An Uber pulls up to the curb in front of a weathered house,
with bold Greek letters hanging over the front door. TARA
QUINN and LISA BRENNAN step out, the full moon glowing
brightly overhead.
TARA
It’s a beautiful night… look at
that moon.
LISA
(glancing up,
uninterested)
Yeah, nice… let’s go.
Tara and Lisa walk toward a dimly lit door. Laughter and
faint voices in conversation are becoming more distinct.
TARA
(smirking)
You sure about this?
LISA
My scholarship covers school,
leaving me nothing to do but study
all the time… I’m not doing that.
TARA
(grinning widely)
Oh, so this is about broadening
your horizons and being more well
rounded.
Lisa gives her a sidelong glance but doesn’t answer. Tara
rings the bell and raps lightly on the door.
LISA
(Mutters)
Anything that keeps me from asking
my Dad for money…
The door swings open, revealing a freshman boy who looks both
surprised and slightly wary.
FRAT BOY
(to Tara)
Hey… uh, it’s poker night. Just the
boys tonight.
LISA
(stepping forward, calm)
That’s why we’re here, I wanted to
play.
TARA
She has money.
The boy hesitates, his smirk slowly growing.
FRAT BOY
(opening the door wider)
Well, come on in. But you girls be
careful… don’t be crying later.
Genres:
["Drama","Comedy"]
Ratings
Scene
2 -
Poker Face: Underestimated
INT. FRAT HOUSE - NIGHT
They enter the door and see a game in progress. There’s a few
players smoking cigars and there’s several bottles of beer on
the table. One of the cigar smoking players turns to them.
FRAT BOY 2
(Skeptical)
You looking to play? It’s $500 buy
in… to start off.
LISA
(Smiling brightly)
I’ve played before… My uncle says
I’m pretty good.
The boys all look towards each other laughing and smirking,
looking extremely confident they will fleece the new girl.
FRAT BOY 3
(Whispering)
I need new tires for my truck.
LISA
What are you playing? I know 5 card
draw… where you decide what cards
to keep.
The boys all look at her with an incredulous look. Tara’s
friend who let them in, quickly speaks up.
FRAT BOY
No, they are playing Texas Hold‘em.
You know how to play?
Lisa is watching the table and nodding a little in
understanding.
LISA
Cards are cards… no wilds, right?
The boys can barely contain their laughter, but they maintain
composure and shake their heads no.
LISA
Deal me in… I’ll be fine after a
few hands.
Lisa sits at the table, her cheerful demeanor unchanged, as
the boys laugh and exchange smirks while playing. A new hand
is then in progress, and Lisa glances at her cards before
folding again.
A new hand is dealt and Lisa now looks confident.
LISA
I’ll bet on this one…
The boys laugh, one nudging the other, while Lisa places her
bet. The boys’ confidence grows, their smirks wider now.
FRAT BOY 2
I’ll raise you…
Lisa sees the stack he pushes into the center of the table.
She looks concerned and glances at her chips.
LISA
That’s being a bully, don’t you
think.
FRAT BOY 2
That’s the game… maybe your Uncle
is nicer about it.
Lisa, without a word and with all humor gone, folds her hand.
The boy rakes his chips in with a smirk. The next hand is
dealt and Lisa is noticeably more concentrated and becomes
completely emotionless.
[TIME JUMP]
The table is now cluttered with chips piled high in the
center. The boys look a bit tired and a lot more serious
about their challenger. Lisa glances briefly at her cards
before leaning toward Tara, her voice calm but commanding.
LISA
(whispering)
Go call for an Uber.
Tara hesitates briefly, but she gets up and moves into the
next room. Lisa leans back in her chair, her face unreadable.
LISA
(placing her cards down)
Sorry, boys… You shoulda stuck to
beer pong.
The frat boys erupt in disbelief. Chips are dragged toward
Lisa as one boy slams his cards down.
FRAT BOY 3
No fucking way… You got lucky!
LISA
(bluntly)
It wasn’t luck. You tap your chips
when you’re bluffing, and your
friend here has a consistent lazy
shuffle. The Queen of Hearts was
left buried at the bottom of the
deck… leaving you only a 1.8%
chance of taking my pot.
The boys sit in stunned silence, their faces a mix of shock
and embarrassment. Suddenly, BARRY enters from the next room,
freezing when he sees Lisa.
BARRY
(incredulous look)
You’ve gotta be kidding me…
He turns to the group, shaking his head.
BARRY
You idiots! That’s Lisa Brennan.
She’s got a higher IQ than all you
clowns together. If you guys lost
the rent, I’ll kill ya.
Lisa stands, stacking her winnings with precision, and heads
toward the door, meeting Tara as she reenters.
LISA
(grinning, to Barry)
I thought you graduated and left.
BARRY
(with a joking grin)
I’m here another year, getting my
Masters… and avoiding you, so I
could afford it.
Lisa waves the stack of cash as she exits.
LISA
(playfully)
Give me a call. I’ll buy you a
drink.
The door closes behind her, leaving the boys in stunned
silence.
EXT. FRAT HOUSE - NIGHT
TARA
Well, we won’t be welcome here for
a while.
LISA
Beta Kappa Pi never hangs with
these guys. In two weeks, we’ll go
over there.
TARA
That’s how I know you’ve been at
this school too long.
LISA
Too long? I’m never leaving… let’s
get back.
FADE TO:
Genres:
["Drama","Comedy"]
Ratings
Scene
3 -
Melodies of the Montgomerys
EXT. MONTGOMERY HOUSE - DUSK (SEVEN YEARS EARLIER)
A charming, weathered Midwestern home stands between tall
trees, their leaves starting to sway in a gentle breeze.
INT. MONTGOMERY HOUSE - DUSK
BENNY MONTGOMERY sits at a piano in the living room and BECKY
MILLER takes her place at a sheet music stand next to it.
BENNY
Let’s see how well you’ve been
practicing.
BECKY
What song are we doing?
EVELYN MONTGOMERY is finishing clearing the table and BILLY
MONTGOMERY is helping her out.
Evelyn warmly puts her hand to side of Billy’s face.
EVELYN
I got this… go play for Becky.
BILLY
(Smiles brightly)
Okay, thanks.
Billy heads into the living room, picking up his saxophone.
Benny is handing Becky sheet music. Becky places the papers
on the stand, her excitement tempered by a hint of nerves.
BENNY
(with a grin to Billy)
How about L-O-V-E?
BILLY
(playful groaning)
Oh, come on, Dad…
BECKY
(brightly)
That’s a good one… it’s fun!
BENNY
(nodding)
Exactly… and it’ll be good
practice.
He turns to Becky, his tone warm but instructive.
BENNY
I know your voice is strong… focus
on phrasing, hit your cues. This
one is about delivery, don’t
overpower it.
Benny glances at Billy with a small smile.
BENNY
Billy, watch the improv… keep it
easy for her.
BILLY
(grinning)
Where’s the fun in that?
BENNY
(with a knowing smile)
The fun is in a beautiful
collaboration… we can do it.
Billy rolls his eyes amused, but lifts his saxophone with
feigned reluctance.
BENNY
Okay… here we go
Benny begins the piano intro for L-O-V-E by Nat King Cole. As
he leads off the duet with the opening letter—“L is for the
way you look at me…”—the personal dynamics come alive.
Benny glances adoringly at Evelyn, smiling softly at the
scene. Becky seeks Benny’s approval. Billy, trying to stay
inconspicuous, steals admiring glances at Becky.
Becky briefly stumbles on a line, laughing as Billy
improvises a quick riff on his sax.
BECKY
(laughing)
Not helping!
BENNY
Let’s keep it together…
The performance continues, growing in harmony and confidence,
filling the house with warmth and joy, finishing with a final
flourish from Billy’s saxophone.
BECKY
(excitedly)
How’d I do?
BENNY
Not bad at all. You’re finding your
groove.
Becky grins, satisfied. Benny turns his attention to Billy,
nodding toward the saxophone.
BENNY
You’re really good, Billy.
Juilliard saw it—don’t take that
for granted.
Billy shifts uncomfortably, setting his saxophone down.
BILLY
I’m still waiting to hear back from
a couple of engineering schools.
BENNY
It’s tough to top a full
scholarship, but we’ll wait for all
your options.
Billy remains respectful, but clenches his jaw slightly with
a deep breath.
Genres:
["Drama","Family"]
Ratings
Scene
4 -
Prom Promises and Aspirations
EXT. MONTGOMERY HOUSE - DUSK
The screen door creaks open, and Evelyn steps out onto the
porch, seeing Becky off as she heads home.
EVELYN
Thank you so much, for coming by.
BECKY
I love spending time over here.
BILLY (O.S.)
I’ll walk you home, Becky.
Billy enthusiastically steps out onto the porch. Evelyn
Montgomery smiles warmly at Billy, as she goes back in.
BECKY
You don’t have to, it’s right
there.
BILLY
(With feigned insult)
You don’t want my company?
BECKY
(With a smile and a turn
of her head)
Let’s go…
They begin walking down the path towards Becky’s house.
BECKY
That was a lot of fun… I think I’m
ready.
(beat)
Will your Dad ever give me a shot?
BILLY
He said he will, and he never just
says things like that.
BECKY
I guess I’m anxious. I just want to
try it, for real on stage.
Billy notices her house approaching, hesitating as he
searches for the right words.
BILLY
You know, prom’s coming up.
BECKY
(look of anticipation)
Yes… it’s coming up fast.
BILLY,
I was thinking… if you weren’t—
BECKY
-Yes! We should go to prom
together. I would like that.
Billy is pleasantly surprised, but is thrown off, just as
they reach Becky’s house.
BILLY
Uh, great!
BECKY
Well… here I am.
Becky starts up the walkway to the door. Looking back with a
smile.
BECKY
I’m looking forward to prom.
BILLY
(With a pleased smirk)
Me too.
Billy watches till Becky goes in. He then turns to head back
briskly, hopping up on the porch in one step and excitedly
heading into the house.
INT. MONTGOMERY HOUSE – NIGHT
The house is quieter now. Benny is in the living room,
gathering his things. Evelyn watches him from the hallway,
with a mix of concern and familiarity.
BILLY
You’re heading out tomorrow?
BENNY
Yeah, at the crack of dawn, I’ve
got a ways to go.
BILLY
Becky had fun… she asked about
getting a real shot.
BENNY
She’s getting really good, I’ll
have to find an opportunity soon.
BILLY
(shrugs)
I wouldn’t be in a rush. I don’t
think she’s ready for a career on
the road.
BENNY
I agree, she’s not ready to make
any choices like that.
Benny tousles Billy’s hair affectionately as he heads
upstairs.
EVELYN
(Inquisitively at Billy)
So...
BILLY
I asked her.
Evelyn waits, then her eyebrows raise in impatience.
EVELYN
And?
Billy smiles widely.
BILLY
She said yes. She’s looking forward
to it.
EVELYN
I’m so glad to hear that… I think
it’s wonderful.
BILLY
I have to get a tux… I’ve never
done that.
EVELYN
Your Dad can help you this weekend.
Genres:
["Drama","Family"]
Ratings
Scene
5 -
Rainy Goodbyes
EXT. MONTGOMERY HOUSE - DAY
Becky rings the bell and lightly knocks on the door.
The door opens and and Billy smiles realizing it’s Becky.
BILLY
Hey Becky, what brings you by?
Becky looks lost for words, struggling with what to say.
BECKY
Would you mind walking me home?
Billy’s expression is confused, he looks out behind Becky.
BILLY
Where did you come from?
BECKY
Uh… my house.
BILLY
Alright… you feeling okay?
Billy opens the screen door, stepping outside. Becky smirks,
trying to hide concern.
BECKY
Thanks, Billy… I actually need to
speak to you about something.
Becky’s expression becomes apprehensive as she steels herself
for her next words.
BECKY
Billy, I have to leave in the
morning.
(beat)
Alex Collins is taking me on the
road.
BILLY
Alex? My Dad’s buddy? How did-
BECKY
-The other night after the show in
town, Alex invited some of us out
and I sang… all night.
(softly)
It was fantastic.
Billy is visibly confused and angry, but responds calmly.
BILLY
When are you coming back? Prom is-
BECKY
-I’m not going to prom, Billy… I
can’t pass this up. I have a chance
to sing!
BILLY
(a saddened plea)
There won’t be another prom…
(beat)
It’s one night…
BECKY
Billy, are you telling me to turn
this down… How can I do that?
Billy is shaken by the news, lowering his head.
BILLY
(with gaze down)
No, I’m not telling you that.
It begins to gently rain on them.
BECKY
Billy, you don’t know what it’s
like to want something like this…
BILLY
(Hinting of sad regret)
Yes I do.
Billy begins to pull away, unable to contain his emotions,
but desperately needing to hide it.
BECKY
I feel terrible leaving like this.
The rain becomes more steady now and Billy struggles to
contain his emotions. Becky steps towards him, taking his
hands, before speaking.
BECKY
(wincing at the rain)
Billy, I can’t stay out here with
you…
BILLY
(in a pained whisper)
I know…
Becky hugs him. His expression crushed, as his eyes look away
into the distance. Becky then hurries towards her door,
turning back as she goes.
BECKY
I’m sorry Billy…
(from the door, calls out)
I’ll write, to see how you guys are
doing!
Billy stands motionless, as the rain teems down. He watches,
as she disappears behind the closing of the door.
INT. MONTGOMERY HOUSE - DAY
Billy returns, coming into the house dripping wet, with a
stoic look as he heads for the stairs. His dad sees him
dripping wet and walks over to talk to him.
BENNY
Billy, you’re sopping wet… what
happened?
Billy stops, turning slowly to his Dad with a serious look.
He speaks softly and slowly, knowing he’s hitting his Dad
with a shock, but must speak it now.
BILLY
I’m not going to school for music,
Dad… I won’t ever be a musician.
BENNY
Billy, why are you being so rude
about this?
(genuinely confused)
You have a scholarship… We can’t
afford to pay for engineering.
Billy’s expression hardens, his heartbreak boils into anger,
and before he explodes, he bluntly speaks.
BILLY
So then, I’ll go make money to be
an engineer, because I don’t want
to do what you do.
BENNY
Okay, Billy… I just saw such talent
in you. I never meant to force you.
Billy then turns and continues upstairs. His dad stands there
confused, but sympathetic, as he watches Billy head up.
Genres:
["Drama"]
Ratings
Scene
6 -
Choices and Camaraderie
EXT. A CONSTRUCTION SITE FOR A NEW HOUSE - DAY (PRESENT TIME)
Billy, older now, unloads materials and tools from his truck.
Bobby Darin’s Beyond the Sea plays on the radio and TOMMY
FLYNN approaches.
TOMMY
Hear me out… Thursday night. Dinner
then a club with Heather and Tracy.
Billy hums along with the song, ignoring Tommy as he stacks
tools in the truck bed. Once the tailgate is secured, he
turns, a smirk forming.
BILLY
If I stay out all night with you,
Mr. Jackson doesn't get his family
out of that trailer.
TOMMY
There’s other construction
companies, man. You don’t need to
work six days a week, and overtime.
BILLY
I know Heather. And Tracy? Let me
guess—she’s cross-eyed and
hunchbacked?
Tommy shakes his head, exasperated but amused.
TOMMY
Your ridiculous…
Billy smirks, with a chuckle, as he throws the last tool in.
TOMMY
Are you ever sorry you started all
of this… You had a scholarship.
BILLY
If I took that scholarship… think
we’d be friends now?
TOMMY
No way… I would never let that
happen.
BILLY
Sure. I’d be on the road all the
time, different city every night. A
million acquaintances… Not a single
friend.
TOMMY
You could have done it different.
Billy is briefly lost in thought, then snaps back to Tommy.
BILLY
And you could’ve worked for one of
those other construction companies…
I hear they have more time off.
TOMMY
(shakes his head)
For better or worse, bro.
Billy smirks after Tommy’s remark. They both hop into the
truck and head off.
Genres:
["Drama"]
Ratings
Scene
7 -
Determined Defiance
INT. RIVERBEND UNIVERSITY - DAY
The campus of RIVERBEND UNIVERSITY buzzes with life under the
midday sun. Grand, ivy-covered buildings stand as timeless
witnesses to youthful energy. Amid the bustle, LISA BRENNAN
strides toward Herald Hall, her gaze fixed ahead.
INT. RIVERBEND UNIVERSITY CLASSROOM - DAY
Lisa enters the class and sits next to TARA QUINN, who looks
surprised, but pleased to see her.
TARA QUINN
Look who’s here… you get any sleep?
Better introduce yourself — the
Professor won’t remember you.
LISA
You’re hysterical.
(frustrated)
I’m here because PROFESSOR FINCH
wouldn’t answer my emails.
Lisa is sitting noticeably impatient, as the professor enters
and begins lecturing. Time lapses to the end of his lecture.
The professor closes and dismisses the class, after calling
out a reminder of assignments for the next week. Lisa
approaches him at the front of the room.
LISA
You gave me a B+… there was nothing
wrong with my paper.
PROFESSOR FINCH
This isn’t an online class.
Attendance counts… and you didn’t
show up.
LISA
(defiantly)
I’m going to petition this grade.
PROFESSOR FINCH
And you might win, Lisa… but it
shouldn’t be easy for you to act
like a reckless freshman.
(After a pause)
Oh, and the Dean wants to see you.
INT. HALLWAYS OF HERALD HALL - DAY
Lisa leaves Professor Finch’s classroom in a huff and begins
walking quickly through the halls among other students. She
looks concerned and heads to the Dean’s office.
INT. DEANS OFFICE - DAY
Lisa enters Dean Townsend’s office as he finishes a phone
call. The room is grand and imposing, but Lisa moves
comfortably, examining the leather-bound books and antique
decor. She pauses at a trophy case, glancing at photos above
it, where she is pictured. Behind the desk, Dean Townsend
sits in a high-backed leather chair, framed by degrees and
certificates that showcase his academic accomplishments. He
hangs up the phone.
DEAN TOWNSEND
You remember those days. Your work
was truly genius.
LISA
I was a scared kid, much younger
than anyone else… I felt out of
place.
The Dean gets up from his chair, walks over to shut the door,
and then steps over near Lisa, to talk frankly.
Lisa becomes concerned as he closes the door.
LISA
Shutting the door? Did someone die?
The Dean presses his lips together, his jaw tight while
weighing his words. Finally, he exhales and dives in.
DEAN TOWNSEND
Lisa, this is not a permanent gig.
Your scholarship funding has ended.
LISA
(shocked)
Why would you do that?
DEAN TOWNSEND
Lisa, you’re just not academically
driven anymore. Your research is
sitting idle right now.
Lisa is visibly shaken and moves away from the Dean, as he
speaks. She appears completely blindsided by the news.
DEAN TOWNSEND
Lisa, you just can’t stay here as a
student anymore… We offered you a
teaching spot, and you rejected it.
LISA
(In sudden realization)
What do I need to do… What do you
want?
DEAN TOWNSEND
(With indignation)
There is a lifeline I can throw
you… Riverbend has a spot in the
ZERO Invitational. This year’s
contest is the conversion of a
gasoline scooter, to a zero
emissions vehicle.
LISA
We’ve done something like that
before-
DEAN TOWNSEND
-I want to win Lisa! I need someone
to help make Riverbend a finalist.
The competition is bigger now.
Universities are getting
sponsorship deals, media coverage,
even government grants out of this.
If Riverbend wins, it could secure
large funding for years. We can’t
afford to miss this opportunity.
LISA
That needs to be done as a team…
Who would I work with?
DEAN TOWNSEND
HAWTHORNE INDUSTRIES is supporting
a team. You can win working with
them.
LISA
(Shaking her head,
defiantly)
I’m not working with Preston… Why
would you even ask me?
DEAN TOWNSEND
(spoken with compassion)
Lisa, you can work with whoever you
want… but only your results will
matter.
(beat)
Give yourself the best chance.
LISA
I am my best chance. I’ll tell you
who’s on my team.
Lisa turns to leave without waiting for a response, heading
out with a sharp closing of the door.
Dean Townsend exhales in exasperation, letting her go.
Genres:
["Drama"]
Ratings
Scene
8 -
Melodies of Regret
INT. BILLY MONTGOMERY’S HOME - EVENING
Billy opens the door and enters the house, exhaustion heavy
on his face. Silvery moonlight bathes the living room.
His eyes land on the piano and saxophone. After a pause, he
picks up the saxophone and moves to the window.
He begins playing a soft, masterful version of Moonlight
Serenade. His quiet heartache evident.
As the song ends, he lowers the saxophone, his expression
wistful. The sudden flick of a light in the room startles
him, as his mom stands in the doorway.
EVELYN MONTGOMERY
That was pretty. You’d impress your
Dad with that.
BILLY
You want the sad truth… I wouldn't
have played, if there were a chance
he’d hear it.
(pauses, turns to his Mom)
Just so I don’t hear about a music
career again.
EVELYN MONTGOMERY
He loves music, Billy, and thought
you would too.
Billy is now mulling around the room, while in thought about
his dad.
EVELYN MONTGOMERY
He will be proud to see you do
anything that makes you happy.
BILLY
(with sad regret)
I have no idea what that is…
EVELYN MONTGOMERY
I know why you’re bitter.
(careful)
She ran after her dream, Billy.
BILLY
(with sullen skepticism)
You know Dad told me to wait on
Becky… because she was living next
door. He said patience was key.
EVELYN MONTGOMERY
(With empathy)
You think he cost you your chance.
BILLY
For damn music! She left to go do
what Dad does… never home, and
never making enough to go home.
EVELYN MONTGOMERY
Don’t let it beat you up. I’ve had
trouble understanding it sometimes…
I’ve just learned to accept it.
Billy notices a picture of his Mom and Dad on their wedding
day. He glances at it wistfully.
BILLY
(eyebrows lift, hesitant)
There’s a scholarship I’ve applied
for… for someone in my situation.
(looks at his Mom)
Won’t cover everything… but I can
go back for my degree.
EVELYN MONTGOMERY
Billy, you need to get on with
life. It’s time now.
Billy nods slightly, then walks away, lost in thought. Evelyn
watches him go, her face full of quiet hope.
Genres:
["Drama"]
Ratings
Scene
9 -
New Beginnings and Bittersweet Goodbyes
INT. LISA’S OFF CAMPUS APARTMENT - MORNING
Lisa is in the shower, singing “Blue Bayou” with soft but
undeniable talent. Her voice carries over the running water.
Tara steps in to floss and brush her teeth. She’s enjoying
Lisa’s performance.
TARA
(Calling out playfully)
We should go back to doing karaoke
contests again. Way more fun than
poker games… and your so good!
Lisa shuts the water and wraps a towel around, as she steps
out of the shower.
LISA
Yeah, maybe someone will discover
me, make me a star, and get me out
of this mess.
TARA
Maybe you’ll steal the heart of a
rich guy.
LISA
(rolling her eyes)
My luck in poker doesn’t translate…
He wouldn’t be rich.
Lisa brushes past Tara, done with the exchange, heading to
her room.
TARA
(Mutters, wistfully)
It’s nice to be loved…
INT. BILLY MONTGOMERY’S HOME - DAY
Billy comes into the house looking cheerful and Tommy is
following in behind him. Evelyn is in the kitchen.
TOMMY
He’s all set Mrs. Montgomery! Billy
boy is heading back to school.
EVELYN MONTGOMERY
That all came together fast. You
going to be in a dorm room?
BILLY
I’m staying off campus in an
apartment… I have a roommate to
split costs with.
EVELYN MONTGOMERY
A roommate?
TOMMY
Yeah, I’m getting a job near the
school. I’m going to keep this guy
out of trouble… Don’t you worry
Mrs. Montgomery.
Evelyn glances at Tommy, her smile faltering slightly, then
turns to Billy.
EVELYN MONTGOMERY
(With a skeptical smirk)
Yeah, That’ll help me sleep easier…
BILLY
We’ll be fine… I’ll get my degree,
and start Montgomery Engineering!
Evelyn walks up to Billy, looking at him, while putting one
hand to the side of his face.
EVELYN MONTGOMERY
(pride and sadness)
I’m sad to see my boy go, but it’s
perfect—for you to go become the
man you wanna be.
Billy smiles, stepping closer and giving her a soft hug.
BILLY
Thanks, Mom.
Evelyn lets him go, her smile a mix of pride and quiet
sadness as she watches him pull back, ready to move forward.
Genres:
["Drama","Family"]
Ratings
Scene
10 -
A Tutoring Encounter
EXT. RIVERBEND UNIVERSITY LIBRARY - DAY
Billy is walking through the library, his head darting
around, looking for someone. He walks over to Lisa, who is
sitting alone at a table, scouring through some books.
BILLY
I’m sorry for being late, I hope
you haven’t been waiting long.
LISA
(Smirking curiously)
I’ll forgive you, but next time
it’ll cost you.
BILLY
I do apologize… Tell you what, I
won’t charge you this time.
Lisa’s smirk turns to puzzlement. She pauses while giving
Billy a down and up scan.
LISA
Charge me? How much you think
you’re worth?
Lisa’s intrigue with the stranger wanes. She stacks her
books, preparing to leave. NATALIE BROOKS, a shy freshman,
approaches but hesitates nearby.
NATALIE BROOKS
Are you Billy, the math tutor?
BILLY
(turning to her, relieved)
Hello Natalie, Thanks for waiting…
Would you go grab a table?
Natalie walks over to a table nearby and sits down.
LISA
Well, I wasn’t far off…
BILLY
(Puzzled)
What do you mean?
LISA
Not an escort, but close enough.
BILLY
(smirk, becoming a smile)
Uh… you’re way off.
LISA
Sure, you’re a playa and this is
the game. Teach em some math, then…
(pumps her fist subtly,
raising an eyebrow)
Billy freezes, stunned into silence. Lisa smirks, leaning in.
LISA
(whispers)
It’s okay, I won’t blow your cover…
I’m leaving now.
Lisa gets up to leave. Billy watches her, struck by an
instant curiosity.
BILLY
What’s your name?
LISA
Lisa Brennan, who are you? You’re
too old to be a freshman-I’ve never
seen you before.
BILLY
(Voice wavers, nervously)
No, that’s not true.
I am a freshman… a special case…
I’m returning to school. I’m Billy.
(extends his hand)
LISA
A special case… I’ll give you that
one. Stay out of trouble, Billy.
Without shaking his hand, she grabs her bag to go leave.
Billy watches, fascinated.
Natalie drums her fingers on the table impatiently, but
Billy’s focus stays on Lisa until she disappears.
Genres:
["Drama","Romance"]
Ratings
Scene
11 -
The Urgency of Commitment
EXT./INT. HAWTHORNE INDUSTRIES HQ BLDG - MORNING
An immaculate looking black SUV pulls up to the front of an
imposing looking building, standing above the surroundings.
PRESTON HAWTHORNE steps out of the vehicle, he is on his
phone as he walks towards the entrance. Preston is a fit,
good looking, and sharply dressed middle aged man.
Preston puts his phone away, as he approaches the main desk.
PRESTON
Has the Baxter group arrived yet?
RECEPTIONIST
No, not yet Mr. Hawthorne… The car
service is picking them up.
PRESTON
Are we set up in Conference One?
RECEPTIONIST
Yes, Sir… there’s coffee in there.
Preston abruptly heads to the elevators without saying
anything more.
INT. HAWTHORNE, CONFERENCE ONE - DAY
Preston enters the room and several people are already there,
including EDDIE HAWTHORNE, who rises out of his chair and
walks over to Preston, who is getting coffee.
EDDIE
I’ve heard that the Dean has
discussed the Zero with Lisa, but
doesn’t have her commitment yet.
PRESTON
Will that commitment be with us?
EDDIE
No… The only commitment she’s made,
is that it won’t be us.
Preston slowly shakes his head, in dissatisfaction but also
acknowledgement of the situation.
Preston takes a seat at the head of the table. His arms on
the table with his hands crossed over, to address the group.
PRESTON
If Lisa Brennan forms a team, I
want to know who is on it… and what
they are planning. Understood?
Everyone in the room nods, Eddie raises his hand to be
noticed, as he begins to speak. VICTOR ABEL looks anxious to
speak, but waits his turn.
EDDIE
Can I just go discuss it with her?
I’ve been able to get her to listen
to me before.
PRESTON
No, let me handle Lisa. You stay on
the Clean Source contract renewal
with EnerVate… That’s top priority.
VICTOR
Why is this Lisa person important
to this team’s effort? We have a
great design.
PRESTON
Because I said so, and that should
be enough.
But it’s fine—I’ll tell you. Lisa
created the Clean Source fuel cell,
and helped me sell it to EnerVate.
And if she develops something
better, EnerVate will notice.
I will not let her jeopardize this
company. The best way to limit the
risk? She does the Zero with us.
VICTOR
Understood…
(with puzzlement)
But why is she still a student?
Preston smirks, almost laughing, then just shrugs.
Genres:
["Drama","Thriller"]
Ratings
Scene
12 -
Moonlit Encounters
EXT. RIVERBEND UNIVERSITY - DAY
Lisa and Tara are walking across campus heading to a class
together. Suddenly, Tara is startled by Billy riding a mini
bike with a lawn mower engine, racing through the campus.
Lisa recognizes Billy and is mesmerized as he races by.
TARA
One of those geeks from the
automotive club…
LISA
I know that guy… Who do you know in
the automotive club?
TARA
Why? You looking for a date?
LISA
No… I want to know who built that.
INT. RIVERBEND UNIVERSITY LIBRARY - NIGHT
It’s late and the library is closing. Billy is packing up and
heading towards the front door, where he sees Lisa, looking
like she’s about to head out alone.
LISA
Oh, look who it is… Got stood up
tonight?
BILLY
You make fun, but I actually do
help my students.
LISA
(playfully sarcastic)
Is that what your calling them?
Hmmm… Think you can teach me a
thing or two?
BILLY
You need help with math? What
course?
LISA
It’s not a course, I’m trying to
solve a differential equation for
the formation of liquid vortices in
a nozzle spray.
BILLY
You enjoy trying to embarrass me.
LISA
I really could use the help.
BILLY
Can’t help you with that… but I’ll
walk you home. It’s late.
Billy’s offer is sincere, but his look doubtful.
LISA
Such a gentleman… I’ll take you up
on that.
Billy smiles at her response, he is pleasantly surprised she
accepted. He walks to the door to hold it open for her.
Billy and Lisa step outside and Billy immediately notices the
moon, which is full and illuminating their way beautifully.
He remains silent, waiting on Lisa to speak.
LISA
I see you spending a lot of time
here. Nice little harem you got
going…
BILLY
The work is easy and the hours are
flexible… it’s not a bad gig.
LISA
(Smirks, while giving
Billy the side eye)
I’m not too far… I’m just off
campus.
BILLY
You act as if you own this place…
how long have you been here?
LISA
How long?… I’ll just say I’m
nearing my 3rd degree now, and my
first one was a PHD.
BILLY
I was in construction for few
years, before going back to school.
LISA
Oh, so your good with your hands.
(pauses, pensive)
Any good at electrical work?
BILLY
(shyly smiling)
I’d say so…
Billy is still admiring the moon and is now looking bravely
inspired. He takes out his phone and quickly scrolls and taps
looking for something. Finally playing Moonlight Serenade and
he places the phone in his shirt pocket, so they can both
hear it while walking.
BILLY
I love nights like this, when the
moon is full… It’s spectacular.
Lisa has her eyebrows raised at the music Billy is playing
and gives him an incredulous look.
LISA
What are you 80? That sounds
ancient.
BILLY
It’s a classic…
(turns to Lisa)
It’s timeless.
Lisa’s looks intrigued by his response. She then glances up
at the moon he is admiring.
LISA
It’s nice… I’ve never really
noticed before.
BILLY
Just a big rock to you?
LISA
Yeah, I guess…
(then with some derision)
That’s some old-school romantic
thing… what song is that?
BILLY
(turns to her, pausing
thoughtfully)
It’s the Glenn Miller Band.
(extends his hand)
Wanna dance?
LISA
(taken aback, shocked)
What!? No…
(pauses, then softly)
Look, you’re a nice guy, but I’m
not available. I can’t get
involved… not right now.
BILLY
(Disappointed and
sarcastic)
I shouldn't have told you I was a
freshman.
LISA
(talks, looking ahead)
I’m in the Zero Invitational… I
need to be focused. I’m going to
win.
Billy is silent, easily bearing the awkward silence that’s
been created. Lisa is not handling it as well.
LISA
(contemplates, then
glances to Billy)
I do need a partner… just not a
dance partner.
BILLY
What do you mean?
LISA
Would you be interested in helping
me win the Zero? Be my teammate in
design?
BILLY
(pensive, hesitant)
I don’t know…
LISA
Why not… it’s engineering, a very
prestigious opportunity.
BILLY
I’d feel like your signing me up to
be your cabana boy.
LISA
I need someone for the hands on
work, with the prototype… I need an
engineer for my design.
BILLY
I’ll think about it… when would
that start?
LISA
There’s teams already a few weeks
in… so, like yesterday.
(points to her door)
Here I am.
Lisa begins to go up the walk way to her door. Billy is
standing at the curb, waiting as she goes in. Lisa turns back
towards Billy, smiles and waves goodnight. Billy smiles back
and acknowledges her by raising his hand up towards her.
Billy looks back up at the moon, with a wistful look, almost
as if he was let down by it. He then heads off on his way.
Genres:
["Romance","Drama"]
Ratings
Scene
13 -
Left on the Shelf
INT. RIVERBEND UNIVERSITY CAFETERIA - DAY
Lisa is paying for food, just after Tara. They glance around
for a table and go to sit.
LISA
Looks like I’m out… cast aside like
an old pair of shoes.
TARA
Hey, you could work at goodwill, I
saw a help wanted sign.
LISA
(exasperated)
You really suck sometimes.
TARA
What about that guy from the
library… You said he’s an engineer.
LISA
He walked me home from the library
last night… oh, and this is good,
he asked me to dance.
TARA
(her eyes light up
anticipating details)
What!? In the library?
LISA
Strangest thing… he asked me in the
middle of the street. He played
music off his phone.
TARA
He sounds like he’s incredibly
romantic… or a serial killer. What
did you say?
LISA
I said no! I have no time for stuff
like that.
TARA
Now you know why you spend too many
Saturdays alone.
Lisa’s look gets more serious and she straightens up.
LISA
I asked him to join me for the
Zero, but he didn’t seem
interested.
TARA QUINN
You have no time for a dance, but
you’ll partner with this guy for
the next year? …you know what your
doing?
Lisa’s mind is racing and she begins to show her desperation.
LISA
I can’t do this alone… I need
someone quick, I’m out of time.
TARA QUINN
I’ll start looking for boxes… you
have a lot of old shoes.
Lisa’s look goes deadpan at Tara’s teasing joke.
Genres:
["Drama","Romance","Comedy"]
Ratings
Scene
14 -
Tensions in the Library
INT. RIVERBEND UNIVERSITY LIBRARY - DUSK
It’s approaching end of the day and Lisa is researching some
papers from across other universities. She is sitting at a
table alone and consumed in her work.
Billy has just finished his own work and is heading through
the library towards the exit. He perks up with excitement, as
he sees Lisa and heads in that direction to say hello.
At that moment Preston Hawthorne shows up and sits at the
table with Lisa. Billy is confused by this and sits down at a
nearby table behind Lisa, looking at Preston.
PRESTON
Hello Lisa… it’s been a long time.
LISA
(looks up startled)
Not long enough…
PRESTON
I don’t understand the hostility,
Lisa. I’ve done a lot for you. Your
success was enabled by Hawthorne.
LISA
Oh yeah… it had nothing to do with
the things I developed for you.
PRESTON
You did great things, Lisa… when we
worked as a team.
(leans in, voice softens)
(MORE)
PRESTON (CONT'D)
Let’s do something great together
again.
LISA
We were never great together… I was
just a kid you had wrapped around
your finger.
PRESTON
You’re really going to try and do
this by yourself… Without
Hawthorne’s resources, you have
zero chance… meaning none.
LISA
I have a partner… you’ll be
surprised what’s up our sleeves.
PRESTON
Well, you have someone to play the
music, while the Titanic goes down.
Lisa reacts angrily at the last remark, getting up and
gathering her things. Preston also gets up heading away from
the table in the opposite direction.
Billy is already standing and in Preston’s way as he goes to
pass. Billy gives him a cold emotionless stare and stands his
ground. Preston gives a puzzled look, but steps around him.
As Preston passes him, Billy then looks for Lisa, who is on
her way out of the Library. Billy heads after her.
Genres:
["Drama","Romance"]
Ratings
Scene
15 -
Partnership Under Pressure
EXT. GROUNDS IN FRONT OF RIVERBEND LIBRARY - DUSK
Lisa pops out through the front doors of the library, she is
distressed over the exchange with Preston and is headed home.
Billy then pops out through the same doors. He is looking to
say something to Lisa, and is struggling to catch up.
BILLY
(a little out of breath)
Lisa, I’ve thought about it…
Lisa looks back to see who it is. She is surprised, but
bothered that it is that strange boy again.
LISA
(still walking)
Thought about what…
BILLY
I want to partner with you on the
Zero.
Lisa stops and turns to face him. She is visibly in no mood
for flirty games and speaks frankly to Billy.
LISA
I don’t understand this sudden
change of desire… but listen
clearly, I have no desire for you.
Billy shows surprise at her reaction, but is determined.
BILLY
You offered me a shot at this big
deal engineering contest… I’m
saying I accept.
LISA
I don’t have time for games… I’m
looking for a person that is
willing to commit to this.
BILLY
I can do that.
Lisa hears Billy but continues talking, waving her hand in
his direction with gestures full of emphasis and impatience.
LISA
To make it their life’s mission to
collaborate in a partnership, where
we would be solely focused to win.
Billy is momentarily speechless, taken aback by Lisa's
intense demands. He stares at her, deep in thought, as she
vents at him, channeling her broader struggles.
LISA
I’m not available to date… I have
no romantic interest in you…
(said slower for emphasis)
(You are not going to
score with me.)
(Spoken normally, venting)
I NEED TO WIN, so I need someone
who is all in… no distractions.
Lisa turns away and begins heading home again. Billy stands
there a little frustrated, and in thought for a few moments
more, watching Lisa leave. Then he calls out to her.
BILLY
I’ll do it! I’m in.
Lisa stops, slowly turns back and steps towards Billy. Her
look is dead serious now.
LISA
Are you really capable of that
commitment? Can I trust you?
BILLY
Yes… Yes you can.
Lisa and Billy stand, looking at each other. Lisa then
extends her hand to shake on it. Billy takes her hand and
shakes gently. He smiles, but Lisa responds skeptically.
LISA
Okay, Billy Montgomery… We’ll see
what your made of.
BILLY
Let’s win this thing.
Genres:
["Drama","Romance"]
Ratings
Scene
16 -
Engineering Ambitions
INT. BILLYS APARTMENT - NIGHT
Billy opens the door in a rushed manner, quickly putting his
things down. Tommy is watching TV, but looks up, sensing
Billy is in a rush about something.
TOMMY
What’s going on, Bro?
BILLY
I entered an engineering contest.
It’s a big deal thing by
invitation.
TOMMY
Cool… what are you building?
BILLY
I have no clue yet.
Billy plops down in front of the computer screen and starts
typing away, to bring up the Zero Invitational competition.
As Billy Googles it, Tommy is concerned by how he is acting
and he gets up and looks over Billy’s shoulder at the screen.
The screen shows the Zero splash screen, with a link to a
video titled “The Zero Mission” and it begins a video
describing the Zero. The camera switches to Billy and Tommy’s
expressions as the video plays.
TOMMY
Cool, you know how to convert a
gasoline scooter to a zero
emissions system?
BILLY
No…
TOMMY
(shaking his head)
I dunno, dude… this ain’t you. You
just gonna hand tools to people?
BILLY
She expects to hand them to me…
TOMMY
(realizing)
Get outta here! You joined this
crazy thing, going against the
biggest nerds in the country… to
impress a chick?!
(pointing, laughing)
That’s awesome, dude!
BILLY
(staring at the screen)
Knock it off… I’m not kidding.
TOMMY
I knew college would change you…
but damn! She must be smokin’ hot!
BILLY
I’m gonna hurt you…
(looks at Tommy)
seriously.
TOMMY
What?! Your my hero dude… you’ll
figure it out, you always do.
Genres:
["Drama","Romance","Comedy"]
Ratings
Scene
17 -
Defending the Partnership
INT. DEANS OFFICE - DAY
Billy and Lisa sit in chairs across from Dean Townsend, who
speaks with his hands folded on the desk.
DEAN TOWNSEND
Thank you, Billy, for coming in on
short notice. I understand Lisa is
partnering with you for the Zero.
BILLY
Yes, Sir… I’m excited about it.
LISA
Billy may be a freshman, but he has
years of construction experience
and has engineered a motor bike
with the automotive club.
DEAN TOWNSEND
You two versus world class talent
and Ivy League supported teams.
LISA
(Annoyed at the remark)
I’m looking to win and Billy’s my
choice… do you want us?
DEAN TOWNSEND
Lisa… I don’t doubt Billy’s
character, intelligence or hard
work, but why dilute our own best
talent with multiple teams?
Billy is sitting there silent, relieved he hasn’t needed to
respond. He sits back just watching the exchange.
LISA
I’m declaring a two person design…
There won’t be anybody else.
DEAN TOWNSEND
(annoyed and frustrated)
Okay Lisa… fine! You and Billy
submit a design, but I’m running a
second team with Hawthorne.
LISA
I’m the best you got, and I’ll win.
The Dean has a tense look, almost scowling at Lisa, but gets
up and shakes Billy’s hand in a congratulatory gesture.
DEAN TOWNSEND
Good luck, Billy… You two have your
travel arrangements squared away?
Billy turns to Lisa with a slight look of puzzlement.
LISA
(to the Dean)
A couple of flights to New York.
I’ll work with Sherry for it.
Lisa gets up out of her chair and starts towards the door.
After a nod to the Dean, Billy follows Lisa.
DEAN TOWNSEND
(calls out, stopping Lisa)
Tell me what’s your power system?
LISA
A fuel cell system… I have an
improved catalyzer concept.
DEAN TOWNSEND
I was hoping for an electric
solution. You could prototype right
here at the university.
LISA
(annoyed to explain)
I don’t have any interest in using
Preston’s equipment.
DEAN TOWNSEND
Don’t be silly Lisa, the university
controls that equipment.
LISA
Keep telling yourself that.
INT. THE HALLWAYS OF THE UNIVERSITY - DAY
Lisa and Billy exit the Dean’s office and begin making their
way through the hallways to exit the building.
BILLY
How did you know that about me?
LISA
After I met you in the library, I
saw you whizzing across campus… so
I did some homework on you.
BILLY
Homework on me… you always so nosy?
LISA
I let you walk me home at night… I
wouldn’t do that with a stranger.
BILLY
So your invite wasn’t so
spontaneous after all…
LISA
(smirking, then smiling)
Maybe… maybe not.
BILLY
What’s the deal about New York? I
didn’t know we’d be flying.
LISA
The Zero has an introduction
meeting. It’s held at an
engineering show in New York City.
BILLY
(with subtle surprise)
Really… when?
LISA
Pack your bags, we leave Thursday.
Lisa turns and heads off to her next class. As Billy watches
her leave, he notices his phone vibrate with a text message:
[Mom: Becky came by, she’s trying to reach you. Call her.]
Billy reads the message, his smile fading to a pensive and
conflicted look. In a deliberate motion, Billy puts his phone
away with no response.
Genres:
["Drama","Romance"]
Ratings
Scene
18 -
A Bold Challenge at the ZERO Invitational
EXT. JACOB JAVITS CONVENTION CENTER, NYC - DAY
A taxi pulls up to the convention center. Lisa confidently
jumps out looking around, anxious to head in, Billy follows.
LISA
Ready for round one? We are going
to walk in there like we have cold
fusion… we own this.
BILLY
(dumb to the reference)
Cold fusion… Let’s go!
They enter the building with Lisa still leading the way and
Billy hesitantly following while looking around trying to get
his bearings.
INT. JACOB JAVITS CONVENTION CENTER, NYC - DAY
(background music plays - suggestive of Nights on Broadway by
The Bee Gees)
The two of them step off the escalator to the show floor.
They walk in sync and in slowed motion, as they turn off from
the escalator and proceed like heroes entering the fray.
They enter the show floor area, but Lisa is undistracted,
with her eyes locked ahead. Billy’s head whips around in
different directions taking in the engineering displays.
There are numerous booths on the floor demonstrating things
like; advanced robotics, solar powered machinery and
chemistry demonstrations. Billy is in awe.
He notices the Ivy League presence of Harvard and MIT, plus
the corporate banners of Apple and Tesla. He takes a breath
as he takes it all in, with uncertainty for what is coming.
They walk under a banner that says “Welcome to the ZERO
Invitational” and they enter the presentation room.
INT. ZERO INVITATIONAL PRESENTATION ROOM – DAY
The room resembles a ballroom reception, with large round
tables scattered across the floor. Teams huddle over laptops
and notebooks, heads down in focused collaboration. A raised
platform at the front displays a banner: “Welcome to the ZERO
Invitational - brought to you by the Zero Emissions Research
and Optimization group.” A flat-screen monitor stands nearby.
Billy and Lisa enter and take their seats at an empty table,
conspicuous as a two-person team among larger, more
established groups. Lisa scans the room: well-dressed
engineers at one table greet her with friendly nods, while a
rival group offers cold, calculating glances. In the corner,
a team of fresh faces remains oblivious, engrossed in work.
LISA
(leaning in, muttering)
Pretty much the usual suspects… a
few groups I’m not familiar with.
Billy eyes the bustling room, noticing how almost every table
is crowded with people, while it’s just him and Lisa at
theirs.
BILLY
(glancing around)
And we’re going to beat them all?
Lisa, not breaking her focus, smirks with quiet confidence.
The presenters stride confidently onto the stage. Two step up
to the microphones.
PRESENTER 1
(excited, commanding)
Zero competitors… ARE YOUUU
REEEAAADY!!!
A murmur of excitement ripples through the crowd.
PRESENTER 2
(intensely)
This year, the stakes are higher,
the interest is fierce, and the
world is watching!
On screen, a montage of city streets filled with scooters
gives way to shots of sleek, futuristic vehicles.
PRESENTER 1
(smooth, professional)
The mission: convert an approved
gasoline scooter to zero emissions.
PRESENTER 2
(emphasizing)
The ZERO group has forged powerful
partnerships, to take your results
from theory to reality.
The video shifts to a map of Europe, emphasizing millions of
scooters in use.
PRESENTER 1
There are millions of scooters in
operation across Europe, and your
work will help launch a large-scale
conversion project across Europe.
PRESENTER 2
(Energized)
And it’s not just Europe watching.
We’ve got major corporations,
governments, and top universities
involved to help develop solutions
that could change the world.
PRESENTER 1
We’re eager to witness how battery
technology and electric power
systems… can take us to a better
world.
Lisa leans forward, her face tight with offense. Her eyes
flash with intensity.
PRESENTER 2
I agree with you… I’m confident the
minds in this room will take
battery tech to new heights.
Before they can continue, Lisa jumps to her feet, raising her
hand, her voice cutting through the room.
LISA
That’s short-sighted! Battery power
isn’t the ultimate answer.
Heads whip around, whispers ripple through the room. Preston,
sitting nearby, clenches his jaw, watching her every move.
PRESENTER 1
(visibly thrown)
It was an assumption… I’m sure you
have something equally impressive.
LISA
I’m developing a fuel cell system
that will outperform batteries.
It’s not just about scooters… it’s
about a sustainable future.
A ripple of shock spreads through the crowd. Preston is shown
with an angered expression of concern. Billy sits up
straight. His gaze sweeps the room, seeing all eyes on Lisa.
PRESENTER 1
Fuel cells are ambitious, no doubt.
But can they be made practical for
a project of this scale?
LISA
(smiling confidently)
Watch us.
PRESENTER 2
(Shouting to the room)
That’s why we hold the contest… To
see grand ideas become reality.
Good luck to you all!
Genres:
["Drama","Romance","Competition"]
Ratings
Scene
19 -
Innovations and Adjustments
EXT. LAB ROOM - DAY
Lisa stands at a large whiteboard on wheels, covered in
mathematical equations and a schematic of a fuel cell. Billy
sits on a stool in front of it, listening.
LISA
A power system that runs on
hydrogen and oxygen… with water as
the only byproduct.
Imagine a world where cars don’t
pollute. Where the only thing
coming out of your tailpipe… is
water. That’s what we’re building.
Lisa puts the marker down and walks away. Billy gets up
staring at and analyzing the board. He reaches for the eraser
and the marker, making a slight change on the board. Lisa
quickly returns grabbing the items from Billy.
LISA
What are you doing! Don’t touch it.
Lisa goes to change it back, but stops glancing over the
work, she’s hesitates, then puts the eraser and marker down.
LISA
(reluctantly)
Thanks.
Billy smirks smugly, while Lisa leaves again, abruptly.
BILLY
(Calls out, defensive)
You know I’m a math tutor…
EXT. RIVERBEND UNIVERSITY GROUNDS - DAY
It’s three months later and Billy is waiting with a clip
board and a stop watch. A sleek looking Honda PCX 150 is
approaching quickly. Billy is tense and begins to make a
frustrated face. The scooter skids to a stop and the rider
kicks the bike out towards Billy, throwing dirt his way.
BILLY
Why do you get such a kick out of
doing that? Your going to wipe out,
hurt yourself…
(then teasing)
and worse, damage our bike.
LISA
(brightly smiling, knowing
she’s rattled Billy)
I’ve got perfect balance… I’m not
wiping out.
BILLY
It’s testing really well. We’re
ready for an auditor.
LISA
I don’t know… I think I can still
optimize the PID controller a
little… give me a few more days.
Genres:
["Drama","Romance"]
Ratings
Scene
20 -
Betrayal in the Shadows
INT. PRESTON HAWTHORNE’S OFFICE - NIGHT
Preston Hawthorne is late at the office, just about everybody
is gone for the day. He is clicking around on his PC. He
seems to lack interest… appears to be passing time.
Preston then takes out his wallet and reaches into it behind
some cards… then takes out a photo of him and Lisa from
several years earlier. The picture shows them happy and in an
embrace. He flips the photo over and there’s writing, which
says “Changing the world together. luv you!”
Victor Abel then shows up at his office door and enters.
PRESTON
You've been making me wait.
VICTOR
I was still getting the full story.
PRESTON
So… what do you know.
VICTOR
She’s made a breakthrough… a novel
graphene based catalyzer. It’s
prototyped and testing well.
Preston is shocked by the news and in some disbelief. He
stiffens up straight in his seat, and now is staring intently
at Victor, as he speaks.
PRESTON
Impossible… there wasn’t time.
VICTOR
Exactly… she must have had the
design foundation already.
A slow realization dawns. Preston jumps up pounding the desk
and sweeping papers to the floor in frustration and fury.
PRESTON
Fucking bitch!
(pauses, still furious)
I’ve had enough… This needs to stop
now, before EnerVate hears of it.
VICTOR
What do you suggest?
PRESTON
What does the Zero group know?
VICTOR
They have requested an auditor.
Nothing we can do after audit.
PRESTON
It’s a fuel cell system… My system!
(pauses, speaks slowly)
Why can’t there be an accident?
VICTOR
The school will just buy them a new
bike and fund the rework, no?
PRESTON
No, they won’t… Charlie’s on the
board, we can get them shut down as
a safety risk.
VICTOR
That plan doesn’t come without
risk… are you sure?
PRESTON
We have to take that design out,
before it ends our business.
Genres:
["Drama","Thriller"]
Ratings
Scene
21 -
Rules and Revelations
INT. BILLY’S APARTMENT - DAY
Billy is gathering his things into his backpack, ready to
head out. Tommy walks in, heading for the coffee.
TOMMY
You got letters from Becky stacking
up… you’ve seen them, right?
BILLY
(without looking up)
Yeah, I’ve seen them.
TOMMY
(With confused look)
Saving them till Christmas?
BILLY
(shrugs)
Something like that.
TOMMY
(with a smirk)
She’s back, and a free woman… that
probably won’t last long.
Tommy exits with his coffee. Billy puts the backpack over his
shoulder, then stares over at the letters for a moment,
before turning and heading out.
INT. CLASSROOM AT RIVERBEND - DAY
Billy sits near the front, notebook open, scribbling down
every word the PROFESSOR says, eyes glued to the board.
Beside him, Lisa sits back casually, barely glancing at her
empty notebook. She listens as though it’s elementary. She
catches Billy’s concentrated look and flashes a quick, amused
smile.
LISA
We never take the scooter out for
fun. Let’s take it and grab lunch.
BILLY
We’re not supposed to take our test
prototype off campus.
LISA
Are you serious…
BILLY
You would think someone as smart as
you, would want to know the rules.
LISA
I think we can bend this one
slightly.
BILLY
I didn't feel the Dean was allowing
you any flexibility.
LISA
(Exasperated)
Lunch… just taking it for lunch.
Genres:
["Drama","Romance","Comedy"]
Ratings
Scene
22 -
The Explosion at the Lab
EXT. OUTSIDE OF LAB ROOM - DAY
The garage door is rolled open, sunlight hitting the sleek,
polished scooter. Billy stands beside it, buttoning up the
access panels he typically leaves open for testing. Lisa is
watching him, with some excitement.
BILLY
If we use the scooter, I’m driving.
Lisa smirks in amusement, leaning against the doorframe.
LISA
You NEED to drive? Is that some
masculine ego thing?
BILLY
It’s self preservation… you think
your Evel Knievel.
LISA
I’ve done more test miles than you.
Billy shakes his head, but gets on the bike grinning.
There’s a glimpse of a figure in the distance, standing
behind the tree line, occasionally raising binoculars to his
face.
BILLY
We aren’t taking any risks today.
Lisa rolls her eyes playfully, then hops onto the scooter
behind him, sliding in closer.
LISA
(smiling)
I’m not going to fight with you.
Let’s go.
Billy is grinning as he feels Lisa’s arms wrap around him,
her head leans close to his, as they rev up and speed away.
INT. RIVERBEND UNIVERSITY LIBRARY - NIGHT
Billy has his backpack over his shoulder, starting to head
out. He’s looks around and finally spots Lisa still working.
BILLY
Hey… I’m heading out. Can I get you
home safe?
LISA
Okay… I want to stop at the lab
though. I got a test running.
BILLY
Sure, let’s go.
Lisa gathers her stuff up quick and begins to head out with
Billy. They say goodnight to the librarian on the way out.
EXT. RIVERBEND UNIVERSITY LIBRARY -NIGHT
The campus is unusually quiet. A thick darkness blankets the
grounds, with only a few streetlights providing faint
illumination. Above them, the sky is clouded, offering no
glimpse of the moon.
They continue walking in the direction of the lab, with Billy
enjoying the walk and Lisa mostly preoccupied in thought.
As they approach the lab, Billy notices someone in black
around by the door and then heading off into the dark.
BILLY
(urgent whisper)
Lisa… did you see that? Someone
just came out of our lab.
LISA
What!? I didn’t see anything.
Billy is intently looking ahead at the lab as they approach,
feeling uneasy about it now. Lisa is not really concerned.
LISA
You sure it wasn’t just a-
KABOOM!
At that moment, there’s a flash like lightning, followed by a
loud thunderous force that shakes the building and blows out
the garage door, with debris and smoke expelling behind it.
As flying debris settles and some of the smoke clears, the
camera shows Billy on the ground protectively covering Lisa.
BILLY
(breathless, protective)
You okay?
LISA
(choked voice, gasping)
Yeah… as soon as I can breathe…
(MORE)
LISA (CONT'D)
(struggling)
Get off.
Billy rolls off, and they both scramble to their feet,
staring in horror as the lab is engulfed in flames, smoke
billowing into the night sky. Lisa’s expression shifts from
shock to devastation as the full reality hits her—the lab,
the project. Everything is gone.
Genres:
["Drama","Romance","Thriller"]
Ratings
Scene
23 -
Confrontation in the Dean's Office
INT. DEANS OFFICE - MORNING
Billy and Lisa enter slowly, as if they are being marched to
the gallows. Each taking a seat in front of the Dean.
DEAN TOWNSEND
I’m horrified at what happened, but
I am so glad your both safe.
LISA
It was a close call… but we’re ok.
The Dean awkwardly pauses, pensive in thought, before
responding to Lisa.
DEAN TOWNSEND
Lisa, I told you that your results
would matter. I asked you not to
take chances.
LISA
(barking back)
My results were spot on… we’ve been
sabotaged!
DEAN TOWNSEND
That’s a matter of investigation
now… mandated by the board.
LISA
(Upset, furious)
That’s so unfair… you know it.
DEAN TOWNSEND
(yelling now)
The two of you had the bike off
campus the day before it happened.
BILLY
Sir, can I add something here… I
saw someone by the lab… The police
needs to investigate.
DEAN TOWNSEND
The Zero for both of you is over,
the investigation freezes funding.
LISA
(spoken softly and sadly)
There’s no miracles coming Billy…
Lisa gets up, heading for the door. There’s emotions hitting
her now, so she wants to leave.
Billy is not ready to leave just yet. He waits to see Lisa
has left, before speaking to the Dean.
BILLY
(spoken authoritatively)
Just tell me this… if we had money,
can we still compete?
DEAN TOWNSEND
Your pressed for time and the Zero
group would have to approve…
But in theory, if it was an
electric solution… yes you can.
Billy gets up to shake the Dean’s hand goodbye, wanting to
leave quickly and go join Lisa.
Genres:
["Drama","Mystery"]
Ratings
Scene
24 -
A Moment of Resolve
INT. HALLWAYS OF HERALD HALL -MORNING
Billy races through the halls to catch Lisa, but he’s unsure
where she went. He continues rushing and heads for the exit
near the lab.
EXT. OUTSIDE OF HERALD HALL - MORNING
Billy is shown bursting through the doors. There are more
students milling around now.
Billy sees Lisa, on a bench in the quad, with her head down
sulking. Billy heads over with a determined look.
BILLY
How long you need for a battery
design?
LISA
(raises her eyebrows with
an incredulous look)
Are you insane… it’s over!
BILLY
It’s not over… we’re committed till
the end.
LISA
Billy, it took me three years to
develop that fuel cell… I don’t
have any electric solution.
BILLY
(calmly insistent)
So, without a ready made design…
you’re quitting? You made a
promise.
LISA
(growing angry)
It can’t be done… and if it could,
we have no money to build it!
BILLY
I’ll figure out the scooter… and
battery prototype. Your brain just
needs to deliver a new design.
LISA
(slowly coming around)
I’m not even going to ask how… I
think you’re a glutton for
punishment.
BILLY
We fight till the end… I’m not
letting you back out.
LISA
(Still frustrated)
Fine. Be ready, when I say go… you
better deliver.
Lisa gets up and heads off, without another word and not
looking back at Billy.
Billy checks his phone, that’s buzzing on silent.
BILLY
(Mumbles in a whisper)
Can you come home? what!
Billy goes to return one of the messages and sits down.
Genres:
["Drama","Romance"]
Ratings
Scene
25 -
Unraveling Secrets
INT. CONFERENCE ROOM – EVENING
A large conference room, daylight fading as the room grows
dim. Three people are present: two sharply dressed business
executives, and LUTHER CAIN, a middle-aged man—unshaven but
still presentable, slouched in a more relaxed manner than the
others.
EXECUTIVE 1
So, you don’t believe it was an
accident? A safety flaw?
LUTHER
No. We know who did this. It was
Preston.
EXECUTIVE 2
That doesn’t make sense. Preston
Hawthorne has too much to lose to
take that kind of risk.
LUTHER
You’re half right. He does have too
much to lose—which is exactly why
he couldn’t let those kids win.
Their design was a threat that
Preston couldn’t allow.
EXECUTIVE 1
You’re saying he sabotaged them out
of fear?
LUTHER
Now you’re catching on. And I can
prove it. Not only that—I can
deliver the very design he was
trying to bury.
EXECUTIVE 2
You think you can pull it off?
LUTHER
I’m telling you, it’s worth your
time and money to cut me loose on
this. You know my track record.
EXT./INT. BILLY MONTGOMERY’S HOME - DAY
Billy has returned home from school, and is walking up to his
house, looking for his Mom.
He steps up on the porch and opens the door.
BILLY
Hey, Ma… you home?
Evelyn comes down from upstairs and Billy is standing in the
living room near the bottom of the stairs.
BILLY
So what’s the story…
EVELYN MONTGOMERY
You’ve become famous around here…
News 12 reported on your explosion.
BILLY
Oh great… infamous is more like it.
EVELYN MONTGOMERY
FRANK MORETTI wants to see you… he
has something for you.
BILLY
(smiling)
You knew not to tell me this, till
I got here.
EVELYN MONTGOMERY
Billy, stop it… You go see that
man. He’s always been nice to us.
Billy smirks, nods, and heads for the door.
Genres:
["Drama","Thriller"]
Ratings
Scene
26 -
Scooter Surprise and Unresolved Tensions
EXT. FRANK MORETTI’S HOUSE – DAY
Billy approaches Frank’s modest brick home. Just as he
reaches the door, Frank steps outside.
FRANK MORETTI
(grinning)
Billy! Ah, come here—I gotta
somethin’ for ya!
Frank leads Billy down the side of the house toward a
weathered garage.
FRANK MORETTI
Heard ‘bout ya scooter. Makes-a me
feel bad, so I wanna give-a you
dis.
He pulls a dusty tarp off an old Vespa—faded paint, cracked
seat, rust creeping along the edges.
BILLY
(half-laughing, skeptical)
Mr. Moretti, I don’t know… it looks
like it needs a lot of work.
FRANK MORETTI
(pats the Vespa, proudly)
Do you know what-a dis is? It’s a
Vespa! Built to last. Da frame, da
shocks, da trans-a-mission—they’re
solid!
Frank gestures at the scooter with genuine admiration.
FRANK MORETTI
You fix-a her up, Billy, an’ she’ll
run like-a da wind. Look it
up—you’ll see why she’s-a worth it!
Billy hesitates, then nods, running a hand over the
handlebars.
BILLY
Thanks, Frank. I really appreciate
it.
FRANK MORETTI
(grinning)
You’ll do-a her good… make-a her
shine.
Billy glances at the Vespa, shaking his head slightly before
looking around.
BILLY
(deadpan)
So… how do I get her home?
Frank laughs, clearly pleased.
INT. RIVERBEND UNIVERSITY LIBRABRY - EVENING
Billy walks into the library, wearing the same clothes,
having just arrived back at school. He’s looking around for
Lisa.
He finds her, just as he thought, with peer papers strewn
about her laptop, as she’s working through something
intensely.
BILLY
(as he goes to sit)
Hello Lisa…
LISA
(Responds annoyed)
Leave me working my ass off, and
you go on vacation… nice!
BILLY
Not true… I have a new scooter.
LISA
You went and got something without
any input… I can’t be included?
BILLY
It was a gift… no decision to it.
LISA
(With excitement)
Where is it… I want to see it.
BILLY
Soon enough… how you doing?
LISA
I’m ignoring how little time there
is… I’m actually on to something,
we might be able to make it work.
There is intensity on Lisa’s face. She’s back engaged, with
excitement about a new design, but there’s also concern.
LISA
I really need your help. I’m
working through the math so fast.
You need to check through my
calculations as I go.
BILLY
You bet, but we have one small
problem…
LISA
Enough problems… I just want to
hunker down and get through this.
We might get back in the game!
BILLY
(spoken with dread)
I need to go back home again.
LISA
(With cold indifference)
Show me the bike.
BILLY
(Trying to dodge)
Yeah, sure… I’ll show you… let me
get home for a shower right now.
Billy gets up and smiles at Lisa to say goodbye, but she goes
back to work without acknowledging him. Billy leaves a bit
insulted.
Genres:
["Drama","Romance"]
Ratings
Scene
27 -
The Vespa Reveal
INT. BILLYS APARTMENT - EVENING
There’s a ring and a knock at the door. Tommy gets up from
watching TV and goes over to answer the door.
TOMMY
Hey! Let me guess… your Lisa.
LISA
Yes… is Billy here?
TOMMY
Come on in… Billy boy is in the
shower. You can wait here.
LISA
I don’t want to intrude, but Billy
said he had a new bike for us.
TOMMY
(Smirking)
So you want to see it.
LISA
Shouldn’t we wait for Billy?
TOMMY
(pauses to look back
towards the shower)
Nah, why wait… it’s not going to
change anything.
LISA
(smiles enthusiastically)
Okay… let’s see it.
Tommy heads outside and walks around to the side of the
apartment. The Vespa is there under a tarp. Tommy walks up
and grabs the tarp, but hesitates and doesn’t pull it off
just yet.
TOMMY
Has he said anything about it yet?
LISA
He just said he got a new scooter…
I was hoping to see it.
TOMMY
Did he actually say new scooter?
LISA
It’s not new? It’s used?… that’s
fine.
TOMMY
This thing has been around… you
ready?
Tommy pulls the tarp from the Vespa and a piece of cracked
glass from a light bounces on the ground, along with the torn
and tattered seat flopping over, as Lisa goes wide eyed.
LISA
Oh my God…
(her shocked face turns to
a smirk, then laughter)
Hahaha.
TOMMY
(smirking, trying not to
laugh too)
He says it’s well made… just needs
to be… uh, cleaned up.
(then can’t help it)
Hahaha.
Billy is out of the shower and dressed and after hearing the
voices, has walked around to meet them. He is not laughing,
and looks disappointed with them both.
BILLY
It’s a Vespa… from the 60’s is my
guess. They were highly engineered
for their time… It can be restored.
LISA
(Apologetic, contrite)
I’m sorry… it wasn’t what I
expected.
Billy’s look softens, as Lisa shows a little compassion.
BILLY
Lisa, leave this to me and forget
about it… I’m not set on it.
LISA
I have enough to do… surprise me
when your ready.
Lisa is still staring at the scooter and is visibly
concerned, not just about the rusty Vespa.
LISA
Billy, we don’t have much time. Why
are you leaving again?
TOMMY
(said in a heartfelt way)
It’s the Benny Montgomery
fundraiser… It’s a big family
thing. Don’t make him miss it.
LISA
(looking at Billy)
Benny’s your Dad?
BILLY
Yeah. It’s a big annual event.
LISA
So, when do we leave? We’re
bringing the laptops… downtime will
be spent working.
BILLY
(Face lights up)
Sure… we can do that.
LISA
Okay, done deal. I’m heading home
now, it’s late enough.
BILLY
I’ll drop you off…
(With deep sincerity)
Thanks.
Genres:
["Drama","Comedy"]
Ratings
Scene
28 -
Nostalgic Reunions
EXT. SMALL TOWN MAIN STREET - DAY
Billy cruises into his hometown, the streets adorned with
banners reading “Benny Montgomery Charity Fundraiser” and
images of his father.
People bustle on the sidewalks, setting up for the event.
Lisa glances out the window, taking in the small-town charm
with curiosity.
LISA
They’re really rolling out the red
carpet for this thing.
BILLY
Everyone knows my dad, everyone
likes him. The fundraiser always
does well.
They turn into a parking lot nearby.
EXT. MAIN STREET IN BILLY’S HOMETOWN - DAY
Billy and Lisa walk the busy street as Billy greets familiar
faces.
FRED JONES approaches, grinning.
FRED JONES
Billy! Wasn’t sure you’d make it…
great to see you!
Billy shakes Fred’s hand, pulling him in for a friendly hug.
BILLY
I wouldn’t miss this… Fred, this is
Lisa.
Fred nods towards Lisa, with a smile.
FRED JONES
It’s great to see you, Billy… tell
ya what, I’ll buy you a drink
tonight.
BILLY
No one’s more generous than you… at
an open bar.
They laugh as Fred heads off.
BECKY O.S.
Billy! Billy Montgomery!
Billy freezes for a beat before turning, his eyes scanning
for the voice.
BECKY
Billy over here… finally! You never
answered my letters. You got them,
right?
Becky, in sweats and a hoodie covering her hair in curlers,
approaches. No makeup, she appears rushed.
BILLY
I’m sorry, I never replied. I’ve
been so busy at school.
Becky turns to Lisa with a smirk and looks to be waiting for
an introduction.
LISA
(Teasing)
He’s also bad at introductions… I’m
Lisa.
Lisa extends her hand. Becky reluctantly shakes it.
BECKY
(to Billy)
I’m so glad you’ll be here tonight.
Save me a dance?
BILLY
Sure, looking forward to it.
Becky hugs Billy.
BECKY
I’ve got to get ready. See you
tonight!
She rushes off, giving Lisa a polite smile.
LISA
So… why you not answering her
emails?
BILLY
(Smirking)
No, it’s handwritten letters. She
likes to write to keep in touch.
LISA
(smug look of disbelief)
Handwritten letters? Nobody does
that anymore.
BILLY
She thinks it makes it more
personal…
LISA
She’s more outdated than your
music.
Genres:
["Drama","Romance","Comedy"]
Ratings
Scene
29 -
Dancing with Jealousy
INT. BANQUET HALL FOR FUNDRAISER EVENT - EVENING
The Benny Montgomery fundraiser hums with life. A full band
plays big band classics. Guests sip drinks, chatting. An
older couple sways to a ‘50s tune.
Billy enters in a sports coat, Lisa at his side in a simple
cocktail dress. His aunt greets him with warm hugs and
kisses.
Lisa scans the room—then stops as she spots Becky, radiant in
a sleek blue dress. With a flicker of jealousy, Lisa steadies
herself.
BECKY
(eyes light up, smiles)
Billy! You’re here! Come join us-
it’s the old gang. This will be
fun!
LISA
(deadpan to Billy)
Sure… sounds like a blast.
Tommy walks in from parking the car and meets Tara coming out
of the bathroom… they both go over to Lisa and Billy.
LISA
(Whispers to Tara, angry)
She invited him to her table.
TARA QUINN
Be nice… don’t ruin this for Billy,
when you don’t even want him.
LISA
It’s not about me… he can’t get
caught up with that Marilyn Monroe
wanna be-it’ll destroy our chances.
TARA QUINN
Destroy your chances, you mean…
LISA
No, no, no… a relationship is out
right now… for me and him!
TARA QUINN
Well, stake your claim for tonight.
LISA
What are you talking about?
TARA QUINN
She mentioned a dance. You dance
with him first, and it’ll back her
off.
LISA
That’s good… maybe I can request
the song Billy played. I’ll give
him a second chance.
TARA QUINN
Now you’re thinking, smarty pants.
Lisa excitedly walks towards the band, waiting for them to
finish their number.
LISA
(to the band members)
Excuse me. I was wondering if you
could play a Glenn Miller song… a
familiar sounding, popular one.
BAND MEMBER 2
How about Chattanooga Choo Choo?
LISA
(Shakes her head slightly)
No, not that one…
BAND MEMBER 1
In the Mood?
LISA
(Brightens)
Yes, In the Mood-That sounds right!
Lisa walks away, smiling with excitement for the band’s
agreement to play it. She hurries over to Billy.
LISA
(with smug delight)
Care to dance?
Billy, surprised, steps toward her. The music starts.
BILLY
You can dance to this?
Lisa, stunned, turns to the band, as Becky rushes over.
BECKY
Billy Montgomery! You’re the only
one that could have requested this!
Becky grabs Billy’s arm and pulls him out to the dance floor.
Billy puts up little resistance, but turns to Lisa as he is
pulled to the floor.
BECKY
Let’s make your Dad proud.
BILLY
I remember it all… lets go!
Billy and Becky begin dancing with ease, their familiarity
with the music obvious.
Lisa drifts over to Tara, still in shock. Then looking back
at Billy with disappointment.
TARA QUINN
Let me guess… that’s not the song.
LISA
Oh, shut up… I need a drink.
They head for drinks, while Billy and Becky’s dance
captivates the room. Lisa returns, drink in hand, scowling as
Billy and Becky bask in the spotlight. Frustrated, she snaps
at Tara.
LISA
(Indignant and jealous)
I’m outta here… you sit and watch
him make a play for that bimbo.
TARA QUINN
Lisa, Don’t!
Lisa puts down her drink and heads for the door. Billy
catches her in the corner of his eye. Snapping back to
reality, he scrambles to catch her.
BILLY
(Just before bolting away)
I’m Sorry, Becky…
Billy hesitates just enough to see Becky’s confused
expression, but turns and heads after Lisa.
Genres:
["Drama","Romance"]
Ratings
Scene
30 -
Tensions and Secrets
EXT. RECEPTION HALL FOR MONTGOMERY FUND RAISER - NIGHT
Lisa is outside asking the valet for a cab. Billy comes
bursting through the door and slows, when he realizes he has
caught her. Lisa looks for her cab, avoids looking at Billy.
BILLY
Why are you leaving? What just
happened?
LISA
Go back to your Becky… get’er while
she’s hot.
BILLY
I’m here with you.
LISA
No matter… this whole thing is
wrong. Being here isn’t helping.
BILLY
Why does everything have to become
a drama… What did I do?
LISA
What did you do?… Not much yet!
(looks directly at Billy)
All you have is a rusty bucket of
bolts, and now your going to waste
your weekend chasing that girl.
Billy is visibly frustrated with Lisa. He is holding back,
looking like he wants to explode. Lisa’s cab pulls up.
BILLY
(spoken flatly)
I’ll meet you back at school.
LISA
You just get us a scooter… I’ll get
the report done. No need for us to
work together.
Lisa gets in the cab, quickly shutting the door without a
word to Billy. As the cab begins to drive off, the rear
window lowers and Lisa pops out, as it stops again.
LISA
I’m not forgetting your commitment
to me Billy… It’s about winning the
Zero! Don’t forget it.
Billy’s frustration dissipates with Lisa’s last words. He
stands there in disappointment now, shaking his head as the
cab disappears into the night.
Billy then turns to the doors, leading back to the party. He
stands there conflicted, looking back once more, to see that
the cab is indeed gone. He then heads back inside.
BILLY
(Muttering)
Can’t live with em… but I don’t
stop trying.
INT. HAWTHORNE INDUSTRIES – PRESTON’S OFFICE – NIGHT
The office is dark, lit only by the glow of city lights and
the beam of a small flashlight. Luther Cain, dressed in
black, moves through the room with quiet precision.
He scans documents on the desk and counter, then sits,
placing the flashlight down. He opens drawers, flipping
through contents with practiced ease.
In a smaller drawer just under the desktop, he pauses.
Slowly, he pulls out a small photo. Picking up the
flashlight, he examines it closely.
A sly smile spreads across his face.
LUTHER
(quietly)
Son of a bitch… jackpot.
Genres:
["Drama","Romance","Thriller"]
Ratings
Scene
31 -
A Dance of Regrets
INT. RECEPTION HALL FOR MONTGOMERY FUND RAISER - NIGHT
Billy enters back inside the reception area. People are
sitting and food is being served. Becky strolls over. He
notices her approach but doesn’t share her enthusiasm.
BECKY
Billy, will you dance with me?
Billy looks at his lifelong friend, his face breaking into a
slight smile.
BILLY
Sure… let’s dance.
Becky is delighted and it shows. Billy welcomes the embrace,
but his face is troubled. They quietly dance together.
BILLY
(whispers to Becky)
I have to admit to you Becky, I
haven’t opened one of your letters…
not since the news.
Becky’s expression deflates. She looks concerned.
BECKY
I was so busy with travel, but I
wanted you to know…
BILLY
Me and my folks not making the
guest list… it was a surprise, to
say the least.
Becky looks worried now. She’s afraid of this discussion.
BECKY
The whole thing was a surprise I
wasn’t ready for… that’s why it’s
over now.
Billy stops dancing, pulls away slightly. Looking directly
into Becky’s eyes.
BILLY
Life happens fast, it doesn’t wait
till we’re ready…
Billy pauses thoughtfully, before his next words.
BILLY
I need to get back… It was great to
see you, really.
Billy turns and starts walking away slowly, Becky is watching
sadly as he goes, but suddenly calls out to him.
BECKY
Billy!
(waits for him look back)
I wish I went to prom.
Billy stops in his tracks, turning back to her with a warm,
understanding gaze.
BILLY
(smirks, with compassion)
I wouldn’t worry about it… I heard
the food wasn’t good.
Becky looks at him, realizing that her chance is gone. Her
gaze lingers, with a tinge of regret.
BECKY
Go ahead, Billy. You deserve to
win.
(after hesitation)
Don’t let her make my mistake.
BILLY
(empathetic and kind)
Thanks, Becky… That means a lot.
Take care.
Billy smiles at Becky, one last time, before he turns and
heads off and out through the doors.
Becky watches him leave, with a deep sadness, as Billy goes
through the doors.
Genres:
["Drama","Romance"]
Ratings
Scene
32 -
Restoration and Connection
EXT. RIVERBEND UNIVERSITY GROUNDS - DAY
Billy is back at school and heading to the lab.
The university is busy again, Billy passes groups studying on
the lawn, others playing frisbee, and some just hanging out
in the sunshine.
EXT. OUTSIDE OF LAB ROOM - DAY
Billy approaches the lab. The new garage door is in place,
but the building still bears the scars of the explosion—smoke
stains and melted conduit. He stands for a moment, staring at
the wreckage, wrestling with his decision.
Billy exhales, resolution firm, and heads inside.
MONTAGE - “Can’t Take My Eyes Off You” by Frankie Valli
INT. LAB ROOM - DAY
The song begins as Billy pulls the tarp off the Vespa,
revealing its rusted, wrecked state. His expression
hardens—he rolls up his sleeves.
CUT TO:
INT. CLASSROOM AT RIVERBEND - DAY
The lyrics of the song begins, as Billy enters the classroom.
Lyrics:
“Your just too good to be true…
Billy slips into class quietly, eyes immediately finding
Lisa. She glances over her shoulder at him, her eyes
momentarily lighting up before turning cool and distant.
Billy takes a seat behind her, trying not to stare as Lisa
stays focused, deliberately aloof.
CUT TO:
INT. RIVERBEND UNIVERSITY LIBRABRY - EVENING
Lyrics:
“Pardon the way that I stare…
Billy approaches Lisa at a study table. She barely looks up,
her expression indifferent. He motions to walk her home, but
Lisa shakes her head and turns back to her books.
As Billy is about to leave through the doors, Lisa glances
towards him, with a twinge of regret.
CUT TO:
INT. LAB ROOM - NIGHT
Lyrics:
“But if you feel like I feel…
Billy is in the lab room, with a mop and tub, scrub brushes
and assorted cleaning products. He is diligently cleaning the
walls and floors of the room.
CUT TO:
Chorus Lyrics:
“I love you, baby…
We see Billy breaking down the Vespa—rusty parts scattered
across the floor. He swings a hammer, loosening old bolts,
douses parts in chemicals, and slowly breaks the bike down.
Camera shows Billy pausing for a moment, wiping sweat from
his forehead, as he glances at the task before him.
CUT TO:
INT. RIVERBEND UNIVERSITY CLASSROOM - DAY
Lyrics:
“Your just too good to be true…
Billy sits next to Lisa, closer this time. She glances at
him, wary but intrigued.
BILLY
(soft, almost a whisper)
I have something to show you after
class.
Lisa’s guard slips, her eyebrows raise, with curiosity in her
eyes.
CUT TO:
INT. LAB ROOM - DAY
Billy leads Lisa inside. The lab is spotless, whiteboards and
shelves restored. Lisa looks around, visibly impressed.
Lyrics:
“At long last, love has arrived…
LISA
(Glancing around in awe)
Thanks, Billy. It’s… even better
than before.
Billy smiles. As the chorus picks up again, we see him back
at the Vespa, painting parts with precision, bringing color
and life to the frame.
CUT TO:
Genres:
["Drama","Romance"]
Ratings
Scene
33 -
Revving Up Dreams
INT. MACHINE SHOP - DAY
Billy, drenched in sweat, works at a press setting bearings.
He measures parts meticulously, and we see him begin to
reassemble the bike.
CUT TO:
INT. LAB ROOM - DAY
The Vespa is taking shape. Billy’s hands work quickly as the
song reaches its crescendo. He bolts pieces together, his
excitement growing.
CUT TO:
INT. LAB ROOM - NIGHT
Billy pulls Lisa inside, leading her by the hand. The Vespa
is back under a tarp again.
BILLY
(smiling)
Go ahead… take a look.
Lisa hesitates, glancing at Billy before pulling the tarp
back. Her breath catches as she sees the beautifully restored
scooter.
She stands silent for a moment, admiring it, then running her
hand over the finish. She takes a breath again, as she begins
to speak.
LISA
(Slightly emotional)
This… can’t be the same bike.
BILLY
(proudly)
Yes, it is.
Lisa’s eyes begin to well up, but she throws her arms around
Billy, pulling him into a tight hug, thanking Billy, while
hiding her emotions.
LISA
I’m sorry I doubted you… thank you.
BILLY
(Grinning, softly)
I’m glad you like it.
EXT. LISA’S OFF CAMPUS APARTMENT - MORNING
Billy is standing outside Lisa’s apartment waiting patiently.
Lisa finally emerges with a bright smile.
BILLY
Its a big day… I’m anxious to learn
about our new design.
LISA
I don't know if it’ll measure up to
your restoration efforts… but I got
something that’ll work for us.
Billy and Lisa turn and walk, revealing the Vespa, parked at
the curb. Billy kick-starts the Vespa. The gas engine rumbles
to life.
LISA
(shaking her head)
It looks great… but sounds awful.
BILLY
Once we’ve got the battery, it will
be very quiet.
Billy drives off, with Lisa on the back. They both seem quite
happy, with things shaping up to get back in the contest.
Genres:
["Drama","Romance"]
Ratings
Scene
34 -
Focused Determination Amid Distractions
INT. RIVERBEND AUXILIARY CLASSROOM - MORNING
Lisa and Billy enter a small classroom, set up for a
presentation. Faculty members wait as Lisa moves to the front
to prepare. Billy takes a seat beside Tara.
BILLY
What are you doing here?
TARA QUINNCA
(pointing to the food)
Those are from Annie’s.
BILLY
Oh… it’s that good, huh?
TARA QUINN
You kidding… I’d kill for those.
Lisa looks at them, with an intense stare of annoyance,
because of their chit chat in the quiet room.
Her laptop is now connected and ready, and Lisa takes a small
remote and steps to the podium.
LISA
Thank you, everyone. I’m excited to
present to you my proposed entry
for the Zero Invitational.
Lisa brings up a screen with a schematic of a battery design
and some key equations used to arrive at her solution.
LISA
Everyone here is aware, that this
is not our first design, but an
alternative design arrived at in a
short period of time,
(struggles with the words)
following our fuel cell failure.
Lisa looks at the screen, then turns to the room.
LISA
This new design offers high energy
density, an efficient discharge
rate, and delivers more watts per
kilogram than any other system—key
to winning the Zero.
She pauses, scanning the room. Tara takes another bite of her
pastry, while glued to her phone, then slurps her coffee,
which is still too hot. Lisa clenches her jaw but stays
composed.
LISA
Our proposed solution is a Lithium-
metal design, using Riverbend’s
advanced 3D printing and laser
etching system. This allows us to
prototype solid-state battery cells
with precise layering, and minimal
material defects, giving us a
competitive edge in performance…
any questions?
Almost all hands raise, and Lisa starts calling on people,
while beaming with joy.
Genres:
["Drama","Sci-Fi"]
Ratings
Scene
35 -
Funding Frustrations
INT. LAB ROOM - DUSK
Lisa steps into the lab, scanning the room for Billy, who’s
on one knee, removing parts from the scooter’s gasoline
engine. Disassembled components are scattered around him.
She approaches quietly, watching for a moment before
speaking.
BILLY
(noticing her)
Hey! You did great today… I’m
getting this thing ready for
conversion.
LISA
(half-smirking)
Conversion to what? Rubber bands
and propellers?
Billy pauses, looking up, reading her expression. He stands,
concern replacing his earlier enthusiasm.
BILLY
What now?
LISA
(voice rising slightly)
Why don’t you tell me… Why do we
have no funding? Why would you say
okay to that?
BILLY
(defensive)
I didn’t agree to no funding. I
just asked for a chance.
LISA
There’s no funding, until the
investigation is complete.
Billy shakes his head, dropping his gaze to the floor,
clearly discouraged.
BILLY
It’ll be okay…
LISA
It costs money for prototypes,
testing… travel.
BILLY
(reluctantly)
After the explosion… back home, the
neighborhood had a fund raiser for
us… last I looked it was $11,700.
Lisa’s eyes widen in surprise.
LISA
(raising her eyebrows)
When were you planning to tell me?
BILLY
(sheepish)
Didn’t think it would come to that.
I thought a new design would get
our funding back.
Lisa looks relived, but something still lingers on her mind.
LISA
That’s good… but it’s not enough.
BILLY
(after a pause,
determined)
Give me a couple of days. Just
start preparing the prototype
generation file.
Lisa hesitates, feeling uneasy about being left out.
LISA
I can’t just leave this with you,
then find out we’re stuck again.
BILLY
(pleading)
A couple of days, Lisa. That’s all
I’m asking.
She’s tempted to refuse, but nods ok.
LISA
(after a beat)
Alright… Let’s talk Friday, after
classes.
Genres:
["Drama","Romance"]
Ratings
Scene
36 -
A Soaked Scooter and Rising Tensions
INT. DEANS OFFICE - DAY
Dean Townsend is busy with papers on his desk, just getting
off a phone call. He glances up at a light knock and looks
surprised to see Billy at the door.
DEAN TOWNSEND
Come on in, Billy. Have a seat.
Billy sits, tension in the air as the scene fades out.
INT. RIVERBEND UNIVERSITY LIBRARY - NIGHT
Billy walks through the quiet library, knowing where to find
Lisa. He spots her in her usual spot.
BILLY
(smiling slyly)
I’m a day early.
LISA
But what news do you bring?
BILLY
(still smiling)
You got that file ready?
LISA
(slightly worried)
Billy, what if it burns out or gets
shorted?
BILLY
That’s why we are running three
prototypes. The Dean thought it was
best.
LISA
(excitement building)
The Dean is paying for three
batteries?! How did you-
BILLY
(shushing her)
Shhh… Don’t get too excited. Let’s
just say, I worked something out.
LISA
(laughs)
I’m almost afraid to ask.
BILLY
Then don’t. Just get that file
ready.
Lisa grinning ear to ear, quickly gathers her things.
LISA
Walk me home?… We’ll be running
batteries tomorrow.
Billy, smiling, falls in step beside her as they leave
together.
EXT. RIVERBEND UNIVERSITY GROUNDS - MORNING
Billy rides the scooter across campus, rigged with test
equipment—a monitor mounted awkwardly on the handlebars,
wires running along the frame, connecting to the exposed
power system, that has its cover removed. Despite the odd
setup, he’s focused, navigating the campus with purpose.
He slows down, spotting a burrito truck parked near some
tables. He parks the scooter, engaging the kickstand and
crosses the street.
BILLY
(to the vendor, eager)
Sausage and egg burrito, please.
With wide eyes and a satisfied grin, Billy grabs the burrito
and heads to a nearby table. As he devours his first few
bites, a strange clack, clack noise catches his attention. He
ignores it at first, but it persists.
He looks over, eyes widening in horror. The scooter, still
covered in test gear, is being soaked by a newly activated
sprinkler system.
BILLY
(panicked)
No, no, no! Crap!!
He leaps up, tossing the burrito aside, and bolts across the
street. Grabbing the scooter, he begins frantically wiping it
down, with a rag he pulls from a compartment.
BILLY
(under his breath)
She’s gonna freak…
After a quick inspection, Billy breathes a sigh of relief.
Confident no real damage was done, he gets back on the bike
and starts it up.
He barely gets 25 feet before the scooter sputters, sparks
flying, followed by a puff of smoke. A small crowd gathers,
curious about the commotion.
BILLY
(defeated, turns to crowd)
I’m a dead man…
Genres:
["Drama","Comedy"]
Ratings
Scene
37 -
Fractured Alliances
INT. LAB ROOM - DAY
Lisa has the battery on the desktop, wired and connected to
her PC. She runs diagnostics, hitting the keys with
frustration.
LISA
It’s dead. You killed it.
BILLY
(looking down, mortified)
I’m sorry…
LISA
Explain to me again… how?
BILLY
(frustrated)
I stopped for a burrito.
LISA
(In disbelief)
You stopped for a burrito? With the
bike fully test rigged.
BILLY
(defensive, sheepish)
Tara said they were amazing. I was
starving…
Lisa turns back to the computer, exasperated, then glances at
Billy, lost for words. Finally, she rolls her eyes.
BILLY
That’s why we ran three, wasn’t it.
LISA
The lithium-metal design is
unstable—prone to dendrite growth,
causing shorts. We didn’t have
extras to waste on burritos.
BILLY
I’ll be more careful…
LISA
More careful isn’t enough. It needs
to be sealed to IP67 standards, for
water protection.
BILLY
IP what!?
(frustrated, voice raised)
It’s a campus scooter… we’re not
building a submarine.
Lisa grabs her things, standing up to leave.
LISA
(voice rising, matching
his frustration)
It’s not crazy—it’s what you do for
a vehicle that might end up in the
rain… during a live test!
BILLY
You seem to keep forgetting… we
have no money!
LISA
Yeah… and I keep forgetting how we
have no goddamn chance!
She abruptly leaves, storming out in frustration.
INT. DEAN’S OFFICE – DAY
Billy and Lisa sit across from Dean Townsend, who watches
them with a mix of admiration and exasperation.
DEAN TOWNSEND
I have to admit, what you’ve
accomplished—despite the odds—is
impressive.
LISA
Proud enough to fund us?
DEAN TOWNSEND
(sighs)
I can cover your validation fee and
the formal dinner, but that’s as
much as I can do.
LISA
No sponsor will touch us with our
safety rating.
DEAN TOWNSEND
A new design means a new chance.
Validation is also your last shot
at securing a sponsor.
DEAN TOWNSEND
Can you get there—with the scooter?
Billy glances at Lisa. She shrugs. He nods.
BILLY
Yeah, we’ll figure it out.
DEAN TOWNSEND
Good. I’m rooting for you.
Genres:
["Drama","Comedy"]
Ratings
Scene
38 -
Scooter Rides and Unspoken Fears
EXT. HIGHWAY - DAY
Billy and Lisa ride along the highway on the scooter. Lisa
wears a cute, sleek and stylish helmet. Billy’s is standard.
The road stretches ahead, the occasional car zipping by. The
wind tugs at their gear, as they travel along the highway.
Billy glances back over his shoulder, raising his voice to be
heard over the wind.
BILLY
(shouting)
You look like Audrey Hepburn in
Roman Holiday!
Lisa glances around, taking in the scene and smirking.
LISA
I was feeling more like Dumb and
Dumber!
Billy chuckles, shaking his head, as they press on.
EXT./INT. MOTEL ROOM - NIGHT
Billy opens the door to their motel room, he looks a little
uneasy, but grabs Lisa’s bag for her, as she steps into the
room.
LISA
Not the Ritz-Carlton, but it’s
fine.
Billy shifts uneasily.
BILLY
Well, we each have a bed… is there
a side you like?
LISA
I dunno… the one closer to the
bathroom.
Lisa throws her backpack on the bed. Billy puts his duffle
bag down on the dresser against the wall, and begins to go
through it. He pulls a worn leather item, from the bag. Billy
tosses it to Lisa.
Lisa catches the item and inspects it. She realizes it’s a
leather bomber helmet with a set of matching goggles.
LISA
Where did you find this thing?
BILLY
I found it a couple of weeks ago.
It’s pretty cool, isn’t it?
LISA
Absolutely not. Do not wear this.
Lisa just gives him a humorless look and tosses the helmet.
Lisa is now watching Billy, knowing something’s not right.
She wants to find out what’s bothering him.
LISA
What’s wrong? You act like you’ve
never shared a room with someone.
Billy turns red, but smiles at Lisa.
BILLY
(quietly, with a smirk)
I’m looking forward to marriage.
LISA
Marriage?! What the heck does that
have to do-
She stops mid-sentence, realization dawning on her.
Compassion replaces her surprise.
Billy stiffens, seeing she’s stunned, his eyes wide like a
deer in headlights.
LISA
(softly, confused)
How can that be?
Billy drops his head, then looks back up, meeting her gaze.
BILLY
(whispered, pained)
I never found the one… to be with.
Lisa pulls her sweater closed, suddenly uncomfortable. Billy
notices her shift.
BILLY
Stop it… I don’t have cooties.
She softens, then looking at him with a smirk.
LISA
You say you don’t have cooties…
but I’m shocked you haven’t had it
looked at.
Billy chuckles through a wide smile.
Lisa glances at her clothes, still feeling awkward.
LISA
Why don’t you grab us some sodas?
While I get ready for bed.
Billy nods, understanding, and heads out.
Genres:
["Drama","Romance"]
Ratings
Scene
39 -
Facing the Board
INT. HOTEL ROOM - NIGHT (LATER)
Billy and Lisa are each in their beds, the room feeling more
relaxed.
LISA
(teasing)
Okay, Mr. Montgomery, I’m going to
sleep… but know this, I’ve got my
eye on you!
Billy grins, glad she’s keeping it light.
BILLY
Goodnight, Lisa… sleep well.
INT. HOTEL ROOM - MORNING
Billy brushes his teeth in the bathroom. Lisa wakes groggily.
LISA
Morning already… I kept having
dreams. I couldn’t sleep.
BILLY
Dreams of what?
Lisa’s eyes snap open at his question. She pops upright.
LISA
Billy, go get us some coffee.
BILLY
I didn’t see anything around here…
maybe we’ll grab it on the road.
Lisa gets out of bed, wrapping the blanket around herself as
she steers Billy toward the door, her voice hurried.
LISA
I’m sure you’ll find something…
maybe in a neighboring state.
Billy stares back in confusion, as she shuts the door behind
him, leaning against it, relief washing over her.
INT. VALIDATION AUDITORIUM – DAY
Billy and Lisa enter a large auditorium as teams prepare for
board review and test validation.
BILLY
How many made it this far?
LISA
Started with over 100. Less than
half are left.
INT. BOARD REVIEW ROOM – DAY
Lisa and Billy sit outside a large conference room. Lisa
grips an iPad, Billy a portfolio.
The door opens. A stern-faced Assistant gestures.
ASSISTANT
You can come in now.
Lisa steps to a podium before the board panel, Billy stands
behind her. The eight board members are expressionless.
BOARD MEMBER 1
Lisa, this is your second design,
after the explosion. Both of you
were treated by paramedics…
correct?
LISA
They were just cautious.
BOARD MEMBER 1
Their caution suggests safety.
Lisa tenses. Billy’s grip on his portfolio tightens.
BOARD MEMBER 2
Your new design has no track
record. Why lithium-metal solid
state?
LISA
After losing my first prototype, I
focused on something impacting. Not
just high wattage.
BOARD MEMBER 3
Yet you didn’t include any risk
mitigation.
LISA
I built the best battery possible
with the time I had.
BOARD MEMBER 1
So you shortcut safety for
performance… again?
Billy steps forward, placing a calm hand on Lisa’s shoulder.
She turns, panic flickering—Billy whispers something. She
exhales, refocused.
LISA
You say I took shortcuts.
(pauses, scanning the
board)
Because my design lacks a graphene
oxide coating at the anode, right?
(beat)
If I’d attempted that, we wouldn’t
be here today. There wasn’t time.
Billy nods—Lisa continues, gaining confidence.
LISA
If validated, I will refine thermal
diffusion aspects and stability.
If you approve us today… I can give
you a winning design that achieves
your goals, including safety.
She stops, waits, then steps back.
BOARD MEMBER 3
Ms. Brennan, Mr. Montgomery… would
you please wait outside briefly.
Genres:
["Drama","Thriller"]
Ratings
Scene
40 -
Racing for Dreams
INT. WAITING AREA – DAY
Lisa and Billy sit in silence. The door opens.
ASSISTANT
The board has reached a decision.
(a beat)
Congratulations. Your design is
validated.
Lisa throws her arms around Billy, grinning ear to ear.
INT. EVENT HOTEL - DUSK
Lisa and Billy walk in, passing through the lobby, both
looking relaxed and relived they are finally validated.
LISA
It’s probably a good time to tell
you something.
BILLY
(with a hint of dread)
What?
LISA
I planned something for tomorrow.
BILLY
We have the formal dinner. Just
spit it out.
LISA
I provoked a few teams to race our
scooter.
BILLY
I swear, your brain has an evil
genius side.
(beat)
Why, Lisa? Why?
LISA
For money. We have no sponsors.
(Beat)
I’m covering the stake.
BILLY
How much?
LISA
Fifteen hundred. Ivy League boys
don’t play.
(lowering her voice)
I hit my dad up for cash.
BILLY
This is crazy. You’re gonna cook a
battery—dumber than I did.
LISA
Hear me out. If we win, we can
afford a new battery fab.
Billy eyes her with full skepticism as Lisa flashes a bright,
mischievous smile, trying to win him over.
Genres:
["Drama","Romance","Comedy"]
Ratings
Scene
41 -
Race Day Tensions
EXT. PERIMETER DRIVE HWY - DAY
There’s grey skies that are swirling and beginning to darken.
A faint sound of thunder rumbles in the distance, but is
largely unnoticed.
Lisa pulls up to the start area, glancing briefly at the
ominous clouds on the horizon. MARCUS LEUNG is nearby,
adjusting his scooter with a smirk.
MARCUS LEUNG
Should I duck for cover?
LISA
You need new material Marcus,
that’s getting old.
HANNAH GREEN walks over to Lisa, looking at her scooter.
HANNAH GREEN
That’s cute! I love it…
LISA
(with a fist bump)
My only sister in this group… One
of us has to beat these boys.
Hannah nervously looks across to CALEB FOSTER of Stanford,
and nods, when he looks up and sees her.
HANNAH GREEN
I wish… I think CALEB is the
favorite. Stanford is so secretive,
but I’ve heard it’s powerful and
can go forever.
LISA
Don’t believe it…
(smiles, winks)
The boys’ stories never measure up.
Lisa adjusts her Bluetooth earpiece.
INT. HOTEL ROOM - DAY
Billy is in front of his laptop, with lisa on the phone.
BILLY
I’m logged in… How does this work?
EXT. PERIMETER DRIVE HWY - DAY
Lisa sighs, a little frustrated.
LISA
You’re logged into the app. Now you
just watch the dots go round.
BILLY (V.O.)
What’s the track exactly?
LISA
Perimeter Drive. It’s the main loop
around the whole campus. On
Saturday afternoon, it’s deserted.
BILLY (V.O.)
I don’t know how you got 10 other
teams to agree to this insanity.
LISA
We’re estimating between 20-25
teams got validated… I’m
disappointed in the turnout.
There’s some people gathering along the side of Perimeter
Drive, obviously aware that a race is about to begin.
Two people, each carrying a black umbrella, take a spot on a
pedestrian overhead crossing. A closer look reveals its two
of the board members from the validations.
BOARD MEMBER 1
Who was it that arranged this?
BOARD MEMBER 2
Ms. Brennan… Surprise, surprise.
Everyone is set and the designated OFFICIAL steps out to the
middle of the road with an air horn.
OFFICIAL
On your mark… Get set…
(horn blares)
GOOO!!
The bikes take off, with Caleb jumping out in front, three
others are close behind him, including Lisa.
LISA
(to Billy O.S.)
Holy crap… The Stanford guy is
flying!! I have to open it up,
before he pulls away.
Genres:
["Drama","Action"]
Ratings
Scene
42 -
Racing Against the Storm
INT. HOTEL ROOM - DAY
Billy is watching the screen intently. He sees what Lisa is
describing.
BILLY
Keep him close, but you don’t need
to pass him. Wait it out.
He looks at the screen, his watch, then taps on a calculator.
BILLY
Lisa, he is going really fast.
Faster than you should go.
EXT. PERIMETER DRIVE HWY - DAY
Lisa is looking ahead, not letting Caleb get away. Her eyes
are squinting, because her cute little helmet has no visor.
LISA
I’m keeping him in sight.
The sky has continued to darken and the clouds are more
ominous looking. Thunder rumbles through, still unnoticed.
An indicator is in the red zone. The battery is getting hot.
LISA
Noooo!!! The battery is getting too
hot… I don’t know what to do.
BILLY (V.O.)
Lisa, you have to slow it down…
Maybe pull over.
Lisa watches Caleb pull away, with despair, but pulls over.
Lisa gets off the scooter in a fury. Throwing her helmet.
BILLY (V.O.)
This isn’t a one lap race. Let it
cool down, then get back out.
INT. HOTEL ROOM - DAY
Billy looks at the screen with concern. He wants so
desperately to do something, but can only watch helplessly,
as the red dots pull away from Lisa’s stationary one.
BILLY
Don’t panic. He may run his battery
empty, the way he’s flying.
EXT. PERIMETER DRIVE HWY - DAY
LISA (V.O.)
You don’t ever lose your optimism…
Do you?
(distressed, emotional)
We’re dead… burning out a battery
like this, will be the end for us.
Lisa watches as the slowest racers now pass her as well.
LISA
I’m sorry Billy, I was foolish.
BILLY (V.O.)
It’s alright, I agreed to it.
Suddenly, there’s a clap and rumble of thunder, that is
unmistakable and catches everyone’s attention. Even Billy
hears it through the phone.
INT. HOTEL ROOM - DAY
Billy perks up at the sound of the thunder. Something’s
running through his mind.
BILLY
Lisa, was that thunder?
LISA (V.O.)
Yeah, like things weren’t bad
enough…
(emotional)
I’m about to get drenched.
Billy’s pondering something. He looks at another screen.
BILLY
(whispered in realization)
Take the cover off the battery.
LISA (V.O.)
Wha?… No Billy, I know what’s going
on with the battery. We don’t need
to risk getting it wet.
BILLY
No, you need to get it wet… Let the
rain pour over it.
EXT. PERIMETER DRIVE HWY - DAY
Lisa looks baffled and is getting frustrated with Billy.
LISA
Are you drunk, trying to commit
hara-kari with our battery?
BILLY (V.O.)
Cool the battery with rain water,
then get back in the race!
LISA
Billy, if the battery dies out
here, I’ll have to walk it back in
front of all of them.
BILLY (V.O.)
Lisa, do you trust me?
LISA
I don’t know… I just can’t-
BILLY (V.O.)
(firm, cutting her off)
Do you trust me?
Lisa’s breathing quickens, she’s torn. She closes her eyes.
LISA
Yes… I do.
BILLY (V.O.)
Then pop the cover off the power
system, and get your ass back in
the race!
Lisa scrambles, removing the cover from the power system. As
the rain begins pouring down harder, soaking her.
LISA
Billy, my helmet has no visor, I’m
not going to be able to see.
Genres:
["Drama","Action"]
Ratings
Scene
43 -
Riding Through the Rain
INT. HOTEL ROOM - DAY
Billy smirks, then breaks out into a large smug smile.
BILLY
Lift the seat. You’ll find
something to wear.
LISA (V.O.)
(Pauses, realizing)
Oh, God… I have to wear that thing!
EXT. PERIMETER DRIVE HWY - DAY
Lisa is scrambling. Splish Splash, by Bobby Darin begins to
play in background to the scene.
The rain becomes a torrential downpour. Lisa becomes
drenched, and scrambles to get going again.
To the music and synced to the lyrics:
Lisa gets on the bike, putting her feet to the ground.
Lisa pulls on the helmet tightly, sets the goggles.
Lisa accelerates, splashing through puddles, as she darts
back into the race, water spraying from her tires.
BILLY (V.O.)
(Grinning)
You the type that likes to dance in
the rain?
LISA
I just want to be able to see the
road…
Lisa forges ahead in the pouring rain. Head lowered, looking
out just over the handlebars, with water spraying out from
the tail end. The bomber helmet is secure on her head, but
the straps dangle.
Lisa weaves a little on the road, plowing through puddles and
creating huge splashes. She’s actually beginning to have fun
now, with the song Splish Splash still pacing the action.
BILLY (V.O.)
Lisa, I see a whole cluster of dots
just around the curve… Something’s
going on…
Lisa rounds the curve and spots competitors waiting out the
rain by the roadside.
She veers into a large puddle, kicking her back tire out to
spray a wave of water at them.
The group scatters, throwing up their arms up for cover, as
they’re drenched.
LISA
(with a big smile)
Hey boys, you aren’t done yet… are
you?
Lisa darts off again.
MARCUS LEUNG
What the hell was she wearing?
HANNAH GREEN
(smiling)
I don’t know… but it looked badass.
Lisa is counting the competitors she’s passing. She’s feeling
confident again, wanting to go after Caleb now.
LISA
Billy, how far in front is he? I
want to go get him now.
Genres:
["Drama","Action","Adventure"]
Ratings
Scene
44 -
Against the Odds
INT. HOTEL ROOM - DAY
Billy is scanning the screen, assessing the situation.
BILLY
There’s three dots left ahead of
you… and only one lap left. Wait!
One just slowed to a crawl…
EXT. PERIMETER DRIVE HWY - DAY
Lisa is looking ahead and Caleb is stalled on the side of the
road. Throwing a fit, and screaming at Lisa as she passes,
that the rain isn’t fair.
LISA
Caleb’s done…
At that moment Lisa is approaching the pedestrian bridge and
the two board members are still up there, now under their
umbrellas.
Lisa waves as she passes them. They just smirk as they watch
her pass under the bridge and head off.
BILLY (V.O.)
What happened? Caleb got through
the worst of the rain.
LISA
Want my guess?… He left some ports
open to the fancy electronics. When
you’re testing all the time, you
forget that stuff.
Lisa is now gunning it full power.
LISA
I’m going for it Billy… I can’t get
this close and lose now.
Her speed picks up, the gauge is approaching red again, but
Lisa thinks the end is close enough.
BILLY (V.O.)
Holy crap, Lisa! Your flying…
Please be careful!
Lisa sees the last bike and knows the finish line is
approaching. She focuses on keeping a straight line, so the
speed doesn't get her killed.
She looks at the gauge, it’s well in the red zone, but she
has to go all in now.
LISA
Billy, tell me how much further…
The gauge suddenly drops and goes dark… The bike has lost
power.
LISA
Oh my God… The bike is dead.
INT. HOTEL ROOM - DAY
Billy is staring at the screen, confused.
BILLY
Your still moving at a good clip.
LISA (V.O.)
Just coasting… There’s nothing I
can do.
EXT. PERIMETER DRIVE HWY - DAY
Lisa is still moving at a fair rate, slowly decreasing from
the high speed she had reached.
She’s looking around behind her wondering what happened to
the last rider she passed.
Her eyes go wide as the competitor comes into sight. She’s
still moving, but the competitor is gaining.
LISA
(Pleading in desperation)
Billy, how much farther?
BILLY (V.O.)
It looks to me like your right
there…
Lisa turns back, and there’s people in the street, looking to
welcome her to the finish line.
She pulls off to the side after crossing, throws down the
kickstand and jumps up off the bike to welcome those coming
to congratulate her.
LISA
Billy! We did it, we did it!!
BILLY (V.O.)
Good work! I’m coming to get you.
Genres:
["Drama","Action","Sports"]
Ratings
Scene
45 -
Unexpected Confrontation
INT. HOTEL LOBBY - DAY
Lisa and Billy return to the hotel, following the race. They
are thrilled at having won the race and are exchanging giddy
chatter.
BILLY
We only have a few hours, I’m
heading up to get ready.
LISA
See you later.
Billy heads up and Lisa goes to the pantry area to get a
bottle of water.
LUTHER (O.S.)
That was nice work, to win that
race. Rainy days are usually a
bummer…
LISA
Do I know you?
LUTHER
Not yet.
LISA
Are you with the Zero group?
Luther moves to a table in the breakfast area, which is
currently deserted.
LUTHER
Have a seat… I just want to chat a
little bit.
Lisa is skeptical, but also intrigued at who this is. She
walks over and takes a seat.
LUTHER
You don’t know me, but I’m pretty
familiar with you…
LISA
I don’t have a lot of time. Is
there something I can do for you?
LUTHER
I wanted to talk to you about a
fuel cell system I’m interested in…
You see it has a novel catalyzer.
Real state of the art stuff.
LISA
It’s not for sale… it doesn’t even
exist.
LUTHER
Oh, but I think it does… Help me
out, and life gets a lot easier for
you.
LISA
It’s not something I have to give…
I’m sorry, I can’t help you.
LUTHER
I don’t think I’m confused… You’re
the person in this picture, right?
Luther takes out the photo of Lisa and Preston in an embrace,
and holds it up smugly, allowing Lisa to get a good look.
LISA
(Shocked, rattled)
Why… how do you have that?
LUTHER
Relax… I think it’s adorable,
especially the note on the back.
LISA
I don’t know what you think that
does for you, except put those nice
teeth in jeopardy.
LUTHER
Haha… I’ve been told about you. A
real firecracker!
I just want your help with
something, that’s not even yours to
begin with. But we can talk another
time… you have to go get ready for
dinner.
LISA
You’re under a misunderstanding.
LUTHER
Have a nice time tonight… I mean
that.
Luther gets up and heads out the door. Lisa watches intently,
as Luther leaves. She’s left with a puzzled look of concern.
Genres:
["Drama","Thriller"]
Ratings
Scene
46 -
A Serenade of Tension
EXT. BANQUET HALL - NIGHT
Billy and Tommy step out of an Uber, adjusting their jackets
as they walk toward the entrance.
BILLY
How was the ride with Tara?
TOMMY
Good. We laughed about you the
whole way here.
BILLY
(sarcastic)
Remind me why your here?
TOMMY
You were kind enough to invite me
as your significant other.
Billy stops in his tracks, turning to him.
BILLY
No, you’re not! You’re here as a
guest—don’t say that again.
Tommy smirks as they head inside.
INT. BANQUET HALL – NIGHT
Billy steps inside and scans the room, his eyes landing on
Lisa and Tara. Tara, vibrant as ever, wears a bold outfit
that suits her personality. But it’s Lisa who holds Billy’s
gaze—stunning in a sleek dress that hugs her figure, her hair
perfectly in place, her eyes sparkling in the soft light. For
a moment, the room’s noise fades. She looks perfect.
BILLY
(to Tommy)
Let’s go get a drink.
Tommy follows, scanning the room as they walk, and admiring
some of the women as they go by.
They get to the bar and Tommy gets a beer, Billy gets a gin
and tonic.
Lisa is already engaged in conversation with a small group of
gentlemen. Tara sees Billy and Tommy and walks over, waving
at them as she approaches.
TARA QUINN
(smiling happily)
Hey guys, looking good.
(gives hugs)
It was fun driving in with you
Tommy, I never laughed so much.
BILLY
Yeah, I heard…
TARA QUINN
You told him?! I couldn’t tell
Lisa… She’d kill me.
BILLY
Who is Lisa talking to?
TARA QUINN
They are with some company…
Sponsors or something?
Billy nods in understanding, while watching Lisa. He’s
distracted and growing quietly frustrated. He wants to get
Lisa’s attention.
Tara excuses herself to go mingle and hunt down some hors
d’oeuvres.
TOMMY
She looks locked in… Your on your
own, as long as she has rich guys
to talk to.
Billy looks at Tommy, a little insulted, but then taking it
as a challenge. As he is looking around the room, his eyes
catch a grand piano sitting off to the side, unused and
unattended.
BILLY
I’ll get her… Just you watch.
TOMMY
Not a chance, Dude.
BILLY
I’ll bet you $50, I can pull her
away from those guys.
TOMMY
Before it’s time to go home? No
way.
BILLY
$50 that I’ll get her… in the next
ten minutes.
TOMMY
Your on!
Billy gets up and sidles up nonchalant to the piano. He looks
it over and lifts the lid and props it.
Billy sits at the piano, his fingers hovering over the keys
for a brief moment before he begins playing Moonlight
Serenade, in the style of Beegie Adair. The soft, melodic
notes fill the room, cutting through the din of conversation.
TOMMY
(muttering)
Dang it, I didn’t see that coming.
As Billy plays, his focus is entirely on the music. He hits
every key with care, creating a beautiful, effortless sound.
The melody flows smoothly, filling the space with a
delightful elegance.
Across the room, Lisa is mid-conversation with a group of
sponsors, nodding politely as they talk about her design. But
something catches her ear—the pleasant sound of the piano.
She turns casually to see someone at the piano playing, then
turns back to her conversation.
There’s a beat, then suddenly, she whips back around to the
piano. It’s Billy.
Lisa excuses herself quietly, stepping away from the
sponsors. Her steps are slow and deliberate as she moves away
from the crowd, standing at a distance in awe. She stops,
mesmerized by the music, watching Billy pour his heart into
every note.
Billy looks up, caught off guard by the sight of Lisa
standing there. She’s a vision of beauty to him, her dress
softly illuminated in the low light. His heart skips, but he
continues to play, every note now for her—his music speaking
the words he hasn’t yet found.
Lisa smiles brightly and walks over as the song nears its
end. As she reaches the piano, Billy stops, looking up at her
with a similar smile.
LISA
(with an affectionate
stare)
I began to think, you were playing
that for me…
BILLY
(eyes locked to hers,
smirked face)
Maybe, maybe not.
LISA
And it sounded a bit… familiar.
BILLY
I’m surprised you'd say it’s
familiar, considering it was
released in 1939.
LISA
(wryly)
Well, I’m not saying it’s on my
playlist…
There’s a brief and awkward moment as Lisa realizes the
moment they are in. Billy continues discussion, to keep her
there with him.
BILLY
You’ve had a busy night already…
Making some friends I see.
LISA
Billy, you have no idea… There’s
sponsors that want us now!
BILLY
I guess I need to let you get back.
LISA
(her gaze lingers)
I’m not in a rush just yet… How do
you just sit at any old piano and
play like that?
There’s a glimmer of intrigue in Lisa’s eyes, paired with the
faintest hint of a smile, as if seeing Billy for the first
time.
BILLY
(smiling softly)
I’ve been told I have perfect
pitch.
LISA
(skeptical, raising an
eyebrow)
Who told you that?
BILLY
(a little shy, revealing
something personal)
A few folks over at Juilliard.
Lisa’s eyes widen in shock, standing there, letting the
weight of his words sink in.
LISA
Juilliard?! No way… You went to
Juilliard?
BILLY
I was offered a scholarship…
(drops his eyes down)
But I wasn’t really interested in
following in my Dad’s footsteps.
LISA
(softly, with newfound
understanding)
You’re full of surprises, Billy
Montgomery…
(turning to the crowd)
I should get back now and seal the
deal.
BILLY
(Smiling warmly)
Go get em.
We now see Preston Hawthorne standing across the room, Victor
standing next to him. He’s been watching the exchange between
Billy and Lisa, and he’s not happy about it.
PRESTON
Victor, I thought you said they
weren’t in a relationship.
VICTOR
They haven’t been… It’s clearly a
partnership, actually a very
effective partnership. They
complement each others skills and
push each other to achieve.
PRESTON
That looks like more than just team
member chat…
VICTOR
I agree… Appears their relationship
is evolving.
Preston clenches his jaw and tightens his grip on his glass
of Bourbon. He is quietly raging to himself.
PRESTON
(Without shown emotion)
Be in my office at 7am. We have a
lot to do.
Preston then abruptly puts his drink down and leaves.
VICTOR
(mumbling to himself)
His office?! That’s hundreds of
miles away!
(disappointed, defeated)
I was enjoying the party…
Genres:
["Romance","Drama"]
Ratings
Scene
47 -
Unraveled Innocence
INT. RIVERBEND UNIVERSITY CAFETERIA - DAY
Lisa and Tara are grabbing lunch. Lisa is unusually bubbly,
humming to herself, clearly in a fantastic mood as she
browses the food items, especially the desserts. Tara, on the
other hand, watches her with growing skepticism.
TARA QUINN
What’s with you?
LISA
(smiling wide)
Nothing… I feel great. It’s a
wonderful day!
TARA QUINN
Okay… That’s enough! Who are you
and what did you do with my friend?
LISA
(half-listening, still
eyeing the desserts)
I don’t know what you’re talking
about.
TARA QUINN
(quietly, in realization)
You’re crushing on Billy…
LISA
(caught off guard)
No, I’m not.
TARA QUINN
(skeptical look)
Your a terrible liar.
FADE TO:
INT. RIVERBEND UNIVERSITY CLASSROOM - DAY
Lisa walks into class looking to take a seat. Someone from
ADMINISTRATION has been waiting up front in the class, for
her to arrive, and approaches her.
ADMINISTRATOR
Lisa, the Dean needs to see you,
before you attend any classes
today.
INT. DEANS OFFICE - DAY
Lisa stands in the doorway, waiting to be noticed with an
impatient look.
The Dean hangs up the phone, then looks up, noticing Lisa.
DEAN TOWNSEND
(look of concern)
Come in, Lisa.
LISA
(her happy mood dissolves)
Just tell me… what’s going on now?
The Dean gets up, and goes over to a wall mounted video
screen, he uses in his office for presentations. He grabs a
controller, points and presses a button.
Lisa gets up from her seat and approaches the screen,
alongside the Dean. Then appears the image, of Lisa standing
in the Hawthorne conference room, next to a white board with
equations and a rough schematic of a solid state design.
LISA
(confused, then realizing)
Wait… This was from years ago.
Preston blew off the idea. I don’t
get why-
As Lisa continues watching, her look changes to understanding
and smugness.
LISA
-Oh, I bet he regrets it now.
The Dean’s eyes are lowered as he begins to speak, then he
lifts his head and has a look of dread himself.
DEAN TOWNSEND
Lisa, I’ve known you a long time, I
always want to believe you. But
this… is not that simple.
Lisa’s look becomes confused, then quickly distressed. She
understands what Preston is doing.
LISA
You can’t believe him…
(upset)
He’s lying!
DEAN TOWNSEND
The video is damning evidence… I’ve
already spoken to council,
suspecting something wasn’t adding
up.
The Dean hesitates, then continues with a look of sorrow.
DEAN TOWNSEND
Because it’s in the Hawthorne
office, this is evidence that a
jury would have a hard time
rejecting.
Lisa’s eyes show panic, with her look pleading for help.
LISA
A jury!? What is he planning to do?
DEAN TOWNSEND
Lisa, this goes beyond me… The
board will take this up.
(saddened)
Expulsion seems inevitable, but I
will do everything I can to limit
it to just that.
LISA
(aghast)
Your talking criminal charges…
(panicked again)
But he’s lying!! You know it!
Lisa looks at the Dean, but realizes he can’t help her. She
turns and runs out of his office.
Genres:
["Drama"]
Ratings
Scene
48 -
A Brewing Conflict
INT. COFFEE SHOP - MORNING
The bell above the door jingles softly as Lisa enters,
wearing large sunglasses that cover her face. She pauses
briefly, scanning the café before heading up to the counter.
LISA
(tired, to barista)
Medium coffee. Black.
The barista nods and prepares the order. Lisa steps aside,
hands over her card, retrieves her coffee with a quick
“thanks,” and moves to a secluded corner table.
She sits, removes her sunglasses, and sets them down. Her
red, puffy eyes reveal a sleepless night and a heavy heart.
She sips her coffee, staring at the steaming cup, trying to
compose herself.
Eddie Hawthorne enters unnoticed, observes her briefly, and
casually approaches. Lisa looks up, startled, as he sits
across from her, her raw emotions barely hidden.
LISA
(flat, wary)
What do you want, Eddie?
EDDIE
I’m not here to shake you down. I’m
here to help.
Lisa glares, her tired eyes narrowing.
LISA
(coldly)
If this is about your father, go
away.
EDDIE
(grinning slightly)
We don’t want things to get ugly.
I’m offering a way out.
Lisa’s grip tightens on her cup, her eyes showing disbelief.
LISA
(skeptical)
A way out?
EDDIE
(leaning in, voice calm)
Yeah. You just have to hear me out.
Lisa’s tension builds, her anger bubbling up.
LISA
I’m listening…
EDDIE
(voice dropping, more
serious)
Hawthorne gets credit for the
design, and you add me to your
team.
LISA
Even if I give you credit for MY
design… I can’t add you to the
team. It’s two people… That can’t
change now.
EDDIE
(leaning in, matter-of-
fact)
So… we’re two people, Lisa.
The realization hits her, her heart sinking as she stares at
Eddie in disbelief.
LISA
How… How can I do that?
EDDIE
(bluntly)
Your the star… he can’t carry his
weight. You think I don’t know.
Lisa’s mind races, while staring at Eddie in disbelief of
what he’s asking.
EDDIE
It’s that… or we do it the hard
way. Your choice.
With that Eddie gets up and leaves.
Genres:
["Drama","Thriller"]
Ratings
Scene
49 -
Fractured Conversations
EXT. RIVERBEND UNIVERSITY GROUNDS - DUSK
Lisa walks across campus, casual but polished, her hair and
makeup carefully done. She carries only a small pocketbook,
no books or backpack. The sun sets as the campus quiets.
She approaches the library, glancing at it warily.
INT. RIVERBEND UNIVERSITY LIBRARY - DUSK
Lisa enters and scans the room. Billy sits alone at a table,
puzzled at first, then smirking as he notices her effort for
the occasion.
BILLY
When you messaged me, asking me to
walk you home… I figured you would
be here already.
Lisa half smirks back, not really in the mood for their
typical teasing.
BILLY
Instead, why don’t we stop for
dinner… Your dressed for it.
Lisa stands fidgeting, hesitant to sit. When she does, the
conversation feels private, as if just out of earshot.
Billy listens, his expression hardening as concern shifts to
anger. He stands abruptly, heading for the door.
Lisa follows, grabbing his arm with a pleading gesture. Billy
pulls away, his raised voice cutting through the quiet.
BILLY
You’ve got to be kidding me… What
do you want me to say?
LISA
It’s not my choice, please believe
me… Otherwise we are both
disqualified.
Billy is now intent on leaving the premises, he can’t remain
and discuss calmly anymore.
He heads quickly for the doors, with Lisa following behind,
pleading with him.
LISA
Billy, let’s go to dinner… I want
to talk about this. Please stop!
The librarian is stepping out from behind the front desk.
Gesturing for them to quiet down. Billy walks past the
librarian, without acknowledging her.
LIBRARIAN
(soft, but sternly)
Shhhh! This is a library.
They head to the doors and Billy bursts through first.
EXT. RIVERBEND UNIVERSITY LIBRARY - EVENING
It’s already noticeably darker, with the sun set now and the
skies have become cloudy.
Billy comes out through the doors. Lisa runs out close
behind.
LISA
Billy stop, please listen to me…
BILLY
Not tonight… I’m going to talk to
the Dean tomorrow. Then maybe over
at Hawthorne — kicking Preston’s
ass.
LISA
(pleading)
No! Billy, you can’t…
She’s breaking down again, the weight of everything crashing
over her. Tears stream down her face.
Billy is continuing to walk, determined to do something.
LISA
Preston will throw me in jail! He
says my design is intellectual
theft… He’s lying!
Billy slows but doesn’t stop.
LISA
They have a video… Showing me in
the conference room with equations.
Billy finally stops. Turns to her. His gaze drifts past her,
out over the campus—rage building, fists clenching.
BILLY
(low, seething)
That bastard…
He takes a deep breath, steeling himself. His face shifts to
sympathy for Lisa, but he then closes his eyes for a moment,
in fear of what he’s about to do.
BILLY
(Feigns mocking her)
Crying again, Lisa? If you’re not
crying, you’re pouting about
something. You’re unbelievable.
Lisa’s breath catches in her throat, blinking through her
tears, confused by his sudden harshness.
LISA
Billy…
BILLY
(voice sharper)
I don’t want to do this anymore.
Every time things get tough, you
manage to make it worse with your
drama.
Lisa stares at him in disbelief.
LISA
(broken, stunned)
How can you be like this?
Lisa’s not reacting as Billy thought. He pushes harder.
BILLY
(voice rising)
You and Eddie? You make a great
pair.
(MORE)
BILLY (CONT'D)
I wish I could be there, the day
you tell him, “That’s not how Daddy
does it.”
The words cut deep. Lisa’s face twists, her embarrassment
igniting a fierce rage.
LISA
(low and lethal)
What did you say?
Billy is shocked by her reaction, realizing he went too far.
LISA
What was I thinking, letting you
ride my coattails.
Billy recoils slightly, her words stinging, but he doesn’t
respond. His face hardens, as he looks at her one last time.
LISA
You’re a fraud, Billy Montgomery!
Everyone thinks you’re so good… but
I see the truth.
BILLY
(softly, almost broken)
I can’t do this…
Without another word, Billy turns and walks away. He slowly
but steadfastly disappears into the night.
LISA
(shouting to Billy)
You wait Montgomery… I don't need
you — or anybody.
As he disappears, her bravado melts, and the tears well.
INT. BILLYS APARTMENT - NIGHT
Billy sits alone in the living room, staring blankly.
Moonlight fills the room, the rain has stopped.
He rises slowly and picks up his saxophone, moving to the
window. He raises it to his mouth, pausing as his breath
catches.
His head lowers, shoulders drop, and after a faint sniffle
breaks the silence, the saxophone is released, falling to the
floor with a dull thud.
Billy turns, retreating to his bedroom. He collapses onto the
bed.
INT. LISA’S OFF CAMPUS APARTMENT - MORNING
“Girl on Fire” by Alicia Keys begins, syncing with the
visuals in a montage.
CLOSE ON: A small tabletop mirror, where LISA applies mascara
with a focused expression, then finishes with a swipe of
lipstick.
CUT TO:
Lisa stands in front of her closet, wearing elegant lingerie
as she considers her outfit. She pulls out a sleek red
business suit and skirt, setting it aside with a determined
and pensive look.
CUT TO:
Lisa, now dressed, adjusts her jacket in a full-length
mirror. She looks professional and striking, exuding a
confidence and fierceness we haven’t fully seen before. She
straightens her jacket lapel one last time and gives herself
a final look.
INT. RIVERBEND UNIVERSITY - DAY
Lisa strides purposefully through the bustling campus
hallways, students and staff turning to watch her with
newfound admiration. “Girl on Fire” lyrics pulse in the
background, in sync with her every step.
CUT TO:
A conference room at Riverbend with the Zero Contest logo
prominently displayed on a banner. A GROUP OF ORGANIZERS
stands in anticipation, welcoming her. Lisa strides over to
them, and they hand her a plaque. She holds it up briefly,
admiring it.
CUT TO:
Lisa stands in place, having her promotional photo taken,
with the plaque proudly displayed in front her, with the
words “ZERO Invitational FINALIST” displayed across it. Lisa
smiles brightly and proudly as the camera flashes.
Genres:
["Drama"]
Ratings
Scene
50 -
Contrasting Futures
INT. AUDITORIUM - DAY
A display board reads:
“GUEST SPEAKER LISA BRENNAN PRESENTS: THE FUTURE OF ENERGY”
Lisa stands at the podium, her powerful and poised stance
commanding attention. Behind her are three large chalk
boards:
Board 1: PAST
Fossil fuels
Global warming
Board 2: PRESENT
Solar, wind
Battery (circled boldly)
Lithium ion / solid state
Board 3: FUTURE
Nuclear - Fission/Fusion
Fuel cells
Sustainability
As “Girl on Fire” continues, Lisa gestures to each board in
turn, passionately delivering her vision of a sustainable
future. Her words become audible on her closing line:
LISA
…and that’s my vision for a future
that can be sustainable for
centuries to come.
The audience, fully captivated. Heads nod, some lean forward.
They erupt into applause as she finishes, and the applause
grows into a standing ovation.
CLOSE ON LISA as she takes in the ovation, mouthing “thank
you” with a satisfied smile.
As the applause continues, her eyes grow distant, her
expression tightening with the weight of something inside.
INT. BILLYS APARTMENT - MORNING
Billy is sitting watching TV, unshaven, wearing a dingy
sweatshirt, his feet up and he’s stretched out with his heels
on the coffee table. He has a bowl of chips, sitting on the
couch next to him, with crumbs sprinkled about.
Tommy is up, moving around in the kitchen, getting a cup of
coffee. He is warily observing Billy the whole time.
BILLY
You want to play Call of Duty?
TOMMY
Don’t take this the wrong way,
dude. But I can’t play anymore
video games. I got things to do…
Don’t you?
BILLY
(puzzled)
It’s Saturday…
TOMMY
(deadpan)
No, it’s Tuesday.
(with genuine worry)
You’ve been in that spot since
Thursday.
Billy sits up, and rummages around the trash on the coffee
table. Then holding up a video game case, with a smile.
BILLY
How about Madden Football?
TOMMY
(shakes his head)
I had a feeling college would
change you… and I don’t like it.
BILLY
It’s not that bad… Didn’t you
always tell me to stop and take a
break?
TOMMY
If you become like me… The world as
we know it, will become chaos. I
can’t let that happen.
BILLY
(mockingly)
Oh, stop it… Your becoming like the
drama queen.
TOMMY
(now quite serious)
I always wished I could be like
you… Don’t let this happen. Your
killing me, Billy. Killin’ me!
BILLY
(halfheartedly)
Okay, Tommy… got it.
Billy starts up a video game, and loses interest with Tommy.
TOMMY
(slightly annoyed)
Get up, dude. Go outside, even if
it’s just to find out what freakin
day it is.
Genres:
["Drama","Comedy"]
Ratings
Scene
51 -
Trust and Tension
INT. EMPTY CLASSROOM - RIVERBEND UNIVERSITY - DAY
Preston stands by a desk, expecting Eddie, but looks up,
intrigued as LISA walks in, exuding calm determination.
PRESTON
(surprised)
Didn’t expect to see you here.
Eddie said he’d meet me.
LISA
Eddie mentioned you’d be here.
Thought I’d stop by.
Preston’s expression shifts, curiosity sparking.
PRESTON
(hopeful)
Something on your mind, Lisa?
She steps closer, cutting to the chase.
LISA
I’m giving you credit for the
design and including Eddie on the
team, but you’re going to share
licensing rights equally with me.
I’ll negotiate my own deal—with a
company of my choice.
Preston’s face tightens, his intrigue fading into irritation.
PRESTON
(surprised, defensive)
You got balls, but it’s not that
simple.
LISA
(coolly)
Then I guess the technology just
might become so simple, it’s not
worth a dime.
He falls silent, realizing her determination. After a pause,
he gives a reluctant nod.
PRESTON
If you stay the hell away from
EnerVate… we could make it work.
LISA
Done… That was simple enough.
Lisa walks to the whiteboard, picking up a marker, her back
to Preston.
LISA
(turned towards him)
You know, I’ve discovered something
recently… If we had it, while we
were together, we could have
accomplished anything.
Preston leans forward slightly, anticipation in his eyes as
she writes. When she puts the marker down and starts towards
the door, the word “TRUST” is written in bold.
Preston’s face falls, a mixture of disappointment and
resignation settling in.
LISA
I’ll send papers for your lawyers
to review.
Without looking back, she exits. The final chorus of “Girl on
Fire” rises as she strides down the hallway, her resolve and
newfound independence clear.
Genres:
["Drama","Thriller"]
Ratings
Scene
52 -
Morning Reflections
INT. BILLY’S APARTMENT - MORNING
Billy lies in bed, fast asleep, with one leg stretched out
from under disheveled covers and an arm wrapped under the
pillow. Suddenly, his bedroom door flings open, and his
mother, EVELYN MONTGOMERY, stands in the doorway.
EVELYN MONTGOMERY
Billy Montgomery! You’ve got five
minutes to get out of that bed and
be at the table for breakfast.
Billy lifts his head in shock, looking around to make sure
he’s where he thinks he is.
BILLY
How did you get in? I never gave
you a key…
EVELYN MONTGOMERY
(sarcastically)
I told you, rooming with Tommy
might not have been the best idea.
Billy’s face falls, realizing his friend has ratted him out
to Mom. He slowly drags himself out of bed.
BILLY
(smirking)
Sounds like breaking and entering
to me…
Evelyn disappears back into the kitchen, and Billy, still
groggy and in his boxers, stands awkwardly. Moments later,
Evelyn reappears in the doorway, now holding a wooden spoon,
freshly retrieved as she starts cooking.
BILLY
(looking uncomfortable)
Ma! You mind?
EVELYN MONTGOMERY
(waving the spoon with
authority)
Stop the sass and get out here
before I give you something to
complain about.
BILLY
(mock-serious)
Breaking and entering… plus threat
of bodily harm! I could have you
arrested by campus police.
From the kitchen, Evelyn calls back with a smirk, not missing
a beat.
EVELYN MONTGOMERY
You now have two minutes to get out
here, or you’re gonna find out just
how dangerous I can be.
Billy emerges from his room, now wearing a T-shirt and jeans,
but no shoes or socks.
BILLY
I can just imagine what Tommy said
to you. Must have been really good,
for you to come out here.
Evelyn pauses, crossing her arms as she leans against the
counter, fixing Billy with a steady gaze.
EVELYN MONTGOMERY
Alright, you tell me what’s
happened to you.
Billy shifts uncomfortably; the humor in the exchange fades.
BILLY
(sighing)
I got kicked out of the Zero
contest. It was a political move,
some corporate group couldn’t stand
losing.
Evelyn watches him, unimpressed.
EVELYN MONTGOMERY
(soft but firm)
You want to try again? Because what
you just told me wouldn’t destroy
the boy I raised.
Billy drops his eyes down, hesitating for a moment.
BILLY
Lisa didn’t handle it well… I
thought I would make it easier for
her… I wanted her to go finish.
Billy looks up at his Mom, his sorrow becoming evident.
BILLY
But I took it too far… We’re no
longer on speaking terms.
Evelyn drops her arms and stands up straight, moving a little
closer to Billy.
EVELYN MONTGOMERY
I see…
BILLY
It’s not supposed to be this hard
Mom… I don’t know what I’m doing
wrong… Will I ever find the right
one?
Evelyn gives Billy a comforting look of sympathy.
EVELYN MONTGOMERY
It would be nice if I could tell
you to do something differently…
Billy begins to look a little confused listening to her.
EVELYN MONTGOMERY
Billy, I’ve known you your whole
life… You love with your whole
heart, and that’s why it hurts.
Billy’s looking uncomfortable again, but he’s listening.
EVELYN MONTGOMERY
But I’ll tell you this Billy…
The camera goes close focused on Billy’s face, as he listens
to his mothers words.
EVELYN MONTGOMERY O.S.
The first girl that sees the heart
of Billy Montgomery… She’s never
going to let him go.
As Billy’s listens intently, his face transitions to Lisa’s,
looking back with a contemplative and intense look.
DISSOLVE TO:
Genres:
["Drama","Family"]
Ratings
Scene
53 -
Unspoken Tensions
INT. LISA’S OFF-CAMPUS APARTMENT - DAY
Lisa is in close-up, pondering over something at a small
desk.
TARA
Whatcha doing?
LISA
I’m writing a letter.
TARA
(puzzled)
A handwritten letter?… Your
laptop’s broken?
LISA
It’s more personal…
Tara raises an eyebrow, taking this in.
TARA
(narrowing her eyes,
teasing)
Billy?
LISA
(quickly, a little too
defensive)
No.
TARA
Uh-huh.
Lisa exhales, glancing down at the letter.
LISA
I’ll tell you when I get a
response.
Tara studies Lisa for a moment, sensing more than Lisa’s
letting on. Instead of prying, she smirks and steps back.
TARA
I’ll wait till you’re ready… but
don’t leave me hanging.
INT. RIVERBEND UNIVERSITY - DAY
Billy walks through the quiet halls, a book bag over his
shoulder. Clean-shaven, with a fresh haircut and a lightness
in his step, he looks refreshed.
He pauses as a huge banner catches his eye: Lisa, holding her
finalist plaque. Billy smirks, dropping his backpack and
snapping a quick photo with his phone.
Lisa steps out from a nearby door, spotting him mid-shot
looking up admiring something.
LISA
Nice stunt, sending your tutoring
harem to confront me… They looked
ready to attack me.
BILLY
I didn’t put them up to it… I’m not
looking to fight.
LISA
I don’t care what you know, it’s
already too much… don’t remind me.
BILLY
Well, congratulations…
LISA
(taken aback)
It wasn’t me… I told you I didn’t
have a choice.
BILLY
I meant it, I’m not looking to
fight.
Billy then throws his backpack over his shoulder and turns to
leave.
Lisa watches Billy leave, then turns down the hallway—only to
stop at the sight of the banner.
Her guarded demeanor melts, turning to a mixed look of awe
and sorrow. She glances back down the hallway, searching for
Billy, but he’s already gone. Her gaze lingers, turning sad.
Genres:
["Drama","Romance"]
Ratings
Scene
54 -
Crossroads at Rhythm & Brews
INT. RHYTHM & BREWS BAR - NIGHT
Lisa enters and looks around for Tara. She heads to a table
booth and sits. A waitress comes over to her.
LISA
Hi, can I have a glass of Pinot and
a menu?
Luther sits down facing Lisa. He is clean shaven this time,
dressed casually with a sports coat, fitting in while keeping
a professional look.
LUTHER
Finally, we have a chance to finish
our discussion.
LISA
I don’t have time for you right
now, sorry.
LUTHER
Lisa, be smart and hear me out. You
know I’m not on fishing trip… it’s
talk time.
LISA
I have no clue what you want or
what you think you have-
LUTHER
-I want your original design. I
want the fuel cell you designed for
Preston, until you decided he
didn’t deserve it.
LISA
You don’t know what you’re talking
about.
LUTHER
Really? That’s not what Samantha
said.
Lisa’s eyes go wide at Luther’s mention of the name.
LISA
When was that? Samantha doesn’t
even live here anymore.
LUTHER
She’s in Charlotte. Just had a kid.
Misses the lab.
Lisa’s expression drops and becomes serious. She looks
nervously back at Luther.
LISA
She’s got an axe to grind… and it
should be for Preston.
LUTHER
A lot of people have reason to be
mad at Preston… that’s why we’re
gonna help each other, Lisa.
(MORE)
LUTHER (CONT'D)
This is your chance to settle
things and even the score… and
getting rich in the process.
LISA
(splutters out)
I have no reason to help you…
You’re making no sense. Please go.
LUTHER
I’m not leaving this time, till we
have an understanding.
LISA
Just what do think I have? What do
you think I’ll do for you.
LUTHER
I need the fuel cell design…
complete with details for
production of the catalyzer.
Lisa’s mind races as she listens. She studies Luther.
LUTHER
That has to be in my possession,
before the show ends tomorrow
night.
LISA
What if it doesn’t exist in a form
I can hand to you… just a figment
of my imagination, and blew up
because of it?
LUTHER
Lisa, help me get him! I don’t want
to hurt you.
I’ll help see that you get
everything you deserve… I need my
piece, for what that fuck took from
me.
LISA
I don’t want any of this… I’m just
a college student, I’m not the
right person for corporate spy
games.
LUTHER
You don’t get it… your days of just
being a college student was over
since the Zero started.
They say your a genius, but your
completely blind and lost, when it
comes to interaction with us
regular humans.
College has ended for you… you’re
either moving on to a lucrative
career, or suffering a dishonorable
discharge that your reputation will
never recover from.
LISA
(In downtrodden
resignation)
How will this work?
LUTHER
Give me the design, accept your
award and all the hutzpah that
comes with it, then work with my
employer to sell it to EnerVate.
LISA
Crush Preston for you or get
crushed for refusing.
LUTHER
Now you get it… it’s that simple.
You didn’t have a problem tossing
Billy overboard… Why is it a
problem with Preston?
LISA
Who says it’s a problem.
Genres:
["Drama","Thriller"]
Ratings
Scene
55 -
Reunion at the Zero Finals
EXT. ZERO FINALS SHOW - BANQUET HALL - NIGHT
A sleek limo pulls up to the grand banquet hall entrance.
LISA steps out, looking stunning, and heads toward the door
as camera flashes go off around her. She has a bag over her
arm, that is unusually large for an event like this. A few
photographers snap photos of prominent attendees, capturing
Lisa’s arrival. Tara follows close behind, her excitement
palpable as she trails Lisa into the hall.
INT. ZERO FINALS SHOW - LOBBY/REGISTRATION - NIGHT
Lisa and Tara head over to the check in table, finding out
where they are seated. There are several ZERO EXECUTIVES at
the table and mulling about the show.
ZERO EXECUTIVE
Welcome, Ms. Brennan! We are
thrilled to have you… Good luck
this evening.
LISA
(smiling graciously)
Thank you… Fingers crossed!
TARA QUINN
Do we just make chicken, beef or
fish choices, or is there a menu?
Lisa pulls Tara’s arm, to get her away, before it gets
embarrassing. As they turn and pull away from the check in
table, Lisa suddenly stops cold.
She stands there facing a distinguished looking man, who’s
also stunned and frozen in place. It’s her father, MICHAEL
BRENNAN, in an expensive well made tux.
MICHAEL
Hello Lisa, you look beautiful.
Lisa turns to Tara, with a look that says “help, I don’t know
what to do”.
LISA
Tara… this is my Dad.
(More quietly)
He got my letter.
TARA
(awkwardly, to Lisa’s Dad)
Hi, nice to meet you.
(then to Lisa)
Good luck, kiddo.
Lisa looks helplessly, as Tara is about to step away, but
then she takes her bag and passes it to Tara.
LISA
Put this at our table please. I’ll
be in soon.
TARA
(to Lisa’s Dad)
Go easy on her, she can’t afford to
mess up her mascara.
Her Dad is filled with emotion, as he begins to speak now to
Lisa.
MICHAEL
It’s an understatement to say I was
shocked getting your letter…
LISA
(teary eyed)
It’s a big night… I wanted you to
be here.
MICHAEL
It’s been too long…
LISA
Three years… five, if you don’t
count Thanksgiving.
MICHAEL
I’m really sorry, about what’s
happened to us…
It’s no excuse, but every time I
saw you… you had grown to look even
more like your Mom. It killed me.
LISA
I thought… I just never measured
up.
MICHAEL
(with a beaming look)
I have always been proud of you…
even winning karaoke contests.
LISA
(Stammering, eyes tearing)
How did you know that?
MICHAEL
I’m registered to receive your
college newspaper online… I comb
through each one for you.
LISA
(tears streaming)
You stopped calling… I gave up.
MICHAEL
You just became bitter over time… I
know you didn’t want to go to
college early. You wanted to be
like everyone else… but I’m nothing
like your Mom, I couldn’t replace
her.
Michael is losing control of his emotions, so he goes silent
in effort to regain himself. Lisa steps towards him and gives
a tight hug, closing her eyes as she squeezes him tight.
LISA
It doesn’t have to be over… I want
you to be my Dad again.
MICHAEL
Get in there… I hope you win. I
love you.
Lisa steps back, looking at her Dad with an appreciative look
that says they’ll be okay. Her dad smiles at her.
MICHAEL
I think about how different
everything would be, if we had
someone like your Mom with us.
Lisa freezes mid-step, her father’s words sink in. Her gaze
drifts, as her mind roils over something unsaid. Then she
suddenly turns back to her father again.
LISA
I love you, Dad.
Her Dad smiles contently, as Lisa turns and heads inside the
ballroom, to take her seat.
Genres:
["Drama","Family"]
Ratings
Scene
56 -
A Night of Choices
INT. ZERO FINALS SHOW - BANQUET HALL - NIGHT
Lisa enters the room and gazes around at the grandeur of the
event. Everyone attending buzzing around, the guys all in
formal wear and the women all looking beautiful in gowns and
elegant dresses.
She locates Tara and heads to the table, taking her seat.
Preston is standing near the table, talking to Eddie.
PRESTON
Hello Lisa, you look great. I was
just telling Eddie, how I wish you
two luck tonight.
LISA
(half smile)
I’m sure you do…
(then sincerely)
Thank you, Preston.
TARA
(Whispering)
How did it go?
LISA
(with a wide smile)
Actually, it was great.
Preston leaves to go take his seat. Lisa takes hers.
EDDIE
(smugly)
It’s pretty remarkable, Lisa… How
far you’ve come since joining
forces with Hawthorne.
While Eddie scans the room, oblivious, Lisa fixes him with a
cold, cutting stare.
Lisa finally looks down and on the table in front of her is a
corsage in a clear plastic case. She smiles brightly at it
with a chuckle.
LISA
(To Tara)
Dean Townsend, he thinks he’s
sending me off to the prom.
Lisa notices a note attached to it and pulls it off to read
it:
“All the best tonight,
no luck needed.
Go get ‘em!”
Her smile dissolves from her face. She hesitates pensively.
TARA
What does it say… who sent it?
Lisa suddenly lifts her head, a flicker of anticipation
flashing in her eyes. She scans the room, her eyes hopeful in
search.
LISA
(To Tara, softly)
Can’t be sure… but I have an idea.
Lisa gently slides the corsage aside. Then reaches for her
bag.
LISA
I’ll be back… I have to take care
of something, before it starts.
Lisa gets up from the table, slinging the bag over her
shoulder and heads across the room, scanning it as she walks.
Lisa stands at the entrance way leading to the restrooms. She
looks at first, then stands there waiting, occasionally
looking back in wait for someone.
Suddenly Luther comes strolling out, and Lisa flags him with
a two finger wave.
LUTHER
Good evening, Ms. Brennan… Have
something for me?
Lisa reaches into her bag, and takes out a gift wrapped box,
perfectly sized to contain a small stack of 8.5” x 11”
documents. Luther smugly reaches out and takes the box.
LUTHER
Gift wrapped? I’m impressed… glad
you came to see things clearly.
LISA
You left me no choice.
LUTHER
You’ll see… you’ll be happy you
made this choice.
LISA
That’s what I’m hoping…
LUTHER
Good luck, tonight.
Lisa gives a half hearted smile and turns and leaves.
Genres:
["Drama","Thriller"]
Ratings
Scene
57 -
Anxiety and Aspirations
INT. BILLYS APARTMENT - NIGHT
Billy is sitting in his apartment, in boxer shorts and a T-
shirt, staring at the computer. He takes his phone, dialing.
BILLY
Hi Mike… Hey, wasn’t there supposed
to be a live stream of the Zero
awards?
(MORE)
BILLY (CONT'D)
(pauses, listening)
Oh, ok… I can deal with a delayed
stream, if need be. Live is best,
see what you can do.
(a few nods)
…thanks, I appreciate it. Bye.
INT. ZERO FINALS SHOW - BANQUET HALL - NIGHT
Lisa joins Tara back at the table. Sitting down while
acknowledging everyone at the table with a big smile.
Across the room, one of the waiters is trying to get
Preston’s attention, then handing him an identical box that
Lisa just gave Luther. The waiter whispers a few words to
Preston. He looks at the box, then places it on the table.
As Lisa sits down, she gives Tara a troubled look.
TARA
What’s wrong… this looks like it
will be fun. Imagine if you win!
LISA
I’ve wanted the Zero so bad… I
couldn’t see how to win.
TARA
Your here… your already a winner.
Lisa then picks up the case holding the corsage, she opens it
slowly and takes it out, smelling the flowers and smiling.
LISA
Help me get ready for prom night…
Tara stands up smirking at Lisa, taking the corsage and
pulling the pin from it, then pins it to Lisa’s dress.
LISA
How have you put up with me this
long…
TARA
What are you talking about? Your my
bestie.
LISA
And I’ll always be.
Lisa Gives Tara a tight hug, almost crushing the corsage.
Tara smiles at first, then realizes Lisa’s emotion.
The MC takes the stage, welcoming the crowd and kicking off
the event.
LISA
I need you to wish me luck… I’m so
scared.
Tara is stunned at Lisa’s display, but gives her a
compassionate look and another quick hug.
TARA
Your Lisa Brennan… you don’t need
my luck, you make things happen.
Lisa sniffles while smiling back at Tara and nodding.
LISA
I need you to tell my Dad later,
that I’m okay… I’ll call him
tomorrow.
TARA
Don’t be like that… First, second
or third, it’s all good.
Tara’s look is puzzled, she doesn’t understand.
LISA
I’ll see you later… text me who
wins.
Lisa grabs her bag and abruptly leaves, heading for the exit.
TARA
(Stunned shout)
Lisa!
Tara’s eyes go wide and her jaw drops in shock. Her head
bounces around the room trying to understand what just
happened. Then purses her lips a bit.
TARA
Wow… this is gonna be a problem.
The MC takes the Mike again, looking proudly out at the
crowd.
MC
(With a wave of their arm)
Let’s bring our finalists onstage…
Genres:
["Drama","Romance"]
Ratings
Scene
58 -
The Weight of Departure
INT. BILLY’S APARTMENT - NIGHT
Still in his boxers and T-shirt, Billy finally gets the link
to stream the finals show. He looks anxious in anticipation
and carefully scans the screen looking for Lisa.
BILLY
Where are you?
INT. ZERO FINALS SHOW - BANQUET HALL - NIGHT
Tara faces a small group of ZERO executives, interrogating
her about Lisa’s whereabouts.
TARA QUINN
(trying not to smirk,
shrugs)
Listen, guys… I haven’t a clue.
Nearby, Eddie gets a nudge from Dean Townsend.
DEAN TOWNSEND
Get up there! We need someone on
stage, now!
Preston, standing at their table, glances around, scanning
the room for Lisa. Then, his gaze falls on the small box.
He picks it up, pulls the ribbon bow, and lifts the
lid—inside, a stack of documents.
Title page:
“A Novel Catalyzer Fuel Cell System for Transportation
Application.”
Preston gasps realizing. His fingers flip through the pages,
scanning the work.
At the bottom of the box, a handwritten letter. He pulls it
out and reads.
LISA (V.O.)
This belongs to you. Take it. Call
us square, and don’t come looking
for anything from me again.
I thought winning the Zero meant
everything; that it would prove my
worth and earn my place at
Riverbend.
(MORE)
LISA (V.O.) (CONT'D)
I fought desperately to cling to
the place I’ve come to know as
home.
But I see now, that Riverbend isn’t
my home, so I give you this to set
myself free, taking all that
Riverbend has taught me and moving
forward… on my own terms.
Preston’s jaw tightens. The weight of the words settles in.
He glances around the room again, his search for Lisa
slowing. She’s gone.
Something shifts in his expression. It’s not anger. It’s
pained regret.
He exhales, pressing his lips together. A silent acceptance.
He looks to Eddie, voice measured, resigned.
PRESTON
Eddie, please setup a meeting with
EnerVate next week. Include the
engineering director.
EDDIE
Yeah, sure… I can do that.
Across the room Luther is opening his box, to reveal a single
page. A copy of a Hawthorne Industries internal memo, from
several years earlier.
It’s signed by Lisa and Preston’s signature spot is
conspicuously blank. Luther reads the memo, explaining the
filing of a new fuel cell design. He shakes his head angrily,
tossing the box, with the document to the table.
LUTHER
(Mutters to himself)
She gave it to him…
He glances briefly around the room, his bitter disappointment
clear. He then turns and slowly heads to the exit.
Genres:
["Drama","Thriller"]
Ratings
Scene
59 -
Moonlit Reunion
INT. BILLY’S APARTMENT - NIGHT
Billy, now fully absorbed in the recording. His look shifts
from confusion to frustration.
BILLY
(softly)
Lisa, where are you, Lisa…
On the screen, the MC announces the third-place winner.
THE MC
(on screen)
The third place winner… Penn
State’s GreenTech Pioneers!
The screen shows Samantha Lin and her team rushing up on
stage. Billy watches, disappointed, his face falling.
BILLY
Lisa, don’t do this… Not now.
He leans forward, scanning the screen, searching for any sign
of her.
EXT. BILLY’S APARTMENT - NIGHT
The moon is full in the sky, casting a soft glow over the
quiet street. A Bluetooth speaker fills the air with music.
With the start of the music, Lisa stands in the moonlight,
singing Moonlight Serenade in the style of Ella Fitzgerald.
LISA
I stand at your gate… And the song
that I sing is of moonlight.
INT. BILLY’S APARTMENT - NIGHT
Billy stares at the screen, then freezes, hearing the faint
melody. His eyes widen, turning slowly towards the window.
LISA (O.S.)
I stand and I wait… For the touch
of your hand in the June night.
He rises slowly, realization dawning, his gaze locked on the
window.
Billy walks over, pulling the curtain back enough to see. His
face lightens as his heart jumps at the sight of Lisa.
EXT. BILLY’S APARTMENT - NIGHT
Lisa, standing beneath the stars, sings with longing and
hope. Doubt flickers on her face as she sings the next line.
LISA
The roses are sighing… A moonlight
serenade.
Lisa’s expression grows more desperate, her eyes searching.
Then, suddenly, her eyes light with hope as she notices the
curtain pulled aside for Billy to see.
INT. BILLYS APARTMENT - NIGHT
Billy turns for the door, wanting to go to her.
LISA (O.S.)
The stars are aglow… And tonight,
how their light sets me dreaming.
As he grabs the doorknob, he realizes what he’s wearing. He
bolts for his room, passing the computer screen, where the
words can be heard, “The moment we’ve all been waiting for…”
EXT. BILLYS APARTMENT - NIGHT
Lisa is still singing passionately, not giving up, but she’s
unsure if her song is reaching him.
LISA
My love, do you know… That your
eyes are like stars, brightly
beaming.
I bring you and sing you… A
moonlight serenade.
INT. BILLYS APARTMENT - NIGHT
Now dressed in a polo shirt and pants, Billy slips on a pair
of well-worn shoes in a hurry.
LISA (O.S.)
So, don’t let me wait… Come to me
tenderly in the June night.
Billy heads for the door. The computer screen shows the MC
saying, “And finally, the winner is…”
EXT. BILLYS APARTMENT - NIGHT
Lisa pours her heart into the song, her voice trembling with
emotion. The moonlight beams as Billy steps outside.
LISA
I stand at your gate… And I sing
you a song in the moonlight.
They lock eyes, and after a moment’s hesitation, Billy steps
forward, his pace quickening.
LISA
A love song, my darling…
As Lisa sings the words, “my darling,” Billy reaches her, and
they embrace, their lips meeting in a passionate kiss.
BILLY
I didn’t think you could even name
that song.
LISA
(smiling, relieved)
It started to grow on me… it’s on
my playlist.
Billy is still holding Lisa, but looks over at the scooter.
BILLY
I think there’s gonna to be people
looking for that.
LISA
After everything, I think we’ve
earned a few rides.
Billy smiles brightly at her.
LISA
I’m going to need a job now… Do you
think Montgomery Engineering is
hiring?
BILLY
(grimaces in doubt)
Not quite yet… and I’m not sure
what their policy is on hiring
family members… especially spouses.
LISA
You saying our kids are outta luck?
Billy’s eyes widen on her words, with realization of what’s
happening, he kisses her passionately again.
LISA
Whoa… slow down! We aren’t married
yet.
BILLY
We can fix that tomorrow.
LISA
(thinking out loud)
Oh, no… I want flowers… and we can
have it in a church, with a
reception following.
(turns to Billy)
This can take a few months of
planning…
BILLY
(faux-serious)
You revolutionized modern battery
technology faster than that.
LISA
Yeah…
(smiling, teasingly)
but I gotta get this right.
Billy takes her by the hand, leading her to the scooter.
BILLY
We have it for only one more night…
Let’s go talk about it over coffee.
Billy gets on and Lisa jumps on behind him. Then they slowly
take off together, riding off under the moonlight.
Genres:
["Romance","Drama"]
Ratings
Scene
60 -
A Night of Love and Music
INT. BILLYS APARTMENT - NIGHT
The computer screen is shown. It shows Eddie Hawthorne on
stage, cameras flash, and he holds the Zero trophy.
EDDIE
I’m pleased to be here, but I must
recognize the two that really made
this happen tonight…
(After a pause)
Thank you, Hawthorne and Riverbend!
INT. HOTEL BANQUET ROOM – NIGHT
There’s a gathering of people at tables, finishing their
dinner and enjoying drinks. The interactions are pleasant.
Billy is up front on stage, plugging a mike in, setting it.
Lisa approaches him from behind, putting her left hand on his
right shoulder. A wedding ring is evident, as she kisses him.
Billy then goes to the piano, and sits down, getting ready to
play.
LISA
So, what’s the plan?
BILLY
Two numbers, before the band
arrives.
LISA
Look, the audience is anxiously
awaiting…
People noticing Billy and Lisa are about to perform are
getting up and gathering at the stage.
BILLY
I hate to break this to you… but I
paid them earlier.
LISA
Billy Montgomery! Are you trying to
take this moment away from me?
BILLY
(smiling)
Okay, let’s get to work.
LISA
You’re the boss…
Lisa stands at the mic and Billy begins to play. Lisa mouths
to him “I love you”, just before she sings.
The whole room gathers at the stage watching them perform.
At the doorway, a sign on a stand says “Welcome to the
Montgomery Engineering Holiday Party”.
Goes to credits, rolling to “Dancing in the Moonlight”.