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Scene Map 60
# PG SLUGLINE
1 2
EXT BUS TERMINAL. NATCHEZ, MISSISSIPPI. LATE AFTERNOON.
2 3
INT RHYTHM CLUB. LATE AFTERNOON.
3 4
EXT NORTH UNION STREET. LATE AFTERNOON.
4 7
EXT NORTH UNION STREET. DAY.
5 8
INT ADAMS COUNTY JAIL. LATE AFTERNOON.
6 10
EXT MARY MORGAN’S FRONT PORCH. NIGHT.
7 12
INT MOUNT OLIVE BAPTIST CHURCH. MORNING.
8 14
EXT MOUNT OLIVE BAPTIST CHURCH. SUNDAY MORNING.
9 17
EXT NATCHEZ NATIONAL CEMETERY. SUNDAY AFTERNOON.
10 18
EXT OUTSIDE DR. KENNETH HOLMAN’S PRIVATE OFFICE. MONDAY
11 21
EXT STREETS OF NATCHEZ. DAY.
12 21
EXT BEHIND RHYTHM CLUB. DAY.
13 24
INT RHYTHM CLUB. DAY.
14 31
EXT FRANKLIN STREET. MONDAY AFTERNOON.
15 32
EXT FRANKLIN STREET. TUESDAY MORNING.
16 34
INT ADAMS COUNTY SHERIFF’S WAITING ROOM. TUESDAY MORNING.
17 37
INT DR. KENNETH HOLMAN’S OFFICE. TUESDAY.
18 37
INT DR. KENNETH HOLMAN’S EXAMINATION ROOM. DAY.
19 38
EXT STATE STREET. DAY.
20 40
INT BUCKLAND MANSION. DAY.
21 42
EXT STREETS OF NATCHEZ. DAY.
22 43
INT RHYTHM CLUB. DAY.
23 44
INT RHYTHM CLUB. DAY.
24 44
EXT MARY MORGAN’S FRONT PORCH. NIGHT.
25 46
EXT RHYTHM CLUB. WEDNESDAY EVENING.
26 47
INT RUFUS’S OFFICE IN RHYTHM CLUB. NIGHT.
27 49
INT RHYTHM CLUB BATHROOM. LATER WEDNESDAY NIGHT.
28 50
INT RHYTHM CLUB. LATER WEDNESDAY NIGHT.
29 52
INT SALLY’S. NIGHT.
30 53
EXT STREETS OF NATCHEZ. WEDNESDAY NIGHT.
31 54
INT ROSE’S HOME. NIGHT.
32 56
INT BENNETT LIVING ROOM. NIGHT.
33 57
INT RHYTHM CLUB. THURSDAY MORNING.
34 60
EXT OUTSIDE DR. KENNETH HOLMAN’S OFFICE. THURSDAY.
35 63
EXT ROSE’S FRONT PORCH. THURSDAY NIGHT.
36 63
EXT OUTSIDE RHYTHM CLUB. FRIDAY AFTERNOON.
37 66
INT DR. KENNETH HOLMAN’S OFFICE. LATE FRIDAY NIGHT.
38 67
EXT OUTSIDE ROSE’S HOME. SATURDAY EVENING, APRIL 23, 1940.
39 69
EXT RHYTHM CLUB. SATURDAY NIGHT.
40 70
INT RHYTHM CLUB. NIGHT.
41 74
INT RHYTHM CLUB. SATURDAY NIGHT.
42 75
INT RHYTHM CLUB. NIGHT.
43 77
INT RHYTHM CLUB. NIGHT.
44 78
EXT OUTSIDE RHYTHM CLUB. NIGHT.
45 79
EXT RHYTHM CLUB. NIGHT.
46 81
INT RHYTHM CLUB. NIGHT.
47 82
INT RHYTHM CLUB. NIGHT.
48 83
EXT RHYTHM CLUB. NIGHT.
49 87
EXT NATCHEZ HOSPITAL. NIGHT.
50 88
INT NATCHEZ HOSPITAL. NIGHT.
51 89
EXT RHYTHM CLUB. NIGHT.
52 91
INT NATCHEZ HOSPITAL. NIGHT.
53 92
INT NATCHEZ HOSPITAL EMERGENCY ROOM. NIGHT.
54 94
INT NATCHEZ HOSPITAL. NIGHT.
55 95
INT NATCHEZ HOSPITAL OFFICE. NIGHT.
56 98
INT NATCHEZ HOSPITAL. NIGHT.
57 99
EXT MARY MORGAN’S FRONT PORCH. NIGHT.
58 100
EXT BUCKLAND MANSION. NIGHT.
59 102
INT BUCKLAND MANSION PARLOR. NIGHT.
60 111
EXT OUTSIDE DR. KENNETH HOLMAN’S OFFICE. DAY.
Scene Map
60
# PG SLUGLINE
1 2
EXT BUS TERMINAL. NATCHEZ, MISSISSIPPI. LATE AFTERNOON.
EXT. BUS TERMINAL. NATCHEZ, MISSISSIPPI. LATE AFTERNOON.
EXT. BUS TERMINAL. NATCHEZ, MISSISSIPPI. LATE AFTERNOON. LEGEND: Natchez, Mississippi - April 16, 1940 A well-dressed black man, SAM MORGAN, about thirty, steps off a bus in front of an aging service station that serves as a bus terminal in Natchez.
2 3
INT RHYTHM CLUB. LATE AFTERNOON.
INT. RHYTHM CLUB. LATE AFTERNOON.
INT. RHYTHM CLUB. LATE AFTERNOON. ELROY, young, friendly, is wiping the bar and talking to a black man about Sam’s age, RUFUS WOOLRIDGE. Sam puts his suitcase down and walks to the bar, where he stands behind Rufus. Elroy stares at Sam, and Rufus stops
3 4
EXT NORTH UNION STREET. LATE AFTERNOON.
EXT. NORTH UNION STREET. LATE AFTERNOON.
EXT. NORTH UNION STREET. LATE AFTERNOON. Sam walks up two flights of concrete steps onto the porch of a Victorian house high above North Union Street. He puts his suitcase down, and knocks hard on the door. ROSE BENNETT, a pretty black woman about Sam’s age opens the door.
4 7
EXT NORTH UNION STREET. DAY.
EXT. NORTH UNION STREET. DAY.
EXT. NORTH UNION STREET. DAY. Sam walks down the several flights of steps outside the Bennett house toward the street. He stops on the landing above the final flight and watches a Sheriff’s patrol car stop below him.
5 8
INT ADAMS COUNTY JAIL. LATE AFTERNOON.
INT. ADAMS COUNTY JAIL. LATE AFTERNOON.
INT. ADAMS COUNTY JAIL. LATE AFTERNOON. Sam sits on the bunk behind the steel bars of the jail cell, his head down. An outer door opens and Sheriff Williams walks in, followed by DR. KENNETH HOLMAN, a fifty-ish black man, meticulous in
6 10
EXT MARY MORGAN’S FRONT PORCH. NIGHT.
EXT. MARY MORGAN’S FRONT PORCH. NIGHT.
EXT. MARY MORGAN’S FRONT PORCH. NIGHT. Sam steps onto the porch of his family home on Madison Street. The wooden front door is open, and Sam opens the screen door and walks in. INT. MARY MORGAN’S HOUSE. NIGHT.
7 12
INT MOUNT OLIVE BAPTIST CHURCH. MORNING.
INT. MOUNT OLIVE BAPTIST CHURCH. MORNING.
INT. MOUNT OLIVE BAPTIST CHURCH. MORNING. Mary and Sam walk into church late, and slide into the last pew as the preacher begins his sermon. Sam spots Rufus and Rose seated in the middle of the church. Rose turns around and glances at Sam. Sam smiles at her but
8 14
EXT MOUNT OLIVE BAPTIST CHURCH. SUNDAY MORNING.
EXT. MOUNT OLIVE BAPTIST CHURCH. SUNDAY MORNING.
EXT. MOUNT OLIVE BAPTIST CHURCH. SUNDAY MORNING. After the service, outside on the church steps beneath Greek Revival columns, the two embarrassed young men, Eldred Mack and Cecil Brooks, scamper down the steps to get away. Sam hustles to catch up with Rose and Rufus walking down the
9 17
EXT NATCHEZ NATIONAL CEMETERY. SUNDAY AFTERNOON.
EXT. NATCHEZ NATIONAL CEMETERY. SUNDAY AFTERNOON.
EXT. NATCHEZ NATIONAL CEMETERY. SUNDAY AFTERNOON. Sam and Mary stand at the base of a hill with hundreds of white tombstones commemorating the deaths of soldiers in the United States military from the Civil War through the First World War.
10 18
EXT OUTSIDE DR. KENNETH HOLMAN’S PRIVATE OFFICE. MONDAY
EXT. OUTSIDE DR. KENNETH HOLMAN’S PRIVATE OFFICE. MONDAY
EXT. OUTSIDE DR. KENNETH HOLMAN’S PRIVATE OFFICE. MONDAY MORNING. Sam walks past the “Dr. Kenneth Holman” sign and up the steps to Dr. Holman’s office, a two-story wooden structure, formerly a residence.
11 21
EXT STREETS OF NATCHEZ. DAY.
EXT. STREETS OF NATCHEZ. DAY.
EXT. STREETS OF NATCHEZ. DAY. Sam walks to “the corner.” He walks across the street and stands outside the Rhythm Club reading the sign proclaiming the Willie Jones and his Orchestra appearance Saturday night.
12 21
EXT BEHIND RHYTHM CLUB. DAY.
EXT. BEHIND RHYTHM CLUB. DAY.
EXT. BEHIND RHYTHM CLUB. DAY. Rufus’s face is still swollen and cut from the fight two days before. He walks gingerly as if his ribs are sore as well. RUFUS
13 24
INT RHYTHM CLUB. DAY.
INT. RHYTHM CLUB. DAY.
INT. RHYTHM CLUB. DAY. Sam looks around the club as he stands next to Rufus. RUFUS Profits have gone through the roof since I got my liquor license...
14 31
EXT FRANKLIN STREET. MONDAY AFTERNOON.
EXT. FRANKLIN STREET. MONDAY AFTERNOON.
EXT. FRANKLIN STREET. MONDAY AFTERNOON. Sam presses his face against a glass storefront next to a “For Rent” sign, peering inside the building. A short, bald man with a Mediterranean complexion approaches him. MONSOUR
15 32
EXT FRANKLIN STREET. TUESDAY MORNING.
EXT. FRANKLIN STREET. TUESDAY MORNING.
EXT. FRANKLIN STREET. TUESDAY MORNING. Sam pulls to the curb on Franklin Street in Rufus’s father’s ramshackle old truck. He starts moving tools and lumber from the bed of the truck into the building.
16 34
INT ADAMS COUNTY SHERIFF’S WAITING ROOM. TUESDAY MORNING.
INT. ADAMS COUNTY SHERIFF’S WAITING ROOM. TUESDAY MORNING.
INT. ADAMS COUNTY SHERIFF’S WAITING ROOM. TUESDAY MORNING. Sam sits in a metal chair in the waiting room outside Sheriff Williams’ office. He fidgets, then stands and walks to the deputy at the desk near the Sheriff’s door.
17 37
INT DR. KENNETH HOLMAN’S OFFICE. TUESDAY.
INT. DR. KENNETH HOLMAN’S OFFICE. TUESDAY.
INT. DR. KENNETH HOLMAN’S OFFICE. TUESDAY. Sam walks through the waiting room and stops at Mrs. West’s desk. Sam is agitated, and Mrs. West is nervous. SAM Where is Dr. Holman?
18 37
INT DR. KENNETH HOLMAN’S EXAMINATION ROOM. DAY.
INT. DR. KENNETH HOLMAN’S EXAMINATION ROOM. DAY.
INT. DR. KENNETH HOLMAN’S EXAMINATION ROOM. DAY. Rose sits Sam down on the examination table. ROSE Calm down. Sam does his best.
19 38
EXT STATE STREET. DAY.
EXT. STATE STREET. DAY.
EXT. STATE STREET. DAY. Sam drives the rickety old truck on State Street and turns into the gravel driveway of Buckland Mansion, a Federal- style, red brick antebellum structure with four huge white columns in front.
20 40
INT BUCKLAND MANSION. DAY.
INT. BUCKLAND MANSION. DAY.
INT. BUCKLAND MANSION. DAY. Adele walks Sam into the parlor, where KITTY HOLMAN, a once- attractive fifty-ish black woman reclines in her nightgown and robe on a Victorian sofa. She raises a silver mint julep cup to Adele, who takes it and
21 42
EXT STREETS OF NATCHEZ. DAY.
EXT. STREETS OF NATCHEZ. DAY.
EXT. STREETS OF NATCHEZ. DAY. Sam drives the old truck toward Sally’s, but on the way, Sam sees Dr. Holman’s car and Sheriff William’s car parked side by side in front of the Rhythm Club. Sam stops the truck where it will not be seen and walks to
22 43
INT RHYTHM CLUB. DAY.
INT. RHYTHM CLUB. DAY.
INT. RHYTHM CLUB. DAY. Rufus stares at the ash tray in front of him. SHERIFF Now, Rufus, don’t go getting independent. Just do as you’re
23 44
INT RHYTHM CLUB. DAY.
INT. RHYTHM CLUB. DAY.
INT. RHYTHM CLUB. DAY. Sam walks into the club. Rufus is now alone in the club, still smoking at the table, unhappy. The cuts and bruises on Rufus’s face from the whipping Sam gave are healing. SAM
24 44
EXT MARY MORGAN’S FRONT PORCH. NIGHT.
EXT. MARY MORGAN’S FRONT PORCH. NIGHT.
EXT. MARY MORGAN’S FRONT PORCH. NIGHT. Sam and his mother sit in a swing on the front porch, slightly moving back and forth. Sam’s arm is around Mary’s shoulder. It’s almost dark.
25 46
EXT RHYTHM CLUB. WEDNESDAY EVENING.
EXT. RHYTHM CLUB. WEDNESDAY EVENING.
EXT. RHYTHM CLUB. WEDNESDAY EVENING. It’s almost dark. Sam pays the entrance fee and walks in to the Rhythm Club. The local combo plays a jazzy, swing composition on a riser on the east side of the big tin building.
26 47
INT RUFUS’S OFFICE IN RHYTHM CLUB. NIGHT.
INT. RUFUS’S OFFICE IN RHYTHM CLUB. NIGHT.
INT. RUFUS’S OFFICE IN RHYTHM CLUB. NIGHT. Rufus is almost horizontal, leaning back in a swivel chair, his feet on the old wooden desk, talking to Rose. When Sam walks in, Rufus stops talking, and Rose turns around in the small room and sees Sam. It’s awkward, and the sound of the
27 49
INT RHYTHM CLUB BATHROOM. LATER WEDNESDAY NIGHT.
INT. RHYTHM CLUB BATHROOM. LATER WEDNESDAY NIGHT.
INT. RHYTHM CLUB BATHROOM. LATER WEDNESDAY NIGHT. Sam washes his hands after relieving himself, and hears the sound of wood cracking. Curious, he walks out of the bathroom and peers behind a partition, where he sees a teenager crawling through a jimmied window.
28 50
INT RHYTHM CLUB. LATER WEDNESDAY NIGHT.
INT. RHYTHM CLUB. LATER WEDNESDAY NIGHT.
INT. RHYTHM CLUB. LATER WEDNESDAY NIGHT. Sam watches the young couples on the dance floor, and sees the two young girls he met in front of the church, Arlene and Mahalia, walk through the front door. They see Sam and wave energetically to him, then join him at the bar.
29 52
INT SALLY’S. NIGHT.
INT. SALLY’S. NIGHT.
INT. SALLY’S. NIGHT. The two girls enter Sally’s ahead of Sam. It’s a two story residence, with a dimly-lit bar in the front room. The furniture is stuffed; mostly love seats and couches. Older white men sit around drinking, young girls, white and
30 53
EXT STREETS OF NATCHEZ. WEDNESDAY NIGHT.
EXT. STREETS OF NATCHEZ. WEDNESDAY NIGHT.
EXT. STREETS OF NATCHEZ. WEDNESDAY NIGHT. Sam drives Rufus’s old truck toward Rose’s house. He sees the lights of another vehicle behind him and adjusts the rear view mirror. As he arrives at Rose’s house, the other car closes in. Sam stops the truck and gets out.
31 54
INT ROSE’S HOME. NIGHT.
INT. ROSE’S HOME. NIGHT.
INT. ROSE’S HOME. NIGHT. Sam sits on the couch. She examines him quickly. He’s not bleeding and there are no marks on his face. ROSE Are you hurting anywhere?
32 56
INT BENNETT LIVING ROOM. NIGHT.
INT. BENNETT LIVING ROOM. NIGHT.
INT. BENNETT LIVING ROOM. NIGHT. Rose walks into the kitchen and returns with a wet face cloth. She presses it tenderly to Sam’s forehead and he places his hand over hers. He takes the towel from her, then places her hand in his, and kisses the back of her hand.
33 57
INT RHYTHM CLUB. THURSDAY MORNING.
INT. RHYTHM CLUB. THURSDAY MORNING.
INT. RHYTHM CLUB. THURSDAY MORNING. Sam enters the Rhythm Club late the next morning. Elroy and his brother are sweeping the floor clean of the detritus from the night before. Others scurry around the club, decorating for Saturday night.
34 60
EXT OUTSIDE DR. KENNETH HOLMAN’S OFFICE. THURSDAY.
EXT. OUTSIDE DR. KENNETH HOLMAN’S OFFICE. THURSDAY.
EXT. OUTSIDE DR. KENNETH HOLMAN’S OFFICE. THURSDAY. Sam parks Rufus’s old truck and walks slowly past Dr. Holman’s sign, up the steps, and into the office. INT. DR. KENNETH HOLMAN’S OFFICE. DAY. Sam walks through the waiting room door and stops at Mrs.
35 63
EXT ROSE’S FRONT PORCH. THURSDAY NIGHT.
EXT. ROSE’S FRONT PORCH. THURSDAY NIGHT.
EXT. ROSE’S FRONT PORCH. THURSDAY NIGHT. Sam and Rose sit in rocking chairs on Rose’s front porch. It’s dark and fireflies are everywhere. SAM More lightning bugs than the other
36 63
EXT OUTSIDE RHYTHM CLUB. FRIDAY AFTERNOON.
EXT. OUTSIDE RHYTHM CLUB. FRIDAY AFTERNOON.
EXT. OUTSIDE RHYTHM CLUB. FRIDAY AFTERNOON. Sam pulls the old truck into the Rhythm Club parking lot late Friday afternoon. There’s Spanish moss and crepe paper hanging from the roof on
37 66
INT DR. KENNETH HOLMAN’S OFFICE. LATE FRIDAY NIGHT.
INT. DR. KENNETH HOLMAN’S OFFICE. LATE FRIDAY NIGHT.
INT. DR. KENNETH HOLMAN’S OFFICE. LATE FRIDAY NIGHT. A frightened young girl, her draped legs spread in stirrups on an examination table, starts to cry as Dr. Holman works on her pelvic region. Holman finishes, gathers his instruments and washes his
38 67
EXT OUTSIDE ROSE’S HOME. SATURDAY EVENING, APRIL 23, 1940.
EXT. OUTSIDE ROSE’S HOME. SATURDAY EVENING, APRIL 23, 1940.
EXT. OUTSIDE ROSE’S HOME. SATURDAY EVENING, APRIL 23, 1940. Sam parks the old truck on North Union and walks up the steps to Rose’s home. Dressed in a dark suit and tie, he knocks on the door and
39 69
EXT RHYTHM CLUB. SATURDAY NIGHT.
EXT. RHYTHM CLUB. SATURDAY NIGHT.
EXT. RHYTHM CLUB. SATURDAY NIGHT. There’s already a large crowd outside the Rhythm Club when they arrive. Sam opens the passenger door for Mr. Bennett and Rose. EXT. OUTSIDE RHYTHM CLUB ENTRANCE. NIGHT.
40 70
INT RHYTHM CLUB. NIGHT.
INT. RHYTHM CLUB. NIGHT.
INT. RHYTHM CLUB. NIGHT. Sam, Rose, and Mr. Bennett separate from the crowd and stand for a moment to admire the decorations. Spanish moss hangs from the rafters and is draped on every wall, along with crepe paper in festive colors.
41 74
INT RHYTHM CLUB. SATURDAY NIGHT.
INT. RHYTHM CLUB. SATURDAY NIGHT.
INT. RHYTHM CLUB. SATURDAY NIGHT. The crowd thins, out of breath from the first number. Willie Jones gets close to the mike, and talks in a deep, throaty voice. WILLIE
42 75
INT RHYTHM CLUB. NIGHT.
INT. RHYTHM CLUB. NIGHT.
INT. RHYTHM CLUB. NIGHT. Sam watches Dr. Holman walk in the front door. Sam turns Rose on the dance floor so she can see him. Dr. Holman walks across the dance floor to his wife. ROSE
43 77
INT RHYTHM CLUB. NIGHT.
INT. RHYTHM CLUB. NIGHT.
INT. RHYTHM CLUB. NIGHT. Sam leads Rose toward the exit, but Rufus whistles loudly and gestures for them to join him behind the bandstand. They join Rufus. RUFUS
44 78
EXT OUTSIDE RHYTHM CLUB. NIGHT.
EXT. OUTSIDE RHYTHM CLUB. NIGHT.
EXT. OUTSIDE RHYTHM CLUB. NIGHT. Sam and Rose are outside cooling off, waiting for the break to end. Sam leans against his old truck, parked on the street near the club entrance, talking quietly to Rose. The two young girls from Sally’s, Arlene and Mahalia, run up
45 79
EXT RHYTHM CLUB. NIGHT.
EXT. RHYTHM CLUB. NIGHT.
EXT. RHYTHM CLUB. NIGHT. Sam parks his old truck in the street right in front of the club, and he and Rose hop out. Willie Jones and his Orchestra are playing again, their lively music spilling out of the club.
46 81
INT RHYTHM CLUB. NIGHT.
INT. RHYTHM CLUB. NIGHT.
INT. RHYTHM CLUB. NIGHT. The large clump of Spanish moss hanging above the naked light bulb separates, and falls onto the bulb. After a few seconds, the moss starts to smolder. INT. RHYTHM CLUB. NIGHT.
47 82
INT RHYTHM CLUB. NIGHT.
INT. RHYTHM CLUB. NIGHT.
INT. RHYTHM CLUB. NIGHT. Rose and Sam see the fire. As patrons rush past them toward the door, Rose and Sam start across the club to where Mr. Bennett sits, but the flames and smoke stop them. Sam tries to go by himself, but Rose grabs Sam by the arm.
48 83
EXT RHYTHM CLUB. NIGHT.
EXT. RHYTHM CLUB. NIGHT.
EXT. RHYTHM CLUB. NIGHT. Sam tumbles on the ground outside the front door. He’s all right, but the patrons coming out after Sam are less fortunate, some with hair and clothes on fire, some coughing violently and gasping for air.
49 87
EXT NATCHEZ HOSPITAL. NIGHT.
EXT. NATCHEZ HOSPITAL. NIGHT.
EXT. NATCHEZ HOSPITAL. NIGHT. Sam stops the old truck and runs as fast as he can toward the hospital emergency entrance. Ambulances are already backed up to the entrance, and attendants are carrying victims inside. Sam runs through the open door.
50 88
INT NATCHEZ HOSPITAL. NIGHT.
INT. NATCHEZ HOSPITAL. NIGHT.
INT. NATCHEZ HOSPITAL. NIGHT. The victims begin to pile up in the door and hallway outside the emergency room. Sam is doing triage, examining the survivors on their gurneys and barking orders. A half-dozen nurses have shown up. The first white doctor,
51 89
EXT RHYTHM CLUB. NIGHT.
EXT. RHYTHM CLUB. NIGHT.
EXT. RHYTHM CLUB. NIGHT. Rose stops to wipe her face with a towel. It’s a warm night, and the smoldering building makes it even hotter. The seriously burned survivors have been taken to the hospital, leaving only the slightly injured and the dead.
52 91
INT NATCHEZ HOSPITAL. NIGHT.
INT. NATCHEZ HOSPITAL. NIGHT.
INT. NATCHEZ HOSPITAL. NIGHT. Sam works frantically over another burn victim. He calls out to anyone in earshot. SAM Do we have any more morphine?
53 92
INT NATCHEZ HOSPITAL EMERGENCY ROOM. NIGHT.
INT. NATCHEZ HOSPITAL EMERGENCY ROOM. NIGHT.
INT. NATCHEZ HOSPITAL EMERGENCY ROOM. NIGHT. Dr. Holman is working on an unconscious, seriously burned patient in the emergency room, with Dr. Welch looking on, when Sam walks in. Dr. Welch points Sam toward another patient lying on the other examination table.
54 94
INT NATCHEZ HOSPITAL. NIGHT.
INT. NATCHEZ HOSPITAL. NIGHT.
INT. NATCHEZ HOSPITAL. NIGHT. Exhausted, Sam walks down a long hospital corridor, passing a sign that says “Whites Only.” He stops at a door and cracks it slightly, then walks in. Rufus is in the bed, terribly burned, and Rose sits by his
55 95
INT NATCHEZ HOSPITAL OFFICE. NIGHT.
INT. NATCHEZ HOSPITAL OFFICE. NIGHT.
INT. NATCHEZ HOSPITAL OFFICE. NIGHT. Sam sits with Rose in a quiet office away from the bustle of nurses and doctors. She’s calm now, but her eyes are red from crying. SAM
56 98
INT NATCHEZ HOSPITAL. NIGHT.
INT. NATCHEZ HOSPITAL. NIGHT.
INT. NATCHEZ HOSPITAL. NIGHT. Sam walks with determination down the hallway. It’s quieter now, with patients in individual rooms and wards. Dr. Welch stops in the hall to talk to Sam, but Sam walks right past Dr. Welch as if he didn’t see him.
57 99
EXT MARY MORGAN’S FRONT PORCH. NIGHT.
EXT. MARY MORGAN’S FRONT PORCH. NIGHT.
EXT. MARY MORGAN’S FRONT PORCH. NIGHT. Sam bounds up the stairs and onto his mother’s front porch. He rushes in the house. INT. MARY MORGAN’S HOUSE. NIGHT. Sam runs through the house into the dining room, where he
58 100
EXT BUCKLAND MANSION. NIGHT.
EXT. BUCKLAND MANSION. NIGHT.
EXT. BUCKLAND MANSION. NIGHT. Sam pulls Rufus’s truck onto the gravel driveway and slides to a stop in front of the house. He jumps out and runs toward the front door past Dr. Holman’s car and Junior’s shiny black sedan.
59 102
INT BUCKLAND MANSION PARLOR. NIGHT.
INT. BUCKLAND MANSION PARLOR. NIGHT.
INT. BUCKLAND MANSION PARLOR. NIGHT. Dr. Holman is sitting in a wing back chair and Junior stands ten feet away from him holding a smoking pistol. Both are unhurt. Pieces of ceiling plaster fall from above Junior’s head onto
60 111
EXT OUTSIDE DR. KENNETH HOLMAN’S OFFICE. DAY.
EXT. OUTSIDE DR. KENNETH HOLMAN’S OFFICE. DAY.
EXT. OUTSIDE DR. KENNETH HOLMAN’S OFFICE. DAY. Weeks later, standing outside the medical office, Sam has his arm around Rose. Her pregnancy is showing. They watch a worker take down Dr. Holman’s sign and replace it with one that reads “Sam Morgan, Medical Doctor.”

THE RHYTHM CLUB

In 1940 Natchez, a newly minted Black doctor returns home to reclaim the woman he loves, only to confront a corrupt physician, a ruthless sheriff, and a catastrophic nightclub fire that forces him to choose between justice and survival.

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Overview

Poster
Unique Selling Point

THE RHYTHM CLUB dramatizes one of the deadliest and most forgotten disasters in African American history—the 1940 Natchez Rhythm Club fire that killed over 200 Black Americans—through the lens of a returning Black physician navigating love, corruption, and systemic racism in the Jim Crow South. Unlike most period dramas about race in the South, this script centers Black professional ambition and community life rather than victimhood, offering a rich, textured portrait of a thriving Black social world on the eve of its destruction. The combination of a real historical tragedy, a morally complex antagonist within the Black community itself, and a love story with genuine stakes gives the script a distinctive emotional and political resonance that sets it apart from conventional civil rights narratives.

Model Upgrade — March 31, 2026
Our AI readers were upgraded — the verdicts and written analysis on this page are from our newer, significantly stronger models.
The scoring scale changed with the upgrade, so scores may not be directly comparable to earlier analyses.
AI Verdict & Suggestions

Ratings are subjective. So you get different engines' ratings to compare.

GPT5
 Consider
Score 8.0
Grok
 Consider
Score 6.5
Gemini
 Pass
Score 6.0
DeepSeek
 Consider
Score 7.3
Claude
 Consider
Score 6.8
Average Score: 6.9
Key Takeaways
For the Writer:
To improve the script creatively, focus on revising the third act to deliver a more earned and morally nuanced resolution, avoiding reliance on deus-ex-machina elements like the Sheriff's intervention. Enhance Rose's agency by giving her proactive decisions and deeper interiority, reducing her role as a reactive figure in the love triangle. Additionally, refine dialogue to incorporate more subtext and cut repetitive confrontations, ensuring Sam's arc remains active and the historical tragedy's impact is fully explored for greater emotional depth and thematic resonance.
For Executives:
The script offers solid value as a historical drama centered on the real 1940 Natchez Rhythm Club fire, with potential for emotional impact and festival appeal in the Black history or period drama market. However, risks include a morally compromised ending that could draw criticism for sanitizing systemic racism and corruption, underdeveloped character arcs (especially for female leads), and pacing issues that may require extensive rewrites, potentially alienating investors or limiting broad commercial appeal without significant polishing.
Story Facts
Genres:
Drama 50% Romance 30% Crime 25% Thriller 20% Action 15%

Setting: April 1940, Natchez, Mississippi

Themes: Love and Resilience, Systemic Corruption and Injustice, Consequences of Past Actions and Secrets, Personal Ambition and Identity, The Nature of Sacrifice and Duty, The Unseen Power of Community and Tradition

Conflict & Stakes: Sam's struggle to reclaim his life and career in a racially charged environment, while dealing with personal relationships and the consequences of violence and tragedy.

Mood: Tense and dramatic, with moments of intimacy and tragedy.

Standout Features:

  • Unique Hook: The intertwining of personal and social conflicts against the backdrop of 1940s Mississippi, highlighting racial tensions and personal struggles.
  • Plot Twist: The revelation of Dr. Holman's exploitation of Rose and the implications of her pregnancy, which adds layers to the character dynamics.
  • Distinctive Setting: The historical context of Natchez, Mississippi, during a time of significant racial and social upheaval, providing a rich backdrop for the narrative.
  • Innovative Ideas: The exploration of the impact of personal choices on broader social issues, particularly in a racially segregated society.

Comparable Scripts: A Raisin in the Sun, The Great Gatsby, The Help, Fences, The Color Purple, The Secret Life of Bees, The Pursuit of Happyness, The Wire, The Last Black Man in San Francisco

🎯 Your Top Priorities

Our stats model looked at how your scores work together and ranked the changes most likely to move your overall rating next draft. Ordered by the most reliable gains first.

You have more than one meaningful lever.

Improving Conflict (Script Level) and Originality (Script Level) will have the biggest impact on your overall score next draft.

1. Conflict (Script Level)
Big Impact Script Level
Your current Conflict (Script Level) score: 7.6
Moves easily Writers at your level typically gain +0.58 per rewrite — a realistic improvement.
Confidence: High (based on ~581 similar revisions)
  • This is your top opportunity right now. Focusing your rewrite energy here gives you the best realistic shot at raising the overall rating.
  • What writers at your level usually do: Writers at a similar level usually raise Conflict (Script Level) by about +0.58 in one rewrite.
2. Originality (Script Level)
Big Impact Script Level
Your current Originality (Script Level) score: 7.9
Moves easily Writers at your level typically gain +0.5 per rewrite — a realistic improvement.
Confidence: High (based on ~1,065 similar revisions)
  • This is another strong option. If the top item doesn't fit your rewrite plan, this is a solid alternative.
  • What writers at your level usually do: Writers at a similar level usually raise Originality (Script Level) by about +0.5 in one rewrite.
3. Structure (Script Level)
Moderate Impact Script Level
Your current Structure (Script Level) score: 7.8
Typical rewrite gain: +0.3 in Structure (Script Level)
Confidence: High (based on ~1,260 similar revisions)
  • This is another strong option. If the top item doesn't fit your rewrite plan, this is a solid alternative.
  • What writers at your level usually do: Writers at a similar level usually raise Structure (Script Level) by about +0.3 in one rewrite.
🎓
Skills Worth Developing

These have high model impact but rarely improve through rewrites alone — they're craft investments. Studying these areas through courses, mentorship, or focused reading could unlock gains that a normal rewrite won't.

Pacing Scene Level

Strong model leverage, but writers at your level typically only gain +0.11 per rewrite. (Your score: 8.4)

View Pacing analysis

Script Level Analysis

Writer Exec

This section delivers a top-level assessment of the screenplay’s strengths and weaknesses — covering overall quality (P/C/R/HR), character development, emotional impact, thematic depth, narrative inconsistencies, and the story’s core philosophical conflict. It helps identify what’s resonating, what needs refinement, and how the script aligns with professional standards.

Screenplay Insights

Breaks down your script along various categories.

Overall Score: 7.75
Key Suggestions:
To elevate the script's creative potential, prioritize deepening the backstories and motivations of antagonists like Dr. Holman and Rufus to create more nuanced conflicts and emotional resonance. Additionally, address pacing issues by tightening expository scenes in the middle sections, ensuring a smoother narrative flow that maintains tension and audience engagement throughout the story.
Story Critique

Big-picture feedback on the story’s clarity, stakes, cohesion, and engagement.

Key Suggestions:
The script's strengths lie in its authentic dialogue and vivid portrayal of 1940s Mississippi, but to enhance its craft, focus on tightening the plot for better coherence, clarifying character motivations to deepen emotional resonance, and improving pacing to avoid confusion in the middle sections. Adding foreshadowing and exploring themes more thoroughly will create a more compelling narrative, ensuring audience engagement and a satisfying arc for Sam and Rose.
Characters

Explores the depth, clarity, and arc of the main and supporting characters.

Key Suggestions:
The character analysis reveals strong foundations for Sam, Rose, and Rufus, with high emotional resonance and thematic integration, but opportunities exist to enhance depth by exploring backstories and internal conflicts more thoroughly. Focus on improving weak scenes, such as Sam's jail interaction and Rose's office scene, by adding emotional subtext and agency to make characters more relatable and drive the narrative forward. Strengthening dialogue and relationship dynamics will elevate the script's craft, ensuring that the themes of love, justice, and societal pressures resonate more powerfully with audiences.
Emotional Analysis

Breaks down the emotional journey of the audience across the script.

Key Suggestions:
To improve the script's emotional craft, focus on enhancing emotional variety and depth by balancing intense conflict scenes with moments of reflection, levity, and character introspection. This will prevent audience fatigue, deepen empathy for characters like Rufus and the antagonists, and create a more nuanced narrative that better engages viewers through layered emotions and gradual intensity build-up.
Goals and Philosophical Conflict

Evaluates character motivations, obstacles, and sources of tension throughout the plot.

Key Suggestions:
The script effectively uses Sam's internal and external goals to drive character development and thematic depth, but to enhance its craft, focus on tightening the pacing in the middle acts where confrontations with Dr. Holman and Rufus feel repetitive. Strengthening the integration of philosophical conflicts, such as individual agency versus societal expectations, into key dialogues could make emotional beats more resonant and ensure the narrative avoids melodrama, ultimately elevating the story's impact and audience engagement.
Themes

Analysis of the themes of the screenplay and how well they’re expressed.

Key Suggestions:
The script's central theme of love and resilience is compelling, but to elevate its craft, focus on tightening the pacing in the middle acts where corruption and personal conflicts build, ensuring that character motivations are crystal clear and emotionally resonant. Deepen subplots like Sam's professional ambitions to better contrast with the systemic injustices, creating a more nuanced narrative that avoids melodrama and strengthens the overall arc of redemption and hope.
Logic & Inconsistencies

Highlights any contradictions, plot holes, or logic gaps that may confuse viewers.

Key Suggestions:
The analysis highlights key areas for script improvement, such as resolving plot holes and inconsistencies to enhance narrative coherence, deepening character motivations to avoid feeling plot-driven, and reducing redundancies to improve pacing. By addressing these issues, the writer can create a more authentic, engaging story that better serves the historical and emotional stakes, making the screenplay more impactful and believable for audiences.

Scene Analysis

All of your scenes analyzed individually and compared, so you can zero in on what to improve.

Scene-Level Percentile Chart
Hover over the graph to see more details about each score.
Go to Scene Analysis

Other Analyses

Writer Exec

This section looks at the extra spark — your story’s voice, style, world, and the moments that really stick. These insights might not change the bones of the script, but they can make it more original, more immersive, and way more memorable. It’s where things get fun, weird, and wonderfully you.

Unique Voice

Assesses the distinctiveness and personality of the writer's voice.

Key Suggestions:
The script's voice excels in vivid descriptions and authentic dialogue, immersing readers in a rich historical context, but to elevate it, focus on tightening pacing in emotionally intense scenes to maintain audience engagement and avoid overwhelming exposition. Additionally, explore character backstories more subtly to deepen emotional resonance without slowing the narrative, ensuring the strong voice enhances rather than overshadows the plot's momentum.
Writer's Craft

Analyzes the writing to help the writer be aware of their skill and improve.

Key Suggestions:
The screenplay showcases strong emotional depth and tension, but to enhance its craft, focus on deepening character motivations and conflicts, refining dialogue to include more subtext for authentic emotional revelations, and improving pacing to sustain engagement throughout critical scenes. By leveraging suggested resources and exercises, such as studying character development and practicing dialogue with subtext, the writer can create a more nuanced and compelling narrative that resonates deeply with audiences.
Memorable Lines
Spotlights standout dialogue lines with emotional or thematic power.
Tropes
Highlights common or genre-specific tropes found in the script.
World Building

Evaluates the depth, consistency, and immersion of the story's world.

Key Suggestions:
The script's world-building effectively captures the 1940s Southern setting, enhancing themes of racial inequality and corruption, but to improve creatively, focus on deepening sensory details in the physical environment and culture to make the world more immersive and emotionally resonant. This could involve adding specific sounds, smells, and textures—like the diesel fumes or river currents—to heighten tension and character motivations, ensuring the world feels alive and integral to the narrative rather than just a backdrop.
Correlations

Identifies patterns in scene scores.

Key Suggestions:
The script demonstrates strong emotional depth and conflict-driven scenes that captivate, but it could benefit from enhancing reflective and nostalgic moments with more plot-advancing elements and subtle stakes to improve pacing and ensure consistent character development. By integrating action or revelations into calmer scenes, the writer can create a more balanced narrative that maintains momentum without relying solely on high-tension confrontations, ultimately strengthening the overall character arcs and audience engagement.
Loglines
Presents logline variations based on theme, genre, and hook.