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Scene Map 42
# PG SLUGLINE
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Scene Map
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# PG SLUGLINE
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EXT. NEIGHBOURHOOD STREET - DAY (SATURDAY 1 P.M.) Donnie turns the corner and heads towards the garage. We pan over to the Darko house... moving through the front yard where Eddie Darko (forty-four) pulls the cord and his gas-powered leaf-blower roars to life.
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INT. ELIZABETH'S ROOM - EVENING (SATURDAY NIGHT, 9 P.M.) Elizabeth talks on the phone, getting ready for her Saturday night. Rose knocks and then enters. ELIZABETH (into the phone)
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INT. UPSTAIRS HALLWAY - NEXT Rose stops in her tracks, hearing this. She then walks into her bedroom and closes the door. INT. MASTER BEDROOM - NEXT Rose goes into bed with Eddie, who is reading a hardback
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INT. FOYER - NIGHT Elizabeth comes through the front door, leans back against it, closes her eyes. INT. FAMILY ROOM - NIGHT Eddie Darko sleeps reclined in the La-Z Boy. The final notes
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EXT. BUS STOP - MORNING (MONDAY MORNING, 7 A.M.) Rose drops Donnie and Samantha off at the corner. ROSE Ms. Farmer will pick you up from recital. Bye, now.
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EXT. / INT. MIDDLESEX RIDGE SCHOOL - MORNING (8 A.M.) The following montage is three long Steadicam shots in the main school hallway and courtyard. We follow Donnie and his friends as they pour out of the back of the emergency exit of the school bus to 'Head Over
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INT. TAURUS - SUNSET (MONDAY NIGHT, 6 P.M.) Eddie drives Donnie down Old Gun Road, a windy back-road that goes towards the country. EDDIE So how was school today?
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INT. MIDDLESEX RIDGE SCHOOL - HALLWAY In the empty school hallway... a gigantic tidal wave forms in the distance and comes crashing towards us between the lockers. INT. FAMILY ROOM - NIGHT (EARLY TUESDAY MORNING, 2 A.M.)
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INT. MIDDLESEX RIDGE SCHOOL - MORNING A janitor named Leroy (fifty-five) stands at the end of the hall with Principal Cole. Water rushes past their feet down the steps. LEROY
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EXT. NEIGHBOURHOOD STREET - NEXT (8:30 A.M.) Donnie and Gretchen walk along the sidewalk together. DONNIE So... you just moved here? GRETCHEN
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INT. THERAPIST'S OFFICE - EVENING (THURSDAY, 6 P.M.) Dr. Thurman sits next to Donnie. His eyes are closed. 27. DR. THURMAN And when I clap my hands twice, you
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EXT. OLD GUN RUINS - AFTERNOON (FRIDAY MAGIC HOUR, 4:30 P.M.) The ruins of a brick chimney sit in the middle of a field. Donnie, Sean and Ronald have lined up several empty beer bottles, cans and stuffed animals on the hearth. They take turns blasting these targets with a BB gun.
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EXT. OLD GUN ROAD - NEXT (MAGIC HOUR, 5 P.M.) Down the hill, a Dodge minivan is stopped on Old Gun Road. Grandma Death is once again in the middle of the street. DONNIE Grandma Death.
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INT. UPSTAIRS BATHROOM - EVENING Donnie continues to converse with Frank. DONNIE Why did you make me flood the school? FRANK
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INT. ENGLISH CLASS - MORNING (THURSDAY, 8 A.M.) Donnie stands in front of the class. Ms. Pomeroy sits behind her desk. On the chalkboard is "Poetry Day". DONNIE "A storm is coming, Frank says. A
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INT. PRINCIPAL COLE'S OFFICE - AFTERNOON (2 P.M.) Donnie and his parents sit in front of Principal Cole. PRINCIPAL COLE Donald... let me preface this by saying that your Iowa scores are...
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EXT. DARKO BACKYARD / PATIO - SUNSET (MAGIC HOUR, 5:30 P.M.) Samantha jumps up and down on the trampoline. INT. DONNIE'S ROOM - NIGHT (5:30 P.M.) Donnie walks into his room again for the first time since the accident, looking around at the new furniture, paint and
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INT. PHYSICS CLASS - LATER ON Dr. Monnitoff has drawn a diagram on the blackboard. In his hand he holds a copy of Stephen Hawking's "A Brief History of Time". DR. MONNITOFF
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EXT. DARKO BACKYARD - SUNSET (SATURDAY, 5:30 P.M.) Slow motion. Donnie and Gretchen jump up and down on the trampoline, lost among falling autumn leaves. INT. THERAPIST'S OFFICE - DAY (SUNDAY, 12 P.M.) Donnie is back on Dr. Thurman's couch.
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INT. FAMILY ROOM - EVENING (SUNDAY, 7:15 P.M.) Eddie and Dr. Fisher watch the Redskins game. Ronald and Donnie watch the game in the family room. EDDIE Ahh... we need Theisman.
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INT. FOYER / UPSTAIRS HALLWAY - NXT Donnie and his spear round the corner and arrive in his parents' bedroom. INT. MASTER BEDROOM - NIGHT His spear leads him to the closet. He opens the closet door...
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INT. SCHOOL BATHROOM - MIDDAY (11:30 A.M.) Donnie walks along the edge of the school. Suddenly, a figure approaches, grabbing him from behind, placing a switchblade next to his throat. It is Seth Devlin. SETH
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EXT. NEIGHBOURHOOD STREET - LATER THAT AFTERNOON (4 P.M.) Donnie rides along the sidewalk... and skids to a stop, seeing a wallet lying there. Donnie opens the wallet, looking at the ID. It reads: JIM CUNNINGHAM
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INT. THERAPIST'S OFFICE - NIGHT (8 P.M.) Rose and Eddie sit in front of Dr. Thurman. ROSE Thank you for seeing us... We... just felt that it was time to
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INT. KITCHEN - NIGHT Donnie walks into the kitchen and removes a butcher's knife from a drawer. INT. UPSTAIRS BATHROOM - NIGHT Donnie stands in front of the bathroom mirror... catatonic...
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INT. SCHOOL AUDITORIUM - NEXT (10:30 A.M.) Donnie is in a trance. DONNIE We're moving through time. GRETCHEN
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EXT. OLD GUN ROAD - AFTERNOON (3:30 P.M.) Donnie and Gretchen walk down the wooded road. DONNIE (mumbling) They suspended me for two days.
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INT. KITCHEN - NIGHT (7:15 P.M.) The entire family is having dinner. Donnie is lost in a trance. 62. SAMANTHA
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EXT. SCHOOL FRONT ENTRANCE - NEXT (2:15 P.M.) Gretchen walks out the front door. Donnie comes chasing after her. DONNIE Gretchen! Gretchen... wait up!
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EXT. BYRD THEATRE - NIGHT (6:30 P.M.) Donnie walks slowly past the theatre marquee. INT. AUDITORIUM - NIGHT (7 P.M.) On the stage, among blowing autumn leaves, Cherita Chen performs a strangely beautiful mime act to Symphony No. 3 by
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EXT. SCHOOL AUDITORIUM - NIGHT (8 P.M.) Cherita sits alone in the courtyard at the base of the mongrel statue... defeated and alone. INT. BYRD THEATRE - NIGHT (9 P.M.) Donnie walks into the theatre and sits next to Gretchen, who
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INT. DONNIE'S ROOM - AFTERNOON (1 P.M.) Donnie sits on his bed and stares at the calendar on his wall. Each day is marked with an X. He takes his pills from his nightstand... and downs three. There are noises coming from downstairs.
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INT. PHYSICS CLASS - DAY (2 P.M.) Donnie and Dr. Monnitoff are having another in-depth conversation. DR. MONNITOFF Each vessel travels along a vector
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INT. TEACHER'S LOUNGE - AFTERNOON (2:30 P.M.) Ms. Pomeroy sits across from Dr. Monnitoff. They both grade papers silently. Dr. Monnitoff stares at her for a long moment. DR. MONNITOFF
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INT. MAIN SCHOOL HALLWAY - LATER (9 A.M.) Donnie approaches Gretchen at her locker. DONNIE You want to skip fourth period and go to the Ridge?
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INT. DONNIE'S ROOM - NIGHT (7 P.M.) Rose is standing in Donnie's room alone. She stares at a drawing of Frank that he has tacked onto his bulletin board. Donnie appears in the doorway. Rose jumps. DONNIE
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INT. SCHOOL MAIN HALLWAY - AFTERNOON (3 P.M.) Donnie walks up to Gretchen, who stands at her locker with several other girls. The girls whisper to each other as he approaches. DONNIE
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INT. MAIN HALLWAY - NEXT (3:15. P.M.) And with that... Ms. Pomeroy turns and walks down the hallway with her career in a cardboard box... heading towards the bright Friday afternoon sunlight. Donnie walks back down the hallway... lost in his own
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INT. THERAPIST'S OFFICE - AFTERNOON (2 P.M.) Donnie, calmed down and putting his jacket on, walks slowly to the doorway. Dr. Thurman stands looking out the window. 85.
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EXT. BACKYARD / PATIO - NEXT Donnie and his friends watching the party unfold. The party grows larger. INT. THERAPIST'S OFFICE - NIGHT Dr. Thurman paces around her office with the phone to her
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EXT. BACKYARD / PATIO - NEXT They move through the backyard. GRETCHEN Donnie, what's going on! She stops him.
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EXT. NEIGHBOURHOOD STREET - EARLY MORNING (4:30 A.M.) Donnie carries Gretchen home. INT. FAMILY ROOM - NEXT Donnie looks down at Elizabeth asleep on the couch. He then leans down and gives her a kiss on the forehead.

Donnie Darko

Haunted by visions of a giant bunny rabbit predicting the end of the world, a troubled teenager must unravel the mysteries of time travel to save himself and those he loves.

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Overview

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Unique Selling Point

This highly original and compelling script, "Donnie Darko," stands out from others in its genre with its distinctive elements and thought-provoking storytelling. It delves into themes of fate, free will, and the complexities of human nature through a captivating blend of mystery, philosophy, and humor. The unique character dynamics, innovative narrative techniques, and exploration of existential questions create a truly captivating cinematic experience. "Donnie Darko" offers a blend of genres, including sci-fi, coming-of-age, and psychological thriller, delivering a fresh and unforgettable story that will resonate with audiences long after the credits have rolled.

AI Verdict & Suggestions

This rating is from a single AI engine based on structure, character, tone, and emotional engagement.

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Story Facts

Genres: Drama, Mystery, Sci-Fi, Thriller, Comedy, Fantasy, Psychological Thriller, Psychological, Romance, Science Fiction

Setting: The screenplay takes place in the late 1980s., The story is set in a suburban neighborhood and a high school.

Themes: Time Travel and Fate, Teenage Angst and Loneliness, The Power of Love and Connection, The Importance of Education, The Dangers of Arrogance and Ignorance, The Strength of Family, The Complexity of Good and Evil

Conflict & Stakes: The primary conflicts in this story revolve around Donnie's struggle with his mental health, his encounters with Frank and the concept of time travel, and the impending end of the world. The stakes are high as Donnie's actions and choices have the potential to impact not only his own life but also the lives of those around him.

Mood: The overall mood of the screenplay is dark, mysterious, and introspective.

Standout Features:

  • Unique Hook: The concept of time travel and the mysterious figure of Frank in a bunny suit.
  • Plot Twist: The revelation of the true nature of Frank and the consequences of Donnie's actions.
  • Distinctive Setting: The suburban neighborhood and high school provide a familiar backdrop for the story's surreal elements.

Comparable Scripts: Donnie Darko (2001 Film), Looper (2012 Film), The Butterfly Effect (2004 Film), Primer (2004 Film), Dark (2017 TV Series), The Hitchhiker's Guide to the Galaxy (1979 Novel), Slaughterhouse-Five (1969 Novel), The Time Traveler's Wife (2003 Novel), The Truman Show (1998 Film), The Adjustment Bureau (2011 Film)

Script Level Analysis

Writer Exec

This section delivers a top-level assessment of the screenplay’s strengths and weaknesses — covering overall quality (P/C/R/HR), character development, emotional impact, thematic depth, narrative inconsistencies, and the story’s core philosophical conflict. It helps identify what’s resonating, what needs refinement, and how the script aligns with professional standards.

Screenplay Insights

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Overall Score: 8.30
Story Critique
Big-picture feedback on the story’s clarity, stakes, cohesion, and engagement.
Characters

Explores the depth, clarity, and arc of the main and supporting characters.

Emotional Analysis

Breaks down the emotional journey of the audience across the script.

Goals and Philosophical Conflict
Evaluates character motivations, obstacles, and sources of tension throughout the plot.
Themes
Analysis of the themes of the screenplay and how well they’re expressed.
Logic & Inconsistencies
Highlights any contradictions, plot holes, or logic gaps that may confuse viewers.

Scene Analysis

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Other Analyses

Writer Exec

This section looks at the extra spark — your story’s voice, style, world, and the moments that really stick. These insights might not change the bones of the script, but they can make it more original, more immersive, and way more memorable. It’s where things get fun, weird, and wonderfully you.

Unique Voice
Assesses the distinctiveness and personality of the writer's voice.
Writer's Craft
Analyzes the writing to help the writer be aware of their skill and improve.
Memorable Lines
Spotlights standout dialogue lines with emotional or thematic power.
Tropes
Highlights common or genre-specific tropes found in the script.
World Building
Evaluates the depth, consistency, and immersion of the story's world.
Correlations
Identifies patterns in scene scores.
Loglines
Presents logline variations based on theme, genre, and hook.