADAME FOREMAN stands.
FOREMAN
Yes, Your Honor, we have.
The Foreman hands the BAILIFF a piece of folded paper. The
Bailiff takes it to the Judge. The Judge opens it and nods,
then passes it back.
JUDGE
Please read the verdict aloud.
FOREMAN
In the case of the people versus
Ruby Brown, we, the jury, find
the defendant guilty.
Ruby looks worn out.
JUDGE
The court thanks the jury for
their service. Sentencing will
be set for May third.
All rise as the Judge leaves the bench.
Sharon appears confused, conflicted. Darlene and Donna hug.
Sharon stares as Ruby is handcuffed and escorted out.
Genres:
["Drama","Legal"]
Ratings
Scene
58 -
A Slice of Reflection
INT. MILLERS' KITCHEN - NIGHT
Sharon, in a nightgown and robe, sits alone at the table
sipping a cup of tea, lost in thought.
DARLENE (O.S.)
You look as if something heavy
is weighing on your mind.
Sharon looks up at her mom.
SHARON
You're up late.
DARLENE
Couldn't sleep. That apple pie
kept calling my name.
Darlene reaches into the refrigerator and brings out the pie.
DARLENE
Want a piece?
Sharon shakes her head.
SHARON
I thought you liked cherry.
DARLENE
Apple was your dad's favorite.
I think I still bake 'em for him.
Darlene cuts a piece of pie, pours a glass of milk.
DARLENE
You want to talk about it?
Sharon purses her lips, shakes her head, then...
SHARON
I'm just so angry... and so sad.
DARLENE
She'll pay for --
SHARON
I'm not angry at her, Mom. Not
anymore. I'm angry at myself.
She's gonna pay for my sins, as
well as her own. I don't know if
that's fair.
DARLENE
It's in the court's hands now,
honey. They'll decide her fate
and there's nothing you can do
about it.
Genres:
["Drama"]
Ratings
Scene
59 -
A Plea for Mercy
EXT. HILLMAN'S OFFICE - DAY
Sharon enters.
INT. HILLMAN'S OFFICE - DAY
Sharon speaks with Ruby's lawyer (Inaudible). He nods as he
listens.
INT. JUDGE'S CHAMBERS - DAY
The Judge sits at his desk. Mr. Hillman, Sharon, and the
DISTRICT ATTORNEY are present.
HILLMAN
Your Honor, she's asking for the
court's leniency in this case.
JUDGE
This is a kidnapping case, she
was judged and found guilty by
her peers.
D.A.
She stole your son.
SHARON
(to D.A.)
She saved my son. She probably
saved me, too. It was my rock
bottom.
D.A.
I'd say it was the ten years that
rehabilitated you.
SHARON
Ten years didn't make my addiction
disappear. I'll always be an
addict. I'll have to fight the
urge for the rest of my life, and
Ruby showed me why.
D.A.
Ms. Brown is far from the saint
you make her out to be.
HILLMAN
(to D.A.)
No one is making her out to be a
saint, but does she deserve to be
crucified?
(to Judge)
I know she did all the wrong
things, Your Honor, but for all
the right reasons.
Genres:
["Drama","Legal"]
Ratings
Scene
60 -
Redemption in the Courtroom
INT. PAULEY'S BEDROOM - NIGHT
Pauley sits on the edge of his bed, stares at the picture of
himself and Ruby. He sets it on the nightstand.
Pauley folds his hands, bows his head, closes his eyes, and
prays.
INT. COURT - DAY
BAILIFF
All rise.
All present rise as the Judge enters and takes his seat.
All are seated.
Seated behind Ruby are Ben, Pastor Free, and his wife, Carol.
JUDGE
Ruby Brown, will you please stand?
Ruby stands.
JUDGE
The court has found you guilty
of kidnapping. Do you understand
the gravity of this crime and that
you may, under law, be sentenced
to a term of up to twenty years
imprisonment?
RUBY
Yes, Your Honor, I do.
JUDGE
Are there any statements you'd like
to make before I pass sentence?
Ruby hesitates.
RUBY
I'm not going to make excuses for
what I did, Your Honor. I did
wrong by the law, but, I believe in
my heart, I did right by Pauley. He
needed me as much as I needed him.
Ruby looks back at Sharon.
RUBY
He's a good boy - give him the
love he deserves.
(back to the Judge)
That's all I have to say, Your
Honor.
The Judge looks at his notes, then at the courtroom.
JUDGE
I found this case both unique and
troubling. I was faced with one
of the most profound of
philosophical questions - can the
end ever justify the means?
The Judge sits back in his chair, as if in contemplation.
JUDGE
Once a person decides to violate
his own moral code to attain a goal
- no matter how honorable that goal
might be - he has taken a path
down a very slippery slope.
The Judge pauses and studies Ruby, letting his words sink in.
JUDGE
I was also faced with another
difficult question. Is the defendant,
in actuality, the villain here? Or
is she the hero, fighting the real
villain - the decay of our society?
The Judge once again pauses, studies the D.A. and his staff.
JUDGE
In the end, I was left with one last
question - who would benefit by
sending Ms. Brown to prison? Therefore,
after much deliberation, and taking
into consideration the wishes of the
parties involved, I sentence you,
Ruby Brown, to - time served.
Ruby looks at Sharon, as do Darlene and Donna.
JUDGE
Ms. Brown.
Ruby returns her attention to the Judge.
JUDGE
I expect that you will continue
your community service?
RUBY
Yes, Your Honor, of course.
JUDGE
I believe more good will come from
that than from your incarceration.
You're free to go. This court is
dismissed.
The Judge sounds the GAVEL.
BAILIFF
All rise.
Ben, Pastor Free and Carol, now relieved and smiling, surround
Ruby and Hillman. Ben gives Hillman a congratulatory pat on the
back, while Pastor Free shakes his hand. Carol wraps her arms
around Ruby, who's still stunned by the Judge's decision.
The D.A. shakes his head as he gathers up his papers.
INT. OUTSIDE COURTROOM DOORS - DAY
Pauley sits with Sharon on a bench, waiting.
Ruby walks out of the now empty courtroom with Ben and her
lawyer.
Pauley stands.
Ruby and Pauley slowly walk to meet each other. They hug,
tears flow.
Sharon walks to their side. She extends her hand to Ruby.
Ruby clutches onto it as they share a smile.
FADE OUT.