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Scene Map 60
# PG SLUGLINE
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Scene Map
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# PG SLUGLINE
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THE IMMIGRANT'S SON Written by Joe Murkijanian Based on, The Kirk Krikorian Story Phone Number 323-253-6402
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INT. KERKORIAN FAMILY HOME – EVENING The Kerkorian home is modest but warm, with a small kitchen and a dining table crowded with dishes. The aroma of Armenian food fills the air—grape leaves, lamb stew, and fresh bread. LILY, a strong and nurturing woman, places a steaming plate
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EXT. ELEMENTARY SCHOOL PLAYGROUND – LATE AFTERNOON ESTABLISHING SHOT: The camera pans over vast farmland, golden under the setting sun. We see a small, rural elementary school in the distance, its playground bustling with children. Parents arrive to pick
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EXT. KERKORIAN FAMILY RANCH – DAY The Kerkorian family ranch is a modest but well-kept property with a small farmhouse, a barn, and a few acres of land. The mood is tense as a black car pulls up, carrying two BANKERS and two STRONG-ARM MEN.
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EXT. RANCH – LATE AFTERNOON The Kerkorian family packs their belongings into a beat-up truck. Kirk helps his father load a few crates of personal items, his face a mix of anger and sadness. KIRK
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INT. SMALL BOXING ARENA – NIGHT The arena is packed with cheering spectators, the air thick with sweat and excitement. Young KIRK (now in his late teens)delivers a one two punch knocking his opponent to the ground. The REF counts down.
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EXT. KERKORIAN FAMILY HOME WEST LOS ANNGELES– DAY Teenage KIRK (18 ) is in the yard, covered in grease, working on an old, beat-up car. His mother, LILY, steps out of the house, holding a plate of food. LILY
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EXT. MOJAVE DESERT – DAY ESTABLISHING SHOT: The camera pans over the vast, sunbaked Mojave Desert, the horizon shimmering in the heat. In the distance, we see the Happy Bottom Riding Club—a sprawling ranch with a runway, a
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INT. BIPLANE COCKPIT – DAY Kirk sits in the pilot’s seat, his hands gripping the controls. Pancho climbs into the seat behind him, leaning forward to shout instructions over the roar of the engine. PANCHO
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EXT. RUNWAY – DAY The plane lands smoothly, taxiing to a stop. Kirk and Pancho climb out, both grinning from ear to ear. PANCHO Not bad for your first time in one
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INT. AIR FORCE RECRUITMENT OFFICE – DAY Kirk (early 20s), now taller and more confident, stands in line at an Air Force recruitment office. He’s filled with excitement, clutching his paperwork. A RECRUITMENT OFFICER sits behind a desk, measuring the
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INT. CARGO PLANE COCKPIT – NIGHT Kirk pilots a cargo plane through a stormy sky. Lightning flashes, illuminating his focused face. His COPILOT, a young British man named JAMES, looks nervous. JAMES
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EXT. MILITARY AUCTION – DAY Kirk, now back in the States, stands in a crowd of bidders at a military surplus auction. The auctioneer gestures to a row of C-47 cargo planes. AUCTIONEER
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INT. C-47 COCKPIT – NIGHT Kirk pilots a C-47 across the Atlantic. The plane is equipped with an additional fuel tank to make the long journey. The gauges show the fuel levels dropping dangerously low. COPILOT
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EXT. LAX AIRPORT – DAY Kirk, now in his late 20s, stands on the tarmac of LAX, overseeing a small fleet of passenger planes. His sister, ROSE, approaches, holding a clipboard. ROSE
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EXT. LAS VEGAS STRIP – NIGHT Kirk stands outside the newly built Flamingo Hotel, watching as celebrities and high-rollers pour into the casino. Rose joins him, looking around in awe. ROSE
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INT. AIRLINE OFFICE – DAY Kirk sits at his desk, surrounded by stacks of paperwork. His sister, ROSE, enters, holding a ledger. She looks stressed. ROSE Kirk, we’ve got a problem. The
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INT. STOCK BROKER’S OFFICE – DAY Kirk sits across from his friend, MIKE, a seasoned stock broker. Mike is explaining the intricacies of selling stocks. MIKE (MORE)
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INT. COMMUNITY HALL – NIGHT Kirk stands at the front of a packed room, addressing a crowd of Armenian businessmen and community leaders. Mike stands by his side, holding a stack of prospectuses. KIRK
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EXT. LAX AIRPORT – SUNRISE ESTABLISHING SHOT: The camera pans across a pristine fleet of Lockheed Constellation jets lined up on the tarmac, their sleek silver bodies gleaming in the golden morning light. The tail fins
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EXT. THUNDERBIRD RESORT – NIGHT ESTABLISHING SHOT: The camera pans over the neon-lit Las Vegas Strip, the Thunderbird Resort glowing like a jewel in the desert night. The sound of jazz music and laughter spills out into the warm
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EXT. THUNDERBIRD RESORT – NIGHT Kirk and Jean walk outside, the cool night air a welcome contrast to the heat of the lounge. They stop by the pool, the water reflecting the neon lights of the Strip. JEAN
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EXT. LAS VEGAS STRIP – DAY Kirk drives slowly down the Strip, his eyes darting to the neon signs, the construction sites, and the throngs of tourists. James watches him, curious. JAMES
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INT. FLAMINGO HOTEL – PRIVATE LOUNGE – NIGHT The lounge is dimly lit, with plush red velvet chairs and a haze of cigar smoke. Kirk sits across from VINNY THE FIXER MARCONI, a slick, well-dressed mobster with a gold pinky ring and a dangerous smile. Two of Vinny’s enforcers stand in the
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INT. KIRK’S OFFICE – DAY Kirk sits at his desk, surrounded by legal documents and financial reports. His lawyer, SAM, and his CFO, CAROL, are with him, looking stressed but determined. SAM
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INT. MARCONI’S OFFICE – NIGHT ESTABLISHING SHOT The camera pans over a dimly lit, smoke-filled office. The walls are adorned with old photos of Las Vegas and framed newspaper clippings about Bugsy Siegel. A group of mob bosses
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EXT. MARCONI’S OFFICE – NIGHT Vinny storms out of the office, his enforcers trailing behind him. He stops, looking out over the neon-lit Las Vegas Strip, his face a mix of anger and determination. VINNY
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EXT. LAS VEGAS STRIP - DAY (1962) The desert sun blazes overhead, casting long shadows over a barren 80-acre plot across from the bustling Flamingo Hotel. A weathered FOR SALE sign creaks in the wind. KIRK KERKORIAN, mid-40s, stands in the sand, adjusting his
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INT. LAS VEGAS STEAKHOUSE - NIGHT Dark wood, red leather booths. JAY SARNO, 40s, loud and gregarious, talks with STANLEY MALLIN, reserved but sharp- eyed. Kirk sits across from them, a napkin with scribbles laid flat.
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EXT. CAESARS PALACE GRAND OPENING - NIGHT (1966) Fountains erupt. Fireworks explode. Crowds line up beneath marble columns. Reporters snap photos as Kirk, Rose, Jay Sarno, and Stanley Mallin pose together. REPORTER
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EXT. INTERNATIONAL HOTEL - GRAND OPENING NIGHT (1969) Fireworks explode over the gleaming facade of the International Hotel. Crowds gather, and cameras flash as ELVIS PRESLEY steps onto the stage. REPORTER
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EXT. DRIVEWAY – DAY Kirk pulls up in a Black Cadillac coupe de vile, his face lit with excitement. He steps out, carrying a bouquet of flowers and a gift bag, clearly in a good mood. CUT TO:
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INT. CONFERENCE ROOM – DAY Kirk sits across from the buyers, a group of sharp-dressed executives. The atmosphere is tense, with both sides trying to outmaneuver the other. BUYER 1
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INT. KIRK’S OFFICE – NIGHT Kirk sits alone at his desk, staring at the blueprints for the MGM Grand. The sound of the door opening breaks his concentration. He looks up to see JEAN MAREE HARDY, his wife, standing in the doorway.
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INT. CONFERENCE ROOM – DAY Kirk sits at the head of a table, surrounded by executives from MGM Studios. The atmosphere is tense, with heated arguments over the hotel’s theme and branding. MGM EXEC 1
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EXT. CONSTRUCTION SITE – DAY Kirk stands on a platform, overlooking the massive construction site. The skeleton of the MGM Grand towers over the Strip, a testament to his vision and determination. But the stress is starting to show.
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EXT. LAS VEGAS STRIP – DAY ESTABLISHING SHOT: The camera pans over the glittering Las Vegas Strip, the neon lights and bustling crowds a stark contrast to the quiet, humble life Nishan leads. Kirk’s limousine pulls up to the
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INT. PRIVATE SUITE – NIGHT Kirk and Nishan sit in a luxurious suite overlooking the Strip. Kirk pours them both a glass of whiskey, and they toast to their success. KIRK
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EXT. LAS VEGAS STRIP – NIGHT Kirk and Nishan stand on the balcony of the MGM Grand, looking out over the glittering Strip. The city lights reflect in their eyes, a testament to how far they’ve come. VOICEOVER (KIRK, OLDER)
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EXT. GARAGE – DAY Kirk stands in the garage, holding the keys to a brand-new red sports car. Tracy and Linda stand next to him, their faces lit with excitement. KIRK
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INT. MGM GRAND TAHOE PENTHOUSE – BALCONY – DAY The balcony doors slide open, revealing KIRK KERKORIAN and JAMES ALJIAN standing side by side, taking in the breathtaking view. Kirk, as always, is composed, his sharp eyes focused on a stock market report spread out on the
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EXT. MGM GRAND HOTEL – NIGHT A sweeping aerial shot of the MGM Grand Hotel, its neon lights illuminating the Vegas Strip. The streets are alive, gamblers and tourists moving in and out of the grand entrance, unaware of the disaster about to unfold.
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INT. STATE LEGISLATIVE HEARING – MONTHS LATER Kirk sits before a committee of state officials, cameras rolling. The fire has triggered a national debate about safety regulations in hotels. SENATOR
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INT. KIRK KERKORIAN’S HOME – LOS ANGELES – NIGHT The dim glow of a desk lamp casts long shadows. KIRK KERKORIAN sits alone in his study, a tumbler of whiskey untouched beside him. His fingers drum anxiously against the table as the phone rings.
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INT. JEAN’S PARENTS’ HOME – LIVING ROOM – NIGHT A warm, well-kept English countryside home. A crackling fire burns in the hearth, casting flickering shadows on the walls. JEAN MAREE HARDY sits on the couch, a cup of tea in hand. Her MOTHER and FATHER, both in their seventies, sit across from
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INT. KIRK KERKORIAN’S OFFICE – LOS ANGELES – NIGHT A dimly lit office, lined with shelves of business awards, financial reports, and old blueprints. KIRK KERKORIAN stands by the window, overlooking the city skyline. JAMES ALJIAN sits at the desk, flipping through a thick
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EXT. LOS ANGELES – KIRK’S OFFICE – NIGHT The glow of a television screen reflects off the polished wood of KIRK KERKORIAN’s desk. On the screen, news footage of the massive 1988 Armenian earthquake plays—entire cities reduced to rubble, people crying in the streets, rescue
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EXT. YEREVAN AIRPORT – NIGHT The Gulfstream touches down smoothly, rolling to a stop on the cracked and worn tarmac. A group of Armenian officials and aid workers wait nearby, their expressions a mix of exhaustion and relief.
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EXT. SPITAK – MAKESHIFT LANDING ZONE – DAWN The helicopter touches down in an open field, sending a cloud of dust into the air. Rescue workers rush forward, leading Kirk and James toward the heart of the destruction. Kirk steps onto the broken ground, surveying the wreckage.
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EXT. MGM GRAND CONSTRUCTION SITE – DAY The sun beats down on the desert, casting long shadows over the growing steel frame of the MGM Grand. Cranes swing overhead, sparks fly from welders, and construction crews move like ants across the vast site.
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EXT. MGM GRAND ENTRANCE – DAY The nearly completed MGM Grand stands towering over the Las Vegas Strip, its emerald-green glass reflecting the midday sun. At the front, a massive bronze lion—the largest statue in the Western Hemisphere—is being prepared for installation.
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EXT. LAS VEGAS COUNTRY CLUB – TENNIS COURT – DAY The sun beats down on the Las Vegas Country Club’s pristine tennis courts. The rhythmic thwack of a tennis ball echoes through the air. KIRK KERKORIAN, sweat glistening on his forehead, lunges for
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INT. KIRK KERKORIAN’S OFFICE – MGM GRAND – NIGHT A dimly lit office high above the Las Vegas Strip. KIRK KERKORIAN, JAMES ALJIAN, and CAROL sit in front of a large television screen, watching the final commercial promoting the grand opening of the MGM Grand. The glow of the screen
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EXT. MGM GRAND – GRAND OPENING NIGHT – 1993 A sweeping, cinematic establishing shot—the MGM Grand, fully illuminated, a beacon of luxury on the Las Vegas Strip. The camera glides through the entrance, capturing the electric energy of the night.
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INT. KIRK KERKORIAN’S OFFICE – MGM GRAND – NIGHT A dimly lit office high above the Las Vegas Strip. KIRK KERKORIAN, JAMES ALJIAN, and CAROL sit in front of a large television screen, watching the final commercial promoting the grand opening of the MGM Grand. The glow of the screen
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INT. KIRK KERKORIAN’S FORMER HOME – KITCHEN – DAY The spacious Beverly Hills kitchen is bathed in warm afternoon light. JEAN, now older but still exuding grace and beauty, is busy unpacking groceries, her movements swift and efficient.
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EXT. LAS VEGAS PRIVATE RUNWAY – NIGHT A massive Boeing 747 airliner descends onto the tarmac, its exterior painted with the flag of Dubai. The landing gear screeches as it touches down, rolling smoothly to a stop. The doors open, and a gold-plated stairway is rolled into place.
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INT. CITY CENTER CONSTRUCTION SITE – LAS VEGAS – DAY The site is a chaotic maze of half-built structures, cranes looming overhead, and workers in hard hats moving frantically. The metallic screech of steel beams, the pounding of jackhammers, and the endless hum of construction
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EXT. CITY CENTER – SUNSET The nearly completed CityCenter stands tall, its gleaming glass towers reflecting the warm hues of the setting sun. The site, once chaotic and uncertain, now pulses with the energy of progress. Construction workers put finishing touches on
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EXT. SKY OVER THE PACIFIC – 1940s A C-47 cargo plane cuts through the clouds, its twin engines roaring as it carries a load of supplies across the ocean. Inside the cockpit, a young KIRK KERKORIAN, wearing a flight jacket and aviator sunglasses, grips the controls with steady

The Imigrants Son

A determined Armenian-American immigrant overcomes adversity to build a vast business empire, navigating the rapidly evolving landscapes of Las Vegas and Hollywood while grappling with the personal sacrifices required to achieve his ambitious dreams.

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Overview

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Unique Selling Point

This screenplay stands out for its rich historical context and character-driven storytelling, blending personal ambition with broader themes of resilience and cultural identity. It appeals to audiences interested in biographical dramas that explore the complexities of success and the immigrant experience.

AI Verdict & Suggestions

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Claude
 Recommend
Gemini
 Consider
GPT4
 Recommend
Story Facts

Genres: Drama, Biographical, Biography, Thriller, Business, Family, Crime, Romance, War, Adventure, Historical, Coming-of-age, Sports, Biopic, Action, Disaster, Comedy

Setting: 1930s to 1990s, Las Vegas, California, and Armenia

Themes: The American Dream, Family and Relationships, Resilience and Perseverance, Philanthropy and Giving Back

Conflict & Stakes: Kirk's struggle to build his empire in Las Vegas while balancing personal relationships and facing challenges from the mob, financial pressures, and the need for safety regulations.

Mood: Reflective and ambitious, with moments of tension and triumph.

Standout Features:

  • Unique Hook: The rise of Kirk Kerkorian from a grape picker to a powerful casino mogul, showcasing the American Dream.
  • Major Twist: Kirk's realization that success is not just about wealth but also about meaningful relationships and community.
  • Distinctive Setting: The vibrant and evolving landscape of Las Vegas, serving as both a backdrop and a character in the story.
  • Innovative Ideas: The exploration of safety regulations in the hotel industry following a devastating fire, highlighting Kirk's commitment to change.

Comparable Scripts: The Pursuit of Happyness, The Godfather, Rocky, The Aviator, The Founder, Cinderella Man, The Social Network, Moneyball, The Greatest Showman

Script Level Analysis

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Overall Score: 7.63
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