In a universe where the multiverse exists, Jackie Chan, a middle-aged laundromat owner, finds himself embroiled in a cosmic battle that transcends time and space. The story begins with Jackie, who is struggling with the mundane aspects of life, including an IRS audit and a failing marriage to his wife, Winona. Their daughter, Joy, is also at odds with them, feeling misunderstood and alienated. As Jackie navigates his daily life, he is suddenly thrust into a chaotic confrontation with Jobu Tupaki, a powerful version of his daughter from an alternate universe who has become disillusioned with existence itself.

The narrative kicks into high gear when Jackie is contacted by an alternate version of Winona, who reveals that they must work together to stop Jobu from wreaking havoc across the multiverse. Jackie learns that every decision creates a branching universe, and he must tap into the skills and experiences of his alternate selves to confront Jobu. As he jumps between realities, Jackie encounters various versions of himself: a successful martial artist, a chef, a sign spinner, and even a rock. Each version offers him unique insights and abilities that he must harness to face the overwhelming chaos that Jobu represents.

As Jackie and Winona work together, they confront their own relationship issues, realizing that their struggles are not just personal but also tied to the larger cosmic battle. The film explores themes of identity, family, and the meaning of existence, as Jackie learns to embrace the chaos of life rather than fight against it. The climax builds to a confrontation on a rooftop where Jackie must decide whether to save his daughter or let her go, ultimately realizing that love and connection are what truly matter.

In a poignant moment, Jackie chooses to embrace his daughter, showing her that despite the chaos of the multiverse, their bond is unbreakable. The film concludes with Jackie and Winona finding a renewed sense of purpose in their relationship, ready to face whatever challenges come their way, together. The story is a wild ride through absurdity and heartfelt moments, blending action, comedy, and deep emotional resonance in a way that only a multiverse can allow.

• In a university lecture hall, Professor Jackie teaches a physics class on the double-slit experiment, but his lesson is interrupted by a disinterested student and a series of accidental drawings. The atmosphere shifts when Jobu Tupaki enters, leading to a tense confrontation where she demonstrates reality-altering powers. After a surreal exchange involving a misfiring gun and quantum tunneling, Jackie succumbs to despair and shoots himself, while Jobu transforms her bag into a winged pig and flies away through the skylight.
• In this scene, Jobu traverses multiple universes, embodying various versions of herself in chaotic and surreal settings, from a mechanical bull rider to a circus clown. This frantic exploration reflects her ongoing search for meaning. The scene shifts to Joy's apartment, where Jobu receives a phone call from her estranged father, Jackie, who expresses concern over their relationship and asks her to lie to the IRS. Jobu remains silent during the call and later deceives her partner, Becky, about its occurrence, highlighting her emotional turmoil and unresolved familial conflicts. The scene concludes with Jobu cuddling with Becky, fading to black.
• In this scene, Jackie Chan, overwhelmed by family and business pressures, struggles to focus on tax work while dealing with various distractions. His wife Winona urges him to prioritize their finances, but Jackie is drawn into confrontations with customers and the needs of his catatonic father. A montage highlights his chaotic day, filled with moments of humor and compassion, as he navigates the challenges of running a laundromat and caring for his family. Meanwhile, Winona watches his struggles from afar, feeling emotional about the burdens he carries.
• In a tense evening scene, Jackie and Winona struggle over audit paperwork, with Jackie becoming increasingly agitated and rejecting Winona's attempts to help. As the night progresses, Jackie becomes overwhelmed, distracted by YouTube, and ultimately calls a helpline to express his frustrations and regrets, only to be met with commercial responses. The scene concludes with Jackie feeling isolated and taking a prescription pill, highlighting his emotional turmoil.
• In the morning, Jackie and Winona Chan navigate their strained marriage amidst tax fraud and divorce papers. Jackie alters a receipt in the bathroom while Winona prepares to confront him. Their simultaneous attempts to communicate lead to a chaotic door-slamming incident, resulting in nosebleeds and scattered documents. They awkwardly hide their secrets and exchange polite yet tense dialogue. Later, in the car, they share a brief moment of connection over lunch, but the emotional distance remains. The scene concludes with them entering the IRS building in silence, highlighting their unresolved issues.
• In a tense scene set in an IRS elevator, Winona urgently prepares Jackie for an unspecified danger by using an umbrella to obscure a security camera and equipping him with Bluetooth earpieces. She scans his head with a futuristic mirror while giving him contradictory instructions, warning him not to enter the janitor's closet. Despite Jackie's attempts to question her, Winona silences him and adds a moment of intimacy by touching his cheek. As the elevator doors open, she feigns disorientation, leaving Jackie confused and glancing at the janitor closet.
• In a tense morning audit scene, Jackie is distracted by crumpled divorce papers containing secret instructions while being questioned by IRS auditor Desmond. As Desmond scoffs at receipts, Jackie secretly follows absurd instructions, including switching his shoes and imagining being in a janitor's closet. With Winona's reluctant help, Jackie presses a button on his Bluetooth earpiece, leading to a surreal moment where he suddenly finds himself inside the janitor's closet, blending humor with anxiety.
• In this disorienting scene, Jackie finds himself in a split-screen between a cluttered janitor's closet and a cubicle during a tax audit. As he struggles to comprehend his surroundings, Winona, an alternate version of his wife, urgently reveals her mission to seek his help against a great evil threatening the multiverse. Meanwhile, Desmond, frustrated with Jackie's distraction, demands his attention in the audit. The tension escalates as Jackie grapples with the shocking revelations while trying to maintain composure, leaving him in a state of confusion and urgency.
• In a tense tax meeting, Jackie struggles to focus as Desmond questions the legitimacy of his business expenses, particularly a karaoke machine. Winona's off-screen voice mocks Jackie for his distractions, adding to the awkwardness. As Desmond lists Jackie's various claimed professions, Jackie admits to being a singer, leading to embarrassment. The scene ends with Winona interrupting, heightening the comedic tension.
• In a janitor's closet, Jackie is urged by Winona to focus on their dire situation regarding his universe. Just as they engage in a critical conversation, a violent intrusion occurs when Desmond bursts in, killing Winona and attacking Jackie. The scene escalates from an urgent discussion to chaos and horror, culminating in Jackie's injury and a glimpse of a parallel reality.
• In a tense cubicle during a tax audit, Jackie panics after realizing the scrutiny he's under, prompting concern from Desmond and Winona. Desmond accuses Jackie of potential fraud, leading to a confrontation where Jackie feels cornered and defensive. Winona intervenes to calm the situation, but the discovery of divorce papers hints at deeper personal issues. The meeting is rescheduled for the next day, leaving an air of suspicion as they exit.
• In a tense 9th floor hallway, Jackie urgently pulls Winona towards the elevator while being pursued by Desmond, who has discovered unsigned divorce papers. Winona reveals she initiated the divorce, leading to a misunderstanding where Jackie mistakenly punches Desmond. As chaos erupts with security called, Winona activates her combat abilities and fights off the guards in a slow-motion sequence, clarifying to Jackie that she is saving his life, not endorsing the divorce. The scene culminates with Winona slapping Jackie for his confusion and carrying him away to escape.
• In a surreal multiverse scene, Jobu discovers the dead bodies of Jackie and Winona in a janitor's closet and, after a brief moment of contemplation, shifts through various alternate lives. She abruptly returns to her apartment, where a news report about an IRS attack triggers her urgency. Ignoring her partner Becky’s concerns, Jobu transforms their cat Linus into a jet-propelled vehicle and rockets away, leaving Becky in shock and disbelief.
• In a tense scene set in the IRS 9th floor hallway, Alpha Winona pulls Jackie through a chaotic environment filled with panicked civilians. As they navigate danger, Jackie expresses concern about his wife's lack of fighting skills, while Alpha Winona reveals her identity as Alpha Winona from the Alphaverse. Their banter is interrupted when Alpha Winona uses a clever ruse, performing a YMCA dance to activate a device and distract approaching guards. They successfully blend in with the frantic crowd, allowing the guards to pass unnoticed, before Alpha Winona quickly pulls Jackie into a cubicle for cover.
• In a tense IRS cubicle, Alpha Winona frantically searches for items to aid her and Jackie in escaping security guards. She explains the concept of verse jumping and the dangers they face, including the threat of Jobu Tupaki. As they hide from pursuing guards, Winona reveals the tragic fate of Jackie in multiple universes. Their escape is complicated by Desmond, who verse jumps and becomes a physical threat. The scene culminates in a frantic chase, with Winona and Jackie narrowly evading capture as they flee to the 10th floor.
• In a frantic scene set in the Alphaverse Control Room and the IRS 10th Floor, Officer #1 reports an enemy's universe jump, prompting Alpha Winona to strategize a counter using a gymnast. As Winona and Jackie evade the aggressive Desmond, who is violently searching for them, Winona struggles to inflict paper cuts to activate their jump. Just as she prepares to escape, Desmond captures her, throws her down a stairwell, and barricades the door, leaving Jackie isolated and vulnerable.
• In a tense scene, Jackie evades the menacing Desmond while receiving urgent guidance from Alpha Winona in the Alphaverse Control Room. As Jackie crawls through cubicles, he struggles with the idea of jumping to a martial arts universe, despite his limited training. Alpha Winona instructs him to profess love to Desmond as part of the jump algorithm, leading to a moment of vulnerability where Jackie meekly declares 'I love you?' to his pursuer. Ignoring warnings, Jackie presses the jump button, transitioning to a new universe where he finds himself driving with Winona, escaping immediate danger but leaving the outcome uncertain.
• In this tense scene, Jackie panics while driving and swerves off the road, unaware that he is being attacked by Desmond in the IRS office. Meanwhile, Alpha Winona in the Control Room searches for Jackie, realizing he is in a divergent universe. As Jackie struggles against Desmond's overpowering force, he tries to communicate with Winona, who expresses regret for not preparing him for the situation. Despite his efforts, Jackie is thrown through a cubicle wall, disconnecting him from Winona, who ultimately has to leave, leaving Jackie confused and in pain.
• In a tense stairwell scene, Alpha Winona doubts Jackie's identity and prepares to leave, leading to a confrontation where Jackie, injured and desperate, accuses her of abandonment. As Desmond threatens from outside, Jackie pushes Winona back and declares his love, activating a malfunctioning Bluetooth device that slows time and transports him through multiple universes. The scene culminates in the Fighter Universe, where Jackie absorbs memories from an alternate version of himself.
• In this pivotal scene set in 1970s Hong Kong, Jackie declines Winona's invitation at the airport, leading to a downward spiral as he gets drunk and fights in a bar, resulting in his defeat. Rescued by a wise Kung Fu Master, Jackie undergoes rigorous training, ultimately achieving success in a kung fu competition. The scene showcases his rise to stardom through a montage of film collaborations, culminating in a poignant moment by the Master's deathbed, where he imparts final wisdom to Jackie, emphasizing the importance of purpose in his journey.
• In scene 21, Jackie experiences a tumultuous sequence of events across multiple universes. Initially frozen in time on the IRS 10th floor, he swiftly defeats Desmond in a physical confrontation. Overcome with emotion, Jackie reveals to Winona that he glimpsed a beautiful life without her, but is interrupted by Alpha Winona, who attempts to comfort him. A sudden glitch shifts Jackie to the Taxes Universe, where he faces disappointment from Winona.Taxes. The scene culminates in the Fighter Universe, where Jackie is overwhelmed by a migraine as Alpha Winona calls out to him amidst a chaotic stadium.
• In scene 22, Alpha Winona confronts Jackie about his disorientation from verse jumping, emphasizing the need for control and focus. After a stern intervention, she snaps him back to reality, warning him against dwelling on other lives. As Desmond awakens, Alpha Winona restrains him, explaining his brainwashed state due to Jobu Tupaki's influence. Jackie grapples with hallucinations of a cheering crowd, struggling to maintain his focus amidst the chaos.
• In a split-screen scene at a stadium press conference, Jackie is captivated when he sees Winona after 40 years. Their emotional reunion is filled with nostalgia and surprise, but is abruptly interrupted by Jackie's agent, who pulls him back to his professional duties. As Jackie is dragged away, he hears Alpha Winona calling his name, hinting at a deeper conflict between realities.
• In a chaotic confrontation on the IRS 10th floor, Jackie and Alpha Winona face off against a SWAT team as Jobu Tupaki, Jackie's daughter, unleashes her surreal powers. Armed with her cat Linus, Jobu transforms him into various weapons while engaging in a philosophical debate with a SWAT officer. Amidst the violence and absurdity, Jackie grapples with his daughter's monstrous transformation and their strained relationship, ultimately leading to a surreal moment that triggers a leak into another universe.
• In scene 25, Jackie recklessly attempts to verse jump to connect with his daughter Jobu, despite Alpha Winona's warnings. His initial jump misfires, leading him through chaotic alternate universes, including a taxes version of the Chan apartment and a fighter stadium. Ignoring Alpha Winona's concerns about his fragile mind, Jackie declares his love for Jobu and activates the jump, resulting in him landing in a bizarre universe where everyone has hot dog fingers. The scene captures the frantic and absurd consequences of his impulsive actions, blending humor with emotional desperation.
• In a surreal scene set in 20,000 B.C. and a modern IRS office, a violent monkey murder symbolizes multiversal conflict. Jackie, struggling with her useless fingers, confronts Jobu, who threatens her with a cat gun. Alpha Winona intervenes but is overpowered and petrified by Jobu, who then transforms into a confused Joy. The scene culminates in the Alpha-Verse control room, where alarms signal an impending threat, leaving the characters in a state of unresolved tension.
• In the IRS building's 10th floor, Alpha Winona initially urges Jackie to flee from an implied threat but quickly reverts to her disoriented self, questioning Joy's presence. Joy, on a call with her wife Becky, reveals her secret marriage, shocking both Winona and Jackie. This revelation ignites a heated argument, with Jackie dismissively insulting Joy and denying her sexuality, leading to Joy's emotional departure. Tensions rise between Winona and Jackie over family issues, but before they can resolve anything, Alpha Winona reemerges, questioning their delay and forcibly dragging Jackie away, leaving the conflicts unresolved.
• In scene 28, Jackie pursues Alpha Winona through the IRS building, where Alpha gathers supplies and warns Jackie that she is not ready to confront the existential threat posed by Jobu. Alpha reveals that Jackie's past actions with Joy have led to Joy's transformation into Jobu, causing chaos across the multiverse. They seek refuge in a women's bathroom, where Alpha modifies her headset while explaining the dire situation. Voice-over visuals depict Jobu wreaking havoc in various lives, emphasizing the urgency of their predicament. Alpha stresses that while their universe may be lost, Jackie's could still be saved if she prepares for the upcoming battle.
• In the IRS 11th floor bathroom, Alpha Winona presents Jackie with a makeshift helmet designed to deliver a lethal electric shock to Joy across all universes. Despite Jackie's reluctance and feelings of inadequacy due to her past failures, Winona persuades her that these very failures make her uniquely qualified for the task. The scene shifts to the Alpha Verse control room, where Jobu confronts Winona, who is calmly connected to a similar helmet and drinking wine, setting the stage for a tense encounter.
• In the IRS 11th floor bathroom, Alpha Winona confronts Jackie, demanding a promise to complete a task despite multiversal challenges. Their tense exchange shifts to a moment of tenderness before Alpha Winona loses control, revealing the original Winona, who is disoriented. Jackie explains the situation using a flawed cartoon metaphor, while Jobu observes from the Alphaverse control room, plotting against Jackie. The scene transitions to a cathedral where Jobu rallies her cult followers to destroy Jackie, setting the stage for impending conflict.
• In a chaotic scene outside the IRS building, a possessed old lady leads a group back inside, while Desmond, tied up and wounded, becomes controlled and pledges loyalty to Jobu. Meanwhile, Jackie and Winona discuss multiverses in a bathroom, leading Jackie to perform absurd actions to successfully jump to another universe. He gains clarity and reconciles with Winona, asking for her help to save their family. As Jackie prepares to confront Jobu, who is gathering followers and weapons, the tension escalates, blending urgency, humor, and emotional stakes.
• In scene 32, Jackie.Writer, frail and surrounded by medical equipment, discusses with his editor Chris the unsettling experience of a character from his story invading his mind. Chris suggests reading the draft to regain focus. Meanwhile, in a tense IRS bathroom, Jackie (the character) protects Winona from tear gas, creating a paper snowflake as a symbol of calm. As chaos unfolds, Jackie triggers a download of memories that connect his past experiences, highlighting themes of control and predestination. The scene juxtaposes Jackie.Writer's internal struggle with the external crisis faced by his character, leaving a lingering tension.
• In a chaotic scene, Jackie, who is blind, battles armed Jumpers and SWAT officers in a gas-filled IRS building while simultaneously performing on a stage in an alternate Opera Universe. Utilizing skills from various universes, he fights off attackers with improvised weapons and memories of past failures. Winona watches in awe and calls out to Jobu, who escapes skeptically. Despite his impressive combat skills, Jackie is ultimately immobilized by Desmond, leaving him vulnerable as a montage reveals his training in the Pinky Universe.
• In the IRS 11th floor breakroom kitchen, Jackie uses his superpowered pinkies to defeat Desmond and bounty hunters in a chaotic fight. As Desmond believes he's a hero and attacks Jackie, multiverse leaks trigger bizarre visions and sounds from alternate realities. Winona intervenes, reminding Jackie of his true nature, leading him to use his toes to defeat Desmond. After the fight, Jackie faints in Winona's arms, and later in the stairwell, he struggles with a migraine and his purpose amidst ongoing multiverse disturbances.
• In scene 35, Jackie experiences a chaotic blend of alternate universes while trapped in a stairwell with Winona. He pleads for his job in the Sign Spinner Universe, confronts a younger chef in the Chef Universe, and discusses the significance of his pinkies with a doctor in the Pinky Universe. As he navigates these surreal experiences, he becomes increasingly distressed, culminating in a disjointed conversation with Winona, who is frustrated by his erratic behavior and past delusions about their daughter. The scene is marked by Jackie's physical turmoil, including sweating and vomiting, as he struggles to regain clarity and ultimately expresses a desperate need to save their daughter.
• In this intense rooftop confrontation, Jackie and Winona face off against Jobu, who reveals her history of violence while Jackie, fueled by a substance, insists on fighting. Despite Winona's pleas for dialogue, Jackie charges at Jobu, leading to a chaotic battle filled with surreal multiverse flashes. Jobu effortlessly counters Jackie's attacks, showcasing her powers by transforming bullets and objects, while Jackie suffers increasingly absurd and painful fates in alternate realities. The scene culminates in Jobu overpowering Jackie, slamming his head into the rooftop, as Winona desperately tries to intervene.
• In scene 37, Jackie, a fighter, learns from McGregor that their upcoming match is rigged, leaving him shocked and confused. This revelation leads to a philosophical confrontation with Jobu, who demonstrates her omniscience and discusses the insignificance of different universes, exacerbating Jackie's distress. The scene transitions to Jackie as a writer, where he expresses his frustration about writing a self-referential scene, feeling compelled despite its contrived nature. The chaotic visuals and disorienting dialogue highlight Jackie's existential crisis as he grapples with the nature of reality.
• On a rooftop, Winona cares for a distressed Jackie as Jobu expresses disappointment in his understanding of the multiverse. Despite his condition, Jackie questions the importance of universes, intriguing Jobu. The scene shifts to a fighter universe where Jackie, torn between his fight and Winona's impending departure, resolves to end the match quickly to be with her, highlighting the conflict between personal relationships and obligations.
• In scene 39, Jackie navigates multiple universes simultaneously, showcasing his determination and varied approaches. On a rooftop, he advances towards Jobu, who expresses excitement and curiosity. In the Sign Spinner Universe, Jackie prepares cunningly in an office. In the Chef Universe, he confidently challenges a Young Beefy chef in a cook-off. In the Pinky Universe, he threatens a doctor to fix his pinkies, demonstrating his strength. Finally, in the Taxes Universe, Jackie passionately declares his love to Winona, leaving her touched yet apprehensive. The scene blends excitement, tension, and absurdity, highlighting Jackie's relentless drive across chaotic realities.
• On a rooftop, Jackie confronts Jobu, asserting that everything matters despite Jobu's nihilism. In a sacrificial act, Jackie activates a helmet that fries Joy's consciousness across multiple universes, leading to her death. Jackie collapses into Winona's arms, urging her to remember him as a hero before he dies. The scene ends with a cut to black, followed by credits showcasing disorienting alternate endings where Jobu survives or other characters intervene, leaving unresolved conflicts in the multiverse.
• In scene 41, Jackie grapples with the realization that he is the original version of himself, leading to confusion and confrontation with an officer about the dangers of causality. As the scene shifts to an IRS rooftop, Jackie finds himself disoriented and surrounded by medics and police, where he accuses Winona of deceit. This escalates into a physical attack from Winona, who believes Jackie has harmed their daughter, Joy. The chaos continues as Jackie is arrested, and the scene abruptly transitions to a brutal fight in the Fighter Universe, where he faces McGregor in a fierce confrontation.
• In scene 42, Jackie navigates a chaotic journey through multiple universes. Starting in the Pinky Universe, he struggles with a doctor and security guards in a hospital, apologizing for his confusion. He then transitions to the Chef Universe, where he encounters the Beefy Chef and a talking raccoon named Racacoonie, who sing a humorous song about friendship. Tension arises when Racacoonie accuses Jackie of jealousy, leading to an accidental spill of potatoes that shifts the scene to the Hero Universe. There, SWAT officers mistakenly believe Jackie has transformed someone into potatoes and open fire on him. The scene culminates in a split-screen sequence showing various outcomes of Jackie dodging bullets, ultimately settling on his miraculous escape.
• In scene 43, Jackie grapples with the chaos of his multiverse existence, starting in the Writer Universe where he is urged by Chris to rest. Despite physically stopping his writing, another version of him continues to type, causing bizarre realities to unfold. He transitions into the Spaghetti Universe, where he comforts his anxious son, a macaroni noodle, while being bound by spaghetti strands. The scene shifts to the Hero Universe, where Jackie, now slippery spaghetti, faces a watermelon in an IRS office. Finally, in the Tapir Universe, he transforms into a tapir pig, resisting traditional roles despite his family's pleas. Overwhelmed by sensory overload from multiple universes, Jackie shouts for silence, bringing a momentary calm.
• In scene 44, Jackie wakes up outside the IRS building amidst chaos, surrounded by random objects and people. Winona attempts to help him, but Jackie shushes her, fearing his actions will trigger a multiverse collapse. As he holds his breath, he fractures into multiple versions of himself, leading to an exponential explosion of universes. The scene showcases Jackie in various bizarre scenarios, reflecting his internal turmoil. Eventually, the chaos subsides, leaving Jackie floating calmly through an endless tunnel of universe cubicles, while external disorder continues. The scene concludes with the title 'PART 2: EVERYWHERE' on black.
• In scene 45, Jackie, disoriented and hyperventilating in his car, calms down and discovers he has hot dogs for fingers while dressed in a tuxedo. He arrives at a chapel where he is congratulated by an elderly lady and urged by a wedding planner to hurry inside. Inside, he encounters his daughter Joy, whom he thought was dead, leading to a tense confrontation about morality and the multiverse. Their discussion reveals differing views on right and wrong, with Joy suggesting numbness as a coping mechanism. The scene ends with Jackie agreeing to show Joy the sweetness of life before opening the door, leaving their conflict unresolved.
• In scene 46, Jackie struggles to focus on his tax calculations in his dreary apartment while his unresponsive father watches TV. As he attempts to work on deductions for his self-published book, he is repeatedly distracted by intense visions from the HERO UNIVERSE, where a hostage situation involving Winona unfolds. Despite his determination to improve his life, Jackie becomes increasingly frustrated and ultimately drops his calculator, succumbing to the overwhelming distractions around him.
• In scene 47, Jackie confronts Desmond outside the IRS building, demanding the release of Winona, who pleads for him to stop. In a panic, Desmond shoots her, leading to a violent confrontation where Jackie kills Desmond in an alternate universe. The scene rapidly shifts through various universes, showcasing Jackie's failures and rejections: overwhelmed by paperwork in the TAX UNIVERSE, isolated at a hibachi station in the CHEF UNIVERSE, defeated in the PIG UNIVERSE, ridiculed in the FIGHTER UNIVERSE, and witnessing Joy's happiness in the HOT DOG UNIVERSE. Ultimately, Jackie throws paperwork in the TAX UNIVERSE, which floats to the ceiling, symbolizing his inability to change his reality and highlighting his ongoing struggles and despair.
• In scene 48, Jackie exhibits chaotic and aggressive behavior across multiple universes, starting with the suffocation of Desmond in the Hero Universe, witnessed by a horrified Winona. The scene intercuts to alternate realities where Jackie engages in benign activities with Desmond, contrasting sharply with his violent actions. As Winona attempts to intervene, Jackie dismisses her concerns and disrupts various settings, from a wedding to an Apple store, showcasing his unhinged antics. The montage highlights his absurdity and the reactions of those around him, culminating in a chaotic finale in the Writer Universe where Chris struggles to control Jackie as he types erratically.
• In a wedding barn, Jackie grapples with his disappointment over his daughter's sexuality, causing tension with his wife Joy and daughter Winona. As he navigates through surreal universes, including a chaotic restaurant with Raccacoonie, Jackie ultimately has a bizarre revelation about love, declaring affection for a watermelon. This shocking moment leaves the guests stunned and Winona hurt, reflecting on her strained relationship with her father, while Jackie remains silent and introspective.
• In this emotionally charged scene, Jackie is depicted as a rock in the Rock Universe, transitioning to the Fighter Universe where he watches Winona walk away after a fight, filled with regret. A montage unfolds across various universes, showcasing Jackie's alternate lives with Winona, highlighting his failures and isolation. As he grapples with his choices, the montage crescendos with frantic actions reflecting his frustration and despair. The scene culminates with Jackie closing his eyes in the Fighter Universe, symbolizing introspection and resignation amidst his chaotic existence.
• In scene 51, Jackie and Joy, anthropomorphic rocks, enjoy a serene moment by a brook while distant chaos echoes from other universes. A cut to the Hot Dog Universe reveals Joy comforting her bride Becky, prompting Jackie to reflect on his past actions and express regrets about Joy's wedding. Joy shares her feelings about an alternate life where she had a conventional family, leading to a heartfelt conversation about acceptance and regrets. The scene concludes with Winona's voice-over from the Fighter Universe, expressing appreciation for Jackie's honesty.
• In this emotionally charged scene, Jackie encounters multiple versions of Winona across different universes. In the Fighter Universe, he is shocked to see Winona beside him while another version walks away, leading to a poignant exchange about life's missed moments. Meanwhile, in the Rock Universe, Joy Rock warns Jackie not to get drawn back into emotional turmoil as he is captivated by Winona. The tension escalates in the Hero Universe when Desmond holds Winona hostage, threatening Jackie with a gun. Winona bravely intervenes, delivering a heartfelt speech about confusion and the need for goodness, which ultimately calms Desmond. The scene intercuts between universes, showcasing Jackie's emotional struggle and culminating in a tearful moment as he grapples with his feelings, while Joy continues to caution him against getting involved.
• In this intense scene, Jackie faces brutal attacks from SWAT officers outside the IRS building in the Hero Universe while desperately trying to protect Winona. Meanwhile, in the Rock Universe, Jackie Rock experiences a moment of realization, and in the Writer Universe, Jackie.Writer rushes to reunite with Chris at a bar, leading to a tense exchange. The scene culminates with Jackie recognizing Chris.SWAT amidst the chaos, escalating the conflict as Chris threatens him, leaving their connection unresolved.
• In scene 54, Chris critiques Jackie's writing in the Writer Universe, sarcastically calling it her worst work while expressing annoyance at being a minor character. Jackie remains unfazed, urging him to continue reading, leading to Chris's shock when the text reflects his own words. The scene shifts to the Hero Universe where Chris.SWAT violently confronts Jackie.Hero, who asserts, 'I know you.' Flashbacks reveal their deep bond, showcasing intimate moments that contrast with the current conflict. The scene ends with Chris.SWAT threatening Jackie.Hero, emphasizing the unresolved tension between their past and present.
• In a tense confrontation at the IRS building, Jackie encourages Chris to embrace his true self, leading to an emotional breakthrough after Chris initially reacts violently. As Chris breaks down, he acknowledges Jackie's wisdom about his father's conditional love. The scene shifts to the Writer Universe, where Chris, the editor, expresses frustration over emotional manipulation in the screenplay, while Jackie emphasizes the importance of expressing feelings. The scene culminates in the Taxes Universe, where Jackie, holding a broom like Excalibur, helps Winona sweep papers, symbolizing a newfound sense of purpose amidst the merging of different universes.
• In scene 56, Jackie navigates multiple universes, starting with a tense chase in the Fighter Universe where he pleads with Winona to support his fight plans. Meanwhile, Jobu Rock warns Jackie Rock in the Rock Universe about the consequences of his actions. In the Hero Universe, Jackie creatively diffuses a confrontation with SWAT officers using kindness and object transformations, fostering connections with them. The scene transitions to the Chef Universe, where Jackie Chef enlists the help of the emotional Beefy Chef. The climax sees Jackie riding on Beefy's shoulders, evading danger while promoting empathy and understanding, culminating in a poignant moment of connection with a SWAT officer.
• In scene 57, Jackie urges McGregor to engage in a real fight, reflecting their mutual exhaustion with deception. As McGregor contemplates this while holding a photo of his daughter, Jackie humorously battles SWAT officers, showcasing absurd antics. The scene shifts to Jackie facing Joy, who criticizes his optimism and attacks him, leading to a series of emotional confrontations across different universes. Jackie attempts to connect with Joy and Winona, but his efforts are met with rejection. The scene culminates in a poignant moment where Jackie expresses a desire for a father-daughter dance, despite knowing it won't change their strained relationship, as Jobu sneers at him, highlighting the blend of humor and heartfelt conflict.
• In scene 58, Jackie and Winona confront their marital issues in the TAXES UNIVERSE as Winona reveals her intention behind the divorce papers, which only deepens their divide. Jackie dramatically signs the papers, but both ultimately admit they don't want the divorce, leading to a hopeful reconciliation as they rip up the documents and decide to finish their taxes together. The scene intercuts with various universes, showcasing Jackie’s creative and pacifist actions, culminating in a symbolic hand-holding moment that signifies their renewed connection.
• In scene 59, a vibrant montage unfolds across various universes, showcasing Jackie in different forms. In the Spaghetti Universe, Jackie.Spaghetti reassures his fearful son, Spaghetti Baby Noodle Boy, as they are whisked away from danger. Meanwhile, in the Fighter Universe, Jackie.Fighter faces McGregor, receiving a vision from his Old Master that acknowledges his growth. Joy and Jackie.Hotdog share a reluctant dance, while Jackie.Taxes and Winona engage in a frantic yet rhythmic tax preparation. In the Chef Universe, Jackie puppets Beefy in a heroic leap, culminating in a heartfelt singing moment with Raccaccoonie. The montage is filled with synchronized actions and emotional climaxes, ending with Jackie in the Fighter/Lovers Universe miming fireworks as Winona watches in awe.
• In the final scene, multiple universes converge in moments of resolution: Joy finds peace in the Hotdog Universe, while Jackie and Winona confront their fears of divorce in the IRS lobby, sharing a tender kiss that rekindles their love. As they face their tax infractions with calm acceptance in the IRS office, the scene captures a triumphant and serene closure, culminating in the title 'Everything, Everywhere, All at Once.'