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Scene Map 42
# PG SLUGLINE
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Scene Map
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# PG SLUGLINE
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INT. CONCOURSE/AIRPORT TERMINAL - BAY CLOSE ON A FACE. A nine year old boy, YOUNG COLE, his eyes wide with wonder. watching something intently. We HEAR the sounds of the P.A. SYSTEM droning Flight Information mingled with the sounds of urgent SHOUTS, running FEET, EXCLAMATIONS.
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INT. FIRST UNDERGROUND DECONTAMINATION CHAMBER - ETERNAL NIGHT ROARING WATER, powerful torrents gushing from nozzles in the wall, pummel the still-suited COLE. INT. SECOND UNDERGROUND DECONTAMINATION CHAMBER - ETERNAL NIGHT Stark naked and shivering, COLE is being scrubbed with brushes on
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INT. ART GALLERY - NIGHT A strikingly "real" world of bright colors. Extravagant paintings adorn the walls. A POET, tiny and ruddy faced, squints over his glasses as he reads in a booming voice to an AUDIENCE of thirty seated on folding chairs.
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INT. ISOLATION CELL COLE stares at RAILLY. The environment is intensely real...vivid colors...each sound, however slight, very distinct, almost loud... and yet she appears to him almost like a vision. RAILLY
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INT. POLICE STATION CORRIDOR - MORNING COLE, bound tightly by the strait-jacket, heavy manacles on his ankles, is being escorted down the corridor by two surly POLICEMEN. COLE Where are you taking me?
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INT. PSYCH WARD CONFERENCE ROOM - MINUTES LATER (DAY) COLE is agitated, speaking forcefully. COLE This is a place for crazy people! I'm not crazy!
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INT. LOW RENT APARTMENT - DAY Four little KIDS SCREAM and SQUABBLE while the phone CHIRPS insistently in the tiny, cluttered apartment and a harried MOTHER lunges for the phone, answers sharply... MOTHER
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INT. WARD DAYROOM - MORNING ANGLE ON TV SCREEN/A VIDEO IMAGE OF A LAB MONKEY, convulsing pathetically, a victim of shocks from the numerous wires attached to his tiny, restrained body. ANGLE ON COLE, sitting, writing intensely in a magazine with
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INT. CORRIDOR/COUNTY HOSPITAL Stepping through the door, COLE finds himself in an ante-room facing several elevators. A uniformed SECURITY MAN sitting at a near-by desk doesn't even lock up from the magazine he's reading.
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INT. CORRIDOR/PSYCH WARD - MOMENTS LATER (DAY) DR. FLETCHER looks into an empty padded cell as RAILLY, MARTIN, GOODIN, BILLINGS, PALMER and the NURSE crowd behind him. DR. FLETCHER He was in full restraints? And the
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INT. ENGINEERING OFFICE - ETERNAL NIGHT OF THE FUTURE COLE comes awake with a start. The room is dark now, except... a slide is being projected on a torn screen. It's a picture of a stenciled graffiti...the logo of The Army of the 12 Monkeys. ENGINEER
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INT. LAB - ETERNAL NIGHT OF THE FUTURE COLE is strapped on a gurney. SCIENTISTS hover near-by, whispering. The walls of the gloomy chamber are damp, sweating. GEOLOGIST No mistakes this time, Cole.
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EXT. COLLEGE CAMPUS - NIGHT Stunningly quiet. We are on a placid campus looking at the dignified architecture of Breitrose Hall. MOVING IN we FOCUS ON a large poster advertising "The Alexander Lectures, Spring 1995". WE SKIM the listings (Jon Else on The Nuclear Agony, Dr. Andrew
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INT. RECEPTION ROOM - AN HOUR LATER (NIGHT) A stack of new books. THE DOOMSDAY SYNDROME, Apocalyptic Visions of the Mentally Ill by Dr. Kathryn Railly Surrounded by enthusiastic members of the audience, RAILLY is seated at the table signing books but DR. PETERS has her ear.
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EXT. FREEWAY - NIGHT The Acura veers up the ramp and onto the freeway. INT. ACURA/FREEWAY - NIGHT 8FLiX.com SCREENPLAY DATABASE 20220831 RAILLY glances in the mirror, sees COLE settling back wearily
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EXT. MOTEL CORRIDOR - MORNING COLE puzzles over a junk food vending machine, inserts coins tentatively. INT. MOTEL ROOM ANGLE ON TV, the picture of RAILLY filling the screen.
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EXT. SKID ROW STREET/PHILADELPHIA - DAY An elderly EVANGELIST with long stringy hair, wearing a tattered bathrobe, stands on a Skid Row corner WAVING a worn Bible as he rants at disinterested DERELICTS, WINOS, and BAG LADIES. EVANGELIST
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EXT. VACANT LOT - MOMENTS LATER (DAY) CRACKHEADS huddle against a building, sucking their pipes, oblivious to COLE pulling RAILLY past. COLE scans the walls for messages in the confusion of graffiti. RAILLY is considering her surroundings dubiously when, suddenly,
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EXT. SECOND AVE - DAY The EVANGELIST, spotting COLE and RAILLY hurrying past him, points urgently at COLE. EVANGELIST You! You! You're one of us, aren't you?
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INT. FAA STORE BASEMENT - TWENTY MINUTES LATER (DAY) The three ACTIVISTS are tied tightly together in the middle of the floor in this dimly-lit, windowless basement. They're very frightened, eager to cooperate. FALE
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EXT. FREEWAY - AFTERNOON In the crawling traffic, WE FIND a battered FORD covered with bumper stickers and painted slogans. "I BRAKE FOR ANIMALS"... "FREE THE ANIMALS"..."WOULD YOU LET A MINK WEAR YOUR SKIN?" RAILLY (v.o.)
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INT. PARKED FORD/GAS STATION - MINUTES LATER (AFTERNOON) The GAS STATION ATTENDANT checks the oil while COLE and RAILLY remain in the car. She's pulling a gas card from her wallet. COLE You were going to run out off gas on
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INT. HALLWAY/MASON MANSION The conversation continues as JEFFREY and AGENT #3 enter the hall. AGENT #3 Normally if we caught a guy sneaking around like this with no I.D., we'd
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INT. HALLWAY/MASON MANSION GUESTS pouring from the dining room into the hall meet JEFFREY and a very disconcerted COLE. JEFFREY Hey, nice ta see ya. Lookin' good! Hi,
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INT. FOYER/MASON MANSION COLE heads for the front door, but there's an AGENT there! COLE turns and limps madly toward the dining room, pushing his way through the crowd of amazed GUESTS. INT. DINING ROOM/MASON MANSION
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EXT. WOODS - LATER (NIGHT) A weather forecast BLARES from the radio of the steaming Jaguar, crumpled into a tree, the driver's door open. A POLICE OFFICER, pistol drawn, approaches the car cautiously, as OTHER OFFICERS and AGENTS stay behind trees, weapons ready.
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INT. POLICE STATION OFFICE - MORNING RAILLY is being "debriefed" by POLICE OFFICERS and FBI AGENTS. RAILLY Then I said something to him about cooperating and he said he would do
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INT. "HOSPITAL" ROOM - ETERNAL NIGHT VOICES! SINGING! COLE blinks awake, looks around, confused, then stares in disbelief.... Crowded around COLE'S bed, the SCIENTISTS are concluding a ragged, out of tune, rendition of "BLUEBERRY HILL."
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INT. PSYCHIATRIST'S OFFICE - DAY CLOSE ON KATHRYN RAILLY, insisting fiercely to someone, RAILLY He not only used the word "prank" -- he said the boy was hiding in a barn.
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INT. RAILLY'S BEDROOM - MORNING RAILLY'S in bed, asleep, having a very bad dream. Suddenly, the bedside phone RINGS. Her eyes snap open. A beat to orient herself. RING. She reaches for the phone. INTERCUT LIEUTENANT HALPERIN'S OFFICE/RAILLY'S BEDROOM
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INT. DR. MASON'S OFFICE - DAY Standing in front of a wall of glass in his office, overlooking a hi-tech lab below where WORKERS in white "space suits" work methodically, DR. MASON speaks angrily into a phone. His male ASSISTANT, whose features we don't see, stops writing a formula
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INT. FAA STORE FALE watches JEFFREY go over a check list while KWESKIN, SANDY, and TEDDY organize materials, and BEN peeks out the small opening between posters at the front window. JEFFREY
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INT. FAA STORE - DAY ANGLE ON BEN, peeking out, reacting to the drama. BEN Wow, a guy in a Chevy is chasing her and some other guy I can't see.
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INT. BATHROOM RAILLY'S VOICE (from the other room) (rattling the door knob) James, what are you doing? WALLACE cowers back against the shower stall.
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INT. DEPARTMENT STORE/MEN'S DEPARTMENT - 6:00 PM RAILLY, whose sun glasses don't really hide her bruised eye, adds a man's Hawaiian shirt to the pile of other men's things heaped on a counter in front of a very suspicious CLERK. 8FLiX.com SCREENPLAY DATABASE 20220831
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INT. MOVIE SCREEN/THEATER - NIGHT Spooky BERNARD HERRMAN MUSIC, giant redwoods looming skyward. It's DAYTIME in Muir Woods. SCOTTY (JAMES STEWART) AND MADELINE (KIM NOVAK) walk toward a display of a cross cut section of a redwood tree. We're watching Hitchcock's VERTIGO.
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EXT. GORILLA'S PEN/ZOO - NIGHT CLOSE ON A GORILLA, by moonlight, angry, a true nightmare vision. 8FLiX.com SCREENPLAY DATABASE 20220831 URGENT WHISPERS off screen, RUSTLING SOUNDS. Then, METAL ON METAL. Only now are we aware that the GORILLA is in an outdoor zoo pen
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INT. STORAGE ROOM/MOVIE THEATER RAILLY and COLE are in a dimly lit cluttered storage room. She kisses him hungrily amid the brooms, plastic trash barrels, other janitorial items. COLE responds to her passion as they move deeper into the room, its walls covered with old movie posters.
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INT. TICKET COUNTER/AIRPORT TERMINAL - MORNING CLOSY ON copies of the mug shot of COLE and a photo of RAILLY while the airport P.A. SYSTEM DRONES in the b.g.. 8FLiX.com SCREENPLAY DATABASE 20220831 REVEAL a DETECTIVE, giving the flyers to the uniformed SUPERVISOR
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INT. TICKET COUNTER - DAY The Chicago Bulls bag! It's on the counter in front of the TICKET AGENT who's reviewing a stack of tickets in awe... TICKET AGENT Woooo-eeee. San Francisco, New
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INT. SECURITY CHECK POINT/TERMINAL - DAY A young boy of nine passes through the magnetic arch grinning. YOUNG COLE! Exactly as he appears in the dream! 8FLiX.com SCREENPLAY DATABASE 20220831 He joins his PARENTS, who are only visible from their chests
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INT. 747 CABIN - DAY DR. PETERS closes the door to the overhead luggage rack containing his Chicago Bulls bag and takes his seat. Next to him, a FELLOW TRAVELER, unseen, says... FELLOW TRAVELER'S VOICE (o.s.)

12 Monkeys

In a post-apocalyptic future, a convict is sent back in time to uncover the source of a deadly virus that wiped out most of humanity, but his quest to change the past leads him on a collision course with his own shattered psyche.

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Overview

Poster
Unique Selling Point

"This gripping screenplay captivates with an unparalleled blend of dystopian mystery, intricate character dynamics, and provocative themes. Experience a thrilling odyssey that delves into the depths of the human psyche, unraveling a web of deception, redemption, and the poignant search for purpose in a world on the brink of collapse. Its innovative storytelling techniques, distinctively flawed characters, and thought-provoking narrative will resonate deeply, leaving a lasting impact long after the final scene."

AI Verdict & Suggestions

Ratings are subjective. So you get different engines' ratings to compare.

Hover over verdict cards for Executive Summaries

Claude
 Recommend
GPT4
 Recommend
Story Facts

Genres: Thriller, Drama, Sci-Fi, Science Fiction, Psychological Thriller, Mystery, Action, Dystopian, Psychological Drama, War, Romance

Setting: Present and past (1995)., United States (primarily Philadelphia and Baltimore).

Themes: Time Travel and its Consequences, The Nature of Reality and Identity, The Importance of Memory, The Dangers of Technology, The Power of Love

Conflict & Stakes: The conflict between Cole's desire to prevent the virus and the skepticism of the scientists, and the stakes are the survival of humanity.

Comparable Scripts: 12 Monkeys (1995), La Jetée (1962), The Matrix (1999), Children of Men (2006), Looper (2012), Blade Runner (1982)

Script Level Analysis

Writer Exec

This section delivers a top-level assessment of the screenplay’s strengths and weaknesses — covering overall quality (P/C/R/HR), character development, emotional impact, thematic depth, narrative inconsistencies, and the story’s core philosophical conflict. It helps identify what’s resonating, what needs refinement, and how the script aligns with professional standards.

Screenplay Insights

Breaks down your script along various categories.

Overall Score: 8.30
Story Critique
Big-picture feedback on the story’s clarity, stakes, cohesion, and engagement.
Characters

Explores the depth, clarity, and arc of the main and supporting characters.

Emotional Analysis

Breaks down the emotional journey of the audience across the script.

Goals and Philosophical Conflict
Evaluates character motivations, obstacles, and sources of tension throughout the plot.
Themes
Analysis of the themes of the screenplay and how well they’re expressed.
Logic & Inconsistencies
Highlights any contradictions, plot holes, or logic gaps that may confuse viewers.

Scene Analysis

All of your scenes analyzed individually and compared, so you can zero in on what to improve.

Scene-Level Percentile Chart
Hover over the graph to see more details about each score.
Go to Scene Analysis

Other Analyses

Writer Exec

This section looks at the extra spark — your story’s voice, style, world, and the moments that really stick. These insights might not change the bones of the script, but they can make it more original, more immersive, and way more memorable. It’s where things get fun, weird, and wonderfully you.

Unique Voice
Assesses the distinctiveness and personality of the writer's voice.
Writer's Craft
Analyzes the writing to help the writer be aware of their skill and improve.
Memorable Lines
Spotlights standout dialogue lines with emotional or thematic power.
Tropes
Highlights common or genre-specific tropes found in the script.
World Building
Evaluates the depth, consistency, and immersion of the story's world.
Correlations
Identifies patterns in scene scores.
Loglines
Presents logline variations based on theme, genre, and hook.