Casablanca

Overview

Unique Selling Point

Immerse yourself in a timeless classic that captures the intricate tapestry of human resilience and sacrifice amidst the turmoil of war. Our script's unique blend of nail-biting suspense, heart-wrenching romance, and thought-provoking moral dilemmas will leave an indelible mark on your audience. With its authentic portrayal of Casablanca's wartime atmosphere and the nuanced complexities of its characters, this story is both a captivating period drama and a poignant exploration of the enduring human spirit.

AI Verdict & Suggestions

Ratings are subjective. So you get different engines’ ratings to compare.

Claude
Recommend

Gemini
Highly Recommend

GPT4
Highly Recommend

See Details in P/C/R/HR Section

Story Facts

Genres: Drama, War, Romance, Thriller

Setting: The screenplay is set during World War II, primarily in the year 1941., The story takes place in the Moroccan city of Casablanca.

Themes: Love and Sacrifice, War and Politics, Friendship and Loyalty, Redemption, Hope and Despair

Conflict & Stakes: Rick's inner conflict between his desire for Ilsa and his knowledge that she must leave with Laszlo to continue his fight against the Nazis. The stakes are high, as Rick's decision will ultimately determine the fate of Laszlo and the resistance movement.

Mood: Nostalgic, romantic, and bittersweet

Standout Features:

Unique Hook: The film features a classic love story set against the backdrop of a global war.
Major Twist: The main character, Rick, must choose between his love for Ilsa and his duty to help the resistance movement.
Distinctive Setting: The film is set in the exotic and romantic city of Casablanca, Morocco.
Innovative Idea: The film explores the complex moral choices that people must make in times of war.
Unique Character: The film features a cast of well-developed and memorable characters, including Rick, Ilsa, and Captain Renault.
Genre Blend: The film blends elements of romance, drama, and adventure.

Comparable Scripts: Now Voyager, Casablanca, The Maltese Falcon, The Big Sleep, Chinatown, The Third Man, Notorious, Strangers on a Train, Dial M for Murder, Rear Window

Script Level Analysis

This section delivers a top-level assessment of the screenplay’s strengths and weaknesses — covering overall quality (P/C/R/HR), character development, emotional impact, thematic depth, narrative inconsistencies, and the story’s core philosophical conflict. It helps identify what’s resonating, what needs refinement, and how the script aligns with professional standards.

Screenplay Insights

Breaks down your script along various categories.

> Go to Screenplay Insights

Story Critique

Big-picture feedback on the story’s clarity, stakes, cohesion, and engagement.

> Go to Story Critique

Characters

Explores the depth, clarity, and arc of the main and supporting characters.

> Go to Characters

Emotional Analysis

Breaks down the emotional journey of the audience across the script.

> Go to Emotional Analysis

Goals and Philosophical Conflict

Evaluates character motivations, obstacles, and sources of tension throughout the plot.

> Go to Goals and Philosophical Conflict

Themes

Analysis of the themes of the screenplay and how well they’re expressed.

> Go to Themes

Logic & Inconsistencies

Highlights any contradictions, plot holes, or logic gaps that may confuse viewers.

> Go to Logic & Inconsistencies

Scene Analysis

All of your scenes analyzed individually and compared, so you can zero in on what to improve.

Scene-Level Percentile Chart

Hover over the graph to see more details about each score.

The screenplay showcases strong characterization, dialogue, and emotional impact, indicating an intuitive writing style. To enhance its overall effectiveness, the writer should focus on strengthening the plot, improving structure and formatting, and maintaining the high quality of character and dialogue elements.

Go to Scene Analysis

Key Strengths

The screenplay excels in character development, dialogue writing, and emotional impact, ranking in the top percentiles for these elements.
The screenplay's originality and engagement also stand out, suggesting that the writer has a unique voice and knows how to captivate the audience.

Areas for Improvement

The plot and concept could benefit from further development to enhance the overall narrative structure.
The formatting and structure could also use some attention to ensure clarity and readability.

Writer Style

The screenplay exhibits a strong focus on characterization and emotional depth, indicating a writer with intuitive storytelling abilities.

Balancing Elements

To improve balance, the writer could consider strengthening the plot and concept while maintaining the high caliber of character development and dialogue.
Additionally, enhancing the formatting and structure would complement the screenplay's strengths and improve its overall presentation.

Intuition Level

Intuitive

Overall Assessment

The screenplay has promising strengths in character, dialogue, and emotional impact, but could benefit from refinement in plot development, structure, and formatting to fully realize its potential.

How this was done: Each criteria is ranked in comparison to scripts in our Vault (such as The Matrix, Breaking Bad, etc.) This allows you to see where you stand compared to other produced scripts for each criteria.

How scenes compare to the Scripts in our Library

Note: The ratings are the averages of all the scenes.

Title	Grade	Percentile	Before	After
Scene Engagement	9.03	97	Die Hard: 9.02	Casablanca: 9.03
Script Theme	9.20	97	Sense8: 9.10	Casablanca: 9.20
Overall Script	8.50	94	Interstellar: 8.46	Erin Brokovich: 8.50
Script Emotional Impact	8.50	93	Passengers: 8.40	Casablanca: 8.50
Scene Emotional Impact	8.6	89	Dune Part Two: 8.5	Casablanca: 8.6
Script Premise	8.80	88	V for Vendetta: 8.70	Casablanca: 8.80
Script Structure	8.30	86	Parasite: 8.20	Casablanca: 8.30
Scene Dialogue	8.3	86	Ex-Machina: 8.2	Casablanca: 8.3
Scene High Stakes	8.5	83	V for Vendetta: 8.4	Casablanca: 8.5
Script Originality	8.40	80	Ghostbusters: 8.30	Casablanca: 8.40
Scene Pacing	8.47	78	scream : 8.46	Casablanca: 8.47
Scene Story Forward	8.5	76	Deadpool & wolverine : 8.4	Casablanca: 8.5
Scene Characters	8.6	74	Parasite: 8.5	Casablanca: 8.6
Scene Conflict Level	8.1	73	Ex-Machina: 8.0	fight Club: 8.1
Scene Plot	8.2	67	American Fiction: 8.1	Casablanca: 8.2
Scene Character Changes	7.3	65	A real pain : 7.2	Casablanca: 7.3
Scene Overall	8.5	63	The father: 8.4	Casablanca: 8.5
Scene Originality	8.78	61	Ex-Machina: 8.77	Casablanca: 8.78
Scene External Goal	7.28	57	Crouching Tiger Hidden Dragon: 7.26	Casablanca: 7.28
Scene Unpredictability	7.53	56	Parasite: 7.52	Casablanca: 7.53
Script Conflict	7.50	53	The King's speech: 7.40	Casablanca: 7.50
Scene Internal Goal	8.06	50	September 5: 8.05	Casablanca: 8.06
Script Characters	8.00	48	Dune Part Two: 7.90	Casablanca: 8.00
Scene Concept	8.1	43	Manchester by the sea: 8.0	Casablanca: 8.1
Script Structure	8.11	42	A Complete Unknown: 8.10	Casablanca: 8.11
Scene Formatting	8.06	26	12 years a slave: 8.05	Casablanca: 8.06
Script Visual Impact	7.20	20	Silicon Valley: 7.10	Erin Brokovich: 7.20

Other Analyses

This section looks at the extra spark — your story’s voice, style, world, and the moments that really stick. These insights might not change the bones of the script, but they can make it more original, more immersive, and way more memorable. It’s where things get fun, weird, and wonderfully you.

Unique Voice

Assesses the distinctiveness and personality of the writer's voice.

> Go to Unique Voice

Writer's Craft

Analyzes the writing to help the writer be aware of their skill and improve.

> Go to Writer's Craft

Memorable Lines

Spotlights standout dialogue lines with emotional or thematic power.

> Go to Memorable Lines

Tropes

Highlights common or genre-specific tropes found in the script.

> Go to Tropes

World Building

Evaluates the depth, consistency, and immersion of the story's world.

> Go to World Building

Correlations

Identifies patterns in scene scores.

> Go to Correlations

Loglines

Presents logline variations based on theme, genre, and hook.

> Go to Loglines

Unique Voice

Assesses the distinctiveness and personality of the writer's voice.

> Go to Unique Voice

Writer's Craft

Analyzes the writing to help the writer be aware of their skill and improve.

> Go to Writer's Craft

Memorable Lines

Spotlights standout dialogue lines with emotional or thematic power.

> Go to Memorable Lines

Tropes

Highlights common or genre-specific tropes found in the script.

> Go to Tropes

World Building

Evaluates the depth, consistency, and immersion of the story's world.

> Go to World Building

Correlations

Identifies patterns in scene scores.

> Go to Correlations

Loglines

Presents logline variations based on theme, genre, and hook.

> Go to Loglines

Engine: Claude

Screenplay Rating:

Recommend

Executive Summary

The screenplay for 'Casablanca' is a well-crafted and engaging story that follows the lives of several characters navigating the complexities of wartime Casablanca. The strong narrative, compelling character development, and effective use of flashbacks make this an impressive work of storytelling. While there are a few areas that could be improved, such as the integration of secondary storylines and pacing in certain sections, the overall quality of the screenplay is highly recommended.

Strengths

The screenplay has a strong, compelling narrative that draws the audience into the lives of the characters. The story is well-structured, with a clear beginning, middle, and end, and the pacing keeps the audience engaged throughout. high
The characterization of Rick Blaine is excellent, with a well-developed backstory and internal conflicts that make him a complex and intriguing protagonist. His interactions with other characters, such as Ugarte and Ilsa, are particularly well-written. high ( Scene 13 Scene 14 Scene 15 )
The flashbacks to Rick and Ilsa's time in Paris are beautifully executed, providing depth and emotional resonance to their relationship and the decisions they make. high ( Scene 25 Scene 30 )
The climactic scenes at the airport, where Laszlo, Ilsa, and Rick navigate the difficult situation, are gripping and well-paced, with powerful dialogue and character moments. high ( Scene 53 Scene 55 )
The script effectively captures the atmosphere and tensions of wartime Casablanca, with the city serving as a compelling backdrop for the characters' journeys. high

Areas of Improvement

The subplot involving Jan and Annina could be more fully developed and integrated into the main narrative, as it currently feels a bit disconnected. medium ( Scene 20 Scene 21 )
While the pacing is generally strong, there are a few moments where the story could move a bit more quickly, particularly in the middle act. medium

MissingElements

The screenplay could benefit from a deeper exploration of the secondary characters, such as Renault and Strasser, to provide a more well-rounded portrayal of the various power dynamics and allegiances at play in Casablanca. medium

NotablePoints

The interactions between Rick and Ugarte, as well as Rick's complex relationship with Ilsa, are particularly well-written and showcase the screenplay's strong character development. high ( Scene 13 Scene 14 Scene 15 )
The use of flashbacks to Rick and Ilsa's time in Paris is a notable narrative device that effectively conveys the depth of their relationship and the emotional stakes involved. high ( Scene 25 Scene 30 )
The climactic scenes at the airport, where Rick makes the difficult decision to send Ilsa away with Laszlo, are powerful and emotionally resonant, showcasing the screenplay's strong dramatic sensibilities. high ( Scene 53 Scene 55 Scene 72 )

Engine: Gemini

Screenplay Rating:

Highly Recommend

Executive Summary

Casablanca is an exceptional screenplay that masterfully blends genres, offering a compelling story set against the backdrop of WWII. The screenplay's strengths lie in its vivid setting, iconic use of music, complex characters, exploration of political themes, and a satisfying yet thought-provoking ending. Minor improvements could be made by further exploring Ilsa's motivations and streamlining certain scenes. Overall, Casablanca is a timeless classic with a powerful and enduring message.

Strengths

The screenplay expertly weaves together multiple genres - war drama, romance, and thriller - creating a captivating and timeless story. high
Rick's Cafe Americain is vividly depicted as a microcosm of the world, filled with diverse characters and buzzing with intrigue, effectively highlighting the global impact of war and displacement. high ( Scene 13 Scene 14 Scene 23 )
The use of "As Time Goes By" is masterful, serving as a powerful motif that evokes nostalgia, lost love, and the enduring power of the past, deeply enriching the emotional core of the film. high ( Scene 23 Scene 34 Scene 58 )
The screenplay excels at portraying the complex political landscape of WWII, showcasing the ethical dilemmas and moral compromises individuals face under oppressive regimes. high ( Scene 31 Scene 53 Scene 65 )
The ending is both satisfying and thought-provoking, leaving audiences with a sense of hope and the possibility of redemption, while subtly suggesting the ongoing fight against tyranny. high ( Scene 77 Scene 133 )

Areas of Improvement

Ilsa's motivations for leaving Rick in Paris could be explored with greater depth and nuance to fully understand her emotional turmoil and the weight of her decisions. medium
The black market scenes, while providing context, could be streamlined to maintain the story's momentum and focus on the central characters' journeys. low ( Scene 38 Scene 42 )

MissingElements

Exploring the internal struggles and growth of supporting characters like Sam and Renault could add further layers of depth and complexity to the narrative. medium

NotablePoints

The screenplay masterfully balances witty dialogue with moments of profound emotion, creating a captivating rhythm that keeps the audience engaged throughout. high
The themes of sacrifice, love, and the fight for freedom resonate deeply, making the story universally relatable and enduring. high

Engine: GPT4

Screenplay Rating:

Highly Recommend

Executive Summary

Casablanca's screenplay is a masterclass in narrative construction, character development, and thematic depth. It combines a compelling wartime romance with a nuanced exploration of morality and sacrifice. The screenplay's structure is tight, with each scene contributing to the overall progression, and it is filled with rich, memorable dialogue that has stood the test of time.

Strengths

The screenplay excels in character development, particularly with Rick, whose complex moral transformation is compelling and central to the narrative. high
The opening scenes effectively set up the geopolitical context and the mood of desperation and intrigue, establishing a strong foundation for the story. high ( Scene 1 Scene 2 Scene 3 )
Dialogue throughout the screenplay is sharp, memorable, and laden with subtext, contributing to rich character interactions and memorable moments. high
The climax of the screenplay is masterfully executed, providing a satisfying resolution to the central narrative arcs and character journeys. high ( Scene 72 Scene 73 )
The screenplay's pacing is exceptional, with a balance of tension and relief, character moments, and plot progression that keeps the audience engaged. medium

Areas of Improvement

Some secondary characters could benefit from deeper development to enhance their roles and interactions within the main plot. medium
The political context could be made clearer in certain scenes to enhance the audience's understanding of the stakes and motivations. low

MissingElements

The screenplay could further explore the emotional backstories of some secondary characters to enrich the narrative tapestry. low

NotablePoints

The iconic line 'Here's looking at you, kid' is a notable element of the screenplay, encapsulating the film's blend of romance and nostalgia. high
The setting of Casablanca is effectively used as a character in itself, representing a liminal space of escape and entrapment. high

;

Screenplay Insights:

Overall Grade: 8.50

Characters: 8.0, This screenplay showcases effective character development, crafting complex and transforming characters that drive the narrative forward. While some characters exhibit compelling arcs, others could benefit from further development to enhance their depth and relatability, ultimately strengthening the screenplay's emotional impact on the audience. See More

Premise: 8.8, The screenplay's premise for "Casablanca" effectively establishes a compelling and clear setting, introducing intriguing characters and moral dilemmas within the context of war-torn Europe and the hope for escape. The initial scenes successfully create a sense of tension, mystery, and romantic entanglement, setting the stage for a captivating narrative. However, there are opportunities to further enhance the premise's originality and depth by exploring the complexities of the political landscape and the motivations of supporting characters. See More

Structure: 8.3, The screenplay exhibits a well-structured and engaging plot that effectively builds tension and character arcs. However, the pacing could be improved in certain sections to enhance audience engagement and emotional impact. See More

Theme: 9.2, The screenplay effectively conveys its themes and messages, providing a compelling and thought-provoking exploration of love, sacrifice, and the human condition during wartime. The film's central theme of moral ambiguity and the complexities of decision-making resonate powerfully with the audience, leaving a lasting impact. See More

Visual Impact: 7.2, The screenplay offers a solid foundation for visual storytelling. The vivid descriptions of major scenes, the subtle integration of motifs, and the attention to character emotions through visual imagery are notable strengths. However, there is room for improvement in elevating the overall visual style with greater creativity and dynamism. See More

Emotional Impact: 8.5, The screenplay excels in crafting a poignant and emotionally resonant narrative. The characters' inner conflicts, complex relationships, and sacrifices evoke deep emotions, creating a powerful connection with the audience. While the emotional depth is commendable, there are opportunities to further enhance the impact through nuanced character development, exploration of emotional complexities, and heightened conflict. See More

Conflict: 7.5, The screenplay effectively utilizes conflict and stakes to create a compelling and engaging narrative, particularly in the scenes involving Rick's moral dilemmas and the escalating tensions between characters. However, opportunities exist to enhance the clarity of the central conflict and further elevate the stakes, strengthening the screenplay's ability to grip and immerse the audience. See More

Originality: 8.4, This Casablanca scene-by-scene breakdown showcases a captivating narrative with complex characters in a morally ambiguous setting. Its creative strengths lie in the intricate interplay between its nuanced characters, the exploration of themes of love, sacrifice, and redemption, and the effective use of cinematic techniques to heighten tension and evoke emotional depth. See More

Summary As war-torn Europe plunges Casablanca into chaos, a web of intrigue and danger unfolds, with Rick's Cafe serving as a focal point for refugees seeking escape. Amidst the turmoil, secrets are revealed, loyalties tested, and love rekindled as Rick navigates a complex world of deceit and sacrifice. In a final act of redemption, Rick chooses to sacrifice his own happiness for the greater good, ensuring the escape of Ilsa and Laszlo while forging an unexpected bond with Renault. As the plane takes off, Rick watches from the ground, knowing he has made the ultimate sacrifice for love and freedom.

Screenplay Story Analysis

Story Critique The screenplay for Casablanca presents a well-crafted and captivating plot with a strong narrative arc. The story effectively blends elements of romance, intrigue, and moral conflict against the backdrop of World War II. The characters are well-developed and relatable, driving the plot forward with their motivations and interactions. The screenplay effectively builds tension and suspense, leading to a satisfying and impactful climax. The dialogue is sharp, witty, and memorable, adding depth to the characters and enhancing the overall storytelling experience.

Suggestions: To further enhance the plot/story, consider exploring the backstory of the characters in more depth, providing additional context and motivations for their actions. Additionally, expanding on the political and historical context of the war could add depth to the setting and raise the stakes for the characters' choices. Adding more twists and turns to the plot could increase suspense and keep the audience engaged throughout the story.

Note: This is the overall critique. For scene by scene critique click here

Beginning The opening scenes of Casablanca effectively establish the setting, introduce the main characters, and set the tone for the rest of the story. The arrival of refugees from all over Europe creates a sense of urgency and desperation, while the introduction of Rick's Cafe as a sanctuary for those seeking escape and refuge is intriguing. The mysterious murder of the German couriers and the subsequent police roundup add an element of suspense and danger, drawing the audience into the plot.

Suggestions: To strengthen the beginning of the screenplay, consider starting with a more captivating hook that grabs the audience's attention immediately. Additionally, providing more context about the war and its impact on the characters could help establish the stakes and make the audience more invested in the story. Expanding on the interactions between the characters in the opening scenes could add depth to their relationships and create a stronger foundation for their development.

Middle The middle part of Casablanca is filled with intrigue, moral conflicts, and character development. The arrival of Major Strasser and his Gestapo officers raises the tension and forces Rick to confront his past and his feelings for Ilsa. The introduction of Victor Laszlo, the leader of the Czech resistance, adds another layer of complexity to the plot and introduces a moral dilemma for Rick. The scenes at Rick's Cafe, with its diverse cast of characters and their interactions, provide a rich tapestry of human emotions and experiences.

Suggestions: To enhance the middle part of the screenplay, consider adding more depth to the character of Strasser, making him a more formidable and menacing antagonist. Additionally, exploring the inner conflict of Rick as he grapples with his feelings for Ilsa and his desire to remain neutral could add emotional depth to the story. Expanding on the role of the resistance movement and their activities could raise the stakes and add a sense of urgency to the plot.

Ending The ending of Casablanca is both emotionally satisfying and thought-provoking. Rick's decision to sacrifice his own happiness for the greater good is a powerful and moving moment. The iconic line, 'We'll always have Paris,' encapsulates the bittersweet nature of the ending, leaving a lasting impact on the audience. The final scenes, with Rick and Renault walking off into the fog, suggest a hopeful future while also acknowledging the sacrifices made during the war.

Suggestions: To enhance the ending of the screenplay, consider adding more closure to the story of the other characters, such as Ilsa and Victor Laszlo. Additionally, expanding on the consequences of Rick's decision and its impact on the characters' lives could add depth to the ending. Exploring the themes of sacrifice, redemption, and hope in more detail could leave a more lasting and thought-provoking message for the audience.

CharacterInconsistencies

Character Rick
Description Rick's transition from heartbroken cynic to selfless hero feels abrupt. His sudden willingness to sacrifice his own happiness for Ilsa and Laszlo's escape needs more development and internal struggle to be convincing.
( Scene 16 (31) Scene 29 (58) )
Character Ilsa
Description Ilsa's motivations and emotional state fluctuate. Her claim of unwavering love for Laszlo clashes with her passionate reunion with Rick and her expressed difficulty in leaving him again.
( Scene 21 (43) Scene 29 (58) )

StoryInconsistencies

Description The initial depiction of Casablanca as a place where refugees wait indefinitely contradicts the later ease with which characters seem to move in and out of the city.
( Scene 1 (1) )

PlotHoles

Description The origin and significance of the letters of transit are not fully explained. How did Ugarte acquire them, and why are they so valuable that they can guarantee safe passage?
( Scene 5 (14) )

DialogueAuthenticity

Description Ilsa's explanation about her marriage to Laszlo and his 'death' feels overly convenient and melodramatic, especially considering their later actions and conversations.
( Scene 29 (58) )

Redundancies

Element Dialogue about Rick's cynicism
( Scene 5 (14) Scene 6 (15) Scene 8 (17) Scene 10 (19) )
Suggestion The repeated emphasis on Rick's cynicism becomes repetitive. Some instances could be replaced with subtler character actions or dialogue that reveals his inner conflict and motivations.

🧠 Character Therapy: Let your character open up to an AI therapist and reveal hidden depths.

The model has recently changed. Don't try to compare scores between revisions yet.

Rick - Score: 86/100

Role

Protagonist

Personality

MBTI: INTJ
Enneagram: Type 5

Scenes

Strongest: #62
Weakest: #23

Character Analysis Overview

Foundational Definition 8/10

Cynical American ex-pat in WWII Casablanca.

Complexity And Depth 9/10

Conflict between emotional detachment and feelings for Ilsa.

Arc Or Purposeful Stasis 8/10

Rick transitions from self-centered cynicism to understanding his role in the greater conflict.

Dialogue And Voice 9/10

Rick’s dialogue showcases a mix of cynicism, charm, and heartfelt emotion.

Behavior And Choices 8/10

Rick's choices reflect a mix of self-preservation and deep-rooted values.

Relationship Dynamics 9/10

Rick's relationships reveal his complexity and the emotional stakes of his character.

Scene Impact 8/10

Rick's presence typically heightens emotional tension or conflict.

Role Fulfillment 9/10

Rick embodies the conflicted hero who navigates love and political responsibility.

Thematic Plot Integration 9/10

Rick's journey aligns with overarching themes of love, sacrifice, and moral conflict.

Emotional Resonance 9/10

Rick elicits strong emotional responses through his complexity and choices.

Foundational Definition

Score: 8

Rick is an American ex-pat who owns a nightclub in Casablanca during World War II. He is characterized by a cynical demeanor and a strong sense of independence. Initially, he embodies a resigned attitude toward life, having distanced himself from his past and his emotional connections. His reluctance to engage in political matters or take a stand reflects a deeper sense of disillusionment shaped by personal loss and betrayal.

Values And Beliefs: Independence, self-preservation, love.

Strengths And Skills: Resourceful, business-savvy, charismatic.

Suggestions

Explore Rick's backstory in greater depth to elucidate his cynicism.
Clarify Rick's views on love and loyalty through dialogue.

Follow-up Questions

What specific experiences in Rick's past contribute to his current worldview?
How could Rick's philosophy on life change as he grows throughout the film?

Complexity And Depth

Score: 9

Rick harbors emotional wounds from a failed romance with Ilsa, which left him feeling betrayed and jaded. His internal conflict arises from his feelings for Ilsa versus his desire to disengage due to past hurt. This emotional complexity leads to a struggle between his selfish impulses and his inherent nobility, resulting in moments of vulnerability that reveal the depth of his character.

Character Wound: Betrayal from love, leading to emotional detachment.

Character Flaws: Cynicism, avoidance of emotional connection.

Suggestions

Delve deeper into Rick's emotional responses to key events for added depth.
Highlight moments of regret or longing, especially in his dialogue.

Follow-up Questions

How does Rick’s past impact his decisions when faced with love again?
In which moments does Rick's vulnerability show through his tough exterior?

Arc Or Purposeful Stasis

Score: 8

Over the course of the screenplay, Rick evolves by facing his feelings for Ilsa and the reality of the war. His initial desire to remain emotionally detached shifts as he chooses to help Victor Laszlo escape, revealing a moral compass that contradicts his cynical exterior. This transformation underscores the themes of love, sacrifice, and loyalty.

Polarity Changes: Rick's journey from isolation to reluctant involvement in love and political struggle.

Transformation Triggers: Encountering Ilsa and facing the moral implications of his actions.

Suggestions

Emphasize decisive moments that lead to Rick's internal change to highlight growth.
Include reflective dialogue that demonstrates Rick's awareness of his transformation.

Follow-up Questions

What specific events most significantly alter Rick's perspective?
How does Rick balance his personal desires with his emerging sense of duty?

Dialogue And Voice

Score: 9

Rick's speech is characterized by a sharp wit and a cynical worldview, often using humor to mask vulnerability. His conversations with Ilsa and others transition from cool detachment to heartfelt honesty, reflecting his evolving character. The evolution of his dialogue is pivotal in showcasing his inner conflict and gradual change.

Unique Voice: Witty, sardonic, revealing deeper emotions beneath cynicism.

Suggestions

Further develop Rick's internal monologues to convey his emotional struggle.
Balance his witty remarks with moments of sincerity to demonstrate depth.

Follow-up Questions

How does Rick's language reflect his emotional state during key scenes?
In what ways can Rick’s dialogue more explicitly reveal his internal conflict?

Behavior And Choices

Score: 8

Rick consistently chooses to protect himself from vulnerability, yet his actions also demonstrate a desire to act nobly, especially when it concerns Ilsa or Laszlo. His critical decision to help Laszlo escape illustrates his internal conflict between self-interest and altruism.

Motivations: Self-preservation, love, moral responsibility.

Desires Vs Needs: Desires to remain detached; needs to reconnect and embrace love.

Suggestions

Highlight the stakes involved in Rick's decisions to underscore their significance.
Explore the consequences of Rick's choices on other characters more explicitly.

Follow-up Questions

What drives Rick to put others' needs before his own at critical moments?
How can Rick's behavior in response to Ilsa deepen his character arc?

Relationship Dynamics

Score: 9

Rick's connection with Ilsa is central to his character, embodying both unease and deep emotion. His interactions with Laszlo highlight themes of duty and betrayal. The contrasting relationships demonstrate Rick's navigational struggles between love, loyalty, and self-interest.

Suggestions

Ensure dynamic shifts in Rick's relationships are emphasized in dialogue.
Consider including more moments where Rick reflects on his connections with others.

Follow-up Questions

How do Rick's relationships shape his worldview and actions?
In what ways do these dynamics change throughout the story?

Scene Impact

Score: 8

Rick's actions and decisions create a compelling narrative tension. Whether showcasing his cool demeanor during confrontations or his emotional vulnerability in private moments, he profoundly shapes scene dynamics. His ability to invoke both sympathy and tension plays a crucial role in the film's emotional landscape.

Suggestions

Elevate scenes where Rick's internal struggle is at stake to enhance impact.
Maximize interactions that draw out tension, especially involving critical decisions.

Follow-up Questions

What specific scenes demonstrate Rick's emotional complexity?
How does Rick's emotional state influence the tone of pivotal scenes?

Role Fulfillment

Score: 9

Rick functions as a classic protagonist, embodying themes of sacrifice, love, and redemption. He begins the story in self-imposed isolation, ultimately confronting the greater responsibilities of love and war. This evolution invites the audience to reflect on broader themes of morality and humanity in times of conflict.

Symbolic Role: A symbol of moral ambiguity and personal sacrifice.

Suggestions

Clarify Rick's motivations in line with his symbolic representation.
Explore how Rick's actions challenge or affirm traditional notions of heroism.

Follow-up Questions

How does Rick's character challenge the definitions of heroism in the story?
What symbolism can be woven into Rick's actions to enhance his role?

Thematic Plot Integration

Score: 9

Rick’s personal evolution is embedded within the film’s themes of war and human connection. His struggle to embrace love versus practical self-interest reflects the broader narrative concerning the fight against tyranny. His actions and choices ultimately speak to the necessity of sacrifice for a higher moral ground.

Suggestions

Tie Rick's personal stakes closely to the narrative's larger thematic elements.
Consider developing scenes that explicitly link his journey to the film’s message.

Follow-up Questions

How can the interplay between Rick's love for Ilsa and his moral choices be further clarified?
What moments in Rick's arc can be highlighted to reinforce the film's themes?

Emotional Resonance

Score: 9

Rick's character successfully elicits a range of emotions—from sympathy to frustration—particularly through his relationships and sacrifices. His internal struggles and transformative choice resonate powerfully within the broader narrative, compelling audiences to engage with his journey on an emotional level.

Emotional Impact: Rick evokes deep sympathy and complexity in the audience.

Suggestions

Deepen audience connection by showcasing Rick’s vulnerabilities during critical scenes.
Enhance moments that illustrate emotional conflict to engage viewers more fully.

Follow-up Questions

What emotional beats tie Rick most effectively to the audience throughout the film?
How can Rick's transitions impact audience perception and empathy?

Personality Types

MBTI: intj

Rick's strategic thinking, independence, and focus on effectiveness align with the INTJ profile.

Confidence: 75%

Possible Alternative Type: entp (25%)

Suggestions

Utilize this personality framework to explore Rick's motivations and behaviors more deeply.
Identify INTJ traits in dialogues or decisions that reflect Rick’s worldview.

Follow-up Questions

How do Rick's decisions reflect typical INTJ qualities in conflict situations?
In what ways do INTJ traits shape Rick's relationships with other characters?

Enneagram: type 5

Rick's strong individuality, desire for knowledge, and tendency to withdraw align with Enneagram Type 5 characteristics.

Confidence: 80%

Possible Alternative Type: type 8 (20%)

Suggestions

Explore how Rick's Type 5 traits manifest throughout interpersonal conflicts.
Assess how these traits drive his choices and relationships with others.

Follow-up Questions

How do Rick's Type 5 traits enhance his narrative arc?
What moments signify Rick's transition between Enneagram types?

Key Scenes

Strongest Scene (62)

Rick’s farewell to Ilsa at the airport as he sacrifices his love for her.

Why: This scene encapsulates Rick's complexity, showcasing his emotional depth and moral conviction. His powerful farewell embodies the themes of love and sacrifice.

Weakest Scene (23)

When Rick watches Ilsa leave with Laszlo at the airport.

Why: Rick appears passive and resigned in this scene, which contrasts with his more active role throughout the screenplay, weakening his agency.

Suggestions:

Include inner thoughts or reflections to deepen Rick's emotional struggle during this moment.
Heighten tension by allowing Rick to take a more active stance in confronting his pain.

Ilsa - Score: 87/100

Role

Protagonist

Personality

MBTI: INFJ
Enneagram: Type 2: The Helper

Scenes

Strongest: #58
Weakest: #16

Character Analysis Overview

Foundational Definition 8/10

A woman caught between love and duty.

Complexity And Depth 9/10

Emotionally complex with deep internal conflicts.

Arc Or Purposeful Stasis 8/10

Ilsa's journey involves a recognition of her true loyalties conflicting with her emotional attachments.

Dialogue And Voice 8/10

Ilsa's voice reflects her emotional depth and conflicted loyalties.

Behavior And Choices 9/10

Ilsa's decisions are driven by her loyalties and emotional needs.

Relationship Dynamics 9/10

Ilsa's interactions shape and complicate her relationships with Rick and Laszlo.

Scene Impact 9/10

Ilsa's presence often injects tension and emotional depth into scenes.

Role Fulfillment 9/10

Ilsa embodies the struggle between personal desire and duty.

Thematic Plot Integration 9/10

Ilsa's journey is intricately tied to the film's overarching themes of love and sacrifice.

Emotional Resonance 9/10

A character whose conflicts elicit profound emotional responses.

Foundational Definition

Score: 8

Ilsa Lund is a complex character defined by her emotional depth, torn loyalties, and a past filled with love and conflict. She is devoted to her husband, Victor Laszlo, a resistance leader, yet shares a passionate history with Rick Blaine, the owner of Rick's Café Americain. Ilsa believes in love and ideals, and her determination to ensure her husband's safety against the backdrop of World War II marks her as someone who values both personal and political allegiances. At the start of the story, she navigates her feelings for Rick and the heavy burden of her connection to Laszlo, ultimately reflecting the struggle for freedom in a war-torn world.

Values And Beliefs: Love, loyalty, freedom, and sacrifice.

Strengths And Skills: Courage, emotional intelligence, and the ability to persuade others.

Suggestions

Emphasize the emotional conflict in her dialogues with Rick to heighten tension.
Deepen her backstory to explore what shaped her values and beliefs.

Follow-up Questions

What experiences from Ilsa's past most significantly influence her choices throughout the story?
How does Ilsa's perception of love evolve as she navigates her relationships with Rick and Laszlo?

Complexity And Depth

Score: 9

Ilsa carries emotional wounds stemming from her separation from Rick and the fear of losing Laszlo, the man she has devoted herself to in the fight against fascism. Her internal conflict between her feelings for Rick and her commitment to Laszlo creates a sense of melancholy and longing in her character. These hidden layers add complexity to her personality, as she grapples with guilt for her feelings toward Rick while still adhering to her sense of duty toward her husband.

Character Wound: The guilt and heartache from her past relationship with Rick and her present commitment to Laszlo.

Character Flaws: Indecisiveness, emotional vulnerability.

Suggestions

Explore her guilt in greater depth during conversations with Rick to enhance her emotional complexity.
Develop her backstory revealing past traumas that influence her current relationships.

Follow-up Questions

How do Ilsa's emotional wounds influence her actions at critical moments in the story?
What does Ilsa ultimately want versus what she feels obligated to do?

Arc Or Purposeful Stasis

Score: 8

Ilsa ultimately grows from a position of conflict to a clearer understanding of her priorities. Initially, she is torn between her feelings for Rick and her commitment to Laszlo, but over time comes to accept the reality of her situation. As she navigates her relationships, she learns about the sacrifices that love demands, presenting a poignant exploration of loyalty during wartime.

Polarity Changes: Her emotional strength wavers between vulnerability with Rick and determination to support Laszlo.

Transformation Triggers: Ilsa's conversations with both Rick and Laszlo serve as catalysts for her eventual decisions and insights about love and sacrifice.

Suggestions

Clarify her internal dialogue to showcase her struggles and growth throughout the screenplay.
Highlight pivotal moments when she must choose between personal desire and duty to others.

Follow-up Questions

What specific events most influence Ilsa's decision to support Laszlo over her feelings for Rick?
In what ways can Ilsa's evolution reflect broader themes of sacrifice and love?

Dialogue And Voice

Score: 8

Ilsa's speech patterns and tone highlight her emotional state and the depth of her feelings. She often uses poignant, lyrical language when expressing personal connections, especially with Rick. However, her dialogue becomes more assertive when discussing Laszlo, indicating her determination to protect her husband. This duality in her voice effectively portrays her internal conflict and her struggle to balance love with duty.

Unique Voice: Melodic yet filled with tension; her dialogue often conveys longing and resignation, revealing her internal struggle.

Suggestions

Incorporate more subtext in her conversations to reveal her hidden thoughts and fears.
Vary her tone between vulnerability and strength to reflect her emotional evolution.

Follow-up Questions

How does the way Ilsa communicates shift as tension builds between her and Rick?
What moments in her dialogue distinctly show the tension between her love for Rick and commitment to Laszlo?

Behavior And Choices

Score: 9

Ilsa's actions are often reactive to her circumstances, influenced by her love for both men. She initially seeks Rick's help but is torn by guilt and loyalty towards Laszlo. Her choices highlight a struggle between her heart and her responsibilities, adding to her complexity as a character, especially when she confronts the implications of those choices.

Motivations: Her primary motivations include love for Laszlo and the desire to protect him, alongside residual feelings for Rick.

Desires Vs Needs: She desires emotional security and love but needs to navigate her identity as Laszlo's wife amid her feelings for Rick.

Suggestions

Show more scenes that illustrate her thought process behind her decisions to enhance character relatability.
Include moments of regret or reflection to demonstrate the stakes of her choices.

Follow-up Questions

What specific choices does Ilsa make that most impact her outcomes with Rick and Laszlo?
How can her motivations be better aligned to deliver a more cohesive character arc?

Relationship Dynamics

Score: 9

Ilsa's relationships are central to her character arc, as they expose her vulnerabilities and conflicts. Her love for Rick remains a painful memory intertwined with her marital commitment to Laszlo. Each encounter with Rick is steeped in nostalgia and unfulfilled longing, while her exchanges with Laszlo reflect her sense of duty and sacrifice. These dynamics not only reveal her emotional depth but also drive the film's central conflict.

Suggestions

Enhance the emotional stakes in her scenes with Laszlo to further illustrate her internal conflict.
Flesh out minor relationships or interactions that demonstrate her character in broader contexts.

Follow-up Questions

How do Ilsa's relationships shape her decisions and emotional journey throughout the screenplay?
In what ways can minor character interactions reveal more about Ilsa's motivations and complexities?

Scene Impact

Score: 9

Ilsa consistently alters the emotional landscape of scenes through her interactions with Rick and Laszlo. At times, she introduces conflict, particularly with Rick, where their shared history heightens emotional stakes. Other times, her resolve in supporting Laszlo brings a sense of urgency and poignancy to their discussions, showcasing her enduring loyalty amidst personal conflict.

Suggestions

Create more dynamic interactions with secondary characters to strengthen her influence on scene outcomes.
Focus on specific moments where her choices lead to pivotal shifts in the narrative.

Follow-up Questions

Which scenes most effectively showcase her impact on the emotional tone and direction of the narrative?
How might her reactions to conflict introduce new tensions or resolutions in key scenes?

Role Fulfillment

Score: 9

As a protagonist, Ilsa navigates her role as both a lover and a wife, struggling with the predicaments that arise from her divided loyalties. Her character epitomizes the broader theme of conflict—in both personal relationships and in the backdrop of war—making her actions significantly impactful in shaping the film's message about love, sacrifice, and loyalty.

Symbolic Role: She serves as a symbol of love enduring amidst war, illustrating the sacrifices made in the name of duty.

Suggestions

Define her role in the context of wartime themes to enhance audience understanding.
Explore how her character can either reinforce or challenge traditional gender roles.

Follow-up Questions

In what ways does Ilsa embody or subvert typical romantic archetypes in wartime narratives?
How does her character reflect broader societal issues depicted in the screenplay?

Thematic Plot Integration

Score: 9

Her personal struggles resonate with the screenplay's themes, amplifying the emotional tension as she chooses between her love for Rick and her loyalty to Laszlo. Ilsa's decisions often highlight the moral complexities faced by individuals during war, reinforcing the narrative's exploration of sacrifice, duty, and the pursuit of freedom.

Suggestions

Draw clearer connections between her decisions and the film's larger themes of sacrifice and moral ambiguity.
Incorporate dialogue that explicitly addresses the themes to enhance engagement.

Follow-up Questions

Which of Ilsa's turning points most effectively reflects the film's central themes?
How can her struggles articulate broader societal norms and challenges faced during wartime?

Emotional Resonance

Score: 9

Throughout the film, Ilsa elicits feelings of sympathy and tension, particularly in her interactions with Rick, where their shared past creates emotional stakes. Her heartbreak and determination resonate with audiences, making her a pivotal character in evoking emotional investment in the story.

Emotional Impact: Ilsa evokes a strong emotional response as her character embodies longing, sacrifice, and love.

Suggestions

Enhance emotional beats through quieter moments of reflection on her character's past.
Incorporate visual storytelling to emphasize her emotional journey.

Follow-up Questions

What specific moments elicit the strongest emotional responses from the audience?
How can her emotional arcs be visually represented to heighten audience connection?

Personality Types

MBTI: infj

Ilsa demonstrates characteristics of an INFJ with her deep emotional awareness and strong sense of ethics, reflecting her concern for others and her idealism.

Confidence: 80%

Possible Alternative Type: enfj (70%)

Suggestions

Utilize INFJ traits to explore her inner thoughts more fully during conflicts.
Highlight the complexities of her decision-making process.

Follow-up Questions

How might exploring her INFJ traits deepen audience engagement with her struggles?
In what ways can her qualities as an INFJ be visually represented in key scenes?

Enneagram: type 2: the helper

Ilsa's caring nature and desire to help Laszlo reflect the traits of an Enneagram Type 2, emphasizing her selflessness and compassion.

Confidence: 85%

Possible Alternative Type: type 4: the individualist (60%)

Suggestions

Explore the motivations behind her helping behavior to create more depth.
Contrast her needs for approval with her desire for independence.

Follow-up Questions

How does Ilsa's role as a 'Helper' shape her interactions with Rick and Laszlo?
In what ways can her journey also reflect potential growth towards Type 4 traits?

Key Scenes

Strongest Scene (58)

Ilsa's emotional confrontation with Rick signifies her ultimate sacrifice and choice.

Why: This scene beautifully captures her depth as she balances love, regret, and duty, resonating powerfully with audience emotions.

Weakest Scene (16)

In the scene where Ilsa confronts Rick in Rick's Café, her emotional vulnerability seems overshadowed.

Why: While this is a pivotal moment, her internal conflict could be better showcased to create stronger emotional resonance.

Suggestions:

Incorporate more of Ilsa's internal monologue to express her turmoil.
Enhance the dialogue to better capture her emotional stakes.

Renault - Score: 77/100

Role

Mentor

Personality

MBTI: ENTJ

Character Analysis Overview

Foundational Definition 8/10

A pragmatic and ambiguous authority figure in Casablanca.

Complexity And Depth 7/10

Renault exhibits charm with moral ambiguity and internal conflict.

Arc Or Purposeful Stasis 6/10

Renault maintains a static yet intriguing character arc strongly influenced by the unfolding events.

Dialogue And Voice 9/10

Renault's dialogue is witty, sharp, and often carries an undercurrent of cunning.

Behavior And Choices 8/10

Renault navigates moral dilemmas mainly motivated by self-preservation.

Relationship Dynamics 7/10

Renault maintains complex relationships that reflect his manipulative nature and moral ambiguity.

Scene Impact 8/10

Renault's presence often shifts the emotional tone of scenes.

Role Fulfillment 9/10

Renault acts as both a foil and a reluctant ally to the protagonist.

Thematic Plot Integration 8/10

Renault’s journey is deeply interconnected with the themes of betrayal and personal sacrifice.

Emotional Resonance 7/10

Renault evokes a mix of humor and tension, engaging the audience emotionally.

Foundational Definition

Score: 8

Captain Louis Renault is the Prefect of Police in Casablanca, a role that gives him substantial authority yet complex moral ambiguity. He operates under Vichy France but often exhibits a sense of independence and pragmatism. Renault's primary values seem to revolve around survival and manipulation rather than strict adherence to the law, viewing each situation as a means to an end, which shapes his interactions with other characters throughout the story.

Values And Beliefs: Survival, Pragmatism, Manipulation

Strengths And Skills: Cunning, Charisma, Political Influence

Suggestions

Deepen Renault's backstory to explore any earlier experiences that shaped his pragmatic morals.
Highlight key moments where Renault's values clash with his duties to give the character more depth.

Follow-up Questions

What personal conflicts might Renault face as he balances his duties and personal beliefs?
How does Renault’s backstory influence his decisions compared to other characters in the screenplay?

Complexity And Depth

Score: 7

Renault's character showcases a blend of charm and moral ambiguity, complicating his role within the story. Despite his official duty to uphold the law, he often prioritizes personal gain and self-interest, which highlights an internal conflict of loyalty versus duty. This complexity makes him a more relatable figure, yet it leaves open questions about his true allegiances and principles.

Character Wound: A sense of detachment from true loyalty and camaraderie.

Character Flaws: Cynicism, Self-serving tendencies, Ambivalence toward duty

Suggestions

Show Renault in moments of vulnerability that hint at his deeper motivations.
Create scenarios where Renault must choose between personal gain and helping others to demonstrate his character complexity.

Follow-up Questions

What indicates Renault's level of investment in the fate of the people around him?
How might Renault's relationships with key characters evolve due to his internal conflicts?

Arc Or Purposeful Stasis

Score: 6

Throughout the screenplay, Renault consistently demonstrates a preference for self-preservation over moral obligations, maintaining a consistent stance as the narrative unfolds. However, significant interactions with Rick and the escalating conflict with the Nazis create moments that challenge his static facade, hinting at potential growth or deeper commitment to a cause as tensions rise.

Polarity Changes: Primary involvement in the conflict between personal interest and moral obligation.

Transformation Triggers: Watching the events around him unfold, particularly regarding Laszlo and Ilsa, questioning the ethics of his actions.

Suggestions

Introduce key moments that compel Renault to choose sides more decisively.
Expose a pivotal event that forces Renault to reconsider his approach to loyalty and ethics.

Follow-up Questions

What specific events would catalyze a change in Renault's character by the end of the screenplay?
How does Renault’s interaction with Rick challenge his self-protective instincts?

Dialogue And Voice

Score: 9

Renault speaks with a blend of humor and authority, often making deeply cynical observations about the moral breaches present in Casablanca. His choice of words often reveals a keen insight into human nature, making him both a charming conversationalist and a manipulative figure, adding layers to his interactions with others.

Unique Voice: Often uses humor and irony, displaying his aloof and pragmatic outlook on life.

Suggestions

Enhance Renault's dialogue with more idiomatic expressions to deepen cultural context.
Incorporate lines that demonstrate his perspective on love and loyalty to highlight character evolution.

Follow-up Questions

How might Renault's use of humor affect the audience's perception of him?
What lines could be added to emphasize Renault's internal conflicts?

Behavior And Choices

Score: 8

Throughout the screenplay, Renault engages in behaviors that consistently align with his motivations for survival and control. His choices, such as manipulating circumstances to his advantage, showcase a tactical mindset that often supersedes ethical concerns. However, his interactions with Rick and Laszlo reveal moments where he wrestles with more profound ethical implications, suggesting an internal conflict that could challenge his behaviors.

Motivations: Personal gain and maintaining power within the political structure.

Desires Vs Needs: Desires to maintain control and power while internally needing deeper connections and purpose.

Suggestions

Introduce a high-stakes decision for Renault that requires him to weigh his desires against ethical principles.
Explore instances where Renault's motivations might clash with the interests of others.

Follow-up Questions

What pivotal action could prompt Renault to reconsider his motivations?
How do his choices impact Rick’s journey across the screenplay?

Relationship Dynamics

Score: 7

Renault's relationships, particularly with Rick and Laszlo, reveal the essence of his character. He often manipulates situations for his advantage, demonstrating a lack of allegiance to any moral code. His relationship with Rick implies a mutual respect, yet his interactions with Laszlo often highlight a sense of rivalry mixed with grudging cooperation, contributing to the film's tension.

Suggestions

Develop Renault's complexity by creating tension-filled moments between him and Laszlo that could explore deeper rivalries.
Dramatize moments of loyalty or betrayal to test Renault's relationships with Rick and Laszlo.

Follow-up Questions

What interactions with other characters could reveal more of Renault's moral compass?
How might Renault's relationship with Rick evolve through moments of vulnerability?

Scene Impact

Score: 8

Renault serves as a catalyst in many scenes, whether by provoking tension through his official capacity or diffusing it with humor. He influences the dynamic between characters, especially in scenes involving moral decisions or confrontations with authority, thereby changing the course of action and the viewer's emotions.

Suggestions

Introduce more scenes that highlight Renault’s impact on emotional arcs during tense confrontations.
Utilize his humor to create sharp contrasts in serious scenes to deepen audience engagement.

Follow-up Questions

What moments could exemplify Renault's voice shaping the emotional landscape of the screenplay?
How does Renault's character influence the stakes of individual scenes?

Role Fulfillment

Score: 9

Renault fulfills the role of a mentor and foil to Rick, representing an alternative response to the oppressive environment of Casablanca. His character illustrates the nuances of survival in morally complex situations, compelling Rick to confront his values and choices. Renault’s fluctuating loyalties add a layer of intrigue to the narrative, demonstrating how authority can be wielded in self-serving ways.

Symbolic Role: Symbolizes the complexities of loyalty and authority within a corrupt system.

Suggestions

Diversify Renault's role moments to reflect deeper alliances or betrayals that could serve to enrich the character for both himself and Rick.
Integrate symbolic events that could demonstrate Renault’s shifting role more explicitly as the plot evolves.

Follow-up Questions

How do Renault's actions challenge or complement Rick's motivations throughout the story?
What techniques could be used to further intertwine Renault’s journey with the larger themes of the screenplay?

Thematic Plot Integration

Score: 8

Renault embodies themes of survival and moral ambiguity amid war and tyranny. His character arc presents a complex interplay of personal desire against the backdrop of broader socio-political realities. As he engages with protagonists and antagonists alike, Renault’s choices speak to the dilemmas faced by individuals during conflict, reinforcing the screenplay's exploration of loyalty and sacrifice.

Suggestions

Weave Renault's choices more closely into the thematic fabric of loyalty and personal sacrifice.
Establish moments that explicitly tie Renault's narrative decisions to the larger conflicts of war.

Follow-up Questions

What thematic elements are most pronounced in Renault’s interactions with Rick and other characters?
How can the screenplay better portray Renault’s internal struggles as representative of broader societal issues?

Emotional Resonance

Score: 7

Renault's character engages the audience through a mixture of humor and moral complexity. His interactions with Rick, particularly in moments of tension, lead to significant emotional stakes, while his charm invites viewers into a world where morality is conditional. The emotional beats tied to Renault are often laced with irony, creating a nuanced character who reflects human frailty amid desperation.

Emotional Impact: Creates tension interlaced with moments of dark humor, balanced with ethical dilemmas.

Suggestions

Enhance Renault's humor to provide needed levity at crucial junctions.
Utilize emotional backstories to ground Renault's character more convincingly.

Follow-up Questions

What incidents could amplify the emotional stakes associated with Renault’s decisions?
How does Renault's character balance between being engaging and morally ambiguous for the audience?

Personality Types

MBTI: entj

Renault displays characteristics of an ENTJ, such as commanding leadership, decisiveness, and a pragmatic approach to challenges. He often takes charge in complex situations, using his charisma to manipulate and control the narrative around him.

Confidence: 80%

Possible Alternative Type: intj (20%)

Suggestions

Explore how Renault's ENTJ traits influence his relationships and decision-making processes.
Create scenarios that challenge Renault's typical leadership style, showing his adaptability.

Follow-up Questions

In what ways does Renault's personality align with typical ENTJ behaviors in high-stakes situations?
How might alternative personality approaches impact Renault's decisions in critical plot points?

Laszlo - Score: 86/100

Role

Protagonist

Personality

MBTI: ENFJ
Enneagram: 2 - The Helper

Scenes

Strongest: #19
Weakest: #20

Character Analysis Overview

Foundational Definition 9/10

A committed leader fighting against tyranny.

Complexity And Depth 8/10

Warrior burdened by trauma and a sense of responsibility.

Arc Or Purposeful Stasis 7/10

Laszlo's journey reflects his growth through love and sacrifice amidst war.

Dialogue And Voice 8/10

Laszlo employs persuasive, passionate dialogue reflecting his ideals.

Behavior And Choices 9/10

Laszlo often prioritizes the greater good over personal desires.

Relationship Dynamics 9/10

Interpersonal connections drive Laszlo's motivations and actions.

Scene Impact 9/10

Laszlo's presence fosters hope and tension within scenes.

Role Fulfillment 9/10

Laszlo embodies the archetype of hero against tyranny.

Thematic Plot Integration 9/10

Laszlo's journey encapsulates the struggle for resistance and love.

Emotional Resonance 9/10

Laszlo evokes admiration and tension through his choices.

Foundational Definition

Score: 9

Victor Laszlo is a dedicated leader of the Czech resistance against Nazi oppression, characterized by his strong conviction to fight for freedom and justice. His commitment to the cause of resisting tyranny shapes his identity and actions throughout the narrative, providing him with a sense of purpose amid the chaos of war.

Values And Beliefs: Justice, freedom, sacrifice for the greater good

Strengths And Skills: Courage, leadership, charisma, persuasive eloquence

Suggestions

Highlight Laszlo's leadership tactics and how they inspire others.
Provide more backstory on his experiences in the concentration camp.

Follow-up Questions

What specific experiences shaped Laszlo's convictions in the resistance?
How does his background influence his dynamic with Rick?

Complexity And Depth

Score: 8

Laszlo's emotional wounds stem from his time in the concentration camp, where he suffered immensely. The trauma has left him with a strong sense of duty, but also a burden of fear for his wife, Ilsa, and the people he leads. His internal conflict arises from balancing personal relationships with the demands of leadership during a time of war.

Character Wound: Survivor’s guilt and fear for loved ones

Character Flaws: Single-mindedness, potential naivety regarding the dangers faced

Suggestions

Explore scenes that reveal his internal struggle with fear and duty.
Show how his trauma influences his decisions when it comes to Ilsa.

Follow-up Questions

What coping mechanisms does Laszlo employ to deal with his past?
How do his fears overshadow his leadership qualities?

Arc Or Purposeful Stasis

Score: 7

Throughout the story, Laszlo evolves from a man on the run to a figure embodying hope and resistance. His interactions with Rick and Ilsa lead him to confront the sacrifices needed for love and the resistance cause. His resolve strengthens even when faced with danger, ultimately culminating in a courageous stand against oppression, albeit tempered by the costs of such a stand.

Polarity Changes: From a desperate fugitive to a determined leader with unwavering resolve.

Transformation Triggers: The revelation of Ilsa's past, the major arrest threat, and the need for escape.

Suggestions

Clarify key moments when Laszlo's resolve is tested.
Highlight a decision point that significantly impacts his character development.

Follow-up Questions

What pivotal event causes Laszlo to redefine his relationship with Ilsa?
In what way do his ambitions conflict with his feelings for Ilsa?

Dialogue And Voice

Score: 8

Laszlo's dialogue often conveys urgency and a profound sense of responsibility. His speech reveals his emotional depth, his passion for freedom, and his complex feelings for Ilsa. There is a mix of calculated rhetoric when communicating with allies, and heartfelt expressions during intimate moments.

Unique Voice: Rhetorical speech filled with urgency and conviction, often employing historical and moral references.

Suggestions

Infuse dialogue with more personal anecdotes to enhance his relatability.
Vary speech patterns to reflect his emotional state during different interactions.

Follow-up Questions

How does Laszlo's choice of words influence the responses of those around him?
What does his speech reveal about his inner conflicts?

Behavior And Choices

Score: 9

Laszlo's actions reflect a constant battle between personal love and his duty as a leader. He makes calculated choices that serve the resistance effort, emphasizing self-sacrifice. His decisions are often shaped by a strong moral compass, even when faced with overwhelming danger.

Motivations: To escape to safety and continue the fight for freedom.

Desires Vs Needs: Desires personal safety and a future with Ilsa, but ultimately needs to fulfill his role as a leader.

Suggestions

Show more moments of hesitation or doubt in key decisions to increase tension.
Illustrate the impact of his choices on those he leads.

Follow-up Questions

How do Laszlo's decisions create tension in his relationship with Ilsa?
What moments illustrate the conflict between his desires and leadership responsibilities?

Relationship Dynamics

Score: 9

Laszlo's relationships with Ilsa and Rick are central to the narrative. His love for Ilsa is juxtaposed with the need to protect her, creating emotional tension. His interactions with Rick serve as both competition and camaraderie, as they vie for Ilsa's affection and align against the oppression of the Nazis.

Suggestions

Deepen moments of conflict or camaraderie with Rick to heighten emotional stakes.
Include scenes illustrating the evolution of his relationship with Ilsa during their time apart.

Follow-up Questions

How does Laszlo's sense of duty affect his relationship with Ilsa?
In what ways do his interactions with Rick reveal different sides of his character?

Scene Impact

Score: 9

Laszlo serves as a beacon of hope in Casablanca, his determination influencing the tone of scenes significantly. Each time he appears, he reinforces the themes of struggle and resilience, thus affecting not only character dynamics but also the emotional stakes within the narrative.

Suggestions

Maximize scenes where Laszlo confronts authority to amplify audience tension.
Introduce visual motifs that symbolize his impact on hope and resistance.

Follow-up Questions

What scenes most effectively showcase Laszlo's impact on those around him?
How does Laszlo's presence change the energy of the scenes he's in?

Role Fulfillment

Score: 9

Laszlo functions as the archetypal hero within the resistance narrative. His fight against the Nazis often sparks inspiration among others, showcasing the larger battle for freedom. His ultimate sacrifice reinforces the story's themes of love, loss, and moral duty.

Symbolic Role: A symbol of hope representing the resistance against oppression.

Suggestions

Highlight the duality of his role as both a lover and a leader more explicitly.
Examine how his narrative influence shapes the actions of other characters.

Follow-up Questions

How does Laszlo's character arc contribute to the film's overall message?
In what ways does he embody both the physical and ideological fight against oppression?

Thematic Plot Integration

Score: 9

Laszlo’s journey directly intertwines with the central themes of resistance, survival, and love in the screenplay. His character illustrates the choices between love and duty, each decision echoing the broader fight against tyranny. His struggle enhances the emotional weight, encouraging the audience to reflect on the cost of war and the sacrifices made for freedom.

Suggestions

Emphasize how personal stakes reflect larger societal conflicts.
Explore further the emotional impact of Laszlo's choices on the central themes.

Follow-up Questions

How does Laszlo's struggle between personal desire and duty resonate with contemporary issues?
Where could the screenplay deepen the themes surrounding Laszlo's character?

Emotional Resonance

Score: 9

Laszlo's character evokes strong emotional responses, from inspiring admiration in his bravery to tension during moments of vulnerability. His struggle captivates the audience, making them invest emotionally in his fate and that of his loved ones.

Emotional Impact: Audience feels a mix of sympathy, admiration, and tension.

Suggestions

Enhance emotional beats during key moments to deepen audience connection.
Include more moments where his vulnerability is showcased.

Follow-up Questions

What specific scenes most effectively highlight Laszlo's emotional appeal?
How do character interactions elevate the emotional stakes surrounding Laszlo?

Personality Types

MBTI: enfj

Laszlo demonstrates typical ENFJ traits, exhibiting strong interpersonal skills, a charismatic and persuasive nature, and a vision for the greater good.

Confidence: 85%

Possible Alternative Type: infj (70%)

Suggestions

Consider emphasizing his external and internal conflicts for greater depth.
Explore the implications of his leadership style and how it affects others.

Follow-up Questions

How does Laszlo's personality contribute to his effectiveness as a leader?
In what ways does his character challenge the stereotypical traits associated with his MBTI type?

Enneagram: 2 - the helper

His focus on helping others and the cause, as well as his willingness to sacrifice for the greater good, clearly aligns with Enneagram Type 2 traits.

Confidence: 80%

Possible Alternative Type: 3 - the achiever (50%)

Suggestions

Deepen the exploration of his self-sacrificing tendencies.
Show moments of conflict where his helping nature is challenged.

Follow-up Questions

How do Laszlo's helping tendencies shape his relationships?
In what situations does he prioritize his needs over others, if at all?

Key Scenes

Strongest Scene (19)

Laszlo's passionate singing of the 'Marseillaise' in the café showcases a turning point in the story.

Why: This scene powerfully unites the characters and emphasizes his role as a leader inspiring resistance.

Weakest Scene (20)

Laszlo's arrest scene feels sudden and lacks the emotional weight it should carry.

Why: The impact of his character's struggle and stakes could be more effectively highlighted.

Suggestions:

Build more tension leading up to the arrest to enhance its emotional effect.
Provide more context surrounding the stakes for Laszlo in this moment.

Victor - Score: 82/100

Role

Protagonist

Personality

MBTI: ENFJ
Enneagram: Type 2 (The Helper)

Scenes

Strongest: #75
Weakest: #38

Character Analysis Overview

Foundational Definition 8/10

Courageous resistance leader with a strong moral compass.

Complexity And Depth 7/10

Emotionally complex leader torn between love and duty.

Arc Or Purposeful Stasis 8/10

Laszlo’s commitment to freedom remains unwavering despite personal trials.

Dialogue And Voice 8/10

Laszlo’s dialogue is assertive, emphasizing his leadership and passion for justice.

Behavior And Choices 9/10

Laszlo’s decisions revolve around his moral compass and desire for freedom.

Relationship Dynamics 8/10

Laszlo's relationships are characterized by loyalty, love, and conflict.

Scene Impact 9/10

Laszlo significantly impacts scenes with his presence, driving conflict and tension.

Role Fulfillment 9/10

As the protagonist, Laszlo embodies the struggle against tyranny.

Thematic Plot Integration 8/10

Laszlo’s journey intertwines with key themes of love, sacrifice, and freedom.

Emotional Resonance 8/10

Laszlo evokes admiration and compassion, deepening audience connection.

Foundational Definition

Score: 8

Victor Laszlo is depicted as a heroic figure and a prominent leader in the resistance against Nazi oppression. His character embodies courage, determination, and a strong moral compass, focused on fighting for freedom and justice. As a Czech resistance leader, he reflects the struggles faced by those targeted by totalitarian regimes. Initially, he seems determined to escape Casablanca and continue his fight for liberation, underlining his commitment to his cause and his wife, Ilsa.

Values And Beliefs: Freedom, resistance against tyranny, loyalty to his cause and his wife.

Strengths And Skills: Leadership, charisma, resilience under pressure, strategic thinker.

Suggestions

Deepen his background story by exploring his past experiences fighting against the Nazis.
Examine how his character can show vulnerability despite his strong persona.

Follow-up Questions

How does Laszlo's past shape his resolve in the current conflict?
What internal conflicts does Laszlo face regarding his duty and his love for Ilsa?

Complexity And Depth

Score: 7

While Laszlo is primarily depicted as a strong and principled character, he experiences emotional strain due to his tumultuous relationship with Ilsa and the dangers he faces as a resistance leader. His resilience can sometimes mask his vulnerability, especially concerning his marriage. This complexity adds layers to his motivations and decisions in the screenplay, as he balances personal love against the larger battle for freedom.

Character Wound: The pain of separation from Ilsa and burden of leadership.

Character Flaws: Impatience under stress, potential stubbornness.

Suggestions

Explore his moments of doubt and emotional vulnerability, particularly regarding Ilsa.
Include interactions that showcase his flaws more clearly.

Follow-up Questions

How does Laszlo express his vulnerabilities to others, especially to Rick?
Does his emotional state impact his effectiveness as a leader?

Arc Or Purposeful Stasis

Score: 8

Victor Laszlo does not undergo a significant transformation but instead remains steadfast in his principles throughout the screenplay. Key events, such as witnessing the dangers posed by the Nazis and the dynamics with Rick and Ilsa, reinforce his determination to escape and continue his fight. His interactions prompt him to confront the importance of his personal relationships alongside the larger struggle.

Polarity Changes: His arc remains fairly constant as he pursues his goal; he does experience moments of emotional conflict.

Transformation Triggers: The threat to Ilsa’s safety prompts deeper reflections on his priorities.

Suggestions

Clarify moments that challenge his resolve to enhance audience engagement.
Introduce scenes which highlight pivotal decisions that impact his journey.

Follow-up Questions

What external and internal conflicts could further complicate Laszlo’s resolve?
How do his beliefs and commitments evolve in relation to his relationships?

Dialogue And Voice

Score: 8

Victor Laszlo’s speech reflects his leadership qualities and strong principles. He speaks with authority and conviction, often appealing to ideals of freedom and justice. His language is consistently respectful, particularly towards Ilsa, and he often tries to inspire others with his words. However, it lacks a certain emotional nuance that could further reveal his internal struggles.

Unique Voice: Assertive, passionate, with a strong focus on ideals and commitment to freedom.

Suggestions

Introduce more emotional vulnerability in his dialogue to juxtapose his confidence.
Add more interactions with other characters to showcase differing perspectives.

Follow-up Questions

How can Laszlo's dialogue further reflect his emotional stakes in key scenes?
Are there opportunities to showcase his interactions in a softer, more personal manner?

Behavior And Choices

Score: 9

Victor Laszlo consistently seeks to align his actions with his values, particularly his commitment to the resistance. His decisions, including his pursuit of exit visas and determination to ensure Ilsa’s safety, illustrate his moral imperatives. Furthermore, he shows strategic foresight in understanding the weight of his actions and their potential impacts.

Motivations: To escape Casablanca and continue his fight against oppression.

Desires Vs Needs: Desires to rescue Ilsa and fulfill his mission; needs to confront emotional truths about love and sacrifice.

Suggestions

Show more of his decision-making process in dramatic moments.
Include moments where he has to prioritize between personal and political commitments.

Follow-up Questions

What choices does Laszlo face that force him to examine his priorities more deeply?
How does he react when his ideals are challenged or compromised?

Relationship Dynamics

Score: 8

Victor Laszlo’s relationship with Ilsa is central to his character's motivations; it reflects both his dedication to love and the burdens of leadership. Their bond, forged in crisis, also reveals tensions stemming from their past and the current stakes in Casablanca. His dynamics with Rick evolve from mutual respect to complicated rivalry as both men seek Ilsa's affections.

Suggestions

Enhance scenes that illustrate the evolution of his relationship with Rick.
Explore more moments between Laszlo and Ilsa to highlight their emotional connection.

Follow-up Questions

What pivotal moments could deepen Laszlo’s relationship with Ilsa?
How do Laszlo's interactions with Rick reveal the complexities of their conflict?

Scene Impact

Score: 9

Victor Laszlo's presence often elevates tension and conflict within scenes, particularly in his interactions with Rick and during critical moments in the café. His commitment to his cause reaffirms the stakes of the narrative, as audiences witness the moral complexities of his choices. The emotional weight he carries adds a potent layer to the unfolding drama.

Suggestions

Maximize his dramatic impact by placing him in scenes that challenge his principles.
Integrate more confrontational moments that bring out heightened emotions.

Follow-up Questions

What specific scenes amplify the stakes for Laszlo and heighten tension?
How can his character be positioned to create stronger emotional resonance in crucial moments?

Role Fulfillment

Score: 9

Victor Laszlo's role as a protagonist is effectively captured through his continuous commitment to freedom. He personifies the struggle against tyranny and injustice, reinforcing the overarching thematic concerns of the screenplay. His character fulfills a classic hero's journey as he navigates love, duty, and sacrifice throughout the story.

Symbolic Role: Laszlo serves as a symbol of resistance and hope against oppression.

Suggestions

Further highlight his character's symbolic role in relation to the broader themes.
Consider integrating more montage sequences that reflect his journey of resistance.

Follow-up Questions

How does his character challenge or uphold traditional hero narratives?
What aspects of his journey can enhance the audience’s empathy towards him?

Thematic Plot Integration

Score: 8

Victor Laszlo's personal journey and overarching narrative arc closely align with central themes of the screenplay—love, sacrifice, and the fight for freedom. His determination to support the resistance, even at great personal cost, reinforces the moral dilemmas faced by those in wartime situations.

Suggestions

Integrate explicit reflections on freedom versus personal desires in key moments.
Explore how his decisions influence the thematic direction of the narrative.

Follow-up Questions

How can Laszlo’s journey further illuminate the moral complexities within the war context?
What opportunities exist to highlight the contrasts between personal sacrifice and collective resistance?

Emotional Resonance

Score: 8

Victor Laszlo effectively evokes emotional responses through his unwavering dedication to his cause and his love for Ilsa. His struggles feel relatable and real, particularly as the stakes rise in his battle against both personal and external conflicts. Audiences resonate with his motivations and the sacrifices he is willing to make, enhancing the emotional depth of the screenplay.

Emotional Impact: Inspires a mix of admiration, compassion, and tension within the audience.

Suggestions

Highlight moments of vulnerability to deepen emotional connections.
Consider moments of introspection that allow the audience to empathize with his burdens.

Follow-up Questions

What specific moments best illustrate the emotional stakes for Laszlo?
How can his reactions in high-tension moments enhance audience attachment?

Personality Types

MBTI: enfj

Laszlo exhibits traits typical of an ENFJ, including empathy, strong leadership qualities, and a focus on the needs of others over his own.

Confidence: 80%

Possible Alternative Type: infj (60%)

Suggestions

Emphasize his emotional intelligence in interactions with other characters.
Explore scenes where he connects with others on a deep level to highlight his influence.

Follow-up Questions

How does Laszlo's personality type influence his approach to leadership?
In what ways could you illustrate his influential nature in his dealings with the resistance?

Enneagram: type 2 (the helper)

Laszlo’s actions are predominantly motivated by a desire to help others and resist oppression, typical of Type 2 characteristics.

Confidence: 75%

Possible Alternative Type: type 3 (the achiever) (50%)

Suggestions

Incorporate scenes showcasing his efforts to support others in times of need.
Highlight how his willingness to sacrifice for others may lead to personal challenges.

Follow-up Questions

How can you further explore how his desire to help others impacts his own narrative?
What conflicts arise from his instincts to serve others while also pursuing his own needs?

Key Scenes

Strongest Scene (75)

The scene where Laszlo collects the letters of transit from Rick showcases his determination and commitment to freedom.

Why: It epitomizes his unwavering dedication to both his love for Ilsa and his cause, solidifying his role as a hero.

Weakest Scene (38)

In this scene, Laszlo is under arrest and his emotional fortitude is challenged.

Why: This scene feels underdeveloped; it does not fully convey his internal conflict and emotional stakes during captivity.

Suggestions:

Enhance the dialogue to express his feelings about being caught and separated from Ilsa.
Introduce moments of reflection or resolve that strengthen his character’s narrative in this scene.

Theme

Theme Details

Theme Explanation

Love and Sacrifice (35%)

The screenplay explores the complex and often conflicting emotions of love and sacrifice. Rick and Ilsa's love for each other is strong, but they ultimately decide to sacrifice their happiness for the greater good. Laszlo and Ilsa's love for each other is also strong, and they are willing to risk their lives to be together.

Love and sacrifice are major themes in the screenplay. The characters are faced with difficult choices, and they must decide what is most important to them.

Strengthening Love and Sacrifice:

Suggestion Type	How to Strengthen the Theme
Dialogue - Scene 2	Write the European man's dialogue to foreshadow his future sacrifice for Rick and emphasize the theme of love and sacrifice.
Action - Scene 29	Add an additional gesture or action from Rick to demonstrate his internal struggle and love for Ilsa during their final conversation.
Visual - Scene 33	Show a subtle change or reaction in Ilsa's demeanor as she prepares to leave Rick, underscoring her emotional turmoil and the weight of the sacrifice they are making.
Story Arc - Scene 34	Expand on Laszlo's motivations for his decision to leave Ilsa, highlighting his understanding of their situation and his belief in their shared purpose.
Character Arc - Scene 36	Add a moment of quiet reflection for Rick after Ilsa and Laszlo leave, emphasizing his growth and acceptance of their sacrifice.

War and Politics (25%)

The screenplay is set during World War II, and the war has a profound impact on the characters' lives. Rick is a cynical and world-weary man who has seen the horrors of war firsthand. Ilsa is a strong and independent woman who is determined to fight against fascism. Laszlo is a brave and idealistic leader who is willing to risk his life for his cause.

War and politics are major themes in the screenplay. The characters are caught up in a global conflict that is beyond their control.

Friendship and Loyalty (20%)

The screenplay also explores the themes of friendship and loyalty. Rick and Sam have a strong and enduring friendship. Renault is a complex character who is both a friend and an enemy to Rick. Ilsa and Laszlo are deeply loyal to each other, and they are willing to do whatever it takes to protect each other.

Friendship and loyalty are important themes in the screenplay. The characters rely on each other for support and strength.

Redemption (15%)

The screenplay also explores the theme of redemption. Rick is a man who has made many mistakes in his past, but he is given a chance to redeem himself by helping Laszlo and Ilsa escape. Renault is also a complex character who is capable of both good and evil. He ultimately chooses to do the right thing and help Rick and Laszlo.

Redemption is a major theme in the screenplay. The characters are given a chance to make amends for their past mistakes.

Hope and Despair (5%)

The screenplay also explores the themes of hope and despair. The characters are often faced with difficult choices, and they must decide whether to hope for the best or despair of the worst. Rick is a cynical man who has lost hope, but he is inspired by Ilsa and Laszlo's courage and determination.

Hope and despair are important themes in the screenplay. The characters are constantly struggling to maintain hope in the face of adversity.

Screenwriting Resources on Themes

Articles

Site	Description
Studio Binder	Movie Themes: Examples of Common Themes for Screenwriters
Coverfly	Improving your Screenplay's theme
John August	Writing from Theme

YouTube Videos

Title	Description
Story, Plot, Genre, Theme - Screenwriting Basics	Screenwriting basics - beginner video
What is theme	Discussion on ways to layer theme into a screenplay.
Thematic Mistakes You're Making in Your Script	Common Theme mistakes and Philosophical Conflicts

Robert McKee: "The audience doesn’t go to the movies to see plot; they go to feel emotion, to be moved."

Scene by Scene Emotions

Goals and Philosophical Conflict
internal Goals	The protagonist's internal goal is to reconcile his feelings for Ilsa and come to terms with his past
External Goals	The protagonist's external goal is to secure safe passage for himself and Ilsa out of Casablanca
Philosophical Conflict	The philosophical conflict revolves around sacrifice, loyalty, and love. Rick must choose between his personal desires and doing what is right for Ilsa and Laszlo

Character Development Contribution: The protagonist's evolving internal and external goals help shape his development from a cynical, detached man to someone willing to make sacrifices for the ones he loves

Narrative Structure Contribution: The goals and conflict drive the narrative forward, creating tension and climax as the protagonist navigates the complex web of relationships and decisions in Casablanca

Thematic Depth Contribution: The exploration of sacrifice, loyalty, and love in the face of danger adds depth to the themes of morality, survival, and redemption in the screenplay

Screenwriting Resources on Goals and Philosophical Conflict

Articles

Site	Description
Creative Screenwriting	How Important Is A Character’s Goal?
Studio Binder	What is Conflict in a Story? A Quick Reminder of the Purpose of Conflict

YouTube Videos

Title	Description
How I Build a Story's Philosophical Conflict	How do you build philosophical conflict into your story? Where do you start? And how do you develop it into your characters and their external actions. Today I’m going to break this all down and make it fully clear in this episode.
Endings: The Good, the Bad, and the Insanely Great	By Michael Arndt: I put this lecture together in 2006, when I started work at Pixar on Toy Story 3. It looks at how to write an "insanely great" ending, using Star Wars, The Graduate, and Little Miss Sunshine as examples. 90 minutes
Tips for Writing Effective Character Goals	By Jessica Brody (Save the Cat!): Writing character goals is one of the most important jobs of any novelist. But are your character's goals...mushy?

What's going on here? - Scenes are rated on many critreia. The goal isn't to try to maximize every number; \ It's to make you aware of what's happening in your scenes. You might have very good reasons to have character development but not advance the story, or have a scene without conflict. Obviously if your dialogue is really bad, you should probably look into that.

Abbreviate Headers

Story Content

Character Development

Scene Elements

Audience Engagement

Technical Aspects

			Story Content			Character Development				Scene Elements					Audience Engagement				Technical Aspects
Click for Full Analysis	Tone	Overall	Concept	Plot	Originality	Characters	Character Changes	Internal Goal	External Goal	Conflict	Opposition	High stakes	Story forward	Twist	Emotional Impact	Dialogue	Engagement	Pacing	Formatting	Structure
1 - Casablanca: A Night of Terror	Tense, Suspenseful, Mysterious, Dramatic	8	8	8	9	7	6	8	7	9	8	9	9	8	7	7	9	9	8	8
2 - Suspicious Encounters at the Palais de Justice	Suspenseful, Foreboding, Hopeful	8	8	7	8	8	6	8	7	7	8	7	8	7	7	9	9	9	8	8
3 - Arrival of Major Strasser	Tense, Suspenseful, Formal, Intense	8	8	8	9	9	6	8	7	9	8	8	8	8	7	8	9	9	8	8
4 - Intrigue at Rick's Cafe	Suspenseful, Intriguing, Tense, Mysterious	8	8	7	9	8	6	8	7	8	8	8	8	7	7	7	9	8	8	8
5 - Tensions at Rick's	Cold, Indifferent, Tense, Sarcastic	8	8	8	9	7	6	8	7	8	8	9	8	8	7	9	9	9	8	8
6 - Tension at Rick's Cafe	Tense, Emotional, Intense, Melancholic	9	8	9	9	9	7	8	7	8	8	8	9	7	9	8	9	8	8	8
7 - A Tense Encounter	Tense, Sarcastic, Melancholic, Amused	8	8	7	9	9	6	8	7	8	7	9	8	7	7	8	9	8	8	8
8 - An Upcoming Arrest	Tense, Suspenseful, Cynical	8	8	7	9	8	6	8	7	8	8	9	8	8	7	9	9	9	8	8
9 - Rick's Decision	Cynical, Suspenseful, Confrontational, Intriguing	9	9	9	9	9	7	8	7	8	8	9	9	8	8	9	9	8	8	8
10 - Prelude to an Arrest	Tense, Suspenseful, Dramatic, Intense	8	8	8	9	7	6	8	7	9	8	9	8	8	7	7	9	9	8	8
11 - Chaos at Rick's Cafe	Tense, Emotional, Nostalgic, Formal	9	9	8	9	9	8	8	7	7	8	7	8	8	9	9	9	9	8	8
12 - Departure from Rick's	Tense, Mysterious, Bittersweet	8	8	8	9	7	6	8	7	8	7	8	9	7	7	7	9	8	8	8
13 - Waiting for Ilsa	Grim, Melancholic, Reflective	9	8	8	9	9	8	8	7	7	7	6	7	7	10	9	9	8	8	8
14 - Romantic Revelations in Paris	Passionate, Intense, Melancholic, Tense	9	8	9	9	9	8	8	7	8	7	8	9	7	9	9	9	8	8	8
15 - Dangerous Decisions at La Belle Aurore	Tender, Anxious, Bittersweet, Grim	9	8	9	9	9	8	8	7	8	8	9	9	7	9	8	9	8	8	8
16 - A Heartbreaking Reunion at Rick's Cafe	Melancholic, Regretful, Intense	9	8	8	9	9	8	8	7	7	8	8	8	7	10	9	9	8	8	8
17 - Uncovering Clues and Suspicions	Tense, Emotional, Suspenseful	9	8	9	9	9	8	8	7	9	8	9	9	8	10	8	9	9	8	8
18 - Laszlo's Defiance in Renault's Office	Tense, Cold, Serious, Confrontational, Resigned	9	9	8	8	9	7	9	8	9	8	9	9	8	8	9	9	9	8	9
19 - A Tense Encounter at the Blue Parrot	Suspenseful, Intense, Mysterious	8	8	8	9	7	6	8	9	8	8	9	9	7	7	8	9	8	8	8
20 - An Unexpected Encounter in Casablanca	Tense, Emotional, Reflective	9	8	9	8	9	8	8	7	8	8	8	9	7	9	9	9	8	8	8
21 - A Difficult Decision	Tense, Emotional, Serious	8	8	8	9	8	7	8	7	8	8	9	8	7	9	9	9	8	8	8
22 - The Crossroads	Tense, Emotional, Cynical, Reflective	8	8	8	9	9	7	8	7	7	8	8	8	7	9	8	9	8	8	8
23 - Jan's Lucky Bet	Tense, Emotional, Suspenseful, Melancholic	8	7	8	9	9	7	8	9	9	8	9	9	9	8	8	9	8	8	8
24 - Political Tensions at Rick's Cafe	Tense, Serious, Emotional	8	8	7	8	9	8	8	7	7	8	8	7	8	9	8	9	8	8	7
25 - A Night of Defiance at Rick's	Tense, Emotional, Defiant	9	8	9	9	8	7	8	9	8	8	9	9	8	9	8	9	9	8	9
26 - A Tense Conversation	Tense, Emotional, Intimate, Serious	8	7	8	9	9	8	8	7	7	7	8	8	7	9	8	9	8	8	8
27 - Financial Review	Tense, Emotional, Suspenseful	8	7	8	9	9	8	8	7	8	7	9	8	7	9	8	9	8	8	8
28 - Confrontation in Casablanca	Emotional, Intense, Tense	9	9	9	8	9	8	8	7	9	8	9	9	8	10	8	9	9	8	9
29 - Heartfelt Conversation at Rick's Cafe	Emotional, Intense, Reflective, Tense	9	8	8	9	9	8	8	7	7	8	8	8	7	9	9	9	8	8	8
30 - Laszlo's Arrest	Tense, Emotional, Intense, Dramatic	9	9	8	9	9	8	8	7	9	8	9	9	7	10	8	9	8	8	8
31 - Deal at Renault's	Tense, Suspenseful, Emotional	9	8	9	9	9	8	8	9	9	8	9	9	8	9	9	9	9	8	8
32 - Departure Preparations	Tense, Emotional, Suspenseful, Intimate	8	8	8	8	9	8	8	7	8	8	9	9	7	9	8	9	9	8	8
33 - A Frantic Departure	Intense, Emotional, Tense, Suspenseful	9	8	9	8	9	8	8	7	9	8	9	9	8	10	8	9	9	9	9
34 - Rick Intervenes for Laszlo	Tense, Emotional, Suspenseful	9	8	9	9	9	8	8	7	9	8	9	9	8	9	8	9	9	8	8
35 - Ilsa and Laszlo Depart	Emotional, Intense, Heartfelt, Tense	9	9	8	8	9	8	9	8	8	8	9	9	8	10	9	10	9	9	9
36 - The Airport Confrontation and Farewell	Emotional, Tense, Resolute, Sentimental	9	9	8	9	9	8	8	7	8	8	9	9	8	9	8	9	9	8	8

Summary of Scene Level Analysis

Here are some things that came out of the scene level analysis.
This is a summary of the strengths, weaknesses, and suggestions found in each scene. Some things might appear in both strengths and weaknesses based on the variety of your scenes.
For summary of each criteria click in the top row on the criteria.

Scene Strengths

Compelling concept and plot
High level of conflict and tension
Sharp dialogue
Emotional depth
Strong character development

Scene Weaknesses

Limited character development
Some dialogue may be slightly melodramatic
Some predictable plot elements
Heavy reliance on dialogue
Limited action or external conflict

Suggestions

Further develop character arcs and motivations to increase emotional impact
Refine dialogue to balance between exposition and nuance
Avoid cliched tropes and predictable plot elements
Explore avenues for external conflict to complement the internal conflict already present in the narrative
Continuously iterate and refine screenplay to achieve a seamless balance between the strengths

World Building

Physical environment: The screenplay is set in Casablanca, Morocco, during World War II. The city is portrayed as a vibrant and cosmopolitan hub, with a mix of European and Moroccan influences. The old Moorish section of the city is described as having narrow, twisting streets and a polyglot mix of people. The intense desert sun creates a torpid tranquility in the atmosphere.
Culture: The screenplay portrays a world on the brink of war, with refugees fleeing Europe and converging on Casablanca in search of freedom. There is a sense of desperation and hopelessness among the characters as they wait for exit visas to escape to the New World. The presence of German officers and the underground resistance movement adds to the tension and danger of the situation.
Society: The societal structure is complex and divided, with the French authorities trying to maintain order while the Germans exert their influence. There is a black market for goods and services, and corruption is rife. The police are seen as oppressive and authoritarian, while the resistance movement is seen as a symbol of hope and freedom.
Technology: The screenplay depicts a world in transition, with the old world of colonial rule giving way to the new world of modern warfare. There is a mix of old and new technology, with typewriters and microphones in the police station and airplanes flying overhead.
Characters influence: The unique physical environment, culture, society, and technology of Casablanca shape the characters' experiences and actions in a number of ways. The intense heat and sun create a sense of urgency and desperation, while the mix of cultures and languages creates a sense of alienation and displacement. The societal division between the French and the Germans creates a sense of tension and danger, while the black market and corruption provide opportunities for both profit and danger. The technology of the era, such as airplanes and radios, allows for rapid communication and travel, but it also creates a sense of surveillance and control.
Narrative contribution: The world elements contribute to the narrative of the screenplay in a number of ways. The physical environment of Casablanca creates a sense of claustrophobia and entrapment, which is reflected in the characters' feelings of desperation and hopelessness. The cultural mix of the city creates a sense of tension and danger, which is reflected in the characters' interactions with each other. The societal division between the French and the Germans creates a sense of conflict and suspense, which is reflected in the characters' choices and actions. The technology of the era allows for rapid communication and travel, which is reflected in the characters' ability to escape from Casablanca.
Thematic depth contribution: The world elements contribute to the thematic depth of the screenplay in a number of ways. The physical environment of Casablanca reflects the themes of war and displacement. The cultural mix of the city reflects the themes of identity and belonging. The societal division between the French and the Germans reflects the themes of power and oppression. The technology of the era reflects the themes of progress and control. These world elements work together to create a complex and nuanced screenplay that explores the human condition in a time of war and upheaval.

Voice Analysis
Summary:	The writer's voice is characterized by a blend of historical context, political intrigue, and personal drama. The dialogue is sharp and evocative, capturing the tension and complexity of the characters' situations.
Voice Contribution	The writer's original voice sets the tone for the screenplay, emphasizing the high stakes and moral ambiguity of the characters' actions.
Best Representation Scene	1 - Casablanca: A Night of Terror
Best Scene Explanation	This scene effectively encapsulates the writer's unique voice by combining historical context, political intrigue, and personal drama to create a compelling narrative.

Style and Similarities

The screenplay exhibits a consistent writing style that blends sharp dialogue, complex character dynamics, and morally ambiguous situations. The scenes often create suspense and atmospheric tension, while exploring themes of political intrigue, personal sacrifice, and the consequences of choices in a dangerous world.

Style Similarities:

Writer	Explanation
Graham Greene	Greene's influence is evident in the exploration of moral dilemmas, political intrigue, and complex character relationships in various scenes, particularly in wartime settings.
Billy Wilder	Wilder's style is apparent in the sharp dialogue, emotional depth, and complex character interactions, creating emotionally charged scenes with moral dilemmas.
David Mamet	Mamet's influence is noticeable in the tense atmosphere, sharp dialogue, and intricate power dynamics, driving the narrative forward with complex character interactions.
Francis Ford Coppola	Coppola's style is evident in the focus on character-driven narratives, moral dilemmas, and complex relationships, often set against a backdrop of historical events.

Other Similarities: The screenplay also draws inspiration from other notable filmmakers and writers, such as John le Carré, Christopher Nolan, Quentin Tarantino, and Paddy Chayefsky, who contribute to the diverse range of styles and themes explored throughout the screenplay.

Top Correlations and patterns found in the scenes:

Pattern	Explanation
High Stakes Scenes Intensify Emotional Impact
Tense Scenes Drive the Story Forward
Suspenseful Scenes Lack Character Changes
Dialogue Enhances Emotional Impact
Scenes with Multiple Tones Showcase Variety

Writer's Craft Overall Analysis

The analyzed scenes showcase the writer's strong foundation in crafting compelling narratives with depth and emotional resonance. The ability to create tension, moral complexity, and engaging character interactions is evident throughout the screenplay. However, there are areas where further development can enhance the overall writing craft and storytelling techniques.

Key Improvement Areas

Character Development

Several scenes highlight the potential for deeper character exploration and motivations. Refining character backstories, complexities, and internal conflicts will add richness and authenticity to the characters.

Dialogue

While the dialogue is sharp and engaging, there are opportunities to enhance subtext, emotional depth, and the use of silence to create tension and convey unspoken emotions.

Pacing and Structure

Some scenes could benefit from tighter pacing and a more refined structure to maintain a consistent rhythm and flow throughout the narrative.

Suggestions

Type	Suggestion	Rationale
Screenplay	Study screenplays like 'Casablanca' and 'The Godfather' for masterful character development and dialogue.	These classic screenplays provide excellent examples of well-rounded characters, nuanced dialogue, and engaging storytelling techniques.
Book	Read 'Dialogue: The Craft of the Playwright' by David Mamet for in-depth insights into dialogue writing.	This book offers valuable guidance on writing effective, realistic, and emotionally resonant dialogue.
Video	Watch films by directors like Alfred Hitchcock and Stanley Kubrick to analyze their use of pacing and suspense.	Studying masters of suspense can enhance your understanding of how pacing and structure contribute to building tension and creating gripping narratives.

Additional Notes: The writer demonstrates a clear understanding of the fundamentals of screenwriting. With focused effort on character development, dialogue refinement, and pacing, the screenplay has the potential to captivate audiences with its emotional depth, compelling characters, and engaging storytelling.

Here are different Tropes found in the screenplay

Trope	Trope Details	Trope Explanation
Forbidden Love	Rick and Ilsa's love is forbidden because Ilsa is married to Laszlo.	Forbidden Love is a love affair between two people who are not allowed to be together, often due to social or cultural barriers. An example of this trope is the love story between Romeo and Juliet.
Love Triangle	Rick, Ilsa, and Laszlo are involved in a love triangle.	A Love Triangle is a romantic relationship involving three people, where two of them are in love with the third. An example of this trope is the love triangle between Bella, Edward, and Jacob in the Twilight series.
Sacrificial Love	Rick sacrifices his own happiness to help Ilsa and Laszlo escape from Casablanca.	Sacrificial Love is when a character gives up something they want or need in order to help someone else. An example of this trope is the love story between Frodo and Sam in The Lord of the Rings.
Casablanca Ending	Rick and Renault decide to become friends and walk off together at the end of the film.	A Casablanca Ending is a bittersweet ending in which the two main characters are not able to be together, but they find a way to move on with their lives.
World War II Setting	The film is set during World War II in Casablanca.	A World War II Setting is a setting in which the story takes place during World War II. An example of this trope is the film Saving Private Ryan.
Political Intrigue	The film involves political intrigue, as Rick and Renault try to outmaneuver each other.	Political Intrigue is a plot element involving political maneuvering and deception. An example of this trope is the film The Godfather.
Heroic Sacrifice	Rick sacrifices his own life to save Ilsa and Laszlo.	Heroic Sacrifice is a plot element in which a character sacrifices their own life to save someone else. An example of this trope is the death of Captain America in Avengers: Endgame.
Ambiguous Ending	The ending of the film is ambiguous, as it is not clear whether or not Rick and Ilsa will ever see each other again.	An Ambiguous Ending is an ending in which the outcome of the story is not clear. An example of this trope is the ending of the film The Sixth Sense.
Unrequited Love	Yvonne's love for Rick is unrequited.	Unrequited Love is a love affair in which one person loves the other person, but the other person does not love them back. An example of this trope is the love story between Ross and Rachel in the TV show Friends.
Character Development	Rick undergoes significant character development throughout the film.	Character Development is a plot element in which a character changes and grows over the course of the story. An example of this trope is the character development of Walter White in the TV show Breaking Bad.

Memorable lines in the script:

Scene Number	Line
11	Rick: Here's looking at you, kid.
13	Rick: Of all the gin joints in all the towns in all the world, she walks into mine.
8	RENAULT: I stick my neck out for nobody.
7	Rick: I came to Casablanca for the waters.
30	Laszlo: Each of us has a destiny, for good or for evil.

Some Loglines to consider:

A war-torn Casablanca sets the stage for a love story amidst the violent tug-of-war between resistance fighters and the Nazi regime.
Amidst the chaos of WWII, the owner of Rick's Cafe finds himself face-to-face with his former love, and must choose between his heart and his principles.
Love and betrayal collide in Casablanca as a reluctant hero must make the ultimate sacrifice to save the woman he loves.
Amidst the violence and turmoil of war, a man finds redemption in sacrifice and honor in the face of impossible choices.
The heat of war and the passions of love mingle in Casablanca, as a man must choose between his own heart and the fate of a nation.

Help & FAQ

Frequently Asked Questions

Start with the executive summary to get a bird's eye view.
After that, the high-level menu will offer insights into the story, themes, and characters.
The scene-by-scene analysis will demonstrate how each scene performs across various criteria, summarized in the column headings.
Click on any scene title to view the full analysis, including critiques and suggestions for improvement.
'Other Analyses' provides various insights into your writing and different perspectives, although it might not lead to significant rewrites of your script.

Click on the Print Analysis link in the left menu. You can then print to PDF or save it as PDF.

Click the Scene Analysis link on the left menu. Next to each scene title you can click "improve". In the improve page you can select any scene from your script to work on.

Yes. You own the rights to your script. We do not claim any ownership of your script. We're simply using it to generate the analysis.

No. We do not use your script to train our AI. The AI uses your script to generate the analysis and nothing else.

SceneProv is a game that helps you improve your craft.
You can play it for free. If you have scripts analyzed, the AI might recommend exercises from SceneProv to help you improve your writing. Go to the craft tab to see what it recommended.
Let the AI take a turn when you're blocked or you want to riff on a scene. Each scene you create in SceneProv gets graded at the end.

The maximum length of a screenplay is 160 pages.

Unfortunately it's a known issue for the time being. Fixing this is on the roadmap.

If you're having trouble uploading your script, please email us at 'help@scriptreader.ai'

The goal of ScriptReader.ai is not 100% comprehension, but rather to assist you in improving your script and craft. The valuable insights should still be many. ScriptReader.ai is a tool with a bit of getting used to. We're trying to make the learning curve as easy as possible. If you have any suggestions, please email us at suggestions@scriptreader.ai

Two common issues are:
- The email might have gone to your spam folder or is hidden in an email thread.
- The process might still be ongoing. Register/Login with the email you used during upload and look at the status. It sometimes takes as long as a couple hours. If it's been longer than that email us at help@scriptreader.ai

1.

FADE IN:

INSERT - A revolving globe. When it stops revolving it
turns briefly into a contour map of Europe, then into a
flat map.

Superimposed over this map are scenes of refugees fleeing
from all sections of Europe by foot, wagon, auto, and boat,
and all converging upon one point on the tip of Africa --
Casablanca.

Arrows on the map illustrate the routes taken as the voice
of a NARRATOR describes the migration.

NARRATOR (V.O.)
With the coming of the Second World
War, many eyes in imprisoned Europe
turned hopefully, or desperately,
toward the freedom of the Americas.
Lisbon became the great embarkation
point. But not everybody could get
to Lisbon directly, and so, a
tortuous, roundabout refugee trail
sprang up. Paris to Marseilles,
across the Mediterranean to Oran,
then by train, or auto, or foot,
across the rim of Africa to
Casablanca in French Morocco. Here,
the fortunate ones, through money,
or influence, or luck, might obtain
exit visas and scurry to Lisbon,
and from Lisbon to the New World.
But the others wait in Casablanca -
- and wait -- and wait -- and wait.

The narrator's voice fade away...

CUT TO:

1 EXT. OLD MOORISH SECTION OF THE CITY - DAY 1

At first only the turrets and rooftops are visible against
a torrid sky.

The facades of the Moorish buildings give way to a narrow,
twisting street crowded with the polyglot life of a native
quarter. The intense desert sun holds the scene in a torpid
tranquility. Activity is unhurried and sounds are muted.

CUT TO:
2.

2 INT. POLICE STATION - DAY 2

A POLICE OFFICER takes a piece of paper from the
typewriter, turns to a microphone, and reads.

POLICE OFFICER
To all officers! Two German
couriers carrying important
official documents murdered on
train from Oran. Murderer and
possible accomplices headed for
Casablanca. Round up all suspicious
characters and search them for
stolen documents. Important!

CUT TO:

3 EXT. A STREET IN THE OLD MOORISH SECTION - DAY 3

An officer BLOWS his whistle several times.

There is pandemonium as native guards begin to round up
people.

A police car, full of officers, with SIREN BLARING, screams
through the street and stops in the market.

Some try to escape but are caught by the police and loaded
into a police wagon.

At a street corner TWO POLICEMEN stop a white CIVILIAN and
question him.

FIRST POLICEMAN
May we see your papers?

CIVILIAN
(nervously)
I don't think I have them on me.

FIRST POLICEMAN
In that case, we'll have to ask you
to come along.

The civilian pats his pockets.

CIVILIAN
Wait. It's just possible that I --
Yes, here they are.

He brings out his papers. The second policeman examines
them.
3.

SECOND POLICEMAN
These papers expired three weeks
ago. You'll have to come along.

Suddenly the civilian breaks away and starts to run wildly
down the street.

The policeman SHOUTS "Halt", but the civilian keeps going.

JAN and ANNINA BRANDEL, a very young and attractive refugee
couple from Bulgaria, watch as the civilian passes. They've
been thrust by circumstances from a simple country life
into an unfamiliar and hectic world.

A shot RINGS out, and the man falls to the ground. Above
him, painted on the wall, is a large poster of Marshal
Petain, which reads: "Je tiens mes promesses, meme celles
des autres."

The policeman frantically searches the body, but only finds
Free French literature.

CUT TO:

4 EXT. PALAIS DE JUSTICE - DAY 4

We see an inscription carved in a marble block along the
roofline of the building: "Liberte, Egalite, Fraternite"

We see the the facade, French in architecture, then the
high-vaulted entrance which is inscribed "Palais de
Justice".

At the entrance the arrested suspects are led in by the
police.

CUT TO:

5 EXT. SIDEWALK CAFE - DAY 5

A middle-aged ENGLISH COUPLE sit at a table just off the
square, and observe the commotion across the way in front
of the Palais de Justice.

The police van pulls up. The rear doors are opened and
people stream out.

A EUROPEAN man, sitting at a table nearby, watches the
English couple more closely than the scene on the street.

ENGLISHWOMAN
4.

What on earth's going on there?

ENGLISHMAN
I don't know, my dear.

The European walks over to the couple.

EUROPEAN
Pardon, pardon, Monsieur, pardon
Madame, have you not heard?

ENGLISHMAN
We hear very little, and we
understand even less.

EUROPEAN
Two German couriers were found
murdered in the desert -- the
unoccupied desert. This is the
customary roundup of refugees,
liberals, and uh, of course, a
beautiful young girl for Monsieur
Renault, the Prefect of Police.

CUT TO:

Genres: Drama, War, Thriller
Tone: Tense, Suspenseful, Mysterious, Dramatic

Summary Amidst the chaos of war-torn Europe, Casablanca becomes a refuge for refugees seeking escape to the Americas. However, a ruthless police roundup ensues after the murder of two German couriers. The tension intensifies as a suspicious civilian is shot while attempting to flee, revealing Free French literature on his body, and the arrested suspects are taken to the Palais de Justice. As the city grapples with the violence and terror, the refugee trail continues, leaving an uncertain fate for those seeking freedom.

Strengths

Effective setting and atmosphere
Compelling concept and plot
High level of conflict and tension

Weaknesses

Limited character development
Dialogue could be more nuanced

General Critique

The scene sets up the atmosphere of a war-torn Europe and the chaos in Casablanca effectively.
The tension and urgency of the situation are well portrayed through the police roundup and the shooting of the suspicious civilian.
The introduction of the English couple and the European man adds a layer of intrigue and curiosity to the scene.
The use of Free French literature found on the body of the civilian hints at the political undertones of the story.
The scene effectively establishes the setting, the characters, and the stakes involved in the narrative.

Expert Critiques

Critique by Unknown Expert

General Suggestions

Consider adding more visual descriptions to enhance the imagery of the war-torn Europe and the bustling streets of Casablanca.
Explore the emotions and reactions of the characters in more depth to create a stronger connection with the audience.
Introduce more dialogue or interactions between the characters to further develop their relationships and motivations.
Consider incorporating subtle hints or foreshadowing elements to build anticipation for the unfolding events in the story.
Ensure a smooth transition to the next scene to maintain the momentum and keep the audience engaged.

Expert Suggestions

Suggestion by Unknown Expert

6 EXT. PALAIS DE JUSTICE - DAY 6

Suspects are herded out of the van, and into the Palais de
Justice.

CUT TO:

7 EXT. SIDEWALK CAFE - DAY 7

EUROPEAN
Unfortunately, along with these
unhappy refugees the scum of Europe
has gravitated to Casablanca. Some
of them have been waiting years for
a visa.

He puts his left arm compassionately around the Englishman,
and reaches behind the man with his right hand.

EUROPEAN
I beg of you, Monsieur, watch
yourself. Be on guard. This place
is full of vultures, vultures
everywhere, everywhere.
5.

The Englishman seems to be taken aback by this sudden
display of concern.

ENGLISHMAN
Ha, ha, thank you, thank you very
much.

EUROPEAN
Not at all. Au revoir, Monsieur. Au
revoir, Madame.

He leaves. The Englishman, still a trifle disconcerted by

the European's action, watches him as he leaves.

ENGLISHMAN
Au revoir. Amusing little fellow.
Waiter!

As he pats both his breast and pants pockets he realizes
there is something missing.

ENGLISHMAN
Oh. How silly of me.

ENGLISHWOMAN
What, dear?

ENGLISHMAN
I've left my wallet in the hotel.

ENGLISHWOMAN
Oh.

Suddenly the Englishman looks off in the direction of the
departed European, the clouds of suspicion gathering.

Interrupting overhead is the DRONE of a low flying
airplane.

They look up.

CUT TO:

8 EXT. OVERHEAD SHOT - DAY 8

An airplane cuts its motor for landing.

CUT TO:
6.

9 EXT. PALAIS DE JUSTICE - DAY 9

Refugees wait in line outside the Palais de Justice. Their
upturned gaze follows the flight of the plane. In their
faces is revealed one hope they all have in common, and the
plane is the symbol of that hope.

Jan and Annina look up at the plane.

ANNINA
(wistfully)
Perhaps tomorrow we'll be on that
plane.

CUT TO:

10 EXT. OVERHEAD SHOT - DAY 10

The plane SWOOPS down past a sign atop a building at the
edge of the airport.

The sign reads "Rick's Cafe Americain."

CUT TO:

Genres: Drama, War, Thriller
Tone: Suspenseful, Foreboding, Hopeful

Summary Amidst the chaos of suspects gathered outside the Palais de Justice, an English couple encounters a compassionate European man who warns the Englishman about the dangers lurking within Casablanca. However, a sudden realization of a missing wallet casts suspicion upon the European. As an airplane soars above, providing a glimmer of hope for refugees, Annina remarks on the possibility of a future escape. The scene ends with the Englishman's suspicion lingering as he glances towards the European man, setting the stage for future developments.

Strengths

Engaging dialogue
Atmospheric setting
Intriguing character interactions

Weaknesses

Lack of significant character development
Some dialogue may be too on-the-nose

General Critique

The scene lacks a clear sense of purpose or direction, leaving the audience wondering about the significance of the interactions between the European man and the Englishman.
The dialogue feels forced and unnatural, with the European man's sudden display of concern coming across as contrived.
The transition from the Palais de Justice to the sidewalk cafe is abrupt and disjointed, making it difficult for the audience to follow the flow of the scene.
The Englishman's realization about his missing wallet and the subsequent suspicion towards the European man feels cliched and predictable.
The symbolism of the airplane as a beacon of hope for the refugees is heavy-handed and lacks subtlety.

Expert Critiques

Critique by Unknown Expert

General Suggestions

Clarify the purpose of the scene and ensure that each interaction serves to advance the plot or develop the characters.
Work on making the dialogue more natural and authentic, focusing on creating genuine interactions between the characters.
Smooth out the transition between the different locations to improve the coherence of the scene.
Avoid cliches and predictable plot points to keep the audience engaged and interested.
Consider using more subtle symbolism to convey the themes of hope and desperation without being overly explicit.

Expert Suggestions

Suggestion by Unknown Expert

11 EXT. AIRFIELD - DAY 11

As the plane lands a swastika on its tail is clearly
visible. It taxis to a stop as a group of officers march
into formation in front of it. Behind them stand a detail
of native soldiers keeping guard.

In the group is CAPTAIN LOUIS RENAULT, a French officer
appointed by Vichy as Prefect of Police in Casablanca. He
is a handsome, middle-aged Frenchman, debonair and gay, but
withal a shrewd and alert official.

With him are HERR HEINZE, the German consul, CAPTAIN
TONELLI, an Italian officer, and LIEUTENANT CASSELLE,
Renault's aide.

When the plane door opens, the first passenger to step out
is a tall, middle-aged, pale German with a smile that seems
more the result of a frozen face muscle than a cheerful
disposition. On any occasion when MAJOR STRASSER is
crossed, his expression hardens into iron.

Herr Heinze steps up to him with upraised arm.

HEINZE
Heil Hitler.
7.

STRASSER
Heil Hitler.

They shake hands.

HEINZE
It is very good to see you again,
Major Strasser.

STRASSER
Thank you. Thank you.

Heinze introduces Strasser to Renault.

HEINZE
May I present Captain Renault,
Police Prefect of Casablanca. Major
Strasser.

Renault salutes.

RENAULT
Unoccupied France welcomes you to
Casablanca.

STRASSER
(in perfect English,
smiling)
Thank you, Captain. It's very good
to be here.

RENAULT
Major Strasser, my aide, Lieutenant
Casselle.

As they acknowledge each other, Captain Tonelli barges in
front of Casselle and salutes Strasser.

TONELLI
Captain Tonelli, the Italian
service, at your command, Major.

STRASSER
That is kind of you.

But Tonelli gets no further than that as Strasser turns
again to Renault. They walk away from the plane, Heinze
following, with Casselle and Tonelli bringing up the rear,
engaged in a heated exchange of words.

RENAULT
You may find the climate of
Casablanca a trifle warm, Major.
8.

STRASSER
Oh, we Germans must get used to all
climates, from Russia to the
Sahara. But perhaps you were not
referring to the weather.

RENAULT
(sidesteps the
implication with a smile)
What else, my dear Major?

STRASSER
(casually)
By the way, the murder of the
couriers, what has been done?

RENAULT
Realizing the importance of the
case, my men are rounding up twice
the usual number of suspects.

HEINZE
We already know who the murderer
is.

STRASSER
Good. Is he in custody?

RENAULT
Oh, there is no hurry. Tonight
he'll be at Rick's. Everybody comes
to Rick's.

STRASSER
I have already heard about this
cafe, and also about Mr. Rick
himself.

DISSOLVE TO:

12 EXT. RICK'S CAFE - NIGHT 12

The neon sign above the door is brightly lit. Customers
arrive and go in through the front door. From inside we
hear sounds of MUSIC and LAUGHTER. The song is "It Had to
Be You."

Again we isolate on the neon sign.

INSERT SIGN: "Rick's Cafe Americain".

We follow a group of customers inside.
9.

Genres: Drama, War, Thriller
Tone: Tense, Suspenseful, Formal, Intense

Summary Major Strasser, a German officer, arrives at an airfield in Casablanca. He is greeted by Captain Renault and other officials. Strasser asks about the murder of some couriers and is assured by Renault that suspects are being rounded up.

Strengths

Effective introduction of Major Strasser
Establishment of tension and conflict
Sharp dialogue

Weaknesses

Limited emotional impact
Lack of significant character development

General Critique

The scene effectively sets the stage with the arrival of Major Strasser and the introduction of key characters like Captain Renault, Herr Heinze, and Captain Tonelli.
The dialogue between the characters is well-written and establishes the tension between the different nationalities and their allegiances.
The scene effectively conveys the political climate of Casablanca during World War II and the power dynamics at play.
The visual descriptions help create a vivid picture of the setting and the characters' interactions.
The scene transitions smoothly from the airfield to Rick's Cafe, setting up the next location and introducing the iconic setting.

Expert Critiques

Critique by Unknown Expert

General Suggestions

Consider adding more depth to the characters' interactions to further develop their relationships and motivations.
Explore opportunities to add subtext and layers to the dialogue to enhance the complexity of the characters.
Introduce more visual elements to enhance the atmosphere and mood of the scene.
Consider incorporating more sensory details to immerse the audience in the setting and create a more immersive experience.
Ensure that the transition between locations is seamless and serves to advance the plot effectively.

Expert Suggestions

Suggestion by Unknown Expert

13 INT. RICK'S CAFE - MAIN ROOM - NIGHT 13

Rick's is an expensive and chic nightclub which definitely
possesses an air of sophistication and intrigue.

SAM, a middle-aged Negro, sits on a stool before a small,
salmon-colored piano on wheels, playing and singing while
accompanied by a small orchestra.

All about him there is the HUM of voices, CHATTER and
LAUGHTER.

The occupants of the room are varied. There are Europeans
in their dinner jackets, their women beautifully begowned
and bejeweled. There are Moroccans in silk robes. Turks
wearing fezzes. Levantines. Naval officers. Members of the
Foreign Legion, distinguished by their kepis.

Two men sit at a table.

MAN
Waiting, waiting, waiting. I'll
never get out of here. I'll die in
Casablanca.

His companion seems uninterested in his dilemma. Sympathy
is evidently in short supply in Casablanca.

At another table a very well-dressed WOMAN talks to a MOOR.
She has a bracelet on her wrist. No other jewelry.

WOMAN
But can't you make it just a little
more? Please.

MOOR
I'm sorry, Madame, but diamonds are
a drug on the market. Everybody
sells diamonds. There are diamonds
everywhere. Two thousand, four
hundred.

WOMAN
All right.

On to another table where two CONSPIRATORS talk.

CONSPIRATOR
The trucks are waiting, the men are
waiting. Everything is --

He stops abruptly as two German officers walk by.
10.

A REFUGEE and another MAN converse at another table.

MAN
It's the fishing smack Santiago. It
leaves at one tomorrow night, here
from the end of La Medina. Third
boat.

REFUGEE
Thank you, oh, thank you.

MAN
And bring fifteen thousand francs
in cash. Remember, in cash.

On the way to the bar we pass several tables and hear a
Babel of foreign tongues. Here and there we catch a
scattered phrase or sentence in English.

SACHA, a friendly young Russian bartender, hands a drink to
a customer with the Russian equivalent of "Bottoms Up." The
customer answers with "Cheerio."

CARL, the waiter, is a fat, jovial German refugee with
spectacles. He walks, tray in hand, to a private door, over
which ABDUL, a large, burly man, stands guard.

CARL
Open up, Abdul.

ABDUL
(respectfully)
Yes, Herr Professor.

Abdul opens the door and Carl goes into the gambling room.

Genres: Drama, Thriller, War
Tone: Suspenseful, Intriguing, Tense, Mysterious

Summary Various characters from different backgrounds engage in conversations and transactions at Rick's Cafe in Casablanca. The atmosphere is lively with the hum of voices, chatter, and laughter. Tension and intrigue are hinted at with discussions about waiting, diamonds, and secret plans, but no conflicts are explicitly resolved in this scene. The tone is sophisticated, mysterious, and bustling with activity as patrons interact in the main room of the cafe at night.

Strengths

Rich atmosphere and setting description
Intriguing and diverse characters
Subtle introduction of conflicts and tensions

Weaknesses

Lack of clear character arcs in this specific scene
Some dialogue may be too cryptic for easy understanding

General Critique

The scene effectively sets the tone of Rick's Cafe as an upscale and sophisticated nightclub with an air of intrigue.
The diverse mix of characters adds depth to the scene and reflects the cosmopolitan nature of Casablanca during World War II.
The dialogue snippets provide a glimpse into the various conversations happening in the cafe, adding to the ambiance.
The interactions between the characters, such as the negotiation over diamonds and the discussion about a fishing smack, add layers to the scene.
The use of different languages and cultural references enhances the authenticity of the setting.
The introduction of key characters like Sam, Sacha, and Carl helps establish the dynamics within the cafe.
The scene effectively transitions from one table to another, giving a sense of the bustling activity in the cafe.
The inclusion of the gambling room adds an element of mystery and intrigue to the setting.

Expert Critiques

Critique by Unknown Expert

General Suggestions

Consider adding more visual descriptions to enhance the atmosphere of the scene, such as the lighting, decor, and music playing in the background.
Explore opportunities to deepen the interactions between the characters to create more engaging dialogue exchanges.
Introduce subtle hints or foreshadowing elements that can build anticipation for future plot developments.
Ensure that each character's actions and dialogue contribute to the overall narrative and help move the story forward.
Consider incorporating more sensory details to immerse the audience in the scene, such as the smells of food and drinks, the sounds of music and chatter, and the feel of the atmosphere.
Experiment with varying sentence structures and pacing to create a dynamic and engaging reading experience.
Provide more context or background information about the characters to enrich their personalities and motivations.
Consider incorporating elements of conflict or tension to add depth to the interactions between the characters.

Expert Suggestions

Suggestion by Unknown Expert

14 INT. RICK'S CAFE - GAMBLING ROOM - NIGHT 14

Their is much activity at the various tables. At one table
TWO WOMEN and a MAN play cards. They glance at another
table. One of them calls to Carl.

FIRST WOMAN
Uh, waiter.

CARL
Yes, Madame?

FIRST WOMAN
Will you ask Rick if he'll have a
drink with us?
11.

CARL
Madame, he never drinks with
customers. Never. I have never seen
him.

SECOND WOMAN
(disappointedly)
What makes saloon-keepers so
snobbish?

MAN
(to Carl)
Perhaps if you told him I ran the
second largest banking house in
Amsterdam.

CARL
The second largest? That wouldn't
impress Rick. The leading banker in
Amsterdam is now the pastry chef in
our kitchen.

MAN
We have something to look forward
to.

CARL
And his father is the bellboy.

Carl laughs.

The overseer walks up to a table with a paper in his hand.

Then we see a drink and a man's hand, but nothing more. The
overseer places a check on the table. The hand picks up the
check and writes on it, in pencil, "Okay-Rick."

The overseer takes the check.

We now see RICK, sitting at a table alone playing solitaire
chess. Rick is an American of indeterminate age. There is
no expression on his face, complete deadpan.

There is a commotion at the door as people attempt to come
into the gambling room. He nods approval to Abdul.

Then a GERMAN appears in the doorway. Abdul looks to Rick
who glances back toward the open door and nods "no".

Abdul starts to close the door on the man.

ABDUL
12.

I'm sorry sir, this is a private
room.

GERMAN
Of all the nerve! Who do you think
-- I know there's gambling in
there! There's no secret. You dare
not keep me out of here!

The man tries to push his way through the door as Rick
walks up.

RICK
(coldly)
Yes? What's the trouble?

ABDUL
This gentleman --

The German interrupts and waves his card.

GERMAN
I've been in every gambling room
between Honolulu and Berlin and if
you think I'm going to be kept out
of a saloon like this, you're very
much mistaken.

At this moment UGARTE, a small, thin man with a nervous
air, tries to squeeze through the doorway blocked by the
German. If he were an American, Ugarte would look like a
tout.

He gets through and passes Rick.

UGARTE
Uh, excuse me, please. Hello, Rick.

RICK
(softly)
Hello Ugarte.

Rick looks at the German calmly, takes the card out of his
hand, and tears it up.

RICK
Your cash is good at the bar.

GERMAN
What! Do you know who I am?

RICK
13.

I do. You're lucky the bar's open
to you.

GERMAN
This is outrageous. I shall report
it to the Angriff!

The German storms off, tossing the pieces of his card into
the air behind him.

Rick meets Ugarte on his way back to his table.

UGARTE
(fawning)
Huh. You know, Rick, watching you
just now with the Deutsches Bank,
one would think you'd been doing
this all your life.

RICK
(stiffening)
Well, what makes you think I
haven't?

UGARTE
(vaguely)
Oh, nothing. But when you first
came to Casablanca, I thought --

RICK
(coldly)
-- You thought what?

Fearing to offend Rick, Ugarte laughs.

UGARTE
What right do I have to think?

Ugarte pulls out a chair at Rick's table.

UGARTE
May I? Too bad about those two
German couriers, wasn't it?

RICK
(indifferently)
They got a lucky break. Yesterday
they were just two German clerks.
Today they're the 'Honored Dead'.

UGARTE
14.

You are a very cynical person,
Rick, if you'll forgive me for
saying so.

Ugarte sits down.

RICK
(shortly)
I forgive you.

A waiter comes up to the table with a tray of drinks. He
places one before Ugarte.

UGARTE
Thank you.
(to Rick)
Will you have a drink with me
please?

RICK
No.

UGARTE
I forgot. You never drink with --
(to waiter)
I'll have another, please.
(to Rick, sadly)
You despise me, don't you?

RICK
(indifferently)
If I gave you any thought, I
probably would.

UGARTE
But why? Oh, you object to the kind
of business I do, huh? But think of
all those poor refugees who must
rot in this place if I didn't help
them. That's not so bad. Through
ways of my own I provide them with
exit visas.

RICK
For a price, Ugarte, for a price.

UGARTE
But think of all the poor devils
who cannot meet Renault's price. I
get it for them for half. Is that
so parasitic?

RICK
15.

I don't mind a parasite. I object
to a cut-rate one.

UGARTE
Well, Rick, after tonight I'll be
through with the whole business,
and I am leaving finally this
Casablanca.

RICK
Who did you bribe for your visa?
Renault or yourself?

UGARTE
(ironically)
Myself. I found myself much more
reasonable.

He takes an envelope from his pocket and lays it on the
table.

UGARTE
Look, Rick, do you know what this
is? Something that even you have
never seen. Letters of transit
signed by General de Gaulle. Cannot
be rescinded, not even questioned.

Rick appears ready to take them form Ugarte.

UGARTE
One moment. Tonight I'll be selling
those for more money than even I
have ever dreamed of, and then,
addio Casablanca! You know, Rick, I
have many friends in Casablanca,
but somehow, just because you
despise me you're the only one I
trust. Will you keep these for me?
Please.

RICK
For how long?

UGARTE
Perhaps an hour, perhaps a little
longer.

RICK
I don't want them here overnight.

UGARTE
16.

Don't be afraid of that. Please
keep them for me. Thank you. I knew
I could trust you.

Rick takes them. Ugarte leaves the table just as the waiter
comes up.

UGARTE
Oh, waiter. I'll be expecting some
people. If anybody asks for me,
I'll be right here.

WAITER
Yes, Monsieur.

The waiter leaves. Ugarte turns to Rick.

UGARTE
Rick, I hope you are more impressed
with me now, huh? If you'll forgive
me, I'll share my good luck with
your roulette wheel.

He starts across the floor.

RICK
Just a moment.

Ugarte stops as Rick comes up to him.

RICK
Yeah, I heard a rumor that those
German couriers were carrying
letters of transit.

Ugarte hesitates for a moment.

UGARTE
Huh? I heard that rumor, too. Poor
devils.

Rick looks at Ugarte steadily.

RICK
(slowly)
Yes, you're right, Ugarte. I am a
little more impressed with you.

Rick leaves the gambling room and goes into the main room.

CUT TO:
17.

Genres: Drama, War, Thriller
Tone: Cold, Indifferent, Tense, Sarcastic

Summary A group of customers request Rick join them for a drink, but Carl informs them that Rick never drinks with customers. Ugarte approaches Rick and tries to impress him by offering to show him letters of transit signed by General de Gaulle, but Rick remains unimpressed. Ugarte then places the letters on the table and asks Rick to hold them for him. Before Ugarte leaves, Rick informs him that he has heard rumors that the German couriers were carrying letters of transit. Ugarte remains calm but seems slightly nervous. Carl enters the gambling room at the scene's end.

Strengths

Sharp dialogue
Tense atmosphere
Intriguing plot setup

Weaknesses

Limited character development
Some dialogue may come off as melodramatic

General Critique

The scene lacks a clear focus and direction, with multiple conversations and interactions happening simultaneously without a central conflict or theme.
The dialogue feels disjointed and lacks depth, with characters making superficial remarks and exchanges that don't contribute much to the overall story.
The character of Ugarte is introduced abruptly and his interactions with Rick feel forced and unnatural, lacking in genuine emotion or tension.
The pacing of the scene is slow and meandering, with too much emphasis on minor details and interactions that don't move the plot forward.
There is a lack of visual storytelling and atmosphere, with the setting of Rick's Cafe not being fully utilized to create a sense of intrigue or tension.

Expert Critiques

Critique by Unknown Expert

General Suggestions

Focus on developing a central conflict or theme for the scene to give it more purpose and direction.
Refine the dialogue to make it more meaningful and impactful, with characters expressing deeper emotions and motivations.
Integrate Ugarte's character more organically into the scene, building up to his interaction with Rick in a more natural way.
Improve the pacing by trimming unnecessary dialogue and interactions, and focusing on key moments that drive the story forward.
Enhance the visual elements of the scene to create a more immersive and engaging atmosphere in Rick's Cafe.

Expert Suggestions

Suggestion by Unknown Expert

15 INT. RICK'S CAFE - MAIN ROOM - NIGHT 15

Rick makes his way over to Sam, who plays and sings the
"Knock Wood" number, accompanied by the orchestra. The cafe
is in semi-darkness. The spotlight is on Sam, and every
time the orchestra comes in on the "Knock Wood" business,
the spotlight swings over to the orchestra.

During one of the periods when the spotlight is on the
orchestra, Rick slips the letters of transit into the
piano.

FERRARI, owner of the Blue Parrot, a competing night spot,
comes into the cafe, sits down, and watches Sam.

Then he sees Rick and they smile at each other. At the end
of the number Ferrari goes to the bar to speak to Rick.

FERRARI
Hello, Rick.

RICK
Hello, Ferrari. How's business at
the Blue Parrot?

FERRARI
Fine, but I would like to buy your
cafe.

RICK
It's not for sale.

FERRARI
You haven't heard my offer.

RICK
It's not for sale at any price.

FERRARI
What do you want for Sam?

RICK
I don't buy or sell human beings.

FERRARI
That's too bad. That's Casablanca's
leading commodity. In refugees
alone we could make a fortune if
you would work with me through the
black market.

RICK
18.

Suppose you run your business and
let me run mine.

FERRARI
Suppose we ask Sam. Maybe he'd like
to make a change.

RICK
Suppose we do.

FERRARI
My dear Rick, when will you realize
that in this world today
isolationism is no longer a
practical policy?

Rick and Ferrari walk over to the piano.

RICK
Sam, Ferrari wants you to work for
him at the Blue Parrot.

SAM
I like it fine here.

RICK
He'll double what I pay you.

SAM
Yeah, but I ain't got time to spend
the money I make here.

RICK
Sorry.

Apparently satisfied, Ferrari walks away.

Back at the bar, YVONNE, an attractive young French woman,
sits on a stool drinking brandy.

Sacha, who looks at her with lovesick eyes, fills her
tumbler.

SACHA
The boss's private stock. Because,
Yvonne, I loff you.

YVONNE
(morosely)
Oh, shut up.

SACHA
(fondly)
19.

All right, all right. For you,
Yvonne, I shot opp, because,
Yvonne, I loff you. Uh oh.

Rick saunters over and leans on the bar, next to Yvonne.

He pays no attention to her. She looks at him bitterly,
without saying a word.

SACHA
Oh, Monsieur Rick, Monsieur Rick.
Some Germans, boom, boom, boom,
boom, gave this check. Is it all
right?

Rick looks the check over and tears it up. Yvonne has never
taken her eyes off Rick.

YVONNE
Where were you last night?

RICK
That's so long ago, I don't
remember.

YVONNE
Will I see you tonight?

RICK
(matter-of-factly)
I never make plans that far ahead.

Yvonne turns, looks at Sacha, and extends her glass to him.

YVONNE
Give me another.

RICK
Sacha, she's had enough.

YVONNE
Don't listen to him, Sacha. Fill it
up.

SACHA
Yvonne, I loff you, but he pays me.

Yvonne wheels on Rick with drunken fury.

YVONNE
Rick, I'm sick and tired of having
you --
20.

RICK
-- Sacha, call a cab.

SACHA
Yes, boss.

Rick takes Yvonne by the arm.

RICK
Come on, we're going to get your
coat.

YVONNE
Take your hands off me!

He pulls her along toward the door.

RICK
No. You're going home. You've had a
little too much to drink.

CUT TO:

Genres: Drama, Romance, War
Tone: Tense, Emotional, Intense, Melancholic

Summary Rick refuses Ferrari's offer to buy his cafe and Sam, while Yvonne expresses anger towards him. Sacha calls a cab for Yvonne as Rick tries to take her to get her coat, but she resists.

Strengths

Complex character dynamics
Sharp dialogue
Emotional depth

Weaknesses

Limited character development in some supporting roles

General Critique

The scene lacks a clear sense of direction or purpose, with multiple interactions and dialogues that don't seem to contribute significantly to the overall plot or character development.
The dialogue between Rick and Ferrari about buying the cafe and Sam's employment feels forced and doesn't add depth to the characters or the story.
The interaction between Sacha and Yvonne, as well as Yvonne's drunken outburst towards Rick, feels cliched and lacks originality.
The scene lacks a strong emotional impact or tension, making it feel flat and unengaging for the audience.
The transition between different interactions and dialogues is abrupt and disjointed, making the scene feel fragmented and disconnected.

Expert Critiques

Critique by Unknown Expert

General Suggestions

Focus on streamlining the interactions and dialogues to make them more purposeful and impactful to the overall story.
Consider adding more depth to the conversations between characters to reveal their motivations, conflicts, and relationships more effectively.
Introduce more subtext and nuance in the interactions to create tension and intrigue that keeps the audience engaged.
Work on creating a more cohesive and fluid narrative flow by connecting the different elements of the scene more seamlessly.
Explore ways to heighten the emotional stakes and character dynamics to make the scene more compelling and resonant.

Expert Suggestions

Suggestion by Unknown Expert

16 EXT. RICK'S CAFE - NIGHT 16

Sacha stands at the curb on the street in front of Rick's
and signals for a cab.

SACHA
Taxi!

Soon one pulls up.

Rick and Yvonne come out of the cafe. He puts a coat over
her shoulders and she objects violently.

YVONNE
Who do you think you are, pushing
me around? What a fool I was to
fall for a man like you.

Rick and Yvonne approach the waiting cab.

RICK
(to Sacha)
You'd better go with her, Sacha, to
be sure she gets home.

SACHA
Yes, boss.
21.

RICK
And come right back.

SACHA
(his face falling)
Yes, boss.

Rick stands and looks up at the revolving beacon light from
the airport. It intermittently sheds its light on Rick's
face.

Renault sits at a table on the cafe terrace, watching this
evening's performance.

RENAULT
Hello, Rick.

Rick walks over to him.

RICK
Hello, Louis.

RENAULT
How extravagant you are, throwing
away women like that. Someday they
may be scarce.

Rick sits down at the table.

RENAULT
(amused)
You know, I think now I shall pay a
call on Yvonne, maybe get her on
the rebound, eh?

RICK
When it comes to women, you're a
true democrat.

As they talk, Captain Tonelli and Lieutenant Casselle walk
by toward the entrance of the cafe. Casselle talks non-stop
and Tonelli tries. They both stop, salute Renault, and walk
into the cafe.

RENAULT
If he gets a word in it'll be a
major Italian victory.

Rick laughs.

Rick and Renault look up when they hear the BUZZ of a plane
taking off from the adjacent airfield. The plane flies
directly over their heads.
22.

RENAULT
The plane to Lisbon.
(pause)
You would like to be on it?

RICK
(curtly)
Why? What's in Lisbon?

RENAULT
The clipper to America.

Rick doesn't answer. His look isn't a happy one.

RENAULT
I have often speculated on why you
don't return to America. Did you
abscond with the church funds? Did
you run off with a senator's wife?
I like to think you killed a man.
It's the romantic in me.

Rick still looks in the direction of the airport.

RICK
It was a combination of all three.

RENAULT
And what in heaven's name brought
you to Casablanca?

RICK
My health. I came to Casablanca for
the waters.

RENAULT
Waters? What waters? We're in the
desert.

RICK
I was misinformed.

RENAULT
Huh!

EMIL, the croupier, comes out of the cafe and walks over to
Rick.

EMIL
Excuse me, Monsieur Rick, but a
gentleman inside has won twenty
thousand francs. The cashier would
like some money.
23.

RICK
Well, I'll get it from the safe.

EMIL
I am so upset, Monsieur Rick. You
know I can't understand --

RICK
-- Forget it, Emil. Mistakes like
that happen all the time.

EMIL
I'm awfully sorry.

The three men enter the cafe.

CUT TO:

Genres: Drama, War, Romance
Tone: Tense, Sarcastic, Melancholic, Amused

Summary Rick and Yvonne exchange heated words while Renault observes. Rick sends Sacha to escort Yvonne home and faces Renault's insinuations about his relationship with her. As money is needed for a casino payout, Rick, Renault, and Emil enter the cafe.

Strengths

Rich character development
Engaging dialogue
Intriguing setting

Weaknesses

Some dialogue may be overly expository

General Critique

The scene lacks a clear sense of purpose or direction, with multiple interactions and conversations that don't seem to lead anywhere significant.
The dialogue between Rick and Renault feels forced and lacks depth, making their interaction less engaging for the audience.
The tension between Rick and Yvonne is not fully explored or resolved, leaving their conflict feeling unresolved.
The transition between different conversations and interactions is abrupt and disjointed, making the scene feel disconnected.
The scene could benefit from more focused character development and meaningful interactions to drive the story forward.

Expert Critiques

Critique by Unknown Expert

General Suggestions

Consider streamlining the interactions and conversations to focus on key plot points and character development.
Enhance the dialogue between Rick and Renault to add depth and complexity to their relationship.
Explore the tension between Rick and Yvonne further to create a more compelling conflict and resolution.
Improve the flow of the scene by creating smoother transitions between different interactions and conversations.
Work on developing the characters' motivations and goals to drive the scene towards a more impactful outcome.

Expert Suggestions

Suggestion by Unknown Expert

17 INT. RICK'S CAFE - MAIN ROOM - NIGHT 17

They pass Sam at the piano. He's playing "Baby Face". Rick
pats Sam on the shoulder.

RENAULT
Rick, there's going to be some
excitement here tonight. We are
going to make an arrest in your
cafe.

RICK
(somewhat annoyed)
What, again?

RENAULT
This is no ordinary arrest. A
murderer, no less.

Rick's eyes react. Involuntarily, they glance toward the
gambling room.

Renault catches the look.

RENAULT
If you are thinking of warning him,
don't put yourself out. He cannot
possibly escape.

RICK
I stick my neck out for nobody.

RENAULT
A wise foreign policy.
24.

They start upstairs to Rick's office, passing Casselle who
is still haranguing Tonelli.

RENAULT
You know, Rick, we could have made
this arrest earlier in the evening
at the Blue Parrot, but out of my
high regard for you we are staging
it here. It will amuse your
customers.

RICK
Our entertainment is enough.

They go inside the office.

Genres: Drama, Thriller
Tone: Tense, Suspenseful, Cynical

Summary Rick and Renault discuss an upcoming arrest for murder. Rick expresses curiosity about the murderer's identity, while Renault warns him not to interfere. They head upstairs to Rick's office to continue their discussion.

Strengths

Tense atmosphere
Sharp dialogue
Complex character dynamics

Weaknesses

Lack of significant character development in this specific scene

General Critique

The scene lacks a clear sense of urgency or tension considering the gravity of the situation - an impending arrest for murder.
The dialogue between Rick and Renault feels somewhat flat and lacks depth, missing an opportunity to explore their complex relationship further.
There is a missed opportunity to build suspense and intrigue leading up to the arrest, as the interaction between Rick and Renault feels somewhat casual and nonchalant.
The scene could benefit from more visual cues or actions to enhance the mood and tension, such as close-ups of the characters' expressions or subtle gestures.
The transition from the previous scene to this one could be smoother to maintain the flow of the narrative and keep the audience engaged.

Expert Critiques

Critique by Unknown Expert

General Suggestions

Consider adding more layers to the dialogue between Rick and Renault to delve deeper into their dynamic and create more intrigue.
Introduce subtle visual cues or actions to heighten the tension and suspense leading up to the arrest, such as close-ups or foreshadowing elements.
Enhance the sense of urgency and gravity of the situation by adjusting the tone and pacing of the scene.
Explore ways to make the transition from the previous scene to this one more seamless and engaging for the audience.
Consider adding more depth to Rick's reaction to the impending arrest, showcasing his internal conflict or emotions in a more nuanced way.

Expert Suggestions

Suggestion by Unknown Expert

18 INT. RICK'S CAFE - OFFICE - NIGHT 18

Rick opens up the safe in a small, dark room just off the
office. Only Rick's shadow can be seen getting the money
out.

RENAULT
Rick, we are to have an important
guest tonight, Major Strasser of
the Third Reich, no less. We want
him to be here when we make the
arrest. A little demonstration of
the efficiency of my
administration.

Rick moves out of the shadows and into view.

RICK
I see. And what's Strasser doing
here? He certainly didn't come all
the way to Casablanca to witness a
demonstration of your efficiency.

RENAULT
Perhaps not.

He gives the money to Emil.

RICK
Here you are.

EMIL
It shall not happen again,
Monsieur.

RICK
25.

That's all right.

Emil departs.

RICK
Louis, you've got something on your
mind. Why don't you spill it?

Rick closes the door to the office, then goes over to close
the safe.

RENAULT
How observant you are. As a matter
of fact, I wanted to give you a
word of advice.

RICK
Yeah? Have a brandy?

RENAULT
Thank you. Rick, there are many
exit visas sold in this cafe, but
we know that you have never sold
one. That is the reason we permit
you to remain open.

RICK
I thought it was because we let you
win at roulette.

RENAULT
That is another reason. There is a
man who's arrived in Casablanca on
his way to America. He will offer a
fortune to anyone who will furnish
him with an exit visa.

RICK
Yeah? What's his name?

RENAULT
Victor Laszlo.

RICK
Victor Laszlo?

Renault watches Rick's reaction.

RENAULT
Rick, that is the first time I have
ever seen you so impressed.

RICK
26.

Well, he's succeeded in impressing
half the world.

RENAULT
It is my duty to see that he
doesn't impress the other half.
Rick, Laszlo must never reach
America. He stays in Casablanca.

RICK
It'll be interesting to see how he
manages.

RENAULT
Manages what?

RICK
His escape.

RENAULT
Oh, but I just told you. --

RICK
-- Stop it. He escaped from a
concentration camp and the Nazis
have been chasing him all over
Europe.

RENAULT
This is the end of the chase.

RICK
Twenty thousand francs says it
isn't.

They sit down to discuss the matter in earnest.

RENAULT
Is that a serious offer?

RICK
I just paid out twenty. I'd like to
get it back.

RENAULT
Make it ten. I am only a poor
corrupt official.

RICK
Okay.

RENAULT
27.

Done. No matter how clever he is,
he still needs an exit visa, or I
should say, two.

RICK
Why two?

RENAULT
He is traveling with a lady.

RICK
He'll take one.

RENAULT
I think not. I have seen the lady.
And if he did not leave her in
Marseilles, or in Oran, he
certainly won't leave her in
Casablanca.

RICK
Maybe he's not quite as romantic as
you are.

RENAULT
It doesn't matter. There is no exit
visa for him.

RICK
Louis, whatever gave you the
impression that I might be
interested in helping Laszlo
escape?

RENAULT
Because, my dear Ricky, I suspect
that under that cynical shell
you're at heart a sentimentalist.

Rick makes a face.

RENAULT
Oh, laugh if you will, but I happen
to be familiar with your record.
Let me point out just two items. In
1935 you ran guns to Ethiopia. In
1936, you fought in Spain on the
Loyalist side.

RICK
And got well paid for it on both
occasions.
28.

RENAULT
The winning side would have paid
you much better.

RICK
Maybe. Well, it seems you are
determined to keep Laszlo here.

RENAULT
I have my orders.

RICK
Oh, I see. Gestapo spank.

Renault stands up.

RENAULT
My dear Ricky, you overestimate the
influence of the Gestapo. I don't
interfere with them and they don't
interfere with me. In Casablanca I
am master of my fate. I am captain
of my --

He stops short as his AIDE enters.

AIDE
-- Major Strasser is here, sir.

Renault starts to leave.

RICK
Yeah, you were saying?

RENAULT
(hurriedly)
Excuse me.

He hurries away. Rick smiles cynically.

CUT TO:

Genres: Drama, War, Romance
Tone: Cynical, Suspenseful, Confrontational, Intriguing

Summary In the dimly lit office of Rick's Cafe, Rick retrieves money from the safe as Renault informs him about the impending visit of Major Strasser. Renault intends to exploit this opportunity to showcase his efficiency by apprehending an individual in Strasser's presence. He subtly conveys his knowledge of Rick's abstinence from selling exit visas and cautions him about the arrival of Victor Laszlo, who seeks two such visas, as he is accompanied by a female companion. Renault places a wager of 10,000 francs with Rick, speculating that Laszlo will fail to escape Casablanca. Initially feigning indifference, Rick's interest is piqued when Renault highlights his past resistance against fascism, implying a potential affinity with Laszlo's cause. As Renault departs to greet Major Strasser, Rick remains deep in thought, contemplating the situation and his role in the impending events.

Strengths

Sharp dialogue
Intriguing political intrigue
Complex character dynamics
High stakes and moral dilemmas

Weaknesses

Limited character development in this specific scene
Some exposition-heavy dialogue

General Critique

The scene lacks a clear sense of urgency or tension, considering the high stakes involved with Major Strasser's visit and the impending arrest of Victor Laszlo.
The dialogue between Rick and Renault feels somewhat flat and lacks depth, especially given the weight of the situation they are discussing.
There is a missed opportunity to delve deeper into the characters' motivations and emotions, particularly Rick's reluctance to help Laszlo and Renault's conflicting loyalties.
The scene could benefit from more dynamic interactions and a sense of suspense to keep the audience engaged.
The pacing of the scene feels a bit slow, and there is a lack of visual elements or actions to enhance the storytelling.

Expert Critiques

Critique by Unknown Expert

General Suggestions

Consider adding more subtext and layers to the dialogue between Rick and Renault to convey their complex relationship and conflicting interests.
Introduce more visual cues or actions to heighten the tension and create a sense of urgency in the scene.
Explore the characters' emotions and internal conflicts more deeply to add depth and complexity to their interactions.
Enhance the pacing of the scene by tightening the dialogue and focusing on key moments that drive the plot forward.
Consider incorporating subtle gestures or expressions to convey the characters' thoughts and feelings without relying solely on dialogue.

Expert Suggestions

Suggestion by Unknown Expert

19 INT. RICK'S CAFE - MAIN ROOM - NIGHT 19

Renault walks up to Carl.

RENAULT
Carl, see that Major Strasser gets
a good table, one close to the
ladies.

CARL
29.

I have already given him the best,
knowing he is German and would take
it anyway.

Renault walks over to one of his officers.

RENAULT
Take him quietly. Two guards at
every door.

OFFICER
Yes, sir. Everything is ready, sir.

The officer salutes and goes off to speak to the guards.

Renault walks over to Strasser's table as Rick comes down
the stairs.

RENAULT
Good evening, gentlemen.

STRASSER
Good evening, Captain.

HEINZE
Won't you join us?

Renault sits down.

RENAULT
Thank you. It is a pleasure to have
you here, Major.

STRASSER
(to the waiter)
Champagne and a tin of caviar.

RENAULT
May I recommend Veuve Cliquot '26,
a good French wine.

STRASSER
Thank you.

WAITER
Very well, sir.

STRASSER
A very interesting club.

RENAULT
30.

Especially so tonight, Major. In a
few minutes you will see the arrest
of the man who murdered your
couriers.

STRASSER
I expected no less, Captain.

CUT TO:

20 INT. RICK'S CAFE - GAMBLING ROOM - NIGHT 20

Ugarte stands at the roulette table. Two gendarmes approach
him from behind.

GENDARME
Monsieur Ugarte?

Ugarte looks around.

UGARTE
Oh. Yes?

GENDARME
Will you please come with us.

UGARTE
Certainly. May I first please cash
my chips?

The officer nods. They follow Ugarte to the cashier's
window. Ugarte puts his chips through the window to the
CASHIER.

UGARTE
Pretty lucky, huh? Two thousand,
please.

Two more guards station themselves at the door in case
there is trouble.

CASHIER
Two thousand.

UGARTE
Thank you.

Ugarte starts to walk out, followed by the gendarmes. When
he reaches the doorway he suddenly rushes through and slams
the door behind himself.
31.

Genres: Drama, War, Thriller
Tone: Tense, Suspenseful, Dramatic, Intense

Summary In the bustling Rick's Cafe, Renault orchestrates Strasser's preferential seating and orders Ugarte's arrest. While Strasser savors champagne, Renault informs him of the impending apprehension of the man responsible for his couriers' deaths. Ugarte, however, attempts to flee after cashing his chips, only to be intercepted by guards, leaving his fate uncertain.

Strengths

Tension-building
Intriguing plot developments
Strong character dynamics

Weaknesses

Limited character development
Some predictable dialogue

General Critique

The scene lacks depth and fails to engage the audience emotionally or intellectually.
The dialogue is straightforward and lacks nuance or subtext, making the interactions feel flat.
There is a lack of tension or conflict in the scene, which is essential for keeping the audience interested.
The characters' motivations and emotions are not clearly conveyed, leaving the scene feeling superficial.
The pacing of the scene is slow and does not build towards any significant moment or revelation.

Expert Critiques

Critique by Unknown Expert

General Suggestions

Add more layers to the dialogue by incorporating subtext and hidden agendas among the characters.
Introduce a conflict or tension that drives the scene forward and keeps the audience engaged.
Develop the characters' motivations and emotions to create depth and complexity in their interactions.
Consider adding a twist or unexpected turn of events to make the scene more compelling.
Work on the pacing of the scene to build towards a climactic moment or reveal that captivates the audience.

Expert Suggestions

Suggestion by Unknown Expert

21 INT. RICK'S CAFE - MAIN ROOM - NIGHT 21

By the time the gendarmes manage to get the door open
again, Ugarte has pulled a gun.

He FIRES at the doorway. The SHOTS bring on pandemonium in
the cafe.

As Ugarte runs through the hallway he sees Rick, appearing
from the opposite direction, and grabs him.

UGARTE
Rick! Rick, help me!

RICK
Don't be a fool. You can't get
away.

UGARTE
Rick, hide me. Do something! You
must help me, Rick. Do something!

Guards and gendarmes rush in and grab Ugarte. Rick stands
impassively as they drag Ugarte off.

UGARTE
Rick! Rick!

We move to Strasser's table, who has witnessed the event.

STRASSER
Excellent, Captain.

Back to Rick, still standing where he was, as a CUSTOMER
walks by.

CUSTOMER
When they come to get me, Rick, I
hope you'll be more of a help.

RICK
I stick my neck out for nobody.

Rick comes out to the middle of the floor. An air of tense
expectancy pervades the room. A few customers are on the
point of leaving. Rick speaks in a very calm voice.

RICK
I'm sorry there was a disturbance,
folks, but it's all over now.
Everything's all right. Just sit
down and have a good time. Enjoy
yourself.
32.

Rick glances toward Sam.

RICK
All right, Sam.

Sam nods and begins to play.

Renault, Strasser, and Heinze sit calmly at their table
after witnessing the arrest.

Rick walks by.

RENAULT
(calling to Rick)
Oh, Rick?

Rick stops and comes over to their table.

RENAULT
Rick, this is Major Heinrich
Strasser of the Third Reich.

STRASSER
How do you do, Mr. Rick?

RICK
Oh, how do you do?

RENAULT
And you already know Herr Heinze of
the Third Reich.

Rick nods to Strasser and Heinze.

STRASSER
Please join us, Mr. Rick.

Rick sits down with them.

RENAULT
We are very honored tonight, Rick.
Major Strasser is one of the
reasons the Third Reich enjoys the
reputation it has today.

STRASSER
You repeat "Third Reich" as though
you expected there to be others.

RENAULT
Well, personally, Major, I will
take what comes.
33.

STRASSER
(to Rick)
Do you mind if I ask you a few
questions? Unofficially, of course.

RICK
Make it official, if you like.

STRASSER
What is your nationality?

RICK
(pokerfaced)
I'm a drunkard.

RENAULT
That makes Rick a citizen of the
world.

RICK
I was born in New York City if
that'll help you any.

STRASSER
I understand you came here from
Paris at the time of the
occupation.

RICK
There seems to be no secret about
that.

STRASSER
Are you one of those people who
cannot imagine the Germans in their
beloved Paris?

RICK
It's not particularly my beloved
Paris.

HEINZE
Can you imagine us in London?

RICK
When you get there, ask me.

RENAULT
Ho, diplomatist!

STRASSER
How about New York?
34.

RICK
Well, there are certain sections of
New York, Major, that I wouldn't
advise you to try to invade.

STRASSER
Aha. Who do you think will win the
war?

RICK
I haven't the slightest idea.

RENAULT
Rick is completely neutral about
everything. And that takes in the
field of women, too.

STRASSER
You weren't always so carefully
neutral. We have a complete dossier
on you.

Strasser takes a little black book from his pocket and
turns to a certain page.

STRASSER
"Richard Blaine, American. Age,
thirty-seven. Cannot return to his
country."

Strasser looks up from the book

STRASSER
The reason is a little vague. We
also know what you did in Paris,
Mr. Blaine, and also we know why
you left Paris.

Rick reaches over and takes the book from Strasser's hand.

STRASSER
Don't worry. We are not going to
broadcast it.

Rick looks up from the book.

RICK
Are my eyes really brown?

STRASSER
35.

You will forgive my curiosity, Mr.
Blaine. The point is, an enemy of
the Reich has come to Casablanca
and we are checking up on anybody
who can be of any help to us.

RICK
(glances toward Renault)
My interest in whether Victor
Laszlo stays or goes is purely a
sporting one.

STRASSER
In this case, you have no sympathy
for the fox, huh?

RICK
Not particularly. I understand the
point of view of the hound, too.

STRASSER
Victor Laszlo published the foulest
lies in the Prague newspapers until
the very day we marched in, and
even after that he continued to
print scandal sheets in a cellar.

RENAULT
Of course, one must admit he has
great courage.

STRASSER
I admit he is very clever. Three
times he slipped through our
fingers. In Paris he continued his
activities. We intend not to let it
happen again.

Rick gets up.

RICK
You'll excuse me, gentlemen. Your
business is politics. Mine is
running a saloon.

STRASSER
Good evening, Mr. Blaine.

Rick walks away toward the gambling room.

RENAULT
You see, Major, you have nothing to
worry about Rick.
36.

STRASSER
Perhaps.

A couple comes in the front door. They are VICTOR LASZLO,
the Czech resistance leader, and a very pretty young woman
wearing a simple white gown, MISS ILSA LUND. She is so
beautiful, in fact, that people turn to stare.

The HEADWAITER comes up to them.

HEADWAITER
Yes, Monsieur?

LASZLO
I reserved a table. Victor Laszlo.

HEADWAITER
Yes, Monsieur Laszlo. Right this
way.

As the headwaiter takes them to a table they pass by the
piano, and the woman looks at Sam.

Sam, with a conscious effort, keeps his eyes on the
keyboard as they go past. He appears to know this woman.
After she has gone by Sam steals a look in her direction.

BERGER, a slight, middle-aged man, observes the couple from
a distance.

The headwaiter seats Ilsa. Laszlo takes the chair opposite
and surveys the room.

Strasser and Renault look up at them from their table.

LASZLO
Two cointreaux, please.

WAITER
Yes, Monsieur.

LASZLO
(to Ilsa)
I saw no one of Ugarte's
description.

ILSA
Victor, I, I feel somehow we
shouldn't stay here.

LASZLO
37.

If we would walk out so soon, it
would only call attention to us.
Perhaps Ugarte's in some other part
of the cafe.

Berger walks up to their table.

BERGER
Excuse me, but you look like a
couple who are on their way to
America.

LASZLO
Well?

Berger takes a ring from his finger.

BERGER
You will find a market there for
this ring. I am forced to sell it
at a great sacrifice.

LASZLO
Thank you, but I hardly think --

BERGER
-- Then perhaps for the lady. The
ring is quite unique.

He holds it down for their view. Carefully lifting up the
stone, he reveals--

INSERT - a gold plate in the setting underneath, an
impression of the Lorraine Cross of General de Gaulle.

LASZLO
Oh, yes, I'm very interested.

Berger sits down with them.

BERGER
Good.

LASZLO
(lower voice)
What is your name?

BERGER
Berger, Norwegian, and at your
service, sir.

Renault approaches the table from behind Laszlo. Ilsa tries
to warn him.
38.

ILSA
Victor--

Laszlo understands.

LASZLO
(in a low voice)
I'll meet you in a few minutes at
the bar.
(in a louder voice)
I do not think we want to buy the
ring. But thank you for showing it
to us.

Berger, taking the cue, sighs and puts the ring away.

BERGER
Such a bargain. But that is your
decision?

LASZLO
I'm sorry. It is.

Berger gets up and leaves as Renault moves to the table.

RENAULT
Monsieur Laszlo, is it not?

LASZLO
Yes.

RENAULT
I am Captain Renault, Prefect of
Police.

LASZLO
Yes. What is it you want?

RENAULT
(amiably)
Merely to welcome you to Casablanca
and wish you a pleasant stay. It is
not often we have so distinguished
a visitor.

LASZLO
Thank you. I hope you'll forgive
me, Captain, but the present French
administration has not always been
so cordial. May I present Miss Ilsa
Lund?

RENAULT
39.

I was informed you were the most
beautiful woman ever to visit
Casablanca. That was a gross
understatement.

Ilsa's manner is friendly and reserved, her voice low and
soft.

ILSA
You are very kind.

LASZLO
Won't you join us?

He sits down.

RENAULT
If you will permit me.
(calls to the waiter)
Oh, Emil. Please, a bottle of your
best champagne, and put it on my
bill.

EMIL
Very well, sir.

LASZLO
No, Captain, please.

RENAULT
No. Please, Monsieur, it is a
little game we play. They put it on
the bill, I tear the bill up. It is
very convenient.

Ilsa glances off in Sam's direction.

ILSA
Captain, the boy who is playing the
piano, somewhere I have seen him.

RENAULT
Sam?

ILSA
Yes.

RENAULT
He came from Paris with Rick.

ILSA
Rick? Who's he?
40.

RENAULT
(smiling)
Mademoiselle, you are in Rick's and
Rick is --

ILSA
-- Is what?

RENAULT
Well, Mademoiselle, he's the kind
of a man that, well, if I were a
woman and I--
(taps his chest)
were not around, I should be in
love with Rick. But what a fool I
am talking to a beautiful woman
about another man.

Renault jumps to his feet as Strasser enters.

RENAULT
Excuse me. Ah, Major. Mademoiselle
Lund, Monsieur Laszlo, may I
present Major Heinrich Strasser.

Strasser bows and smiles pleasantly.

STRASSER
How do you do. This is a pleasure I
have long looked forward to.

There is not the slightest recognition from either Ilsa or
Laszlo.

Strasser waits to be asked to seat himself.

LASZLO
I'm sure you'll excuse me if I am
not gracious, but you see, Major
Strasser, I'm a Czechoslovakian.

STRASSER
You were a Czechoslovakian. Now you
are a subject of the German Reich!

Laszlo stands.

LASZLO
I've never accepted that privilege,
and I'm now on French soil.

STRASSER
41.

I should like to discuss some
matters arising from your presence
on French soil.

LASZLO
This is hardly the time or the
place.

STRASSER
(hardening)
Then we shall state another time
and another place. Tomorrow at ten
in the Prefect's office, with
Mademoiselle.

LASZLO
Captain Renault, I am under your
authority. Is it your order that we
come to your office?

RENAULT
(amiably)
Let us say that it is my request.
That is a much more pleasant word.

LASZLO
Very well.

Renault and Strasser bow shortly.

RENAULT
Mademoiselle.

STRASSER
Mademoiselle.

Renault and Strasser walk away.

RENAULT
A very clever tactical retreat,
Major.

Strasser looks at Renault sharply, but sees only a
noncommittal smile on Renault's face.

Laszlo remains standing at the table as Strasser and
Renault leave.

LASZLO
This time they really mean to stop
me.

ILSA
42.

Victor, I'm afraid for you.

LASZLO
We have been in difficult places
before, haven't we?

Ilsa smiles back at him, but her eyes are still troubled.

On the floor, CORINA strums a guitar and begins her number.

Meanwhile, Laszlo looks about with apparent casualness. He
sees Strasser and Renault whispering together, then notices
Berger at the bar.

LASZLO
I must find out what Berger knows.

ILSA
Be careful.

LASZLO
I will, don't worry.

He rises and goes off.

We see Ilsa's troubled profile.

While Corinna sings, Sam gives a worried glance in Ilsa's
direction. Ilsa watches him.

At the bar, Berger sips a drink. Laszlo walks up and
casually takes a place at the bar next to Berger.

LASZLO
Mr. Berger, the ring, could I see
it again?

BERGER
Yes, Monsieur.

LASZLO
(to Sacha)
A champagne cocktail, please.

Laszlo takes the ring and looks at it.

BERGER
(in a low voice)
I recognize you from the news
photographs, Monsieur Laszlo.

LASZLO
43.

In a concentration camp, one is apt
to lose a little weight.

BERGER
We read five times that you were
killed in five different places.

LASZLO
(smiles wryly)
As you see, it was true every
single time. Thank heaven I found
you, Berger. I am looking for a man
by the name of Ugarte. He is
supposed to help me.

Berger shakes his head.

BERGER
Ugarte cannot even help himself,
Monsieur. He is under arrest for
murder. He was arrested here
tonight.

Laszlo absorbs the shock quietly.

LASZLO
I see.

BERGER
(with intense devotion)
But we who are still free will do
all we can. We are organized,
Monsieur, underground like
everywhere else. Tomorrow night
there is a meeting at the Caverne
du Bois. If you would come--

He stops when Sacha brings the drink to Laszlo.

Corina finishes her song, and the crowd applauds quite
enthusiastically.

Ilsa sits alone at her table.

ILSA
(to waiter)
Will you ask the piano player to
come over here, please?

WAITER
Very well, Mademoiselle.

Renault comes up to the bar near Berger and Laszlo.
44.

RENAULT
How's the jewelry business, Berger?

BERGER
Er, not so good.
(to Sacha)
May I have my check, please?

RENAULT
Too bad you weren't here earlier,
Monsieur Laszlo. We had quite a bit
of excitement this evening, didn't
we, Berger?

BERGER
Er, yes. Excuse me, gentlemen.

LASZLO
My bill.

RENAULT
No. Two champagne cocktails,
please.

SACHA
Yes, sir.

Sam wheels in the piano to Ilsa's table. On his face is
that funny fear.

Ilsa herself is not as self-possessed as she tries to
appear. There is something behind this, some mystery.

ILSA
Hello, Sam.

SAM
Hello, Miss Ilsa. I never expected
to see you again.

He sits down and is ready to play.

ILSA
It's been a long time.

SAM
Yes, ma'am. A lot of water under
the bridge.

ILSA
Some of the old songs, Sam.

SAM
45.

Yes, ma'am.

Sam begins to play a number. He is nervous, waiting for
anything.

ILSA
Where is Rick?

SAM
(evading)
I don't know. I ain't seen him all
night.

Sam looks very uncomfortable.

ILSA
When will he be back?

SAM
Not tonight no more. He ain't
coming. Uh, he went home.

ILSA
Does he always leave so early?

SAM
Oh, he never-- well--
(desperately)
he's got a girl up at the Blue
Parrot. He goes up there all the
time.

ILSA
You used to be a much better liar,
Sam.

SAM
Leave him alone, Miss Ilsa. You're
bad luck to him.

ILSA
Play it once, Sam, for old time's
sake.

SAM
I don't know what you mean, Miss
Ilsa.

ILSA
Play it, Sam. Play "As Time Goes
By."

SAM
46.

Oh I can't remember it, Miss Ilsa.
I'm a little rusty on it.

Of course he can. He doesn't want to play it. He seems even
more scared now.

ILSA
I'll hum it for you.

Ilsa starts to hum.

Sam begins to play it very softly.

ILSA
Sing it, Sam.

And Sam sings.

SAM
You must remember this, A kiss is
just a kiss, A sigh is just a sigh,
The fundamental things apply, As
time goes by.

The door to the gambling room opens. Rick comes swinging
out. He's heard the music and he's livid.

SAM
And when two lovers woo, They both
say I love you, On that you can
rely, No matter what the future
brings, As time goes by.

Rick walks briskly up to the piano.

RICK
Sam, I thought I told you never to
play--

As he sees Ilsa he stops short. Sam stops playing.

Two close-ups reveal Ilsa and Rick seeing each other.

Rick appears shocked. For a long moment he just looks at
her.

Sam prepares to move the piano away.

Renault and Laszlo approach the table from the bar.

RENAULT
(to Ilsa)
47.

Well, you were asking about Rick
and here he is. Mademoiselle, may I
present --

RICK
-- Hello, Ilsa.

ILSA
Hello, Rick.

RENAULT
Oh, you've already met Rick,
Mademoiselle?

There's no answer from either.

RENAULT
Well then, perhaps you also ---

ILSA
-- This is Mr. Laszlo.

LASZLO
How do you do?

RICK
How do you do?

LASZLO
One hears a great deal about Rick
in Casablanca.

RICK
And about Victor Laszlo everywhere.

LASZLO
Won't you join us for a drink?

RENAULT
(laughing)
Oh, no, Rick never --

RICK
-- Thanks. I will.

Rick sits down.

RENAULT
Well! A precedent is being broken.
Er, Emil!

LASZLO
48.

This is a very interesting cafe. I
congratulate you.

RICK
And I congratulate you.

LASZLO
What for?

RICK
Your work.

LASZLO
Thank you. I try.

RICK
We all try. You succeed.

RENAULT
I can't get over you two. She was
asking about you earlier, Rick, in
a way that made me extremely
jealous.

ILSA
(to Rick)
I wasn't sure you were the same.
Let's see, the last time we met --

RICK
-- It was "La Belle Aurore."

ILSA
How nice. You remembered. But of
course, that was the day the
Germans marched into Paris.

RICK
Not an easy day to forget.

ILSA
No.

RICK
I remember every detail. The
Germans wore gray, you wore blue.

ILSA
Yes. I put that dress away. When
the Germans march out, I'll wear it
again.

RENAULT
49.

Ricky, you're becoming quite human.
I suppose we have to thank you for
that, Mademoiselle.

LASZLO
Ilsa, I don't wish to be the one to
say it, but it's late.

RENAULT
(glancing at his
wristwatch)
So it is. And we have a curfew here
in Casablanca. It would never do
for the Chief of Police to be found
drinking after hours and have to
fine himself.

Rick and Ilsa look at each other.

Laszlo signals the waiter

LASZLO
I hope we didn't overstay our
welcome.

RICK
Not at all.

WAITER
(to Laszlo)
Your check, sir.

Rick takes the check.

RICK
(to waiter)
Oh, it's my party.

RENAULT
Another precedent gone. This has
been a very interesting evening.
I'll call you a cab. Gasoline
rationing, time of night.

Renault leaves.

LASZLO
We'll come again.

RICK
Any time.

ILSA
50.

Say goodnight to Sam for me.

RICK
I will.

ILSA
There's still nobody in the world
who can play "As Time Goes By" like
Sam.

RICK
He hasn't played it in a long time.

Ilsa smiles.

ILSA
Goodnight.

LASZLO
Goodnight.

RICK
Goodnight.

Rick and Laszlo nod goodnight to each other. Laszlo and
Ilsa start to the door as Rick sits down again and stares
off in their direction.

CUT TO:

Genres: Drama, Romance, War
Tone: Tense, Emotional, Nostalgic, Formal

Summary Ugarte's arrest triggers chaos, leading to tense interactions between Rick, Strasser, and Renault. Laszlo and Ilsa arrive, discussing the resistance. Ilsa's request for 'As Time Goes By' sparks a reunion with Rick, hinting at unresolved feelings.

Strengths

Rich character interactions
Emotional depth
Intriguing dialogue
Historical context

Weaknesses

Some dialogue may be too formal or expository

General Critique

The scene starts with a chaotic event involving Ugarte pulling a gun, which creates tension and excitement. However, the transition from this chaotic event to the calm conversation between Rick, Renault, and Major Strasser feels abrupt and disjointed.
The dialogue between Rick, Renault, and Major Strasser is intriguing and reveals important information about the characters. However, the pacing of the conversation could be improved to make it more engaging and impactful.
The introduction of Victor Laszlo and Ilsa Lund adds depth to the scene, but the interactions between the characters feel somewhat forced and lack emotional depth.
The scene lacks a clear focus or central conflict, making it feel disjointed and lacking in tension. It jumps between different interactions without a clear throughline.
The interactions between the characters, especially Rick and Ilsa, could be more emotionally charged and nuanced to create a stronger impact on the audience.

Expert Critiques

Critique by Unknown Expert

General Suggestions

Consider restructuring the scene to create a smoother transition from the chaotic event with Ugarte to the conversation between Rick, Renault, and Major Strasser.
Focus on developing the emotional dynamics between the characters, especially Rick and Ilsa, to create a more engaging and impactful scene.
Clarify the central conflict or theme of the scene to give it a stronger sense of purpose and direction.
Work on pacing and dialogue to ensure that the interactions between the characters feel natural and compelling.
Consider adding more visual elements or actions to enhance the atmosphere and tension of the scene.

Expert Suggestions

Suggestion by Unknown Expert

22 EXT. RICK'S CAFE - NIGHT 22

Ilsa and Laszlo leave the cafe.

LASZLO
A very puzzling fellow, this Rick.
What sort is he?

Ilsa doesn't look at him.

ILSA
Oh, I really can't say, though I
saw him quite often in Paris.

They join Renault at the curb.

RENAULT
Tomorrow at ten at the Prefect's
office.

LASZLO
51.

We'll be there.

RENAULT
Goodnight.

ILSA
Goodnight.

LASZLO
Goodnight.

They get into a waiting cab, leaving Renault on the curb,
smoking and looking bemused.

The neon sign goes off and the doorway is now illuminated
by the revolving beacon from the airport.

CUT TO:

Genres: Drama, War, Romance
Tone: Tense, Mysterious, Bittersweet

Summary Ilsa Lund and Laszlo leave Rick's Cafe with bewilderment concerning Rick's conduct. They arrange a meeting with Renault at the Prefect's office and depart in a cab, leaving Renault behind. The neon sign outside the cafe is extinguished, and the doorway is illuminated by the airport's beacon.

Strengths

Intriguing setup of conflicts and relationships
Effective world-building in wartime Casablanca
Sharp dialogue that hints at hidden motives and tensions

Weaknesses

Some character motivations may need further development
Potential for more emotional depth in interactions

General Critique

The scene lacks depth in character interactions and emotional depth. There is a missed opportunity to delve into the complexities of Rick's character and his relationship with Ilsa and Laszlo.
The dialogue feels somewhat superficial and lacks the emotional weight needed for a pivotal moment in the story.
The scene could benefit from more visual cues and descriptions to enhance the atmosphere and tension between the characters.
There is a lack of resolution or development in the conflicts presented in the previous scenes, leaving the audience wanting more closure.
The scene feels rushed and could benefit from more nuanced interactions and character development.

Expert Critiques

Critique by Unknown Expert

General Suggestions

Consider adding more depth to the dialogue to convey the emotional complexities of the characters' relationships.
Explore the internal conflicts of Rick, Ilsa, and Laszlo more deeply to create a more engaging and impactful scene.
Introduce more visual elements to enhance the atmosphere and tension of the scene, such as lighting, facial expressions, and body language.
Provide more closure or development in the conflicts presented in the previous scenes to create a more satisfying narrative arc.
Slow down the pacing of the scene to allow for more nuanced interactions and character development.

Expert Suggestions

Suggestion by Unknown Expert

23 INT. RICK'S CAFE - MAIN ROOM - NIGHT 23

The customers have all gone. The house lights are out.

Rick sits alone at a table. There is a glass of bourbon on
the table directly in front of him, and another empty glass
on the table before an empty chair. Near at hand is a
bottle.

He fills his glass and drinks it quickly.

Rick just sits. His face is entirely expressionless. The
beacon light from the airport sweeps around the room
creating a mood of unreality.

Sam comes in and stands hesitantly beside Rick.

SAM
Boss.

No answer, as Rick drinks.

SAM
Boss!

RICK
Yeah?

SAM
Boss, ain't you going to bed?

RICK
52.

Not right now.

Sam now realizes Rick is in a very grim mood.

SAM
(lightly)
Ain't you planning on going to bed
in the near future?

RICK
No.

SAM
You ever going to bed?

RICK
No.

SAM
Well, I ain't sleepy either.

RICK
Good. Then have a drink.

SAM
No. Not me, boss.

RICK
Then don't have a drink.

SAM
Boss, let's get out of here.

RICK
(emphatically)
No, sir. I'm waiting for a lady.

SAM
(earnestly)
Please, boss, let's go. Ain't
nothing but trouble for you here.

RICK
She's coming back. I know she's
coming back.

SAM
We'll take the car and drive all
night. We'll get drunk. We'll go
fishing and stay away until she's
gone.

RICK
53.

Shut up and go home, will you?

SAM
(stubbornly)
No, sir. I'm staying right here.

Sam sits down at the piano and starts to play softly,
improvising.

RICK
They grab Ugarte and she walks in.
Well, that's the way it goes. One
in, one out. Sam?

SAM
Yeah, boss?

RICK
Sam, if it's December 1941 in
Casablanca, what time is it in New
York?

SAM
Uh, my watch stopped.

RICK
I bet they're asleep in New York.
I'll bet they're asleep all over
America.

Suddenly he pounds the table and buries his head in his
arms. Then he raises his head, trying to regain control.

RICK
Of all the gin joints in all the
towns in all the world, she walks
into mine.

He holds his head in his hands.

RICK
What's that you're playing?

SAM
Just a little something of my own.

RICK
Well, stop it. You know what I want
to hear.

SAM
No, I don't.
54.

RICK
You played it for her and you can
play it for me.

SAM
Well, I don't think I can remember
it.

RICK
If she can stand it, I can. Play
it!

SAM
Yes, boss.

Sam starts to play "As Time Goes By."

Rick just stares ahead as orchestra MUSIC slowly joins
Sam's playing.

DISSOLVE TO:

MONTAGE - PARIS IN THE SPRING

A) The Arc de Triomphe from a distance.

B) Rick drives a small, open car slowly along the
boulevard. He puts his arm around Ilsa. The background
scenery changes to a country road as she snuggles close to
him and puts her head on his shoulder.

C) An excursion boat on the Seine. Rick and Ilsa stand at
the rail of the boat. They seem to be transported by each
other as Ilsa laughs.

CUT TO:

Genres: Drama, Romance
Tone: Grim, Melancholic, Reflective

Summary Rick is sitting alone at a table in an empty Rick's Cafe, drinking bourbon and waiting for a woman. Sam tries to convince Rick to go home, but Rick refuses. Rick asks Sam to play the song 'As Time Goes By,' which reminds him of a past love, Ilsa. Rick is still in love with Ilsa and is waiting for her to come back to him.

Strengths

Emotional depth
Strong character development
Poignant dialogue

Weaknesses

Limited external plot progression

General Critique

The scene effectively sets a somber and introspective mood with Rick sitting alone in the empty cafe, drinking bourbon and waiting for a woman.
The dialogue between Rick and Sam conveys Rick's grim mood and determination to wait for the woman, adding depth to his character.
The use of the beacon light from the airport to create a mood of unreality adds a visual element to the scene, enhancing the atmosphere.
The reference to the time difference between Casablanca and New York in December 1941 adds a layer of historical context and highlights the sense of isolation and disconnection.
Rick's iconic line 'Of all the gin joints in all the towns in all the world, she walks into mine' captures the essence of his emotional turmoil and sets the stage for the unfolding drama.
The transition to the montage of Paris in the spring provides a contrast to the current setting and hints at the past romance between Rick and Ilsa.

Expert Critiques

Critique by Unknown Expert

General Suggestions

Consider adding more visual cues to enhance the mood and atmosphere of the scene, such as lighting effects or subtle background sounds.
Explore deeper into Rick's internal conflict and emotional turmoil to further engage the audience with his character.
Provide more context or hints about the woman Rick is waiting for to build anticipation and intrigue.
Consider incorporating more subtle hints or foreshadowing elements to connect the present moment with the past romance in Paris.
Experiment with different camera angles or shots to visually convey Rick's emotional state and isolation in the empty cafe.

Expert Suggestions

Suggestion by Unknown Expert

25 INT. RICK'S PARIS APARTMENT - DAY 25

Ilsa fixes flowers at the window while Rick opens
champagne. She walks over and joins him.

RICK
Who are you really? And what were
you before? What did you do and
what did you think? Huh?

ILSA
We said "no questions."

RICK
Here's looking at you, kid.
55.

They drink.

CUT TO:

26 INT. PARIS CAFE - NIGHT 26

Inside a swank Paris cafe, Rick and Ilsa dance. They appear
to be very much in love as the MUSIC plays.

CUT TO:

27 INT. ILSA'S PARIS APARTMENT - DAY 27

Ilsa flips a coin, then tosses it over to Rick.

ILSA
A franc for your thoughts.

RICK
In America they'd bring only a
penny. I guess that's about all
they're worth.

ILSA
I'm willing to be overcharged. Tell
me.

RICK
And I was wondering.

ILSA
Yes?

RICK
Why I'm so lucky. Why I should find
you waiting for me to come along.

ILSA
Why there is no other man in my
life?

RICK
Uh huh.

ILSA
That's easy. There was. He's dead.

RICK
I'm sorry for asking. I forgot we
said "no questions."
56.

ILSA
Well, only one answer can take care
of all our questions.

They kiss passionately.

CUT TO:

MONTAGE - NEWSREEL FOOTAGE OF THE GERMAN OCCUPATION OF
FRANCE.

A) The rubble of a burned-out, demolished building. A sign
with an arrow points to Paris.

B) German troops crossing a river.

C) Tanks rolling down the road toward Paris.

D) German war planes overhead.

CUT TO:

29 EXT. PARIS CAFE - DAY 29

A man sells newspapers to people crowded around him. There
is much excitement. Rick and Ilsa sit at a table. They buy
a newspaper and begin to read it.

Nearby, a group of frightened French people cluster around
a loudspeaker on a wagon. A harsh voice barks out the
tragic news of the Nazi push toward Paris.

RICK
Nothing can stop them now.
Wednesday, Thursday at the latest,
they'll be in Paris.

ILSA
(frightened)
Richard, they'll find out your
record. It won't be safe for you
here.

RICK
I'm on their blacklist already,
their roll of honor.

CUT TO:

Genres: Romance, Drama, War
Tone: Passionate, Intense, Melancholic, Tense

Summary Rick and Ilsa share champagne in her apartment as Rick questions Ilsa about her past. Ilsa reveals that her previous lover is dead. They dance at a cafe and share a passionate kiss back at her apartment. Newsreel footage shows the German occupation of France, and Rick and Ilsa discuss the danger it poses to Rick's safety.

Strengths

Emotional depth
Compelling dialogue
Strong character dynamics
Tension and suspense

Weaknesses

Some cliched romantic tropes

General Critique

The dialogue between Rick and Ilsa lacks depth and emotional complexity, considering their history and the intense emotions involved.
The transition between scenes feels abrupt and disjointed, making it difficult for the audience to follow the narrative flow.
The montage of newsreel footage of the German occupation of France disrupts the intimate moment between Rick and Ilsa, diminishing the impact of their conversation.
The scene lacks visual descriptions and details that could enhance the atmosphere and setting, leaving the audience with a limited sense of the environment.
The emotional intensity of the scene could be heightened with more nuanced interactions and character development.

Expert Critiques

Critique by Unknown Expert

General Suggestions

Expand on the dialogue between Rick and Ilsa to delve deeper into their emotions, past experiences, and the complexities of their relationship.
Smooth out the transitions between scenes to create a more cohesive and engaging narrative flow.
Consider integrating the newsreel footage more seamlessly into the scene or finding a more appropriate placement for it within the story.
Enhance the visual descriptions to paint a vivid picture of the setting and atmosphere, immersing the audience in the world of the characters.
Focus on building tension and emotional depth in the interactions between Rick and Ilsa to create a more impactful and memorable scene.

Expert Suggestions

Suggestion by Unknown Expert

30 INT. LA BELLE AURORE - AFTERNOON 30
57.

A small cafe in the Montmartre. A shadow on the floor
reflects the cafe sign "La Belle Aurore."

Rick, at the bar, gets glasses and a bottle of champagne.
He walks over to Ilsa and Sam at the piano.

Sam plays "As Time Goes By."

Ilsa seems unnerved. There is evidently something on her
mind.

Rick pours the champagne. His manner is wry, but not the
bitter wryness we have seen in Casablanca.

RICK
Henri wants us to finish this
bottle and then three more. He says
he'll water his garden with
champagne before he'll let the
Germans drink any of it.

Sam looks at his glass.

SAM
This sort of takes the sting out of
being occupied, doesn't it, Mr.
Richard?

RICK
You said it!
(to Ilsa)
Here's looking at you, kid.

Suddenly a loudspeaker BLARES out something in German. Rick
and Ilsa look at each other, then hurry to the window.

RICK
My German's a little rusty.

ILSA
It's the Gestapo. They say they
expect to be in Paris tomorrow.
They are telling us how to act when
they come marching in.

She smiles faintly.

ILSA
With the whole world crumbling, we
pick this time to fall in love.

RICK
58.

Yeah. It's pretty bad timing. Where
were you, say, ten years ago?

ILSA
Ten years ago? Let's see--
(pause as she thinks a
bit)
--Yes. I was having a brace put on
my teeth. Where were you?

RICK
Looking for a job.

Ilsa looks at him tenderly. Rick takes her in his arms, and
kisses her hungrily. While they are locked in an embrace
they hear the dull BOOM of cannons.

ILSA
(frightened)
Was that cannon fire, or is it my
heart pounding?

RICK
(grimly)
Ah, that's the new German 77. And
judging by the sound, only about
thirty-five miles away.

Another BOOM from the cannons.

RICK
And getting closer every minute.
Here. Drink up. We'll never finish
the other three.

SAM
The Germans'll be here pretty soon
now, and they'll come looking for
you. And don't forget there's a
price on your head.

Ilsa reacts to this worriedly.

RICK
I left a note in my apartment.
They'll know where to find me.

Ilsa looks at Rick.

ILSA
Strange. I know so very little
about you.
59.

RICK
I know very little about you, just
the fact that you had your teeth
straightened.

He chuckles.

ILSA
But be serious, darling. You are in
danger and you must leave Paris.

RICK
No, no, no, no. We must leave.

ILSA
(seriously)
Yes, of course, we --

RICK
-- The train for Marseilles leaves
at five o'clock. I'll pick you up
at your hotel at four-thirty.

ILSA
(quickly)
No, no. Not at my hotel. I, uh, I
have things to do in the city
before I leave. I'll meet you at
the station, huh?

RICK
All right. At a quarter to five.
(a thought strikes him)
Say, why don't we get married in
Marseilles?

Rick chuckles again.

ILSA
(evasively)
That's too far ahead to plan.

RICK
Yes, I guess it is a little too far
ahead. Well, let's see. What about
the engineer? Why can't he marry us
on the train?

ILSA
Oh, darling!

Suddenly Ilsa turns away and starts to cry.
60.

RICK
Well, why not? The captain on a
ship can. It doesn't seem fair
that-- Hey, hey, what's wrong, kid?

ILSA
I love you so much, and I hate this
war so much. Oh, it's a crazy
world. Anything can happen. If you
shouldn't get away, I mean, if, if
something should keep us apart,
wherever they put you and wherever
I'll be, I want you to know--

She can't go on. She lifts her face to his. He kisses her
gently.

ILSA
Kiss me. Kiss me as if it were the
last time.

He looks into her eyes, then he does kiss her as though it
were going to be the last time.

Her hand falls to the table and knocks over a glass.

CUT TO:

Genres: Romance, War, Drama
Tone: Tender, Anxious, Bittersweet, Grim

Summary Rick, Ilsa, and Sam meet at a small cafe in Montmartre to discuss the impending arrival of the Germans in Paris. Rick suggests they leave for Marseilles together to escape the danger. Tensions rise as they grapple with their emotions amidst the chaos of war, with key dialogue including Ilsa expressing her love for Rick and their discussion about getting married on the train. The scene ends with Ilsa asking Rick for a final kiss before a glass is knocked over.

Strengths

Emotional depth
Tension building
Character development

Weaknesses

Some cliched dialogue

General Critique

The scene effectively captures the tension and uncertainty of the time with the impending arrival of the Germans in Paris.
The dialogue between Rick and Ilsa is poignant and reveals their deep emotions and the complexities of their relationship.
The scene effectively conveys the sense of urgency and danger faced by the characters, adding to the overall suspense.
The use of visual elements such as the shadow of the cafe sign and the sound of cannons helps to create a vivid and immersive setting.
The emotional depth and vulnerability shown by Ilsa add layers to her character and enhance the emotional impact of the scene.

Expert Critiques

Critique by Unknown Expert

General Suggestions

Consider adding more visual cues to enhance the atmosphere and setting of the scene, such as the sounds of the city or the reactions of other patrons in the cafe.
Explore further the internal conflicts and motivations of the characters, particularly Rick and Ilsa, to add depth to their interactions.
Consider incorporating more subtext and subtle nuances in the dialogue to convey the underlying emotions and tensions between the characters.
Experiment with different pacing and rhythm in the scene to build suspense and create a more dynamic flow.
Continue to explore the themes of love, sacrifice, and the impact of war on personal relationships to enrich the emotional resonance of the scene.

Expert Suggestions

Suggestion by Unknown Expert

31 INT. GARE DE LYON - NIGHT 31

It's raining very hard at the train station.

There is a hectic, fevered excitement, evident in the faces
of the people that pass by. This is the last train from
Paris.

Rick appears in the crowd. He stops and puts his suitcase
down and glances at his watch.

A conductor calls out "All aboard, last train leaving in
three minutes."

Rain pours over his head and shoulders, but he doesn't seem
to notice. He nervously checks his watch again.

Suddenly Sam appears.

RICK
Where is she? Have you seen her?

SAM
61.

No, Mr. Richard. I can't find her.
She checked out of the hotel. But
this note came just after you left.

Sam pulls an envelope from his pocket. Rick grabs it, opens
it, and stares down at the letter.

INSERT LETTER
Richard,
I cannot go with you or ever see
you again. You must not ask why.
Just believe that I love you. Go,
my darling, and God bless you.
Ilsa

Raindrops pour down the letter, smudging the writing.

BACK TO SCENE

A whistle BLOWS.

SAM
(frantically)
That's the last call, Mr. Richard,
do you hear me? Come on, Mr.
Richard. Let's get out of here.
Come on, Mr. Richard, come on.

Sam pulls a stunned, reluctant Rick to the train. The train
starts to move just as he boards.

From the steps he looks off into the distance, then
crumbles the letter and tosses it away as the steam from
the engine clouds over him.

DISSOLVE TO:

34 INT. RICK'S CAFE - MAIN ROOM - NIGHT 34

Close-up of a glass on the table in the cafe. Rick's hand
reaches for it and knocks it over. We now see Rick's face
and he's very drunk.

Sam walks over to the table to pick up the glass and a
fallen chair.

Just then the door opens and it's Ilsa. Rick stares at the
doorway. Ilsa lingers a moment, then comes over to the
table.

ILSA
62.

Rick, I have to talk to you.

Her manner is a little uncertain, a little tentative, but
with a quiet determination beneath it.

RICK
Oh. I saved my first drink to have
with you. Here.

ILSA
No. No, Rick. Not tonight.

RICK
Especially tonight.

She sits down in the chair before the empty glass. Her eyes
are searching his face, but there is no expression on it
except a cold and impassive one.

Rick reaches for the bottle, and pours himself another
drink.

ILSA
Please.

RICK
Why did you have to come to
Casablanca? There are other places.

ILSA
I wouldn't have come if I had known
that you were here. Believe me,
Rick, it's true. I didn't know.

RICK
It's funny about your voice, how it
hasn't changed. I can still hear
it. "Richard dear, I'll go with you
any place. We'll get on a train
together and never stop."

ILSA
Please don't. Don't, Rick. I can
understand how you feel.

RICK
Huh! You understand how I feel. How
long was it we had, honey?

ILSA
I didn't count the days.

RICK
63.

Well, I did. Every one of them.
Mostly I remember the last one. A
wow finish. A guy standing on a
station platform in the rain with a
comical look on his face, because
his insides had been kicked out.

He takes a drink.

ILSA
Can I tell you a story, Rick?

RICK
Has it got a wow finish?

ILSA
I don't know the finish yet.

RICK
Well, go on, tell it. Maybe one
will come to you as you go along.

ILSA
It's about a girl who had just come
to Paris from her home in Oslo. At
the house of some friends she met a
man about whom she'd heard her
whole life, a very great and
courageous man. He opened up for
her a whole beautiful world full of
knowledge and thoughts and ideals.
Everything she knew or ever became
was because of him. And she looked
up to him and worshipped him with a
feeling she supposed was love.

RICK
Yes, that's very pretty. I heard a
story once. As a matter of fact,
I've heard a lot of stories in my
time. They went along with the
sound of a tinny piano playing in
the parlor downstairs, "Mister, I
met a man once when I was a kid,"
it'd always begin. Huh. I guess
neither one of our stories was very
funny. Tell me, who was it you left
me for? Was it Laszlo, or were
there others in between? Or aren't
you the kind that tells?

Ilsa gets up and leaves.
64.

Rick's head slumps over the table.

CUT TO:

Genres: Drama, Romance
Tone: Melancholic, Regretful, Intense

Summary Rick, searching for Ilsa at the train station, receives a letter from her stating she cannot meet him. Devastated, he boards a train. Later that night, Ilsa arrives at Rick's Cafe, where they confront their past and why she left. Despite their longing, Ilsa departs, leaving Rick broken-hearted.

Strengths

Emotional depth
Powerful performances
Compelling dialogue

Weaknesses

Some may find the scene overly melodramatic

General Critique

The scene effectively conveys Rick's heartbreak and devastation upon receiving Ilsa's letter and realizing she has left him.
The use of rain and the train station setting adds to the emotional intensity of the scene.
The letter from Ilsa is a powerful moment, but the impact could be enhanced by showing more of Rick's emotional reaction.
The interaction between Rick and Sam adds depth to Rick's character and highlights his vulnerability.
Ilsa's entrance at the end of the scene creates a sense of tension and sets up a dramatic confrontation between her and Rick.

Expert Critiques

Critique by Unknown Expert

General Suggestions

Consider adding more internal monologue or visual cues to show Rick's emotional turmoil more explicitly.
Explore ways to build up the tension and anticipation leading to Ilsa's entrance to create a more impactful moment.
Enhance the dialogue between Rick and Ilsa to delve deeper into their complex emotions and history together.
Utilize lighting and camera angles to enhance the mood and atmosphere of the scene.
Consider incorporating subtle gestures or actions to convey the characters' emotions non-verbally.

Expert Suggestions

Suggestion by Unknown Expert

35 INT. RENAULT'S OFFICE - MORNING 35

A sign on the door reads: Captain Renault, Prefect de
Police.

Strasser sits while Renault attends to some paperwork.

STRASSER
I strongly suspect that Ugarte left
the letters of transit with Mr.
Blaine. I would suggest you search
the cafe immediately and
thoroughly.

RENAULT
If Rick has the letters, he's much
too smart to let you find them
there.

STRASSER
You give him credit for too much
cleverness. My impression was that
he's just another blundering
American.

RENAULT
But we mustn't underestimate
American blundering. I was with
them when they "blundered" into
Berlin in 1918.

Strasser looks at him.

STRASSER
As to Laszlo, we want him watched
twenty-four hours a day.

RENAULT
(reassuringly)
It may interest you to know that at
this very moment he is on his way
here.

CUT TO:

36 INT. PREFECTURE LOBBY - MORNING 36
65.

Laszlo and Ilsa make their way through the jam in the lobby
of the Prefecture.

Jan and Annina talk to an officer.

OFFICER
(to Jan and Annina)
There's nothing we can do.

CUT TO:

Genres: Drama, War, Romance
Tone: Tense, Emotional, Suspenseful

Summary Strasser suspects Rick has possession of transit letters and proposes searching his cafe, but Renault doubts its effectiveness due to Rick's cunning. Amidst this, Laszlo and Ilsa enter the Prefecture lobby amidst a swarm of people.

Strengths

Rich character development
Emotional depth
Tension-filled dialogue

Weaknesses

Some predictable plot elements
Slightly melodramatic moments

General Critique

The dialogue between Strasser and Renault is engaging and reveals their contrasting views on Rick's intelligence and American 'blundering.'
The tension between Strasser's suspicion and Renault's confidence in Rick's cleverness adds depth to the scene.
The scene effectively sets up the anticipation of Laszlo's arrival and the potential confrontation between the characters.

Expert Critiques

Critique by Unknown Expert

General Suggestions

Consider adding more visual elements or actions to break up the dialogue and enhance the scene's dynamics.
Explore opportunities to show Strasser and Renault's body language and facial expressions to further convey their attitudes towards each other.
Introduce subtle hints or foreshadowing of future events to build suspense and intrigue for the audience.

Expert Suggestions

Suggestion by Unknown Expert

37 INT. RENAULT'S OFFICE - MORNING 37

Laszlo and Ilsa enter Renault's office.

Renault bows to them both.

RENAULT
I am delighted to see you both. Did
you have a good night's rest?

LASZLO
I slept very well.

RENAULT
That's strange. Nobody is supposed
to sleep well in Casablanca.

LASZLO
(coldly)
May we proceed with the business?

RENAULT
With pleasure. Won't you sit down?

LASZLO
Thank you.

They take their seats.

STRASSER
(now as cold as Laszlo)
Very well, Herr Laszlo, we will not
mince words. You are an escaped
prisoner of the Reich. So far you
have been fortunate enough in
eluding us. You have reached
Casablanca. It is my duty to see
that you stay in Casablanca.

LASZLO
66.

Whether or not you succeed is, of
course, problematical.

STRASSER
Not at all. Captain Renault's
signature is necessary on every
exit visa.
(turns to Renault)
Captain, would you think it is
possible that Herr Laszlo will
receive a visa?

RENAULT
I am afraid not. My regrets,
Monsieur.

LASZLO
Well, perhaps I shall like it in
Casablanca.

STRASSER
And Mademoiselle?

ILSA
You needn't be concerned about me.

LASZLO
Is that all you wish to tell us?

STRASSER
Don't be in such a hurry. You have
all the time in the world. You may
be in Casablanca indefinitely-- or
you may leave for Lisbon tomorrow,
on one condition.

LASZLO
And that is?

STRASSER
You know the leaders of the
underground movement in Paris, in
Prague, in Brussels, in Amsterdam,
in Oslo, in Belgrade, in Athens.

LASZLO
Even in Berlin.

STRASSER
Yes, even in Berlin. If you will
furnish me with their names and
their exact whereabouts, you will
have your visa in the morning.
67.

RENAULT
And the honor of having served the
Third Reich.

LASZLO
I was in a German concentration
camp for a year. That's honor
enough for a lifetime.

STRASSER
You will give us the names?

LASZLO
If I didn't give them to you in a
concentration camp where you had
more "persuasive methods" at your
disposal, I certainly won't give
them to you now.

The passionate conviction in his voice now reveals the
crusader.

LASZLO
And what if you track down these
men and kill them? What if you
murdered all of us? From every
corner of Europe, hundreds,
thousands, would rise to take our
places. Even Nazis can't kill that
fast.

STRASSER
Herr Laszlo, you have a reputation
for eloquence which I can now
understand. But in one respect you
are mistaken. You said the enemies
of the Reich could all be replaced,
but there is one exception. No one
could take your place in the event
anything unfortunate should occur
to you while you were trying to
escape.

LASZLO
You won't dare to interfere with me
here. This is still unoccupied
France. Any violation of neutrality
would reflect on Captain Renault.

RENAULT
Monsieur, insofar as it is in my
power --
68.

LASZLO
-- Thank you.

RENAULT
By the way, Monsieur, last night
you evinced an interest in Signor
Ugarte.

LASZLO
Yes.

RENAULT
I believe you have a message for
him?

LASZLO
Nothing important, but may I speak
to him now?

STRASSER
You would find the conversation a
trifle one-sided. Signor Ugarte is
dead.

Close-ups of Ilsa, then Laszlo, reveal their
disappointment.

Strasser observes their reaction.

ILSA
(softly)
Oh.

Renault holds a report.

RENAULT
I am making out the report now. We
haven't quite decided whether he
committed suicide or died trying to
escape.

LASZLO
Are you quite finished with us?

STRASSER
For the time being.

LASZLO
Good day.

Renault rings a buzzer and the door is opened for them.

As Ilsa and Laszlo leave, an OFFICER comes in.
69.

RENAULT
Undoubtedly their next step will be
to the black market.

OFFICER
Excuse me, Captain. Another visa
problem has come up.

RENAULT
Show her in.

OFFICER
Yes, sir.

Renault looks at himself in the mirror and straightens his
tie.

CUT TO:

Genres: Drama, War, Thriller
Tone: Tense, Cold, Serious, Confrontational, Resigned

Summary In Renault's office, Laszlo, Ilsa, and Renault discuss Laszlo's request for visas. Strasser threatens Laszlo's life for refusing to reveal the names of underground movement leaders. Despite Ilsa's concern, Laszlo remains defiant. Renault attempts to remain uninvolved as Strasser's threats escalate. The scene ends with Renault receiving a message about another visa issue, leaving the outcome uncertain.

Strengths

Intense dialogue
Character depth
Theme exploration
Tension building

Weaknesses

Limited physical action
Heavy reliance on dialogue

General Critique

The scene in Renault's office is filled with tension and intrigue, which is well-executed. The dialogue between Strasser, Laszlo, Ilsa, and Renault is sharp and reveals the power dynamics at play.
The conflict between Strasser's demands for information and Laszlo's refusal to comply adds depth to the scene and showcases the moral convictions of the characters.
The scene effectively conveys the stakes involved for the characters, especially with the threat of violence and the manipulation of power by Strasser and Renault.
The emotional reactions of Ilsa and Laszlo to the news of Ugarte's death add a layer of humanity to the characters and show their vulnerability in the face of danger.
The scene ends on a cliffhanger with the mention of a new visa problem, leaving the audience curious about what will happen next.

Expert Critiques

Critique by Unknown Expert

General Suggestions

Consider adding more visual elements to enhance the tension and suspense in the scene, such as close-ups of the characters' expressions or subtle gestures that convey their emotions.
Explore opportunities to deepen the conflict between the characters, perhaps by adding more layers to their motivations and desires.
Work on pacing to maintain the intensity of the scene and keep the audience engaged throughout.
Consider incorporating more subtext in the dialogue to add complexity to the relationships between the characters.
Continue to build on the themes of sacrifice, loyalty, and resistance that are present in the scene to create a more nuanced and compelling narrative.

Expert Suggestions

Suggestion by Unknown Expert

38 EXT. BLACK MARKET - DAY 38

The black market is a cluttered Arab street of bazaars,
shops and stalls. All kinds and races of people mill about
the merchandise which native dealers have on outdoor
display.

Both men and women are dressed in tropical clothes. The
canopies over the stalls give them some protection from the
scorching sun.

On the surface the atmosphere is merely languid, but
underneath lies the sinister workings of illicit trade.

A FRENCHMAN and a NATIVE huddle together and talk in low
tones.

NATIVE
I'm sorry, Monsieur, we would have
to handle the police. This is a job
for Signor Ferrari.

FRENCHMAN
Ferrari?

NATIVE
It can be most helpful to know
Signor Ferrari. He pretty near has
a monopoly on the black market
here. You will find him over there
at the Blue Parrot.

FRENCHMAN
70.

Thanks.

CUT TO:

39 EXT. THE BLUE PARROT - DAY 39

Outside the cafe, a blue parrot sits on a perch.

CUT TO:

40 INT. THE BLUE PARROT - DAY 40

The cafe is much less pretentious than Rick's, but well
populated.

Rick enters and walks through the cafe toward Ferrari's
office just as Ferrari emerges with Jan and Annina, who
look very disappointed.

FERRARI
There, don't be too downhearted.
Perhaps you can come to terms with
Captain Renault.

JAN
Thank you very much, Signor.

Jan leads Annina away.

RICK
Hello, Ferrari.

Signor Ferrari turns around. He's pleased to see Rick.

FERRARI
Ah, good morning, Rick.

They shake hands.

RICK
I see the bus is in. I'll take my
shipment with me.

FERRARI
No hurry. I'll have it sent over.
Have a drink with me.

RICK
71.

I never drink in the morning. And
every time you send my shipment
over, it's always just a little bit
short.

FERRARI
(chuckling)
Carrying charges, my boy, carrying
charges. Here, sit down. There's
something I want to talk over with
you, anyhow.

He hails a waiter.

FERRARI
The bourbon.
(to Rick, sighing deeply)
The news about Ugarte upset me very
much.

RICK
You're a fat hypocrite. You don't
feel any sorrier for Ugarte than I
do.

He eyes Rick closely.

FERRARI
Of course not. What upsets me is
the fact that Ugarte is dead and no
one knows where those letters of
transit are.

RICK
Practically no one.

FERRARI
If I could lay my hands on those
letters, I could make a fortune.

RICK
So could I. And I'm a poor
businessman.

FERRARI
I have a proposition for whoever
has those letters. I will handle
the entire transaction, get rid of
the letters, take all the risk, for
a small percentage.

RICK
And the carrying charges?
72.

FERRARI
Naturally there will be a few
incidental expenses. That is the
proposition I have for whoever has
those letters.

RICK
(dryly)
I'll tell him when he comes in.

FERRARI
Rick, I'll put my cards on the
table. I think you know where those
letters are.

RICK
Well, you're in good company.
Renault and Strasser probably think
so, too.

Rick looks out of the window and sees Ilsa at the linen
bazaar, then Laszlo walking toward the cafe.

RICK
That's why I came over here to give
them a chance to ransack my place.

FERRARI
Rick, don't be a fool. Take me into
your confidence. You need a
partner.

Rick isn't listening to him. He looks through the open
window in the direction of the linen bazaar.

Rick gets up.

RICK
Excuse me, I'll be getting back.

CUT TO:

Genres: Drama, Thriller
Tone: Suspenseful, Intense, Mysterious

Summary Rick Blaine enters the Blue Parrot cafe, where he is approached by Signor Ferrari, a black market dealer. Ferrari reveals that Ugarte's death has upset him and offers to handle the transaction of the letters of transit, giving Rick a percentage. Suspicious, Rick refuses and sees Ilsa and Laszlo through the window, prompting him to abruptly leave the cafe.

Strengths

Tension-building
Intriguing plot development
Sharp dialogue

Weaknesses

Lack of significant character development

General Critique

The scene transitions smoothly from the black market to the Blue Parrot cafe, setting the stage for Rick's interaction with Signor Ferrari.
The dialogue between the Frenchman and the Native sets up the introduction of Signor Ferrari and provides context for his role in the black market.
The interaction between Rick and Ferrari is engaging and reveals the tension surrounding the missing letters of transit.
The dynamic between Rick and Ferrari is well portrayed, with subtle hints at each character's motivations and suspicions.
The visual descriptions of the black market and the Blue Parrot cafe help to create a vivid setting for the scene.

Expert Critiques

Critique by Unknown Expert

General Suggestions

Consider adding more depth to the conversation between Rick and Ferrari to further explore their motivations and suspicions.
Enhance the tension surrounding the missing letters of transit by adding more subtle clues and hints throughout the dialogue.
Explore the relationship between Rick and Ferrari further to add layers to their interactions and motivations.
Consider incorporating more visual elements to enhance the atmosphere of the black market and the Blue Parrot cafe.
Continue to build on the suspense and intrigue surrounding the missing letters of transit to keep the audience engaged.

Expert Suggestions

Suggestion by Unknown Expert

41 EXT. THE BLUE PARROT - DAY 41

Laszlo reaches the entrance to the cafe as Rick comes out.

He stops and addresses Rick politely.

LASZLO
Good morning.

RICK
73.

Signor Ferrari is the fat gent at
the table.

As he exits, Laszlo looks after him with a puzzled
expression.

CUT TO:

42 EXT. BLACK MARKET - DAY 42

At the linen stall, Ilsa examines a tablecloth which an
Arab vendor is endeavoring to sell. He holds a sign which
reads "700 francs."

ARAB
You will not find a treasure like
this in all Morocco, Mademoiselle.
Only seven hundred francs.

Rick walks up behind Ilsa.

RICK
You're being cheated.

She looks briefly at Rick, then turns away. Her manner is
politely formal.

ILSA
It doesn't matter, thank you.

ARAB
Ah, the lady is a friend of Rick's?
For friends of Rick we have a small
discount. Did I say seven hundred
francs? You can have it for two
hundred.

Reaching under the counter, he takes out a sign reading
"200 francs", and replaces the other sign with it.

RICK
I'm sorry I was in no condition to
receive you when you called on me
last night.

ILSA
It doesn't matter.

ARAB
Ah, for special friends of Rick's
we have a special discount. One
hundred francs.
74.

He replaces the second sign with a third which reads "100
francs."

RICK
Your story had me a little
confused. Or maybe it was the
bourbon.

ARAB
I have some tablecloths, some
napkins --

ILSA
-- Thank you. I'm really not
interested.

ARAB
Please, one minute. Wait!

The Arab hurriedly exits.

Ilsa pretends to examine the goods on the counter.

RICK
Why did you come back? To tell me
why you ran out on me at the
railway station?

ILSA
Yes.

RICK
Well, you can tell me now. I'm
reasonably sober.

ILSA
I don't think I will, Rick.

RICK
Why not? After all, I got stuck
with a railway ticket. I think I'm
entitled to know.

ILSA
75.

Last night I saw what has happened
to you. The Rick I knew in Paris, I
could tell him. He'd understand.
But the one who looked at me with
such hatred-- well, I'll be leaving
Casablanca soon and we'll never see
each other again. We knew very
little about each other when we
were in love in Paris. If we leave
it that way, maybe we'll remember
those days and not Casablanca, not
last night.

RICK
Did you run out on me because you
couldn't take it? Because you knew
what it would be like, hiding from
the police, running away all the
time?

ILSA
You can believe that if you want
to.

RICK
Well, I'm not running away any
more. I'm settled now, above a
saloon, it's true, but-- walk up a
flight. I'll be expecting you.

Ilsa turns her head away.

RICK
All the same, someday you'll lie to
Laszlo. You'll be there.

ILSA
No, Rick. No, you see, Victor
Laszlo is my husband-- and was,
even when I knew you in Paris.

She walks away into the cafe as Rick stares after her in
stunned disbelief.

CUT TO:

Genres: Drama, Romance, War
Tone: Tense, Emotional, Reflective

Summary Rick and Ilsa cross paths at a black market stall, leading to a tense confrontation. Rick questions Ilsa about her abrupt departure at the railway station and her reasons for keeping her marriage to Victor Laszlo a secret. Despite Rick's attempts to reconcile, Ilsa refuses to reveal her motivations, leaving Rick stunned and heartbroken.

Strengths

Emotional depth
Poignant dialogue
High stakes
Character development

Weaknesses

Some predictability in character interactions

General Critique

The scene lacks a clear sense of urgency or tension, considering the high stakes and emotional turmoil of the characters involved.
The dialogue between Rick and Ilsa feels somewhat flat and lacks the emotional depth needed to convey the complex history and feelings between them.
The interaction between Rick and Ilsa at the black market stall feels forced and lacks authenticity, especially given the weight of their past relationship.
The pacing of the scene could be improved to build more suspense and engage the audience effectively.
The visual elements and actions in the scene are minimal, missing opportunities to enhance the storytelling and create a more immersive experience.

Expert Critiques

Critique by Unknown Expert

General Suggestions

Add more emotional depth to the dialogue between Rick and Ilsa to convey the complexity of their relationship and the reasons behind their actions.
Increase the tension and urgency in the scene to reflect the high stakes and emotional turmoil of the characters.
Consider adding visual cues or actions to enhance the storytelling and create a more engaging visual experience for the audience.
Work on pacing to build suspense and keep the audience invested in the unfolding drama between Rick and Ilsa.
Focus on authenticity and character development to make the interactions more believable and compelling for the audience.

Expert Suggestions

Suggestion by Unknown Expert

43 INT. THE BLUE PARROT - DAY 43

Ilsa and Laszlo sit with Ferrari.

FERRARI
76.

I was just telling Monsieur Laszlo
that, unfortunately, I am not able
to help him.

ILSA
Oh.

LASZLO
You see, my dear, the word has gone
around.

FERRARI
(to Ilsa)
As leader of all illegal activities
in Casablanca, I am an influential
and respected man. It would not be
worth my life to do anything for
Monsieur Laszlo. You, however, are
a different matter.

LASZLO
Signor Ferrari thinks it might just
be possible to get an exit visa for
you.

ILSA
You mean for me to go on alone?

FERRARI
And only alone.

LASZLO
I will stay here and keep on
trying. I'm sure in a little while
--

FERRARI
-- We might as well be frank,
Monsieur. It will take a miracle to
get you out of Casablanca. And the
Germans have outlawed miracles.

ILSA
We are only interested in two
visas, Signor.

LASZLO
Please, Ilsa, don't be hasty.

ILSA
(firmly)
No, Victor, no.
77.

FERRARI
You two will want to discuss this.
Excuse me. I'll be at the bar.

Ferrari gets to his feet and walks away.

LASZLO
No, Ilsa, I won't let you stay
here. You must get to America. And
believe me, somehow I will get out
and join you.

ILSA
But, Victor, if the situation were
different, if I had to stay and
there were only a visa for one,
would you take it?

LASZLO
(not very convincingly)
Yes, I would.

Ilsa smiles faintly. She doesn't believe it for even a
moment.

ILSA
Yes, I see. When I had trouble
getting out of Lille, why didn't
you leave me there? And when I was
sick in Marseilles and held you up
for two weeks and you were in
danger every minute of the time,
why didn't you leave me then?

LASZLO
I meant to, but something always
held me up. I love you very much,
Ilsa.

She smiles again.

ILSA
Your secret will be safe with me.
Ferrari is waiting for our answer.

At the bar Ferrari talks to a waiter.

FERRARI
Not more than fifty francs though.

Ilsa and Laszlo walk up to him.

LASZLO
78.

We've decided, Signor Ferrari. For
the present we'll go on looking for
two exit visas. Thank you very
much.

FERRARI
Well, good luck. But be careful.
(a flick of his eyes in
the direction of the
bazaar)
You know you're being shadowed?

Laszlo glances in the direction of the bazaar.

LASZLO
Of course. It becomes an instinct.

Ferrari looks shrewdly at Ilsa.

FERRARI
I observe that you in one respect
are a very fortunate man, Monsieur.
I am moved to make one more
suggestion, why, I do not know,
because it cannot possibly profit
me, but, have you heard about
Signor Ugarte and the letters of
transit?

LASZLO
Yes, something.

FERRARI
Those letters were not found on
Ugarte when they arrested him.

There's a moments pause as this sinks in.

LASZLO
Do you know where they are?

FERRARI
Not for sure, Monsieur, but I will
venture to guess that Ugarte left
those letters with Monsieur Rick.

Ilsa's face darkens. Laszlo quietly observes.

LASZLO
Rick?

FERRARI
79.

He is a difficult customer, that
Rick. One never knows what he'll do
or why. But it is worth a chance.

LASZLO
Thank you very much. Good day.

ILSA
Goodbye, thank you for your coffee,
Signor. I shall miss that when we
leave Casablanca.

Ferrari bows.

FERRARI
It was gracious of you to share it
with me. Good day, Mademoiselle,
Monsieur.

LASZLO
Good day.

As Ilsa and Laszlo leave the cafe, Ferrari nonchalantly
swats a fly on a table.

CUT TO:

Genres: Drama, Romance, War
Tone: Tense, Emotional, Serious

Summary Ilsa and Laszlo meet with Ferrari to obtain exit visas. Ferrari reveals Laszlo's involvement in illegal activities, making it impossible for him to leave. Ilsa insists they go together or not at all. Ferrari suggests contacting Rick Blaine about letters of transit. They leave to pursue this option, determined to escape Casablanca.

Strengths

Engaging dialogue
Emotional depth
Intriguing plot development

Weaknesses

Some dialogue may be slightly melodramatic

General Critique

The scene at the Blue Parrot lacks depth in character emotions and interactions. The dialogue feels somewhat flat and lacks the emotional intensity needed for such a pivotal moment in the story.
The tension between Ilsa, Laszlo, and Ferrari could be heightened to create a more engaging and suspenseful atmosphere. The stakes of obtaining the exit visas and the underlying conflicts between the characters need to be more palpable.
The emotional turmoil and inner conflicts of the characters, especially Ilsa and Laszlo, could be explored more deeply to add layers to their motivations and decisions.
The scene could benefit from more visual cues and actions to enhance the storytelling and engage the audience on a visual level.
The dialogue could be more nuanced and impactful, with more subtext and hidden meanings to add depth to the characters' interactions.

Expert Critiques

Critique by Unknown Expert

General Suggestions

Consider adding more emotional depth to the characters' interactions, especially between Ilsa and Laszlo. Explore their inner conflicts and motivations in a more profound way.
Enhance the tension and suspense in the scene by increasing the stakes of obtaining the exit visas and highlighting the conflicts between the characters.
Introduce more visual elements and actions to complement the dialogue and enhance the storytelling.
Revise the dialogue to include more subtext and hidden meanings, adding layers to the characters' interactions and motivations.
Consider adding more twists and turns to the plot to keep the audience engaged and guessing about the characters' true intentions.

Expert Suggestions

Suggestion by Unknown Expert

44 EXT. RICK'S CAFE - NIGHT 44

Outside Rick's cafe, the sign is lit up and MUSIC filters
out into the air.

CUT TO:

45 INT. RICK'S CAFE - MAIN ROOM - NIGHT 45

At the bar, the European has found another TOURIST.

EUROPEAN
Here's to you, sir.

TOURIST
Er, good luck, yes.

EUROPEAN
I'd better be going.

TOURIST
Er, my check, please.
80.

EUROPEAN
I have to warn you, sir. I beseech
you--

The European picks his pocket.

EUROPEAN
This is a dangerous place, full of
vultures. Vultures everywhere!
Thanks for everything.

The tourist laughs.

TOURIST
Er, goodbye, sir.

EUROPEAN
It has been a pleasure to meet you.

He dashes off and collides with Carl.

EUROPEAN
Oh, I'm sorry.

As the European hurries away, Carl checks all his pockets
to make sure nothing is missing.

Sam and Corina play a number, accompanied by the orchestra.

Strasser and his crowd enter the cafe and pass Rick's
table.

Carl brings Rick a bottle and glass.

CARL
Monsieur Rick, you are getting to
be your best customer.

Carl leaves.

As Rick lights a cigarette, Renault shows up.

RENAULT
Well, Ricky. I'm very pleased with
you. Now you're beginning to live
like a Frenchman.

RICK
That was some going-over your men
gave my place this afternoon. We
just barely got cleaned up in time
to open.
81.

He pours a drink for Renault.

RENAULT
Well, I told Strasser he wouldn't
find the letters here. But I told
my men to be especially
destructive. You know how that
impresses Germans?
(taking a sip)
Rick, have you got these letters of
transit?

RICK
Louis, are you pro-Vichy or Free
French?

RENAULT
Serves me right for asking a direct
question. The subject is closed.

RICK
Well, it looks like you're a little
late.

RENAULT
Huh?

Rick gazes at Yvonne and a GERMAN OFFICER approaching the
bar.

RICK
So Yvonne's gone over to the enemy.

RENAULT
Who knows? In her own way she may
constitute an entire second front.
I think it's time for me to flatter
Major Strasser a little. I'll see
you later, Rick.

Renault gets up and strolls away.

At the bar, Yvonne and the German officer place their
orders.

YVONNE
Sacha!

GERMAN OFFICER
French seventy-fives.

Yvonne is somewhat drunk already.
82.

YVONNE
Put up a whole row of them, Sacha--
starting here and ending here.

She indicates with her hand where she wants them.

GERMAN OFFICER
We will begin with two.

A FRENCH OFFICER at the bar makes a remark to Yvonne.

FRENCH OFFICER
(in French)
Say, you, you are not French to go
with a German like this!

YVONNE
(in French)
What are you butting in for?

FRENCH OFFICER
(in French)
I am butting in --

YVONNE
(breaking in, in French)
-- It's none of your business!

GERMAN OFFICER
(in French)
No, no, no, no! One minute!
(in English)
What did you say? Would you kindly
repeat it?

FRENCH OFFICER
What I said is none of your
business!

GERMAN OFFICER
I will make it my business!

They begin to fight.

YVONNE
(in French)
Stop! I beg of you! I beg of you,
stop!

There are exclamations from people nearby. German officers
at a nearby table rise, ready to join in. Rick walks up and
separates the two men.
83.

RICK
(to the German)
I don't like disturbances in my
place. Either lay off politics or
get out.

FRENCH OFFICER
(in French)
Dirty Boche. Someday we'll have our
revenge!

Renault, Strasser and the other officers sit down again.

STRASSER
You see, Captain, the situation is
not as much under control as you
believe.

RENAULT
My dear Major, we are trying to
cooperate with your government, but
we cannot regulate the feelings of
our people.

Strasser eyes him closely.

STRASSER
Captain Renault, are you entirely
certain which side you're on?

RENAULT
I have no conviction, if that's
what you mean. I blow with the
wind, and the prevailing wind
happens to be from Vichy.

STRASSER
And if it should change?

He smiles.

RENAULT
Surely the Reich doesn't admit that
possibility?

Renault lights a cigarette and puffs away.

STRASSER
84.

We are concerned about more than
Casablanca. We know that every
French province in Africa is honey-
combed with traitors waiting for
their chance, waiting, perhaps, for
a leader.

RENAULT
(casually)
A leader, like Laszlo?

STRASSER
Uh, huh. I have been thinking. It
is too dangerous if we let him go.
It may be too dangerous if we let
him stay.

RENAULT
(thoughtfully)
I see what you mean.

Carl, bottle in hand, approaches the table of a middle-aged
German couple, the LEUCHTAGS.

CARL
(in German)
I brought you the finest brandy.
Only the employees drink it here.

He pours a drink for each of them.

MR. LEUCHTAG
Thank you, Carl.

CARL
(as he pours)
For Mrs. Leuchtag.

MRS. LEUCHTAG
Thank you, Carl.

CARL
For Mr. Leuchtag.

MR. LEUCHTAG
Carl, sit down. Have a brandy with
us.

MRS. LEUCHTAG
(beaming with happiness)
To celebrate our leaving for
America tomorrow.
85.

Carl sits down.

CARL
Thank you very much. I thought you
would ask me, so I brought the good
brandy and a third glass.

He produces a glass from a back pocket.

MRS. LEUCHTAG
At last the day has came.

MR. LEUCHTAG
Frau Leuchtag and I are speaking
nothing but English now.

MRS. LEUCHTAG
So we should feel at home ven ve
get to America.

CARL
A very nice idea.

MR. LEUCHTAG
(raising his glass)
To America.

Mrs. Leuchtag and Carl repeat "To America." They clink
glasses and drink.

MR. LEUCHTAG
Liebchen, uh, sweetness heart, what
watch?

She glances at her wristwatch.

MRS. LEUCHTAG
Ten watch.

MR. LEUCHTAG
(surprised)
Such much?

CARL
Er, you will get along beautifully
in America, huh.

Annina meets Renault in the hallway as she leaves the
gambling room,

RENAULT
86.

How's lady luck treating you? Aw,
too bad. You'll find him over
there.

Annina sees Rick and goes to his table.

ANNINA
Monsieur Rick?

RICK
Yes?

ANNINA
Could I speak to you for just a
moment, please?

Rick looks at her.

RICK
How did you get in here? You're
under age.

ANNINA
I came with Captain Renault.

RICK
(cynically)
I should have known.

ANNINA
My husband is with me, too.

RICK
He is? Well, Captain Renault's
getting broadminded. Sit down. Will
you have a drink?

Annina shakes her head.

RICK
No, of course not. Do you mind if I
do?

ANNINA
No.

Rick pours himself a drink

ANNINA
Monsieur Rick, what kind of man is
Captain Renault?

RICK
87.

Oh, he's just like any other man,
only more so.

ANNINA
No, I mean, is he trustworthy? Is
his word --

RICK
-- Now, just a minute. Who told you
to ask me that?

ANNINA
He did. Captain Renault did.

RICK
I thought so. Where's your husband?

ANNINA
At the roulette table, trying to
win enough for our exit visa. Well
of course, he's losing.

Rick looks at her closely.

RICK
How long have you been married?

ANNINA
Eight weeks. We come from Bulgaria.
Oh, things are very bad there,
Monsieur. A devil has the people by
the throat. So, Jan and I, we, we
do not want our children to grow up
in such a country.

RICK
(wearily)
So you decided to go to America.

ANNINA
Yes, but we have not much money,
and travelling is so expensive and
difficult. It was much more than we
thought to get here. And then
Captain Renault sees us and he is
so kind. He wants to help us.

RICK
Yes, I'll bet.

ANNINA
He tells me he can give us an exit
visa, but we have no money.
88.

RICK
Does he know that?

ANNINA
Oh, yes.

RICK
And he is still willing to give you
a visa?

ANNINA
Yes, Monsieur.

RICK
And you want to know --

ANNINA
-- Will he keep his word?

RICK
He always has.

There is a silence. Annina is very disturbed.

ANNINA
Oh, Monsieur, you are a man. If
someone loved you very much, so
that your happiness was the only
thing that she wanted in the whole
world, but she did a bad thing to
make certain of it, could you
forgive her?

Rick stares off into space.

RICK
Nobody ever loved me that much.

ANNINA
And he never knew, and the girl
kept this bad thing locked in her
heart? That would be all right,
wouldn't it?

RICK
(harshly)
You want my advice?

ANNINA
Oh, yes, please.

RICK
Go back to Bulgaria.
89.

ANNINA
Oh, but if you knew what it means
to us to leave Europe, to get to
America! Oh, but if Jan should find
out! He is such a boy. In many ways
I am so much older than he is.

RICK
Yes, well, everybody in Casablanca
has problems. Yours may work out.
You'll excuse me.

Rick abruptly rises.

ANNINA
(tonelessly)
Thank you, Monsieur.

He quickly goes off, leaving Annina alone at the table. She
remains seated, too demoralized to move.

While Rick checks the reservation list, Ilsa and Laszlo
enter the cafe.

In the background we hear Sam playing, ironically enough,
"It Had to Be You."

Rick greets Ilsa and Laszlo.

RICK
Good evening.

LASZLO
Good evening. You see, here we are
again.

RICK
I take that as a great compliment
to Sam.
(to Ilsa)
I suppose he means to you Paris of,
well, happier days.

Laszlo looks around.

ILSA
(quietly)
He does. Could we have a table
close to him?

LASZLO
And as far away from Major Strasser
as possible.
90.

RICK
Well, the geography may be a little
difficult to arrange.

Rick snaps his fingers for the headwaiter.

RICK
Paul! Table thirty!

HEADWAITER
(to Ilsa and Laszlo)
Yes, sir. Right this way, if you
please.

RICK
(to Ilsa)
I'll have Sam play "As Time Goes
By." I believe that's your favorite
tune.

ILSA
(smiling)
Thank you.

Rick walks over to Sam and whispers something to him. Sam
stops what he is playing and begins "As Time Goes By." He
shakes his head as Rick leaves.

A waiter appears at Ilsa and Laszlo's table.

LASZLO
Two cognacs, please.

CUT TO:

Genres: Drama, Romance, War
Tone: Tense, Emotional, Cynical, Reflective

Summary At Rick's Cafe, amidst the tense atmosphere of occupied Casablanca, various characters navigate conflicting loyalties and dangerous secrets. A pickpocket attempts to steal from a tourist, but Rick intervenes. Strasser expresses concerns about Laszlo's presence. A fight erupts between a French and German officer, which Rick quickly quells. Annina seeks assurance from Rick about Renault's trustworthiness. Ilsa and Laszlo arrive, seeking solace amidst the turmoil. As Sam plays "As Time Goes By," the scene captures the complexities and uncertainties of life in wartime Casablanca.

Strengths

Complex characters
Tense atmosphere
Emotional depth
Sharp dialogue

Weaknesses

Limited character development in this specific scene

General Critique

The scene at Rick's Cafe is filled with tension and suspense, which is effective in keeping the audience engaged.
The dialogue between Rick, Renault, and the other characters is well-written and helps to establish the dynamics between them.
The introduction of Annina adds an interesting subplot and raises questions about trust and forgiveness.
The conflict between the French and German officers, as well as the interactions between the different characters, adds depth to the scene.
The visual elements, such as the setting in the cafe and the interactions between the characters, create a rich and immersive atmosphere.

Expert Critiques

Critique by Unknown Expert

General Suggestions

Consider adding more visual cues to enhance the tension and suspense in the scene.
Explore the dynamics between the characters further to deepen the conflict and relationships.
Develop Annina's storyline to add more depth and complexity to the narrative.
Consider adding more layers to the dialogue to reveal the characters' motivations and emotions.
Continue to build on the atmosphere of the scene to create a more immersive experience for the audience.

Expert Suggestions

Suggestion by Unknown Expert

46 INT. RICK'S CAFE - GAMBLING ROOM - NIGHT 46

Jan sits at the roulette table. He has only three chips
left and seems bewildered.

As Rick comes up the croupier speaks to Jan.

CROUPIER
Do you wish to place another bet,
sir?

JAN
No, no, I guess not.

Rick stands behind Jan.

RICK
91.

(to Jan)
Have you tried twenty-two tonight?
I said, twenty-two.

Jan looks at Rick, then at the chips in his hand.

He pauses, then puts the chips on twenty-two.

Rick and the croupier exchange looks. The croupier
understands what Rick wants him to do. He spins the wheel.

Carl follows the proceedings, fascinated.

The wheel stops spinning.

CROUPIER
(in French)
Twenty-two, black, twenty-two.

A winner. Renault, at a nearby table, takes notice of what
is happening.

The croupier pushes a pile of chips onto twenty-two and Jan
reaches for it.

RICK
(not even looking at Jan)
Leave it there.

Jan hesitates, then withdraws his hands.

Carl continues to watch.

The wheel spins. Nobody speaks while it spins. It stops.

CROUPIER
Twenty-two, black.

Another winner. The croupier shoves a pile of chips toward
Jan.

RICK
(to Jan)
Cash it in and don't come back.

Jan rises to go to the cashier.

A CUSTOMER complains to Carl.

CUSTOMER
Say, are you sure this place is
honest?
92.

CARL
(fervently)
Honest! As honest as the day is
long!

Meanwhile, Rick has walked over to the croupier.

RICK
How we doing tonight?

CROUPIER
Well, a couple of thousand less
than I thought there would be.

Rick smiles slightly and goes toward the door.

Annina runs up to him and hugs him.

ANNINA
Monsieur Rick, I --

RICK
-- He's just a lucky guy.

CARL
(solicitously)
Monsieur Rick, may I get you a cup
of coffee?

RICK
No thanks, Carl.

CARL
Monsieur Rick!

Renault, seeing that Jan has won, gets up from his table to
follow Rick. Jan and Annina stop him on the way.

JAN
Captain Renault, may I --

RENAULT
-- Oh, not here, please. Come to my
office in the morning. We'll do
everything business-like.

JAN
We'll be there at six.

RENAULT
I'll be there at ten. I am very
happy for both of you. Still, it's
very strange that you won.
93.

He looks over and sees Rick.

RENAULT
Well, maybe not so strange. I'll
see you in the morning.

ANNINA
Thank you so much, Captain Renault.

CUT TO:

Genres: Drama, Romance, War
Tone: Tense, Emotional, Suspenseful, Melancholic

Summary Desperate gambler Jan bets his last chips on 22, advised by Rick. The bet wins, drawing attention from Renault. Rick urges Jan to cash out and leave, while Renault summons him for a morning meeting.

Strengths

Strong character development
Engaging dialogue
Tension-filled atmosphere
Emotional depth

Weaknesses

Some elements may feel predictable or cliched

General Critique

The scene lacks a clear purpose or direction, as it focuses on a minor character, Jan, playing roulette without significant impact on the main plot.
The dialogue is mundane and lacks depth, with interactions revolving around simple bets and winnings.
There is a lack of tension or conflict in the scene, making it feel disconnected from the overall narrative.
The scene feels drawn out and does not contribute significantly to character development or plot progression.
The visual elements are not utilized effectively to enhance the atmosphere or engage the audience.

Expert Critiques

Critique by Unknown Expert

General Suggestions

Consider revising the scene to focus on more significant characters or plot points to maintain audience interest.
Introduce conflict or tension to make the scene more engaging and relevant to the overall story.
Enhance the dialogue to reveal character motivations, relationships, or internal conflicts.
Streamline the scene to ensure it contributes meaningfully to the narrative and does not feel like filler content.
Utilize visual cues or elements to create a more immersive and visually engaging experience for the audience.

Expert Suggestions

Suggestion by Unknown Expert

47 INT. RICK'S CAFE - MAIN ROOM - NIGHT 47

At the bar, Carl whispers in Sacha's ear. Sacha says "No!"
and runs to Rick.

SACHA
Boss, you've done a beautiful
thing.

He kisses Rick on both cheeks.

RICK
Go away, you crazy Russian!

Carl pours a brandy for Rick.

Pretending not to do so, Rick glances in Ilsa's direction.
Renault comes up to him.

RENAULT
As I suspected, you're a rank
sentimentalist.

RICK
Yeah? Why?

RENAULT
(chidingly)
Why do you interfere with my little
romances?

RICK
Put it down as a gesture to love.

RENAULT
(good-naturedly)
Well, I forgive you this time. But
I'll be in tomorrow night with a
breathtaking blonde, and it will
make me very happy if she loses. Uh
huh!
94.

He smiles and walks away. Laszlo comes up to Rick.

LASZLO
Monsieur Blaine, I wonder if I
could talk to you?

RICK
Go ahead.

LASZLO
Well, isn't there some other place?
It's rather confidential, what I
have to say.

RICK
My office.

LASZLO
Right.

DISSOLVE TO:

48 INT. RICK'S CAFE - OFFICE - NIGHT 48

Rick and Laszlo sit and discuss Laszlo's dilemma.

LASZLO
You must know it's very important I
get out of Casablanca. It's my
privilege to be one of the leaders
of a great movement. You know what
I have been doing. You know what it
means to the work, to the lives of
thousands and thousands of people
that I be free to reach America and
continue my work.

RICK
I'm not interested in politics. The
problems of the world are not in my
department. I'm a saloon keeper.

LASZLO
My friends in the underground tell
me that you have quite a record.
You ran guns to Ethiopia. You
fought against the fascists in
Spain.

RICK
What of it?
95.

LASZLO
Isn't it strange that you always
happened to be fighting on the side
of the underdog?

RICK
Yes. I found that a very expensive
hobby, too. But then I never was
much of a businessman.

Rick gets up, as does Laszlo.

LASZLO
Are you enough of a businessman to
appreciate an offer of a hundred
thousand francs?

RICK
I appreciate it, but I don't accept
it.

LASZLO
I'll raise it to two hundred
thousand.

RICK
My friend, you could make it a
million francs, or three, my answer
would still be the same.

LASZLO
There must be some reason why you
won't let me have them.

RICK
There is. I suggest that you ask
your wife.

LASZLO
I beg your pardon?

RICK
I said, ask your wife.

LASZLO
My wife?

Laszlo looks at him, puzzled.

RICK
Yes.

Rick and Laszlo hear MALE VOICES singing downstairs.
96.

CUT TO:

49 INT. RICK'S CAFE - MAIN ROOM - NIGHT 49

A group of German officers stand around the piano singing
the "Wacht am Rhein."

CUT TO:

50 INT. RICK'S CAFE - BALCONY - NIGHT 50

Rick stands at the balcony outside his office and watches
the Germans below.

CUT TO:

51 INT. RICK'S CAFE - MAIN ROOM - NIGHT 51

At the bar, Renault watches with raised eyebrow.

CUT TO:

52 INT. RICK'S CAFE - BALCONY - NIGHT 52

Laszlo's lips are very tight as he listens to the song.

He starts down the step.

CUT TO:

Genres: Drama, War
Tone: Tense, Serious, Emotional

Summary Carl whispers to Sacha, prompting him to thank Rick for an act of kindness. Rick brushes it off and Renault accuses him of being sentimental. Laszlo approaches Rick, seeking help to escape Casablanca for his political cause. Despite his past involvement in such matters, Rick declines, prompting Laszlo to offer bribes. As they discuss, German officers begin singing a patriotic anthem, causing tension. Rick watches from the balcony, while Laszlo listens with a heavy heart.

Strengths

Strong character development
Tension-filled atmosphere
Emotional depth

Weaknesses

Limited physical action
Reliance on dialogue for tension

General Critique

The scene lacks a clear focus or central conflict, making it feel disjointed and lacking in tension.
The dialogue between Rick and Laszlo feels forced and unnatural, with Laszlo's attempts to persuade Rick coming across as too direct and on-the-nose.
The transition between the balcony scene with Rick watching the Germans below and the subsequent scenes is abrupt and could be smoother.
The interaction between Rick and Laszlo lacks depth and emotional resonance, failing to fully engage the audience in their conversation.
The scene could benefit from more visual cues and descriptive elements to create a richer and more immersive setting.

Expert Critiques

Critique by Unknown Expert

General Suggestions

Clarify the central conflict or purpose of the scene to give it more direction and impact.
Refine the dialogue between Rick and Laszlo to make it more nuanced and engaging, focusing on subtext and underlying emotions.
Smooth out the transition between different locations and scenes to create a more seamless flow.
Add more depth to the interaction between Rick and Laszlo by exploring their motivations and emotions in a more subtle and layered way.
Enhance the visual elements of the scene to create a more vivid and immersive setting for the audience.

Expert Suggestions

Suggestion by Unknown Expert

53 INT. RICK'S CAFE - MAIN ROOM - NIGHT 53

Laszlo passes the table where Ilsa sits and goes straight
to the orchestra.

Yvonne, sitting at a table with her German officer, stares
down into her drink.

Laszlo speaks to the orchestra.

LASZLO
Play the Marseillaise! Play it!

Members of the orchestra glance toward the steps, toward
Rick, who nods to them.
97.

Laszlo and Corina sing as they start to play. Strasser
conducts the German singing in an attempt to drown out the
competition.

People in the cafe begin to sing the "Marseillaise."

After a while, Strasser and his officers give up and sit
down. The "Marseillaise" continues, however.

Yvonne jumps up and sings with tears in her eyes.

Ilsa, overcome with emotion, looks proudly at Laszlo, who
sings with passion.

Finally the whole cafe stands, singing, their faces aglow.
The song finishes on a high, triumphant note.

Yvonne's face is exalted. She deliberately faces the alcove
where the Germans are watching. She SHOUTS at the top of
her lungs.

YVONNE
Vive La France! Vive la democracie!

CROWD
Vive La France! Vive la democracie!

People clap and cheer.

Strasser is very angry. He strides across the floor toward
Renault who is standing at the bar.

STRASSER
You see what I mean? If Laszlo's
presence in a cafe can inspire this
unfortunate demonstration, what
more will his presence in
Casablanca bring on? I advise that
this place be shut up at once.

RENAULT
(innocently)
But everybody's having such a good
time.

STRASSER
Yes, much too good a time. The
place is to be closed.

RENAULT
But I have no excuse to close it.

STRASSER
98.

(snapping)
Find one.

Several French officers surround Laszlo, offering him a
drink.

Renault thinks a moment, then blows a loud BLAST on his
whistle. The room grows quiet, all eyes turn toward
Renault.

RENAULT
(loudly)
Everybody is to leave here
immediately! This cafe is closed
until further notice! Clear the
room at once!

An angry murmur starts among the crowd. People get up and
begin to leave.

Rick comes quickly up to Renault.

RICK
How can you close me up? On what
grounds?

RENAULT
I am shocked, shocked to find that
gambling is going on in here!

This display of nerve leaves Rick at a loss. The croupier
comes out of the gambling room and up to Renault. He hands
him a roll of bills.

CROUPIER
Your winnings, sir.

RENAULT
Oh. Thank you very much.

He turns to the crowd again.

RENAULT
Everybody out at once!

As the cafe empties, Strasser approaches Ilsa. His manner
is abrupt but cordial.

STRASSER
Mademoiselle, after this
disturbance it is not safe for
Laszlo to stay in Casablanca.
99.

ILSA
This morning you implied it was not
safe for him to leave Casablanca.

STRASSER
That is also true, except for one
destination, to return to occupied
France.

ILSA
Occupied France?

STRASSER
Uh huh. Under a safe conduct from
me.

ILSA
(with intensity)
What value is that? You may recall
what German guarantees have been
worth in the past.

STRASSER
There are only two other
alternatives for him.

ILSA
What are they?

STRASSER
It is possible the French
authorities will find a reason to
put him in the concentration camp
here.

ILSA
And the other alternative?

STRASSER
My dear Mademoiselle, perhaps you
have already observed that in
Casablanca, human life is cheap.
Good night, Mademoiselle.

She looks at him, understanding what he means.

He bows and exits as Laszlo arrives at the table.

They start out of the cafe.

ILSA
What happened with Rick?
100.

LASZLO
We'll discuss it later.

CUT TO:

54 INT. HOTEL HALLWAY - NIGHT 54

Ilsa and Laszlo walk to their room.

CUT TO:

Genres: Drama, War
Tone: Tense, Emotional, Defiant

Summary Laszlo's inspiring rendition of the "Marseillaise" ignites patriotic fervor at Rick's Cafe. Strasser demands the cafe's closure, fearing Laszlo's influence. Amidst a confrontation between Rick and Renault, Strasser offers Laszlo safe passage but raises suspicions. Ilsa remains skeptical, and the scene concludes with Ilsa and Laszlo's uncertain departure.

Strengths

Powerful emotional impact
Effective portrayal of resistance
Tense atmosphere

Weaknesses

Some dialogue may feel slightly melodramatic

General Critique

The scene is well-written and effectively conveys the tension and emotion of the moment.
The use of the 'Marseillaise' as a symbol of resistance and patriotism adds depth to the scene.
The conflict between Strasser and Renault, as well as the impending danger for Laszlo, creates a sense of urgency and suspense.
The dialogue between Ilsa and Strasser is intense and highlights the stakes involved in their decisions.
The visual elements, such as Yvonne's emotional reaction and the reactions of the crowd, enhance the impact of the scene.

Expert Critiques

Critique by Unknown Expert

General Suggestions

Consider adding more internal conflict for Rick to make his decision to help or not help Laszlo more impactful.
Explore the relationship dynamics between Ilsa, Laszlo, and Rick further to deepen the emotional resonance of the scene.
Provide more context or backstory to enhance the understanding of the characters' motivations and actions.
Consider adding more layers to the conflict between Strasser and Renault to increase the tension in the scene.
Ensure that the resolution of the scene aligns with the overall themes and character arcs of the screenplay.

Expert Suggestions

Suggestion by Unknown Expert

55 INT. HOTEL ROOM - NIGHT 55

Laszlo switches on the light as they enter. While Ilsa
takes off some jewelry he walks to the window and peers out
into the darkeness. Below and across the street, a man
stands under an arch. Laszlo watches him, then draws down
the shade.

LASZLO
Our faithful friend is still there.

ILSA
Victor, please, don't go to the
underground meeting tonight.

LASZLO
(soberly)
I must. Besides, it isn't often
that a man has a chance to display
heroics before his wife.

He crosses to a table, takes a cigarette from a box, and
strikes a match.

ILSA
Don't joke. After Major Strasser's
warning tonight, I am frightened.

LASZLO
To tell you the truth, I am
frightened too. Shall I remain here
in our hotel room hiding, or shall
I carry on the best I can?

He lights the cigarette.

ILSA
Whatever I'd say, you'd carry on.
Victor, why don't you tell me about
Rick? What did you find out?
101.

LASZLO
Apparently he has the letters.

ILSA
Yes?

LASZLO
But no intention of selling them.
One would think if sentiment
wouldn't persuade him, money would.

Ilsa is now noticeably uncomfortable.

ILSA
Did he give any reason?

LASZLO
He suggested I ask you.

ILSA
Ask me?

LASZLO
Yes. He said, "Ask your wife." I
don't know why he said that.

Laszlo turns off the light. Ilsa walks over to the couch
and sits down.

LASZLO
Well, our friend outside will think
we've retired by now. I'll be going
in a few minutes.

He sits down on the couch next to her. A silence falls
between them. It grows strained. Finally.

LASZLO
Ilsa, I --

ILSA
-- Yes?

LASZLO
When I was in the concentration
camp, were you lonely in Paris?

Ilsa still cannot look at him.

ILSA
Yes, Victor, I was.

LASZLO
102.

(sympathetically)
I know how it is to be lonely.
(very quietly)
Is there anything you wish to tell
me?

ILSA
(speaking low)
No, Victor, there isn't.

LASZLO
I love you very much, my dear.

Ilsa finally turns to look at Laszlo.

ILSA
Yes, Yes I know. Victor, whatever I
do, will you believe that I, that -
-

LASZLO
-- You don't even have to say it.
I'll believe. Goodnight, dear.

He bends down and kisses her cheek.

ILSA
Goodnight.

She watches him go.

ILSA
Victor!

She gets up and follows him to the door. He opens it. In
the slit of light from the hall we see Ilsa's face, now
strained and worried. She hesitates for a moment, then.

ILSA
Be careful.

LASZLO
Of course, I'll be careful.

He kisses her on the cheek and goes out the door. She
stands there for a few seconds, then crosses to look out of
the window.

The figure in the archway is gone. She sees Victor walking
down the street and closes the blind again. Ilsa gets a
cloak from the bedroom, and leaves the hotel room.

CUT TO:
103.

Genres: Drama, Romance, War
Tone: Tense, Emotional, Intimate, Serious

Summary Laszlo and Ilsa discuss his dangerous involvement in the resistance and the impact it has on their relationship. Despite Ilsa's concerns, Laszlo insists on attending an underground meeting. They share a strained and emotional conversation, leaving Ilsa hesitant to reveal something important. As Laszlo leaves, Ilsa notices the figure watching them is gone and follows him out.

Strengths

Emotional depth
Compelling dialogue
Character development

Weaknesses

Some moments of strained dialogue
Predictable character reactions

General Critique

The scene lacks a sense of urgency and tension considering the dangerous situation Laszlo is in.
The dialogue between Laszlo and Ilsa feels a bit forced and lacks depth in exploring their emotions and motivations.
The interaction between the characters could be more dynamic and engaging to keep the audience invested in their relationship and the unfolding events.
The scene could benefit from more visual cues and actions to enhance the emotional impact and create a more immersive experience for the audience.
The pacing of the scene could be improved to build up the suspense and maintain the audience's interest.

Expert Critiques

Critique by Unknown Expert

General Suggestions

Add more conflict and stakes to the scene to heighten the tension and create a sense of danger for the characters.
Focus on developing the emotional depth of the characters and their relationships to make the dialogue more impactful and engaging.
Introduce more visual elements and actions to enhance the storytelling and create a more visually compelling scene.
Consider restructuring the scene to improve the pacing and maintain the audience's engagement throughout.
Explore different ways to convey the characters' emotions and motivations to create a more immersive and compelling scene.

Expert Suggestions

Suggestion by Unknown Expert

56 INT. RICK'S CAFE - MAIN ROOM - NIGHT 56

Rick and Carl sit by the bar and look over ledgers. Carl is
busy figuring. He looks up at Rick.

CARL
Well, you are in pretty good shape,
Herr Rick.

RICK
How long can I afford to stay
closed?

CARL
Oh, two weeks, maybe three.

RICK
Maybe I won't have to. A bribe has
worked before. In the meantime,
everybody stays on salary.

CARL
Oh, thank you, Herr Rick. Sacha
will be happy to hear it. I owe him
money.

Carl laughs.

RICK
Now you finish locking up, will
you, Carl?

CARL
I will. Then I am going to the
meeting of the --

RICK
(interrupting)
-- Don't tell me where you're
going.

CARL
I won't.

RICK
Goodnight.

CARL
Goodnight, Monsieur Rick.

Rick walks up the stairs to his apartment.

CUT TO:
104.

Genres: Drama, War, Romance
Tone: Tense, Emotional, Suspenseful

Summary Rick and Carl review financial ledgers at the bar. Carl reports that he has enough money to stay closed for 2-3 weeks. Rick asks Carl to lock up after their meeting. Carl thanks Rick for continuing to pay his staff, especially Sacha, to whom he owes money.

Strengths

Emotional depth of characters
Tension-filled dialogue
Strong thematic elements

Weaknesses

Some dialogue may feel slightly melodramatic

General Critique

The scene lacks tension and conflict, which are essential elements in a screenplay to keep the audience engaged.
The dialogue between Rick and Carl feels mundane and does not add depth to the characters or advance the plot.
There is a missed opportunity to explore Rick's internal conflict or emotional state, considering the intense events leading up to this scene.
The scene could benefit from more visual elements or actions to make it visually engaging and dynamic.
The interaction between Rick and Carl could be more meaningful or revealing about their relationship or the overall story.

Expert Critiques

Critique by Unknown Expert

General Suggestions

Introduce a conflict or dilemma for Rick to grapple with, such as a decision that could have significant consequences.
Add subtext to the dialogue between Rick and Carl to hint at deeper emotions or motivations.
Consider incorporating visual cues or actions that enhance the mood or atmosphere of the scene.
Explore the possibility of revealing more about Rick's character or backstory through his interactions with Carl.
Create a sense of anticipation or suspense to keep the audience intrigued and invested in the scene.

Expert Suggestions

Suggestion by Unknown Expert

57 INT. RICK'S CAFE - APARTMENT - NIGHT 57

Rick opens the door and goes inside the dark room. Light
from the hall reveals a figure by the window. He lights a
small lamp. Ilsa faces him, her face white but determined.

Rick pauses for a moment in astonishment.

RICK
How did you get in?

ILSA
The stairs from the street.

Ilsa comes over to meet him.

RICK
I told you this morning you'd come
around, but this is a little ahead
of schedule. Well, won't you sit
down?

ILSA
Richard, I had to see you.

RICK
You use "Richard" again? We're back
in Paris.

ILSA
Please.

RICK
Your unexpected visit isn't
connected by any chance with the
letters of transit? It seems that
as long as I have those letters
I'll never be lonely.

ILSA
You can ask any price you want, but
you must give me those letters.

RICK
I went through all that with your
husband. It's no deal.

ILSA
I know how you feel about me, but
I'm asking you to put your feelings
aside for something more important.

RICK
105.

Do I have to hear again what a
great man your husband is? What an
important cause he's fighting for?

ILSA
It was your cause, too. In your own
way, you were fighting for the same
thing.

RICK
I'm not fighting for anything
anymore, except myself. I'm the
only cause I'm interested in.

He walks over to the window and Ilsa follows.

ILSA
Richard, Richard, we loved each
other once. If those days meant
anything at all to you --

RICK
(interrupting, harshly)
-- I wouldn't bring up Paris if I
were you. It's poor salesmanship.

ILSA
Please. Please listen to me. If you
knew what really happened, if you
only knew the truth --

RICK
(cutting in)
-- I wouldn't believe you, no
matter what you told me. You'd say
anything now to get what you want.

Rick walks over to a table and opens a cigarette box, but
finds it empty.

ILSA
You want to feel sorry for
yourself, don't you? With so much
at stake, all you can think of is
your own feelings. One woman has
hurt you, and you take revenge on
the rest of the world. You're a,
you're a coward, and a weakling.

There are tears in her eyes now.

ILSA
106.

No. Oh, Richard, I'm sorry. I'm
sorry, but, but you, you are our
last hope. If you don't help us,
Victor Laszlo will die in
Casablanca.

RICK
What of it? I'm going to die in
Casablanca. It's a good spot for
it.

He turns away to light a cigarette, then back to Ilsa.

RICK
Now if you --

He stops short as he sees Ilsa holding a small revolver in
her hand. It's pointed directly at him.

ILSA
-- All right. I tried to reason
with you. I tried everything. Now I
want those letters. Get them for
me.

RICK
I don't have to. I've got them
right here.

ILSA
Put them on the table.

RICK
(shaking his head)
No.

ILSA
For the last time, put them on the
table.

RICK
If Laszlo and the cause mean so
much to you, you won't stop at
anything. All right, I'll make it
easier for you.

He moves closer to her.

RICK
Go ahead and shoot. You'll be doing
me a favor.

Her hand drops down, and there are tears in her eyes again.
107.

She turns and walks away from him.

ILSA
Richard, I tried to stay away. I
thought I would never see you
again, that you were out of my
life.

Rick follows her and takes her in his arms. He presses her
tight to him.

ILSA
The day you left, if you knew what
I went through! If you knew how
much I loved you, how much I still
love you!

Rick kisses her passionately. She is lost in his embrace.

DISSOLVE TO:

Genres: Drama, Romance, War
Tone: Emotional, Intense, Tense

Summary Rick and Ilsa face off in Rick's dimly lit apartment. Ilsa demands letters of transit for her husband's escape, using a gun and emotional appeals. Rick initially resists, but Ilsa's desperation and declaration of love sway him. The scene ends with them embracing, resolving their conflict.

Strengths

Emotional depth
Tension
Revealing character dynamics

Weaknesses

Some cliched dialogue

General Critique

The scene is well-written and captures the tension between Rick and Ilsa effectively.
The dialogue is strong and reveals the complex emotions and history between the characters.
The use of the revolver adds a suspenseful element to the scene.
The emotional turmoil and conflicting motivations of Rick and Ilsa are portrayed convincingly.

Expert Critiques

Critique by Unknown Expert

General Suggestions

Consider adding more physical actions or gestures to enhance the visual impact of the scene.
Explore deeper into the internal struggles of Rick and Ilsa to add more depth to their characters.
Provide more context or backstory to further explain the intense emotions and conflicts in the scene.
Consider incorporating more sensory details to immerse the audience in the setting and emotions of the characters.

Expert Suggestions

Suggestion by Unknown Expert

58 INT. RICK'S CAFE - APARTMENT - LATER 58

From his window, Rick watches the revolving beacon light at
the airport.

Ilsa sits on the couch. On a table before her rests a
bottle of champagne along with two half-filled glasses.

Rick walks over to her.

RICK
And then?

ILSA
It wasn't long after we were
married that Victor went back to
Czechoslovakia. They needed him in
Prague, but there the Gestapo were
waiting for him. Just a two-line
item in the paper: "Victor Laszlo
apprehended. Sent to concen-tration
camp." I was frantic. For months I
tried to get word. Then it came. He
was dead, shot trying to escape. I
was lonely. I had nothing. Not even
hope. Then I met you.

RICK
Why weren't you honest with me? Why
did you keep your marriage a
secret?
108.

Rick sits down with Ilsa.

ILSA
Oh, it wasn't my secret, Richard.
Victor wanted it that way. Not even
our closest friends knew about our
marriage. That was his way of
protecting me. I knew so much about
his work, and if the Gestapo found
out I was his wife it would be
dangerous for me and for those
working with me.

RICK
When did you first find out he was
alive?

ILSA
Just before you and I were to leave
Paris together. A friend came and
told me that Victor was alive. They
were hiding him in a freight car on
the outskirts of Paris. He was
sick, he needed me. I wanted to
tell you, but I, I didn't care. I
knew, I knew you wouldn't have left
Paris, and the Gestapo would have
caught you. So I-- well, well, you
know the rest.

RICK
Huh. But it's still a story without
an ending. What about now?

ILSA
Now? I don't know. I know that I'll
never have the strength to leave
you again.

RICK
And Laszlo?

ILSA
Oh, you'll help him now, Richard,
won't you? You'll see that he gets
out? Then he'll have his work, all
that he's been living for.

RICK
All except one. He won't have you.

Ilsa puts her head on Rick's shoulder.
109.

ILSA
I can't fight it anymore. I ran
away from you once. I can't do it
again. Oh, I don't know what's
right any longer. You'll have to
think for both of us, for all of
us.

RICK
All right, I will. Here's looking
at you, kid.

ILSA
I wish I didn't love you so much.

She snuggles closer to Rick.

CUT TO:

59 EXT. RICK'S CAFE - NIGHT 59

Laszlo and Carl make their way through the darkness toward
a side entrance of Rick's. They run inside the entryway.

The headlights of a speeding police car sweep toward them.

They flatten themselves against a wall to avoid detection.
The lights move past them.

CARL
I think we lost them.

LASZLO
Yes. I'm afraid they caught some of
the others.

CARL
Come inside. Come.

CUT TO:

60 INT. RICK'S CAFE - MAIN ROOM - NIGHT 60

Laszlo and Carl enter and cross toward the bar, out of
breath from their exertion.

CARL
Come inside. I will help you. Come
in here.

LASZLO
110.

Thank you.

Carl goes behind the bar.

CARL
I will give you some water.

CUT TO:

61 INT/EXT. RICK'S CAFE - APARTMENT - NIGHT 61

Rick and Ilsa hear voices below. Rick crosses to the door.
He opens it just enough to see below, and turns off the
light.

Ilsa stands just in back of him. She makes a move as if to
go out to the balcony but Rick's pushes her back. She
withdraws behind the door.

Rick walks out to the balcony railing.

Genres: Drama, Romance, War
Tone: Emotional, Intense, Reflective, Tense

Summary Rick and Ilsa have a deep and emotional conversation about their past and their feelings for each other in an apartment within Rick's Cafe. The conflict arises from the complicated emotions and history between them, but there is a sense of acceptance and resignation. The bittersweet and reflective tone is highlighted by key dialogue revealing Ilsa's marriage to Victor Laszlo and Rick's love for her. The scene ends with a passionate kiss, indicating their deep connection and unresolved feelings.

Strengths

Emotional depth
Character development
Revealing dialogue
Tension and conflict

Weaknesses

Some exposition-heavy dialogue
Limited action or external conflict

General Critique

The scene between Rick and Ilsa is emotionally charged and reveals important backstory, but it feels a bit exposition-heavy and could benefit from more subtlety in the dialogue.
The conversation between Rick and Ilsa is crucial for understanding their relationship dynamics, but some of the dialogue feels a bit on-the-nose and could be more nuanced.
The scene effectively conveys the conflicted emotions between Rick and Ilsa, but the dialogue could be more natural and less explanatory.
The scene provides important information about Ilsa's past and her relationship with Victor Laszlo, but it could be more engaging with a more dynamic exchange between the characters.
The emotional intensity of the scene is palpable, but the dialogue could be more organic and less like a recitation of facts.

Expert Critiques

Critique by Unknown Expert

General Suggestions

Consider adding more subtext and emotional depth to the dialogue between Rick and Ilsa to make their interaction more engaging and realistic.
Try to show rather than tell the backstory of Ilsa and Victor Laszlo through actions and emotions rather than straightforward exposition.
Explore ways to convey the complex emotions and history between Rick and Ilsa through subtle gestures and non-verbal communication.
Consider trimming some of the dialogue to make the scene more concise and impactful, focusing on the most essential information and emotional beats.
Experiment with different ways to reveal Ilsa's past and her feelings for Rick in a more organic and nuanced manner.

Expert Suggestions

Suggestion by Unknown Expert

62 INT. RICK'S CAFE - BALCONY - MAIN ROOM - NIGHT 62

Rick sees Carl attending to Laszlo, who appears to be
injured.

RICK
Carl, what happened?

Both Carl and Laszlo look up.

CARL
(excitedly)
The police break up our meeting.
Herr Rick! We escaped in the last
moment.

RICK
Come up here a minute.

Carl looks up wonderingly, then starts toward the stairway.

CARL
Yes, I come.

RICK
I want you to turn out the light in
the rear entrance. It might attract
the police.
111.

CARL
But Sacha always puts out that
light --

RICK
-- Tonight he forgot.

CARL
Yes, I come, I will do it.

Carl climbs the stairs.

CUT TO:

63 INT. RICK'S CAFE - APARTMENT - NIGHT 63

Carl enters Rick's apartment and sees Ilsa. He looks at
Rick and says nothing.

RICK
(in a low voice)
I want you to take Miss Lund home.

CARL
Yes, sir.

CUT TO:

64 INT. RICK'S CAFE - MAIN ROOM - NIGHT 64

Rick comes down the stairs. Laszlo wraps one of the small
bar towels around his cut wrist. Rick looks questioningly
at the injured hand.

LASZLO
It's nothing. Just a little cut. We
had to get through a window.

Rick walks to the bar, picks up a bottle, and pours a
drink.

RICK
Well, this might come in handy.

LASZLO
Thank you.

RICK
Had a close one, eh?
112.

LASZLO
Yes, rather.

Laszlo takes a drink.

RICK
Don't you sometimes wonder if it's
worth all this? I mean what you're
fighting for?

LASZLO
We might as well question why we
breathe. If we stop breathing,
we'll die. If we stop fighting our
enemies, the world will die.

RICK
What of it? Then it'll be out of
it's misery.

Rick reaches in his jacket for his cigarette case, opens
it, and takes out a cigarette.

LASZLO
You know how you sound, Monsieur
Blaine? Like a man who's trying to
convince himself of something he
doesn't believe in his heart. Each
of us has a destiny, for good or
for evil.

RICK
Yes, I get the point.

Rick lights his cigarette.

LASZLO
I wonder if you do. I wonder if you
know that you're trying to escape
from yourself and that you'll never
succeed.

RICK
You seem to know all about my
destiny.

LASZLO
113.

I know a good deal more about you
than you suspect. I know, for
instance, that you are in love with
a woman. It is perhaps strange that
we both should be in love with the
same woman. The first evening I
came here in this cafe, I knew
there was something between you and
Ilsa. Since no one is to blame, I,
I demand no explanation. I ask only
one thing. You won't give me the
letters of transit. All right. But
I want my wife to be safe. I ask
you as a favor to use the letters
to take her away from Casablanca.

RICK
You love her that much?

LASZLO
Apparently you think of me only as
the leader of a cause. Well, I am
also a human being.

He looks away for a moment.

LASZLO
Yes, I love her that much.

Suddenly there is a CRASH at the door of the cafe, followed
by the forced entry of several gendarmes. A French officer
walks in and addresses Laszlo.

FRENCH OFFICER
Mr. Laszlo?

LASZLO
Yes?

FRENCH OFFICER
You will come with us. We have a
warrant for your arrest.

LASZLO
On what charge?

FRENCH OFFICER
Captain Renault will discuss that
with you later.

RICK
It seems that destiny has taken a
hand.
114.

Laszlo looks for a moment at Rick, then in dignified
silence crosses to the officer. Together they walk toward
the door.

Rick's eyes follow them, but his expression reveals nothing
of his feelings.

CUT TO:

Genres: Drama, Romance, War
Tone: Tense, Emotional, Intense, Dramatic

Summary Carl informs Rick that their meeting was disbanded by the police and that he and Laszlo narrowly escaped. Rick asks Carl to turn off the rear entrance light and speaks with Laszlo about their reasons for fighting. Laszlo, who is in love with Ilsa, asks Rick to use the letters of transit to help her leave Casablanca. Gendarmes abruptly enter and apprehend Laszlo.

Strengths

Emotional depth
Complex characters
High stakes
Engaging dialogue

Weaknesses

Some cliched dialogue
Predictable character interactions

General Critique

The scene lacks a clear sense of urgency or tension, considering the circumstances of Laszlo's escape and the police breaking up their meeting.
The dialogue between Rick and Laszlo feels somewhat forced and lacks depth, especially when discussing the reasons for fighting against their enemies.
The emotional connection between Rick and Ilsa is not fully explored or developed in this scene, making their interactions feel superficial.
The entrance of the gendarmes and the arrest of Laszlo feels abrupt and lacks a buildup of suspense or drama.
The transition between different locations within Rick's Cafe is not seamless and could be smoother to enhance the flow of the scene.

Expert Critiques

Critique by Unknown Expert

General Suggestions

Add more tension and urgency to the scene by emphasizing the danger of the situation and the stakes involved.
Develop the dialogue between Rick and Laszlo to delve deeper into their conflicting ideologies and emotions, adding layers to their characters.
Enhance the emotional connection between Rick and Ilsa by exploring their past relationship and current feelings in a more nuanced way.
Build up the suspense leading to Laszlo's arrest by creating a sense of impending danger and escalating conflict.
Improve the transitions between different parts of Rick's Cafe to create a more cohesive and seamless narrative flow.

Expert Suggestions

Suggestion by Unknown Expert

65 INT. RENAULT'S OFFICE - MORNING 65

Renault sits at his desk and smokes while Rick nervously
fingers his hat. They're interrupted by an orderly.

Renault hands some forms to the orderly, who then exits,
and the conversation continues.

RICK
But you haven't any actual proof,
and you know it. This isn't Germany
or occupied France. All you can do
is fine him a few thousand francs
and give him thirty days. You might
as well let him go now.

RENAULT
Ricky, I'd advise you not to be too
interested in what happens to
Laszlo. If by any chance you were
to help him escape --

RICK
-- What makes you think I'd stick
my neck out for Laszlo?

RENAULT
Because one, you've bet ten
thousand francs he'd escape. Two,
you have the letters of transit,
now don't bother to deny it. And,
well, you might do it simply
because you don't like Strasser's
looks. As a matter of fact, I don't
like him either.

RICK
Well, they're all excellent
reasons.

RENAULT
115.

Don't count too much on my
friendship, Ricky. In this matter
I'm powerless. Besides, I might
lose ten thousand francs.

RICK
You're not very subtle, but you are
effective. I, I get the point. Yes,
I have the letters, but I intend
using them myself. I'm leaving
Casablanca on tonight's plane, the
last plane.

RENAULT
Huh?

RICK
And I'm taking a friend with me.
One you'll appreciate.

RENAULT
What friend?

RICK
Ilsa Lund.
(pause)
That ought to put your mind to rest
about my helping Laszlo escape. The
last man I want to see in America.

RENAULT
You didn't come here to tell me
this. You have the letters of
transit. You can fill in your name
and hers and leave any time you
please. Why are you interested in
what happens to Laszlo?

Renault gets out of his chair and crosses to the front of
his desk.

RICK
I'm not. But I am interested in
what happens to Ilsa and me. We
have a legal right to go, that's
true. But people have been held in
Casablanca in spite of their legal
rights.

Renault retrieves a fresh cigarette from a box on his desk.

RENAULT
116.

What makes you think we want to
hold you?

Renault chain-lights his new cigarette with the old one.

RICK
Ilsa is Laszlo's wife. She probably
knows things that Strasser would
like to know. Louis, I'll make a
deal with you. Instead of this
petty charge you have against him,
you can get something really big,
something that would chuck him in a
concentration camp for years. That
would be quite a feather in your
cap, wouldn't it?

RENAULT
It certainly would. Germany-- Vichy
would be very grateful.

RICK
Then release him. You be at my
place a half hour before the plane
leaves.

Renault sits back down in his chair.

RICK
I'll arrange to have Laszlo come
there to pick up the letters of
transit, and that'll give you the
criminal grounds on which to make
the arrest. You get him, and we get
away. To the Germans that last will
be just a minor annoyance.

RENAULT
(puzzled)
There's still something about this
business I don't quite understand.
Miss Lund, she's very beautiful,
yes, but you were never interested
in any woman.

RICK
Well, she isn't just any woman.

Rick stares at the floor, then looks back up at Renault.

RENAULT
I see. How do I know you'll keep
your end of the bargain?
117.

RICK
I'll make the arrangements right
now with Laszlo in the visitor's
pen.

RENAULT
Ricky, I'm going to miss you.
Apparently you're the only one in
Casablanca who has even less
scruples than I.

RICK
Oh, thanks.

RENAULT
Go ahead, Ricky.

Renault presses a button on his desk, triggering a BUZZER.

The door to Renault's office opens. Rick rises to go.

RICK
And by the way, call off your
watchdogs when you let him go. I
don't want them around this
afternoon. I'm taking no chances,
Louis, not even with you.

CUT TO:

Genres: Drama, Thriller
Tone: Tense, Suspenseful, Emotional

Summary Renault threatens to expose Rick's possession of the letters of transit and his plan to help Laszlo escape. Rick proposes that he will arrange for Laszlo to come to Renault's office and be arrested, in exchange for Renault's help in getting Rick and Ilsa out of Casablanca. Renault agrees.

Strengths

Intense dialogue
Complex character dynamics
Emotional depth

Weaknesses

Some predictable elements in the negotiation

General Critique

The scene is well-written and maintains the tension between Rick and Renault as they negotiate a deal involving the letters of transit.
The dialogue effectively conveys the power dynamics and conflicting motivations of the characters, adding depth to their interactions.
There is a good balance of suspense and intrigue as Rick and Renault discuss their plans and the potential consequences of their actions.
The scene effectively sets up the stakes for the characters and builds anticipation for the resolution of the conflict.
The scene could benefit from more visual descriptions to enhance the atmosphere and setting, adding to the overall impact of the dialogue.

Expert Critiques

Critique by Unknown Expert

General Suggestions

Consider adding more visual cues to enhance the mood and setting of the scene, such as describing the lighting, the characters' body language, and the overall atmosphere in Renault's office.
Explore opportunities to further develop the emotional tension between Rick and Renault, perhaps by delving deeper into their conflicting motivations and personal histories.
Consider adding more subtext to the dialogue to create layers of meaning and deepen the complexity of the characters' interactions.
Experiment with different pacing techniques to build suspense and maintain the audience's engagement throughout the scene.
Continue to focus on character development and relationship dynamics to create a more compelling and nuanced narrative.

Expert Suggestions

Suggestion by Unknown Expert

66 INT. THE BLUE PARROT - DAY 66

A waiter brings tea to Rick and Ferrari, who sit alone at a
table in a secluded nook off the main room.

FERRARI
Shall we draw up the papers, or is
our handshake good enough?

RICK
It's certainly not good enough. But
since I'm in a hurry, it'll have to
do.

Ferrari pours a cup for Rick, who takes a sip.

FERRARI
Ah, to get out of Casablanca and go
to America! You're a lucky man.

RICK
118.

Oh, by the way, my agreement with
Sam's always been that he gets
twenty-five percent of the profits.
That still goes.

FERRARI
Hmmm. I happen to know that he gets
ten percent. But he's worth twenty-
five.

RICK
And Abdul and Carl and Sacha, they
stay with the place, or I don't
sell.

FERRARI
Of course they stay. Rick's
wouldn't be Rick's without them.

RICK
Well, so long.

Rick gets up, followed by Ferrari. They shake hands to seal
the deal.

He walks to the door, then stops and turns around.

RICK
Don't forget, you owe Rick's a
hundred cartons of American
cigarettes.

FERRARI
I shall remember to pay it-- to
myself.

Rick leaves. Ferrari picks up a fly swatter from the table
and swats at a fly.

CUT TO:

67 EXT. RICK'S CAFE - NIGHT 67

A car pulls quickly to a stop just outside the cafe.

On the door a huge placard reads:

CLOSED
By Order of the Prefect of Police

CUT TO:
119.

68 INT. RICK'S CAFE - MAIN ROOM - NIGHT 68

Rick sits at a table inside and reads the letters of
transit. He hears a KNOCK on the door and puts them away in
his pocket. He opens the door and Renault walks in.

RICK
You're late.

RENAULT
I was informed just as Laszlo was
about to leave the hotel, so I knew
I'd be on time.

RICK
I thought I asked you to tie up
your watchdogs.

RENAULT
Oh, he won't be followed here.

Renault looks around the empty cafe.

RENAULT
You know, this place will never be
the same without you, Ricky.

RICK
Yes, I know what you mean, but I've
already spoken to Ferrari. You'll
still win at roulette.

RENAULT
Is everything ready?

Rick points at his breast pocket.

RICK
I have the letters right here.

RENAULT
Tell me, when we searched the
place, where were they?

RICK
Sam's piano.

RENAULT
Serves me right for not being
musical.

They hear the CRUNCH of tires as a car pull up.
120.

RICK
Oh. Here they are. You'd better
wait in my office.

Renault walks up the stairs to Rick's office.

CUT TO:

69 EXT. RICK'S CAFE - NIGHT 69

Laszlo pays the cab driver. Ilsa quickly walks toward the
entrance.

LASZLO
(to driver)
Here.

CUT TO:

Genres: Drama, Romance, War
Tone: Tense, Emotional, Suspenseful, Intimate

Summary Rick finalizes the sale of Rick's Cafe to Ferrari, ensuring the well-being of his employees. Renault informs Rick of Laszlo's imminent departure and confirms the location of the letters of transit. Laszlo and Ilsa arrive at Rick's Cafe.

Strengths

Strong character development
Emotional depth
Tension-filled dialogue

Weaknesses

Some predictable plot elements
Slightly melodramatic moments

General Critique

The scene lacks a sense of urgency and tension considering the high stakes involved in selling Rick's Cafe and the imminent departure of Laszlo and Ilsa.
The dialogue between Rick and Ferrari feels a bit too casual and lacks depth, considering the gravity of the situation.
There is a missed opportunity to delve deeper into Rick's emotions and motivations as he finalizes the deal to sell the cafe.
The transition from the deal-making at the Blue Parrot to the closed cafe lacks a smooth connection, making the scene feel disjointed.
More emphasis could be placed on the emotional weight of Rick's decision to sell the cafe and the impact it will have on the characters and the story.

Expert Critiques

Critique by Unknown Expert

General Suggestions

Add more tension and urgency to the scene by highlighting the consequences of selling the cafe and the imminent departure of Laszlo and Ilsa.
Enhance the dialogue between Rick and Ferrari to reflect the gravity of the situation and the emotional stakes involved.
Explore Rick's internal conflict and emotional turmoil as he finalizes the deal, adding depth to his character.
Improve the transition between the Blue Parrot and Rick's Cafe to create a more seamless flow in the narrative.
Consider adding more emotional resonance to the scene by focusing on the impact of Rick's decision to sell the cafe on the characters and the overall story.

Expert Suggestions

Suggestion by Unknown Expert

70 INT. RICK'S CAFE - MAIN ROOM - NIGHT 70

Rick opens the door. Ilsa rushes in. Her intensity reveals
the strain she is under. Rick grabs her by both arms and
pulls her close.

ILSA
Richard, Victor thinks I'm leaving
with him. Haven't you told him?

RICK
No, not yet.

ILSA
But it's all right, isn't it? You
were able to arrange everything?

RICK
Everything is quite all right.

ILSA
Oh, Rick!

She looks at him with a vaguely questioning look.

RICK
We'll tell him at the airport. The
less time to think, the easier for
all of us. Please trust me.

Ilsa pauses and looks at Rick, unsure for a moment.
121.

ILSA
Yes, I will.

Laszlo comes in and closes the door behind himself.

LASZLO
Monsieur Blaine, I don't know how
to thank you.

RICK
Oh, save it. We've still lots of
things to do.

They all walk towards the bar. Laszlo deposits his hat on a
a nearby table.

CUT TO:

71 INT. RICK'S CAFE - OFFICE - NIGHT 71

Renault opens the office door and peers down at the
proceedings.

CUT TO:

Genres: Drama, Romance, War
Tone: Intense, Emotional, Tense, Suspenseful

Summary Ilsa seeks confirmation from Rick about arrangements for her departure with him, though she hesitates. Rick reassures her, and Laszlo expresses gratitude for Rick's assistance. Ilsa agrees to inform Victor at the airport, and the tension remains palpable as they head towards the bar.

Strengths

Intense emotional drama
Complex character relationships
High-stakes conflict resolution
Powerful dialogue

Weaknesses

Some elements of the scene may feel slightly melodramatic or contrived

General Critique

The scene lacks depth in emotional exploration between Rick, Ilsa, and Laszlo given the high stakes and tension of the situation.
The dialogue feels a bit rushed and lacks the emotional weight needed for such a pivotal moment in the story.
There is a missed opportunity to delve deeper into the conflicting emotions and motivations of the characters, especially Ilsa and Rick.
The scene could benefit from more nuanced interactions and character development to enhance the emotional impact.

Expert Critiques

Critique by Unknown Expert

General Suggestions

Consider adding more internal conflict and emotional turmoil for the characters to make the scene more engaging and impactful.
Slow down the pace of the dialogue to allow for more emotional depth and authenticity in the interactions.
Explore the complexities of the relationships between Rick, Ilsa, and Laszlo to create a more compelling and nuanced scene.
Add subtle gestures, expressions, and subtext to convey the characters' inner struggles and conflicting emotions effectively.

Expert Suggestions

Suggestion by Unknown Expert

72 INT. RICK'S CAFE - MAIN ROOM - NIGHT 72

LASZLO
I brought the money, Monsieur
Blaine.

RICK
Keep it. You'll need it in America.

LASZLO
But we made a deal.

RICK
(cutting him short)
Oh, never mind about that. You
won't have any trouble in Lisbon,
will you?

LASZLO
No. It's all arranged.

RICK
Good. I've got the letters right
here, all made out in blank.

He takes out the letters.
122.

RICK
All you have to do is fill in the
signatures.

He hands them to Laszlo, who takes them gratefully.

RENAULT
Victor Laszlo!

All three hear footsteps and turn to see Renault walking
towards them from the bottom of the stairs.

RENAULT
Victor Laszlo, you are under arrest
--
(as he walks toward them)
on a charge of accessory to the
murder of the couriers from whom
these letters were stolen.

Ilsa and Laszlo are both caught completely off guard. They
turn towards Rick, bewildered. Horror is in Ilsa's eyes.

Renault takes the letters.

RENAULT
Oh, you are surprised about my
friend Ricky?

Obviously the situation delights Renault. He smiles as he
turns toward Rick.

RENAULT
The explanation is quite simple.
Love, it seems, has triumphed over
virtue. Thank --

Suddenly the smile fades. In Rick's hand is a gun, which he
levels at Renault.

RICK
-- Not so fast, Louis. Nobody's
going to be arrested. Not for a
while yet.

RENAULT
Have you taken leave of your
senses?

RICK
I have. Sit down over there.

RENAULT
123.

Put that gun down.

Renault then walks toward Rick. Rick puts out his arm to
stop him.

RICK
Louis, I wouldn't like to shoot
you, but I will, if you take one
more step.

Renault halts for a moment and studies Rick.

RENAULT
Under the circumstances, I will sit
down.

He walks to a table and sits.

RICK
(sharply)
Keep your hands on the table.

He takes out a cigarette case.

RENAULT
I suppose you know what you're
doing, but I wonder if you realize
what this means?

RICK
I do. We've got plenty of time to
discuss that later.

RENAULT
Call off your watch-dogs you said.

RICK
Just the same, you call the airport
and let me hear you tell them. And
remember, this gun's pointed right
at your heart.

RENAULT
That is my least vulnerable spot.

As Renault picks up the phone and dials, Rick takes back
the letters.

RENAULT
(into phone)
124.

Hello, is this the airport? This is
Captain Renault speaking. There'll
be two letters of transit for the
Lisbon plane. There's to be no
trouble about them. Good.

CUT TO:

73 INT. GERMAN CONSULATE - NIGHT 73

Strasser is on the phone.

STRASSER
Hello? Hello?

He hangs up the receiver and presses a BUZZER on his desk.
An officer quickly enters.

STRASSER
(to officer)
My car, quickly!

OFFICER
(saluting)
Zu Befehl, Herr Major.

The officer exits and Strasser resumes on the telephone.

STRASSER
This is Major Strasser. Have a
squad of police meet me at the
airport at once. At once! Do you
hear?

He hangs up the receiver and, grabbing for his cap,
hurriedly exits.

DISSOLVE TO:

74 EXT. AIRPORT - NIGHT 74

The entire airport is surrounded by a heavy fog. The
outline of the transport plane is barely visible.

CUT TO:

Genres: Drama, Thriller
Tone: Tense, Emotional, Suspenseful

Summary Laszlo brings money to Rick, who tells him to keep it for his journey to America. Renault arrives to arrest Laszlo for murder, but Rick intervenes with a gun and forces Renault to call off the arrest and secure two letters of transit for Laszlo and Ilsa to leave for Lisbon.

Strengths

Tension-filled dialogue
Emotional depth of characters
High stakes and suspense

Weaknesses

Some predictable elements in the plot

General Critique

The scene is tense and dramatic, with a sudden turn of events as Laszlo is arrested by Renault.
The dialogue is impactful and reveals the power dynamics between Rick and Renault.
There is a strong sense of betrayal and manipulation as Renault reveals his true intentions.
The use of a gun adds a layer of suspense and danger to the scene.
The scene effectively builds tension and sets up the climax of the story.

Expert Critiques

Critique by Unknown Expert

General Suggestions

Consider adding more internal conflict for Rick as he grapples with the decision to betray Renault and protect Laszlo and Ilsa.
Explore the emotional impact of the situation on Ilsa and Laszlo in more depth to enhance the audience's connection to their characters.
Provide more context or backstory to Renault's motivations for betraying Rick, adding depth to his character.
Consider adding visual cues or actions to enhance the tension and suspense of the scene.
Ensure the resolution of the scene sets up the next sequence effectively to maintain the momentum of the story.

Expert Suggestions

Suggestion by Unknown Expert

75 INT/EXT. AIRPORT HANGAR - NIGHT 75

A uniformed ORDERLY uses a telephone near the hangar door.
On the airfield a transport plane is being readied.
125.

ORDERLY
Hello. Hello, radio tower? Lisbon
plane taking off in ten minutes.
East runway. Visibility: one and
one half miles. Light ground fog.
Depth of fog: approximately 500.
Ceiling: unlimited. Thank you.

He hangs up and moves to a car that has just pulled up
outside the hangar.

Renault gets out while the orderly stands at attention.
He's closely followed by Rick, right hand in the pocket of
his trench coat, covering Renault with a gun.

Laszlo and Ilsa emerge from the rear of the car.

RICK
(indicating the orderly)
Louis, have your man go with Mr.
Laszlo and take care of his
luggage.

RENAULT
(bowing ironically)
Certainly Rick, anything you say.
(to orderly)
Find Mr. Laszlo's luggage and put
it it on the plane.

ORDERLY
Yes, sir. This way please.

The orderly escorts Laszlo off in the direction of the
plane. Rick takes the letters of transit out of his pocket
and hands them to Renault, who turns and walks toward the
hangar.

RICK
If you don't mind, you fill in the
names. That will make it even more
official.

RENAULT
You think of everything, don't you?

RICK
(quietly)
And the names are Mr. and Mrs.
Victor Laszlo.

Renault stops dead in his tracks, and turns around. Both
Ilsa and Renault look at Rick with astonishment.
126.

ILSA
But why my name, Richard?

RICK
Because you're getting on that
plane.

ILSA
(confused)
I don't understand. What about you?

RICK
I'm staying here with him 'til the
plane gets safely away.

Rick's intention suddenly dawns on Ilsa.

ILSA
No, Richard, no. What has happened
to you? Last night we said --

RICK
-- Last night we said a great many
things. You said I was to do the
thinking for both of us. Well, I've
done a lot of it since then and it
all adds up to one thing. You're
getting on that plane with Victor
where you belong.

ILSA
(protesting)
But Richard, no, I, I --

RICK
-- You've got to listen to me. Do
you have any idea what you'd have
to look forward to if you stayed
here? Nine chances out of ten we'd
both wind up in a concentration
camp. Isn't that true, Louis?

Renault countersigns the papers.

RENAULT
I'm afraid Major Strasser would
insist.

ILSA
You're saying this only to make me
go.

RICK
127.

I'm saying it because it's true.
Inside of us we both know you
belong with Victor. You're part of
his work, the thing that keeps him
going. If that plane leaves the
ground and you're not with him,
you'll regret it.

ILSA
No.

RICK
Maybe not today, maybe not
tomorrow, but soon, and for the
rest of your life.

ILSA
But what about us?

RICK
We'll always have Paris. We didn't
have, we'd lost it, until you came
to Casablanca. We got it back last
night.

ILSA
And I said I would never leave you.

RICK
And you never will. But I've got a
job to do, too. Where I'm going you
can't follow. What I've got to do
you can't be any part of. Ilsa, I'm
no good at being noble, but it
doesn't take much to see that the
problems of three little people
don't amount to a hill of beans in
this crazy world. Someday you'll
understand that. Now, now--

Ilsa's eyes well up with tears. Rick puts his hand to her
chin and raises her face to meet his own.

RICK
Here's looking at you, kid.

CUT TO:

76 EXT. ROAD - NIGHT 76

Major Strasser drives at break-neck speed towards the
airport. He HONKS his horn furiously.
128.

CUT TO:

Genres: Drama, Romance, War
Tone: Emotional, Intense, Heartfelt, Tense

Summary Rick and Renault watch as Laszlo and Ilsa board the plane. Renault realizes that Ilsa had been traveling on a forged passport and that Rick had known about it all along. Rick explains to Ilsa that she must leave with Laszlo because she is essential to his work. He also tells her that their love will always be there, but that they must sacrifice their happiness for the greater good. Renault agrees to let Ilsa go, and she and Laszlo board the plane. As the plane takes off, Rick watches from the ground, knowing that he has made the right decision.

Strengths

Emotional depth
Powerful performances
Memorable dialogue
Character development

Weaknesses

Some may find the scene overly melodramatic or sentimental

General Critique

The scene is emotionally charged and impactful, with high stakes and tension between the characters.
The dialogue is powerful and reveals the inner conflicts and motivations of the characters.
The visual elements are well-described, adding to the atmosphere and tension of the scene.
The decision-making process and sacrifices made by the characters are effectively portrayed.
The scene effectively conveys the themes of sacrifice, love, and duty.

Expert Critiques

Critique by Unknown Expert

General Suggestions

Consider adding more visual cues to enhance the emotional impact of the scene, such as close-ups on the characters' faces to capture their expressions.
Explore ways to build up the tension even further, perhaps by adding more suspenseful music or sound effects.
Ensure that the pacing of the scene is consistent to maintain the emotional intensity throughout.
Consider incorporating more subtle gestures or actions to convey the characters' emotions, in addition to the dialogue.
Continue to focus on the internal struggles and conflicts of the characters to deepen the emotional resonance of the scene.

Expert Suggestions

Suggestion by Unknown Expert

77 INT/EXT. AIRPORT HANGAR - NIGHT 77

Laszlo returns. Rick walks into the hangar and Renault
hands him the letters. He walks back out to Laszlo.

LASZLO
Everything in order?

RICK
All except one thing. There's
something you should know before
you leave.

LASZLO
(sensing what is coming)
Monsieur Blaine, I don't ask you to
explain anything.

RICK
I'm going to anyway, because it may
make a difference to you later on.
You said you knew about Ilsa and
me.

LASZLO
Yes.

RICK
But you didn't know she was at my
place last night when you were. She
came there for the letters of
transit. Isn't that true, Ilsa?

ILSA
(facing Laszlo)
Yes.

RICK
(forcefully)
She tried everything to get them,
and nothing worked. She did her
best to convince me that she was
still in love with me, but that was
all over long ago. For your sake,
she pretended it wasn't, and I let
her pretend.

LASZLO
I understand.
129.

RICK
Here it is.

Rick hands the letters to Laszlo.

LASZLO
Thanks. I appreciate it.

Laszlo extends his hand to Rick, who grasps it firmly.

LASZLO
And welcome back to the fight. This
time I know our side will win.

On the airfield the airplane engine TURNS OVER and the
propellers start turning. They all turn to see the plane
readying for take-off.

Ilsa looks at Rick and he returns her stare with a blank
expression. He then glances at Laszlo, as does Ilsa.

Then Laszlo breaks the silence.

LASZLO
Are you ready Ilsa?

ILSA
Yes, I'm ready.
(to Rick)
Goodbye, Rick. God bless you.

RICK
You better hurry, or you'll miss
that plane.

Rick watches as Ilsa and Laszlo walk very deliberately
towards the plane.

RENAULT
Well I was right. You are a
sentimentalist.

RICK
Stay where you are. I don't know
what you're talking about.

Rick puts a cigarette in his mouth.

RENAULT
130.

What you just did for Laszlo, and
that fairy tale that you invented
to send Ilsa away with him. I know
a little about women, my friend.
She went, but she knew you were
lying.

RICK
Anyway, thanks for helping me out.

RENAULT
I suppose you know this isn't going
to be pleasant for either of us,
especially for you. I'll have to
arrest you of course.

RICK
As soon as the plane goes, Louis.

The door to the plane is closed by an attendant and it
slowly taxies down the field.

Suddenly a speeding car comes to a stop outside the hangar.
Strasser alights from the car and runs toward Renault.

STRASSER
What is the meaning of that phone
call?

RENAULT
Victor Laszlo is on that plane.

Renault nods toward the field. Strasser turns to see the
plane taxiing towards the runway.

STRASSER
Why do you stand here? Why don't
you stop him?

RENAULT
Ask Monsieur Rick.

Strasser looks briefly at Rick, then makes a step towards
the telephone just inside the hangar door.

RICK
Get away from that phone.

Strasser stops in his tracks, looks at Rick, and sees that
he is armed.

STRASSER
(steely)
131.

I would advise you not to
interfere.

RICK
I was willing to shoot Captain
Renault, and I'm willing to shoot
you.

Strasser watches the plane in agony. His eyes dart towards
the telephone. He runs toward it and desperately grabs the
receiver.

STRASSER
Hello?

RICK
Put that phone down!

STRASSER
Get me the Radio Tower!

RICK
Put it down!

Strasser, one hand holding the receiver, pulls out a pistol
with the other hand, and SHOOTS quickly at Rick. The bullet
misses its mark.

Rick now SHOOTS at Strasser, who crumples to the ground.

At the sound of an approaching car both men turn. A police
car SPEEDS in and comes to a stop near Renault. Four
gendarmes hurriedly jump out.

In the distance the plane turns onto the runway.

The gendarmes run to Renault. The first one hurriedly
salutes him.

GENDARME
Mon Capitaine!

RENAULT
Major Strasser's been shot.

Renault pauses and looks at Rick. Rick returns Renault's
gaze with expressionless eyes.

RENAULT
Round up the usual suspects.

GENDARME
Oui, mon Capitaine.
132.

The gendarmes take Strasser's body away and then drive off.

Renault walks inside the hangar, picks up a bottle of Vichy
water, and opens it.

RENAULT
Well, Rick, you're not only a
sentimentalist, but you've become a
patriot.

RICK
Maybe, but it seemed like a good
time to start.

RENAULT
I think perhaps you're right.

As he pours the water into a glass, Renault sees the Vichy
label and quickly DROPS the bottle into a trash basket
which he then KICKS over.

He walks over and stands beside Rick. They both watch the
plane take off, maintaining their gaze until it disappears
into the clouds.

Rick and Louis slowly walk away from the hangar toward the
runway.

RENAULT
It might be a good idea for you to
disappear from Casablanca for a
while. There's a Free French
garrison over at Brazzaville. I
could be induced to arrange a
passage.

RICK
My letter of transit? I could use a
trip. But it doesn't make any
difference about our bet. You still
owe me ten thousand francs.

RENAULT
And that ten thousand francs should
pay our expenses.

RICK
Our expenses?

RENAULT
Uh huh.

RICK
133.

Louis, I think this is the
beginning of a beautiful
friendship.

The two walk off together into the night.

FADE OUT.

THE END

Genres: Drama, Romance, War
Tone: Emotional, Tense, Resolute, Sentimental

Summary **Confrontation and Resolution:** - Rick exposes Ilsa's desperation and Laszlo's understanding. **Letters and Farewell:** - Rick provides the letters, bidding Laszlo and Ilsa farewell. - Renault unveils his knowledge of Rick's protective lie. **Confrontation with Strasser:** - Strasser's attempt to intervene leads to a deadly confrontation. - Rick shoots Strasser in self-defense. **Escape and Friendship:** - Renault arrests suspects and aids Rick's escape. - Renault and Rick forge an unexpected bond, walking off as newfound allies.

Strengths

Emotional depth
Character development
Tension
Pivotal decision-making

Weaknesses

Some predictable elements
Slightly melodramatic at times

General Critique

The scene provides closure to the storyline involving Rick, Ilsa, Laszlo, and Renault, but it feels rushed and lacks emotional depth.
The dialogue between Rick, Laszlo, and Ilsa is straightforward and lacks the emotional complexity that should accompany such a pivotal moment.
The confrontation between Rick and Strasser feels forced and lacks the tension and suspense that should be present in a scene involving a life-threatening situation.
The resolution of the conflict between Rick and Renault is too abrupt and lacks a satisfying build-up or resolution.
The scene could benefit from more nuanced character interactions and emotional depth to truly capture the weight of the decisions being made.

Expert Critiques

Critique by Unknown Expert

General Suggestions

Consider adding more emotional depth to the dialogue between Rick, Ilsa, and Laszlo to convey the complexity of their relationships.
Build up the tension and suspense in the confrontation between Rick and Strasser to make the scene more engaging.
Provide a more gradual resolution to the conflict between Rick and Renault to give the audience a sense of closure and satisfaction.
Explore the characters' internal struggles and motivations more deeply to enhance the emotional impact of the scene.
Consider adding subtle nuances and gestures to convey the characters' emotions and inner turmoil effectively.

Expert Suggestions

Suggestion by Unknown Expert

Casablanca

Overview

Unique Selling Point

AI Verdict & Suggestions

Story Facts

Script Level Analysis

Screenplay Insights

Story Critique

Characters

Emotional Analysis

Goals and Philosophical Conflict

Themes

Logic & Inconsistencies

Scene Analysis

Scene Level Percentiles

Other Analyses

Unique Voice

Writer's Craft

Memorable Lines

Tropes

World Building

Correlations

Loglines

Unique Voice

Writer's Craft

Memorable Lines

Tropes

World Building

Correlations

Loglines

Engine: Claude

Recommend

Executive Summary

Engine: Gemini

Highly Recommend

Executive Summary

Engine: GPT4

Highly Recommend

Executive Summary

Screenplay Insights:

Screenplay Story Analysis

Rick - Score: 86/100

Role

Personality

Scenes

Character Analysis Overview

Foundational Definition 8/10

Complexity And Depth 9/10

Arc Or Purposeful Stasis 8/10

Dialogue And Voice 9/10

Behavior And Choices 8/10

Relationship Dynamics 9/10

Scene Impact 8/10

Role Fulfillment 9/10

Thematic Plot Integration 9/10

Emotional Resonance 9/10

Score: 8

Suggestions

Follow-up Questions

Score: 9

Suggestions

Follow-up Questions

Score: 8

Suggestions

Follow-up Questions

Score: 9

Suggestions

Follow-up Questions

Score: 8

Suggestions

Follow-up Questions

Score: 9

Suggestions

Follow-up Questions

Score: 8

Suggestions

Follow-up Questions

Score: 9

Suggestions

Follow-up Questions