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Scene Map 60
# PG SLUGLINE
1 2
INT BEN-GURION INTERNATIONAL AIRPORT. DAY.
2 4
INT VOLVO. DAY.
3 7
EXT MAHANE YEHUDA OPEN MARKET. LATE AFTERNOON.
4 10
EXT CAFE COURTYARD. LATE AFTERNOON.
5 11
EXT KING DAVID PORTE COCHERE. MORNING.
6 13
INT TOURIST HOTEL. MORNING.
7 19
INT VOLVO. DAY.
8 23
INT KING DAVID HOTEL LOBBY. DAY.
9 24
EXT KING DAVID GROUNDS. DAY.
10 29
EXT VIA DOLOROSA CAFE. JAFFA GATE PLAZA. DAY.
11 32
EXT FRANCISCAN MONASTERY ON MOUNT NEBO. LATE AFTERNOON
12 33
EXT CHRISTIAN QUARTER OLD CITY. EVENING.
13 35
INT VOLVO. MORNING.
14 36
EXT UNITED STATES EMBASSY. TEL AVIV. MORNING.
15 38
INT VOLVO. MORNING.
16 40
INT POLICE STATION. DAY.
17 44
EXT JERUSALEM STREETS. DAY.
18 46
INT KING DAVID SECURITY OFFICE. DAY.
19 47
INT POLICE STATION. DAY.
20 48
EXT MAHANE YEHUDA OPEN MARKET. DAY.
21 51
INT VOLVO. DUSK.
22 53
INT JERICHO HOUSE. NIGHT.
23 54
INT JERICHO HOUSE. NIGHT.
24 56
EXT JERICHO HOUSE. NIGHT.
25 57
INT VOLVO. NIGHT.
26 59
INT JERICHO HOUSE. NIGHT.
27 60
INT JERICHO HOUSE. NIGHT.
28 63
INT VOLVO. NIGHT.
29 64
EXT VOLVO. NIGHT.
30 65
EXT AMMAN FOUR SEASONS HOTEL ROOM BALCONY. NIGHT.
31 67
INT BETHLEHEM HOUSE. NIGHT.
32 68
INT MENACHEM’S HOUSE. LATE MORNING.
33 70
EXT BETHLEHEM HOUSE. DAY.
34 71
EXT ISRAEL MUSEUM GROUNDS. DAY.
35 72
INT ANTIQUITY VAULT. ISRAEL MUSEUM. DAY.
36 74
EXT JUDEAN MOUNTAINS. DAY.
37 76
EXT MOUNTAIN TRAIL. DAY.
38 77
EXT ABOVE THE CAVE. DAY.
39 78
EXT MOUNTAIN SLOPE. DAY.
40 80
INT MENACHEM’S GARAGE. NIGHT.
41 81
INT BETHLEHEM HOUSE. DAY.
42 83
INT POLICE STATION. DAY.
43 85
EXT WESTERN WALL. JERUSALEM OLD CITY. DAY.
44 86
EXT WESTERN WALL. JERUSALEM OLD CITY. DAY.
45 88
INT MENACHEM’S HOUSE. AFTERNOON.
46 93
EXT AMMAN, JORDAN. HOTEL BALCONY. NIGHT.
47 97
INT HEBRON HOUSE. MORNING.
48 98
INT MENACHEM’S HOUSE. MORNING.
49 100
INT AMMAN HOTEL SUITE. MORNING.
50 101
INT HEBRON HOUSE. MORNING.
51 102
EXT JERUSALEM-BETHLEHEM HIGHWAY. NOON.
52 104
EXT OUTSIDE BUILDING. AFTERNOON.
53 107
EXT BETHLEHEM CHECKPOINT. DAY.
54 108
EXT JUDEAN MOUNTAINS. DAY.
55 110
EXT BETHLEHEM STREETS. DAY.
56 112
INT HEBRON HOUSE. DAY.
57 113
INT VOLVO. DAY.
58 115
EXT HEBRON OUTSKIRTS. DAY.
59 117
EXT HEBRON HOUSE FRONT YARD. DAY.
60 119
INT GULFSTREAM 550 JET. QUEEN ALIA AIRPORT. DAY.
Scene Map
60
# PG SLUGLINE
1 2
INT BEN-GURION INTERNATIONAL AIRPORT. DAY.
INT. BEN-GURION INTERNATIONAL AIRPORT. DAY.
INT. BEN-GURION INTERNATIONAL AIRPORT. DAY. Liam Connors, 53, 6’5”, 200 lbs, waits in line for the customs agent with Mimi Stanton, 38, short dark hair. The young Israeli female customs agent beckons. She wears a drab uniform, no makeup or jewelry. Liam and Mimi present
2 4
INT VOLVO. DAY.
INT. VOLVO. DAY.
INT. VOLVO. DAY. Mimi studies the passing landscape. Liam reads his Lonely Planet guidebook. MIMI Olive groves on the hill. We’ve
3 7
EXT MAHANE YEHUDA OPEN MARKET. LATE AFTERNOON.
EXT. MAHANE YEHUDA OPEN MARKET. LATE AFTERNOON.
EXT. MAHANE YEHUDA OPEN MARKET. LATE AFTERNOON. Menachem parks the Volvo and leads them through a narrow alley that opens onto the huge open market. A cacophany of languages, skin colors, attires; exotic people hawking wares, haggling, arguing, laughing. Vendors in stalls
4 10
EXT CAFE COURTYARD. LATE AFTERNOON.
EXT. CAFE COURTYARD. LATE AFTERNOON.
EXT. CAFE COURTYARD. LATE AFTERNOON. Liam looks around the courtyard. No Ike. He walks inside. INT. CAFE KITCHEN. LATE AFTERNOON. LIAM Did he say he was coming back?
5 11
EXT KING DAVID PORTE COCHERE. MORNING.
EXT. KING DAVID PORTE COCHERE. MORNING.
EXT. KING DAVID PORTE COCHERE. MORNING. Menachem arrives. Liam gives Mimi a peck on the cheek. She walks off, map in hand, admiring the landscape. Liam sticks his head in the Volvo’s passenger window.
6 13
INT TOURIST HOTEL. MORNING.
INT. TOURIST HOTEL. MORNING.
INT. TOURIST HOTEL. MORNING. Menachem leads Liam past breakfast stations swarming with tourists from all over the world. At the back of the huge dining room in an alcove, Menachem opens a louvered door and ushers Liam into a small room with two tables.
7 19
INT VOLVO. DAY.
INT. VOLVO. DAY.
INT. VOLVO. DAY. Liam rides shotgun, thinking. Menachem points to a hill. MENACHEM Mount of Olives.
8 23
INT KING DAVID HOTEL LOBBY. DAY.
INT. KING DAVID HOTEL LOBBY. DAY.
INT. KING DAVID HOTEL LOBBY. DAY. Liam stops at the front desk. LIAM Any messages for Liam Connors? The clerk says no. Liam enters the elevator.
9 24
EXT KING DAVID GROUNDS. DAY.
EXT. KING DAVID GROUNDS. DAY.
EXT. KING DAVID GROUNDS. DAY. Liam takes off walking, map in hand. His pace increases until he is jogging through pedestrians toward the Old City. EXT. OUTSIDE OLD CITY. DAY.
10 29
EXT VIA DOLOROSA CAFE. JAFFA GATE PLAZA. DAY.
EXT. VIA DOLOROSA CAFE. JAFFA GATE PLAZA. DAY.
EXT. VIA DOLOROSA CAFE. JAFFA GATE PLAZA. DAY. Liam sits at an outside table holding the copies of Mimi’s photo. He looks at his watch and appears relieved when Menachem arrives. LIAM
11 32
EXT FRANCISCAN MONASTERY ON MOUNT NEBO. LATE AFTERNOON
EXT. FRANCISCAN MONASTERY ON MOUNT NEBO. LATE AFTERNOON
EXT. FRANCISCAN MONASTERY ON MOUNT NEBO. LATE AFTERNOON A tall, slender man with a salt-and-pepper beard, Rohullah Samar, known as Hazara, 40, wearing a plasterer’s uniform, walks past the Franciscan Monastery atop Mt. Nebo in Jordan. He sees an older man seated on a stone bench on the overlook.
12 33
EXT CHRISTIAN QUARTER OLD CITY. EVENING.
EXT. CHRISTIAN QUARTER OLD CITY. EVENING.
EXT. CHRISTIAN QUARTER OLD CITY. EVENING. Liam and Menachem show Mimi’s photo to vendors, locals, and passers by. They have not seen her. EXT. ARMENIAN QUARTER. OLD CITY. NIGHT. On twisted and narrow streets, Liam and Menachem stop people
13 35
INT VOLVO. MORNING.
INT. VOLVO. MORNING.
INT. VOLVO. MORNING. On the road to Tel Aviv, Liam ends a call. LIAM Bastards. MENACHEM
14 36
EXT UNITED STATES EMBASSY. TEL AVIV. MORNING.
EXT. UNITED STATES EMBASSY. TEL AVIV. MORNING.
EXT. UNITED STATES EMBASSY. TEL AVIV. MORNING. Menachem maneuvers the Volvo around concrete barriers. A Marine at the guard house examines their papers. They park in front of the building, a fortress-like, five
15 38
INT VOLVO. MORNING.
INT. VOLVO. MORNING.
INT. VOLVO. MORNING. Menachem drives the highway to Jerusalem. LIAM That was a waste of time. Menachem’s phone buzzes.
16 40
INT POLICE STATION. DAY.
INT. POLICE STATION. DAY.
INT. POLICE STATION. DAY. Menachem and Liam sit across the desk from Akiva Peres. Sergeant Leeba tosses papers on the desk and walks away. AKIVA Lovely, is she not?
17 44
EXT JERUSALEM STREETS. DAY.
EXT. JERUSALEM STREETS. DAY.
EXT. JERUSALEM STREETS. DAY. Menachem drives the Volvo, staying within a few feet of the back end of Akiva’s police car. INT. VOLVO. DAY. In the passenger seat, Liam grabs the dashboard, then slams
18 46
INT KING DAVID SECURITY OFFICE. DAY.
INT. KING DAVID SECURITY OFFICE. DAY.
INT. KING DAVID SECURITY OFFICE. DAY. Salzman gives Liam a plastic Ziploc bag with a 5 by 8 envelope inside. Liam studies both sides. One side has “Liam Connors” printed in pencil. LIAM
19 47
INT POLICE STATION. DAY.
INT. POLICE STATION. DAY.
INT. POLICE STATION. DAY. Akiva, Liam, and Menachem watch a police technician set up the recording and triangulation devices to track the call. AKIVA This is a disposable phone, so the
20 48
EXT MAHANE YEHUDA OPEN MARKET. DAY.
EXT. MAHANE YEHUDA OPEN MARKET. DAY.
EXT. MAHANE YEHUDA OPEN MARKET. DAY. Liam follows Menachem through the bedlam of the crowded market. They stop outside the cafe next to the old man’s display of produce and nuts. Liam watches a pigeon perched on a crate eating cracked walnuts. Menachem speaks Arabic to the
21 51
INT VOLVO. DUSK.
INT. VOLVO. DUSK.
INT. VOLVO. DUSK. Menachem maneuvers the Volvo through dusty streets. He answers his phone. MENACHEM Yes.
22 53
INT JERICHO HOUSE. NIGHT.
INT. JERICHO HOUSE. NIGHT.
INT. JERICHO HOUSE. NIGHT. Mimi lies on the wooden table in the pitch black, nasty bathroom. She lurches to her feet and vomits into the open toilet, then grabs her stomach and doubles over.
23 54
INT JERICHO HOUSE. NIGHT.
INT. JERICHO HOUSE. NIGHT.
INT. JERICHO HOUSE. NIGHT. Mimi lies on the wooden table, holding her stomach and groaning. She hears something at the door. The door flies open. A man wearing long tunic and keffiyeh
24 56
EXT JERICHO HOUSE. NIGHT.
EXT. JERICHO HOUSE. NIGHT.
EXT. JERICHO HOUSE. NIGHT. Mahmoud’s brother leans against the wall, alone in the darkness. The house is now dark inside. He hears something and looks through the crack. He sees several men in black combat gear with weapons ready and night vision goggles
25 57
INT VOLVO. NIGHT.
INT. VOLVO. NIGHT.
INT. VOLVO. NIGHT. Menachem pushes the Volvo hard, speeding eastward into the dark night. He and Liam wear their street clothes. LIAM Who are you, Menachem?
26 59
INT JERICHO HOUSE. NIGHT.
INT. JERICHO HOUSE. NIGHT.
INT. JERICHO HOUSE. NIGHT. Weapons flash in the darkness as the intruders shoot the startled men in the house. They were sleeping, taken by surprise and defenseless. One of the victims is shot through the head after he stabs a
27 60
INT JERICHO HOUSE. NIGHT.
INT. JERICHO HOUSE. NIGHT.
INT. JERICHO HOUSE. NIGHT. Menachem leads the way. Liam has his own flashlight and his Glock pistol ready to fire. Pools and streaks of blood everywhere. A slaughterhouse. Menachem turns to Liam.
28 63
INT VOLVO. NIGHT.
INT. VOLVO. NIGHT.
INT. VOLVO. NIGHT. The Volvo moves quietly through the dark streets of Jericho. LIAM The tattoo. MENACHEM
29 64
EXT VOLVO. NIGHT.
EXT. VOLVO. NIGHT.
EXT. VOLVO. NIGHT. Liam and Menachem lean against the car. It’s a dark night, billions of stars in the sky. LIAM You don’t think we need more
30 65
EXT AMMAN FOUR SEASONS HOTEL ROOM BALCONY. NIGHT.
EXT. AMMAN FOUR SEASONS HOTEL ROOM BALCONY. NIGHT.
EXT. AMMAN FOUR SEASONS HOTEL ROOM BALCONY. NIGHT. Anton Brodie, 80, looks over the lights of Amman, Jordan from his balcony as he sips red wine. His hair is white and unruly, his face wrinkled and worn--but his eyes vibrant. A dark-haired Arabic beauty appears next to him and kisses
31 67
INT BETHLEHEM HOUSE. NIGHT.
INT. BETHLEHEM HOUSE. NIGHT.
INT. BETHLEHEM HOUSE. NIGHT. Hazara walks down old wooden steps into a basement. He is followed by The Black, dressed in black from head to toe, a black turban on his head, the end of which is draped across his face so that only his sinister dark eyes show. The Black
32 68
INT MENACHEM’S HOUSE. LATE MORNING.
INT. MENACHEM’S HOUSE. LATE MORNING.
INT. MENACHEM’S HOUSE. LATE MORNING. Liam gets up from the air mattress on the floor and walks into the kitchen. Menachem holds up the Mr. Coffee carafe. MENACHEM
33 70
EXT BETHLEHEM HOUSE. DAY.
EXT. BETHLEHEM HOUSE. DAY.
EXT. BETHLEHEM HOUSE. DAY. Al Dub walks on a side street to a nondescript building in the middle of the block. The entrance door is on the side, off the street in an alley. He knocks. INT. BETHLEHEM HOUSE. DAY.
34 71
EXT ISRAEL MUSEUM GROUNDS. DAY.
EXT. ISRAEL MUSEUM GROUNDS. DAY.
EXT. ISRAEL MUSEUM GROUNDS. DAY. Liam and Menachem walk through crowds of students and tourists up the steps of the Israel Museum. INT. ISRAEL MUSEUM. DAY. A security guard taps on an office door and escorts Liam and
35 72
INT ANTIQUITY VAULT. ISRAEL MUSEUM. DAY.
INT. ANTIQUITY VAULT. ISRAEL MUSEUM. DAY.
INT. ANTIQUITY VAULT. ISRAEL MUSEUM. DAY. Dr. Mendheim leads them into a secure vault. There are well- organized and labeled shelves, lockers, and cabinets. DR. MENDHEIM This is where we keep the
36 74
EXT JUDEAN MOUNTAINS. DAY.
EXT. JUDEAN MOUNTAINS. DAY.
EXT. JUDEAN MOUNTAINS. DAY. Brother lies alone on a rock jutting out on a steep, rocky slope. He shields his eyes from the sun and watches Ike Palmer perform below. Ike is nude. He chants and sings as he whirls on a ledge
37 76
EXT MOUNTAIN TRAIL. DAY.
EXT. MOUNTAIN TRAIL. DAY.
EXT. MOUNTAIN TRAIL. DAY. They have followed Mahmoud over an hour, walking up and down steep slopes. There is nothing green, only rocks and sand. LIAM How much further?
38 77
EXT ABOVE THE CAVE. DAY.
EXT. ABOVE THE CAVE. DAY.
EXT. ABOVE THE CAVE. DAY. Mahmoud stops on the ridge above the outcropping and the cave. He says something to Menachem. MENACHEM Mahmoud says we climb down to join
39 78
EXT MOUNTAIN SLOPE. DAY.
EXT. MOUNTAIN SLOPE. DAY.
EXT. MOUNTAIN SLOPE. DAY. After watching Ike fall, Liam and Menachem climb down very carefully, well behind Mahmoud and Brother. They finally reach the wadi, and rush to Ike. Mahmoud hands Liam the goat skin tunic that had ripped off during the fall.
40 80
INT MENACHEM’S GARAGE. NIGHT.
INT. MENACHEM’S GARAGE. NIGHT.
INT. MENACHEM’S GARAGE. NIGHT. The garage door closes behind the Volvo. Menachem opens the trunk. He and Liam wrap Ike’s body in a canvas tarp and place him in the chest freezer in the garage. LIAM
41 81
INT BETHLEHEM HOUSE. DAY.
INT. BETHLEHEM HOUSE. DAY.
INT. BETHLEHEM HOUSE. DAY. Mimi is chained to the wall and floor. She hears the door to the main floor open and struggles to sit up. Hazara walks down the steps, The Black with him. HAZARA
42 83
INT POLICE STATION. DAY.
INT. POLICE STATION. DAY.
INT. POLICE STATION. DAY. Liam and Menachem sit across from Akiva Peres. He lifts the stub of a soggy cigar butt and puts it in his mouth. AKIVA Tell me what you have been doing.
43 85
EXT WESTERN WALL. JERUSALEM OLD CITY. DAY.
EXT. WESTERN WALL. JERUSALEM OLD CITY. DAY.
EXT. WESTERN WALL. JERUSALEM OLD CITY. DAY. Al Dub pushes Mimi in the wheelchair toward the Wall. He glances at the parapet above the wall and nods slightly to Hazara and The Black, who begin descending toward Al Dub. As he nears the Wall, Al Dub sees the tall American with a
44 86
EXT WESTERN WALL. JERUSALEM OLD CITY. DAY.
EXT. WESTERN WALL. JERUSALEM OLD CITY. DAY.
EXT. WESTERN WALL. JERUSALEM OLD CITY. DAY. Liam and Menachem meet up the slope. Liam is angry. LIAM Where does that corridor lead?
45 88
INT MENACHEM’S HOUSE. AFTERNOON.
INT. MENACHEM’S HOUSE. AFTERNOON.
INT. MENACHEM’S HOUSE. AFTERNOON. Liam and Menachem walk through the door into the kitchen. Akiva Peres sits at the table drinking a cup of coffee. Liam is taken by surprise. LIAM
46 93
EXT AMMAN, JORDAN. HOTEL BALCONY. NIGHT.
EXT. AMMAN, JORDAN. HOTEL BALCONY. NIGHT.
EXT. AMMAN, JORDAN. HOTEL BALCONY. NIGHT. Anton Brodie stands on his balcony overlooking the lights of Amman. Construction cranes dot the skyline. Over the sounds of traffic from the streets below rises the call to prayer, electronically amplified.
47 97
INT HEBRON HOUSE. MORNING.
INT. HEBRON HOUSE. MORNING.
INT. HEBRON HOUSE. MORNING. Mimi tries to open her eyes. Groggy, in and out of consciousness on a strange bed. She becomes aware her feet and wrists are tied and taped to the bedposts. She tries to call out, but her voice croaks.
48 98
INT MENACHEM’S HOUSE. MORNING.
INT. MENACHEM’S HOUSE. MORNING.
INT. MENACHEM’S HOUSE. MORNING. Liam sits at the kitchen table scrolling through news items on Menachem’s laptop. A news report entitled “Ancient Scroll Disputes Quran” catches his eye. He reads it quickly. Menachem walks in.
49 100
INT AMMAN HOTEL SUITE. MORNING.
INT. AMMAN HOTEL SUITE. MORNING.
INT. AMMAN HOTEL SUITE. MORNING. Anton Brodie sits at a desk watching currencies plunge in value on his laptop monitor. He answers his phone and listens. BRODIE
50 101
INT HEBRON HOUSE. MORNING.
INT. HEBRON HOUSE. MORNING.
INT. HEBRON HOUSE. MORNING. Mimi hears the door unlock. She lets go of the tape she’s been gnawing on and collapses back onto the bed, pretending to be out. Al Dub walks in with the syringe. Mimi sees it.
51 102
EXT JERUSALEM-BETHLEHEM HIGHWAY. NOON.
EXT. JERUSALEM-BETHLEHEM HIGHWAY. NOON.
EXT. JERUSALEM-BETHLEHEM HIGHWAY. NOON. Menachem’s Volvo heads south toward Bethlehem. INT. VOLVO. NOON. Menachem drives. Liam is in the passenger seat and Akiva Peres sits in the back. Liam adjusts the Glock in its holster
52 104
EXT OUTSIDE BUILDING. AFTERNOON.
EXT. OUTSIDE BUILDING. AFTERNOON.
EXT. OUTSIDE BUILDING. AFTERNOON. Liam and Menachem walk casually toward the building. Menachem carries a back pack. They slide into the passageway beside the building and check the door. It’s locked. The screw silencers onto their pistols.
53 107
EXT BETHLEHEM CHECKPOINT. DAY.
EXT. BETHLEHEM CHECKPOINT. DAY.
EXT. BETHLEHEM CHECKPOINT. DAY. Al Dub’s Fiat is being examined by the Israeli Border Patrol guards. They wave him through into Bethlehem. Two cars behind Al Dub, Hazara opens the Peugeot van to show the guards it is full of his plaster equipment. A guard
54 108
EXT JUDEAN MOUNTAINS. DAY.
EXT. JUDEAN MOUNTAINS. DAY.
EXT. JUDEAN MOUNTAINS. DAY. Mahmoud and Brother rest on boulders below the next cave to be explored. BROTHER I quit.
55 110
EXT BETHLEHEM STREETS. DAY.
EXT. BETHLEHEM STREETS. DAY.
EXT. BETHLEHEM STREETS. DAY. Liam, Menachem, and Akiva are stopped by Israeli soldiers. Menachem talks to them as Akiva turns his face away. EXT. BETHLEHEM STREETS. DAY. Al Dub walks uphill toward the crowd spilling out of Nativity
56 112
INT HEBRON HOUSE. DAY.
INT. HEBRON HOUSE. DAY.
INT. HEBRON HOUSE. DAY. Mimi fights the drug, slipping in and out of consciousness. She screams. MIMI Stay awake!
57 113
INT VOLVO. DAY.
INT. VOLVO. DAY.
INT. VOLVO. DAY. MENACHEM He remembers the van. Ten minutes ago. Headed toward Hebron. Menachem stomps the accelerator. Akiva barks Hebrew
58 115
EXT HEBRON OUTSKIRTS. DAY.
EXT. HEBRON OUTSKIRTS. DAY.
EXT. HEBRON OUTSKIRTS. DAY. Pedestrians, some herding goats, stare at the Volvo as it speeds past. INT. VOLVO. DAY. AKIVA
59 117
EXT HEBRON HOUSE FRONT YARD. DAY.
EXT. HEBRON HOUSE FRONT YARD. DAY.
EXT. HEBRON HOUSE FRONT YARD. DAY. LIAM What now? We take them in? MENACHEM I don’t think so.
60 119
INT GULFSTREAM 550 JET. QUEEN ALIA AIRPORT. DAY.
INT. GULFSTREAM 550 JET. QUEEN ALIA AIRPORT. DAY.
INT. GULFSTREAM 550 JET. QUEEN ALIA AIRPORT. DAY. Anton Brodie watches a television report on his laptop as the jet taxies toward the runway. REPORTER The worst appears to be over as

FINDING ISHMAEL

When a wealthy Louisiana oil man's girlfriend is kidnapped in Jerusalem by Islamic extremists seeking an ancient scroll that could delegitimize Islam's claim to the Holy Land, he must navigate a labyrinth of Mossad agents, religious zealots, and a shadowy billionaire to save her — and decide whether the truth is worth the bloodshed it will cause.

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Overview

Poster
Unique Selling Point

FINDING ISHMAEL distinguishes itself from other geopolitical thrillers by grounding its world-shaking MacGuffin — an ancient scroll that could delegitimize Islam's claim to the Holy Land — in the lived, textured reality of modern Jerusalem. Unlike THE DA VINCI CODE, which keeps its protagonist at arm's length from genuine personal stakes, this script makes the search for the scroll inseparable from a deeply personal rescue mission. The script's willingness to engage seriously with Jewish history, the Israeli-Palestinian conflict, and the psychology of religious zealotry gives it intellectual heft rarely found in the genre. The Menachem character — a Mossad-connected driver with a secret past — is a genuinely original creation, and the script's authentic Israeli setting, from the Mahane Yehuda market to the Western Wall tunnels, provides a rich and cinematic backdrop.

Model Upgrade — March 31, 2026
Our AI readers were upgraded — the verdicts and written analysis on this page are from our newer, significantly stronger models.
The scoring scale changed with the upgrade, so scores may not be directly comparable to earlier analyses.
AI Verdict & Suggestions

Ratings are subjective. So you get different engines' ratings to compare.

GPT5
 Consider
Score 7.3
Grok
 Consider
Score 6.0
Gemini
 Pass
Score 4.5
DeepSeek
 Consider
Score 6.8
Claude
 Consider
Score 6.5
Average Score: 6.2
Key Takeaways
For the Writer:
To enhance the script's creative depth, focus on developing the antagonist Anton Brodie earlier and ensuring a direct confrontation to build tension and provide catharsis. Reduce heavy expository dialogue by weaving historical and thematic elements into action and character interactions, and give Mimi more agency during her captivity to make her a proactive participant rather than a passive victim. Strengthening character arcs, particularly Liam's emotional journey and the resolution's thematic payoff, will create a more satisfying and nuanced narrative.
For Executives:
The script offers commercial value as a geopolitical thriller with a provocative religious angle, potentially appealing to audiences of films like 'The Da Vinci Code' for its high-stakes MacGuffin and exotic settings. However, risks include cultural insensitivity in portraying Middle Eastern characters, implausible plot conveniences, and a weak antagonist that could result in a formulaic feel, limiting broad market appeal and risking backlash in sensitive regions unless significant revisions address these flaws.
Story Facts
Genres:
Thriller 50% Action 25% Crime 30% Drama 40% Romance 15% Comedy 10%

Setting: Contemporary, Israel and Palestine, primarily in Jerusalem, Bethlehem, and Hebron

Themes: Weaponized Faith and Historical Manipulation, The Human Cost of Conflict and Extremism, Trust and Betrayal, The Search for Truth vs. Deception, Redemption and Moral Ambiguity, Cultural and Religious Identity, Personal Loss and Love

Conflict & Stakes: Liam's desperate search for Mimi amidst a backdrop of political tension and the dangerous implications of the Ishmael Scroll, with her life at stake.

Mood: Tense and suspenseful, with moments of emotional depth.

Standout Features:

  • Unique Hook: The intertwining of a romantic quest with a historical artifact that has significant cultural implications.
  • Major Twist: The revelation of the scroll's authenticity and its implications for religious and political tensions.
  • Distinctive Setting: The use of real locations in Israel and Palestine, providing authenticity and a rich backdrop for the story.
  • Innovative Ideas: The exploration of the impact of ancient history on modern conflicts, blending action with philosophical questions.
  • Unique Characters: A diverse cast representing various cultural perspectives, enhancing the narrative's complexity.

Comparable Scripts: The Da Vinci Code, Taken, The Mummy, The Bourne Identity, The Spy Who Came in from the Cold, Body of Lies, The Last Temptation of Christ, The Kite Runner, The Secret in Their Eyes

🎯 Your Top Priorities

Our stats model looked at how your scores work together and ranked the changes most likely to move your overall rating next draft. Ordered by the most reliable gains first.

You have more than one meaningful lever.

Improving Emotional Impact (Script Level) and Conflict (Script Level) will have the biggest impact on your overall score next draft.

1. Emotional Impact (Script Level)
Big Impact Script Level
Your current Emotional Impact (Script Level) score: 7.6
Moves easily Writers at your level typically gain +0.45 per rewrite — a realistic improvement.
Confidence: High (based on ~1,378 similar revisions)
  • This is your top opportunity right now. Focusing your rewrite energy here gives you the best realistic shot at raising the overall rating.
  • What writers at your level usually do: Writers at a similar level usually raise Emotional Impact (Script Level) by about +0.45 in one rewrite.
2. Conflict (Script Level)
Big Impact Script Level
Your current Conflict (Script Level) score: 8.0
Moves easily Writers at your level typically gain +0.44 per rewrite — a realistic improvement.
Confidence: High (based on ~564 similar revisions)
  • This is another strong option. If the top item doesn't fit your rewrite plan, this is a solid alternative.
  • What writers at your level usually do: Writers at a similar level usually raise Conflict (Script Level) by about +0.44 in one rewrite.
3. Originality (Script Level)
Big Impact Script Level
Your current Originality (Script Level) score: 7.4
Moves easily Writers at your level typically gain +0.5 per rewrite — a realistic improvement.
Confidence: High (based on ~922 similar revisions)
  • This is another strong option. If the top item doesn't fit your rewrite plan, this is a solid alternative.
  • What writers at your level usually do: Writers at a similar level usually raise Originality (Script Level) by about +0.5 in one rewrite.
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Skills Worth Developing

These have high model impact but rarely improve through rewrites alone — they're craft investments. Studying these areas through courses, mentorship, or focused reading could unlock gains that a normal rewrite won't.

Structure (Script Level) Script Level

Strong model leverage, but writers at your level typically only gain +0.35 per rewrite. (Your score: 7.7)

View Structure (Script Level) analysis
Pacing Scene Level

Strong model leverage, but writers at your level typically only gain +0.08 per rewrite. (Your score: 8.5)

View Pacing analysis

Script Level Analysis

Writer Exec

This section delivers a top-level assessment of the screenplay’s strengths and weaknesses — covering overall quality (P/C/R/HR), character development, emotional impact, thematic depth, narrative inconsistencies, and the story’s core philosophical conflict. It helps identify what’s resonating, what needs refinement, and how the script aligns with professional standards.

Screenplay Insights

Breaks down your script along various categories.

Overall Score: 7.53
Key Suggestions:
To elevate the script's emotional depth and engagement, focus on fleshing out supporting characters like Hazara and Al Dub with richer backstories and motivations, while incorporating flashbacks or dialogue to deepen Liam and Mimi's relationship history. This will strengthen character arcs, enhance conflict, and make the narrative more resonant, addressing key weaknesses in antagonist development and emotional impact without disrupting the overall flow.
Story Critique

Big-picture feedback on the story’s clarity, stakes, cohesion, and engagement.

Key Suggestions:
To improve 'Finding Ishmael' from a creative standpoint, concentrate on tightening pacing across all acts to sustain momentum and engagement, while deepening the backstories and motivations of secondary characters like Menachem and the antagonists to add emotional depth and nuance. Additionally, integrate exposition more naturally through visual elements and subtle dialogue, and heighten the stakes of Mimi's kidnapping early on to amplify urgency and tension, drawing viewers deeper into the narrative's cultural and personal conflicts.
Characters

Explores the depth, clarity, and arc of the main and supporting characters.

Key Suggestions:
The character analysis reveals that while the main characters have strong foundational elements, there's significant room for improvement in deepening emotional arcs and backstories to enhance authenticity and engagement. Focus on transforming static characters like Menachem and Al Dub by adding personal stakes and vulnerabilities, and refine dialogue to better reflect individual voices and cultural nuances. This will create more nuanced performances and a richer narrative, ultimately elevating the script's emotional depth and thematic resonance.
Emotional Analysis

Breaks down the emotional journey of the audience across the script.

Key Suggestions:
To enhance the script's emotional craft, incorporate greater variety in emotional tones and intensities to avoid audience fatigue, such as adding moments of humor, hope, and character reflection. Deepen character empathy by exploring internal conflicts and backstories, ensuring a more balanced emotional arc that builds tension gradually and provides relief, making the story more engaging and resonant.
Goals and Philosophical Conflict

Evaluates character motivations, obstacles, and sources of tension throughout the plot.

Key Suggestions:
The script showcases strong character development and thematic depth through Liam's internal and external goals, effectively intertwining personal redemption with broader conflicts. To enhance craft, focus on tightening the philosophical conflict elements, such as Loyalty vs. Truth, by introducing subtle foreshadowing in earlier scenes to make the high-resolution payoff at 95% more impactful and emotionally resonant, ensuring the audience feels the weight of Liam's choices without overwhelming the pacing.
Themes

Analysis of the themes of the screenplay and how well they’re expressed.

Key Suggestions:
The script's thematic depth, particularly around weaponized faith and historical manipulation, is a strong asset, but to enhance its creative impact, focus on deepening character arcs to make the themes feel more organic and less didactic. For instance, expanding on Liam's internal conflict and Mimi's resilience could provide richer emotional layers, while tightening the pacing in the action sequences would heighten tension and maintain audience engagement, ensuring the story's complexity doesn't overwhelm the human elements.
Logic & Inconsistencies

Highlights any contradictions, plot holes, or logic gaps that may confuse viewers.

Key Suggestions:
The script's inconsistencies, particularly in character development and plot logic, undermine its overall coherence and believability. To improve, focus on building character arcs more organically, such as gradually revealing Menachem's background to avoid feeling contrived, and tightening plot holes like the kidnappers' rapid connection to the protagonists by adding clear motivations or clues early on. Addressing these will enhance narrative flow, make dialogue more authentic, and reduce redundancies, resulting in a more polished and engaging story that better serves the thriller genre.

Scene Analysis

All of your scenes analyzed individually and compared, so you can zero in on what to improve.

Scene-Level Percentile Chart
Hover over the graph to see more details about each score.
Go to Scene Analysis

Other Analyses

Writer Exec

This section looks at the extra spark — your story’s voice, style, world, and the moments that really stick. These insights might not change the bones of the script, but they can make it more original, more immersive, and way more memorable. It’s where things get fun, weird, and wonderfully you.

Unique Voice

Assesses the distinctiveness and personality of the writer's voice.

Key Suggestions:
The script's voice excels in creating suspense through sharp dialogue and vivid descriptions, but to elevate it further, focus on deepening character backstories and emotional arcs to balance the high-stakes action with more nuanced personal stakes. This would enhance audience investment and make the cultural and historical elements even more impactful, ensuring the story resonates on a deeper level beyond the thriller aspects.
Writer's Craft

Analyzes the writing to help the writer be aware of their skill and improve.

Key Suggestions:
The screenplay excels in building tension and exploring thematic depth, but to elevate it creatively, focus on refining dialogue for greater authenticity, deepening character motivations to add layers, and improving pacing to maintain consistent engagement. These enhancements will make the story more compelling and emotionally resonant.
Memorable Lines
Spotlights standout dialogue lines with emotional or thematic power.
Tropes
Highlights common or genre-specific tropes found in the script.
World Building

Evaluates the depth, consistency, and immersion of the story's world.

Key Suggestions:
The script's world building is a strong asset, vividly depicting the contrasts of modern and ancient Middle Eastern settings to heighten tension and immersion. To improve creatively, focus on refining cultural and societal elements to avoid stereotypes and ensure authenticity, such as deepening character dialogues with nuanced references to local customs, which would enhance emotional depth and make the story more compelling and relatable to diverse audiences.
Correlations

Identifies patterns in scene scores.

Key Suggestions:
The script excels in building suspense and integrating conflict with high stakes, but could be enhanced by strengthening the opening scenes with quicker hooks to engage audiences earlier and ensuring that emotional moments are paired with deeper character growth for more impactful and memorable arcs. Additionally, varying the tone more dynamically and refining dialogue in intense scenes would add contrast and polish, making the narrative less predictable and more emotionally resonant.
Loglines
Presents logline variations based on theme, genre, and hook.