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Scene Map 60
# PG SLUGLINE
1 2
INT GOLDEN DRAGON RESTAURANT - DINING ROOM NIGHT
2 4
EXT LAKE MICHIGAN LAKEFRONT PATH, CHICAGO, IL. DAY
3 6
INT HOME OLD TOWN, CHICAGO, IL. - BEDROOM NIGHT
4 7
INT BAKER & STONE - WACKER DRIVE, CHICAGO, IL. DAY
5 9
EXT HOME OLD TOWN, CHICAGO, IL. - BACKYARD DAY
6 9
INT NORTH SIDE LEGAL AID - CHICAGO, IL. DAY
7 11
INT HOME OLD TOWN, CHICAGO, IL. - BEDROOM DAY
8 14
EXT BOSTON, MA. HARBOR - AERIAL DAY
9 15
EXT CHINATOWN, BOSTON, MA. DAY
10 17
INT GOLDEN DRAGON RESTAURANT - DINING ROOM CONTINUOUS
11 19
INT GOLDEN DRAGON RESTAURANT - OFFICE CONTINUOUS
12 21
INT BAKER & STONE - SEAPORT BLVD. BOSTON, MA. - OFFICE DAY
13 22
INT HOME MERRYMOUNT, QUINCY, MA. - KITCHEN DAY
14 24
INT FATHER'S HOUSE - LOWER MILLS, DORCHESTER, MA. - FRONT
15 27
INT HOME MERRYMOUNT, QUINCY, MA. - KITCHEN DAY
16 28
EXT TONY’S CLAM SHOP - 861 QUINCY SHORE DRIVE - QUINCY, MA.
17 30
INT GOLDEN DRAGON RESTAURANT - OFFICE DAY
18 31
INT GOLDEN DRAGON RESTAURANT - DINING ROOM DAY
19 32
EXT HOME MERRYMOUNT, QUINCY, MA. - BACKYARD DAY
20 34
INT HOME MERRYMOUNT, QUINCY, MA. - LIVING ROOM DAY
21 35
INT BETH ISRAEL HOSPITAL, BOSTON, MA. - HOSPITAL ROOM
22 37
INT HOME MERRYMOUNT, QUINCY, MA. - KITCHEN NIGHT
23 39
INT BETH ISRAEL HOSPITAL, BOSTON, MA. - LOBBY DAY
24 41
INT HOME MERRYMOUNT, QUINCY, MA. - KITCHEN DAY
25 42
INT WING FOOK FUNERAL HOME, BOSTON, MA. DAY
26 44
INT HOME MERRYMOUNT, QUINCY, MA. - KITCHEN NIGHT
27 45
EXT MOUNT HOPE CEMETERY - MATTAPAN, MA. DAY
28 46
INT GOLDEN DRAGON RESTAURANT - OFFICE DAY
29 49
INT GOLDEN DRAGON RESTAURANT - DINING ROOM DAY
30 50
INT GOLDEN DRAGON RESTAURANT - OFFICE DAY
31 54
INT GOLDEN DRAGON RESTAURANT - DINING ROOM DAY
32 55
INT GOLDEN DRAGON RESTAURANT - DINING ROOM DAY
33 57
INT GOLDEN DRAGON RESTAURANT - OFFICE CONTINUOUS
34 58
INT GOLDEN DRAGON RESTAURANT - OFFICE DAY
35 59
EXT HOME MERRYMOUNT, QUINCY, MA. - DRIVEWAY DAY
36 61
INT HOME MERRYMOUNT, QUINCY, MA. - BEDROOM NIGHT
37 62
INT HOME MERRYMOUNT, QUINCY, MA. - KITCHEN DAY
38 64
INT BAKER & STONE - SEAPORT BLVD. BOSTON, MA. - OFFICE DAY
39 67
EXT HOME MERRYMOUNT, QUINCY, MA. - BACKYARD DAY
40 71
INT HOME MERRYMOUNT, QUINCY, MA. - BEDROOM DAY
41 72
INT HOME MERRYMOUNT, QUINCY, MA. - SUZIE’S BEDROOM
42 74
INT BAKER & STONE - SEAPORT BLVD. BOSTON, MA. - GARAGE DAY
43 74
INT BAKER & STONE - SEAPORT BLVD. BOSTON, MA. - MANAGING
44 76
INT BAKER & STONE - SEAPORT BLVD. BOSTON, MA. - HALLWAY
45 77
INT HOME MERRYMOUNT, QUINCY, MA. - KITCHEN CONTINUOUS
46 81
INT HOME MERRYMOUNT, QUINCY, MA. - KITCHEN DAY
47 82
INT HOME MERRYMOUNT, QUINCY, MA. - FRONT HALLWAY
48 83
INT GOLDEN DRAGON RESTAURANT - DINING ROOM DAY
49 84
INT GOLDEN DRAGON RESTAURANT - OFFICE DAY
50 86
INT HOME MERRYMOUNT, QUINCY, MA. - KITCHEN DAY
51 90
INT GOLDEN DRAGON RESTAURANT - OFFICE NIGHT
52 92
INT HOME OLD TOWN, CHICAGO, IL. - BEDROOM NIGHT
53 102
INT GOLDEN DRAGON RESTAURANT - OFFICE NIGHT
54 103
INT FATHER'S HOUSE - LOWER MILLS, DORCHESTER, MA. - BACK
55 106
INT JOHN JOSEPH MOAKLEY FEDERAL COURTHOUSE - CONFERENCE ROOM
56 109
INT GOLDEN DRAGON RESTAURANT - OFFICE DAY
57 110
INT GREAT WALL RESTAURANT, CHINATOWN, BOSTON, MA. DAY
58 112
INT JOHN JOSEPH MOAKLEY FEDERAL COURTHOUSE - CONFERENCE ROOM
59 113
EXT JOHN JOSEPH MOAKLEY FEDERAL COURTHOUSE - FRONT STEPS
60 114
INT GOLDEN DRAGON RESTAURANT - DINING ROOM NIGHT
Scene Map
60
# PG SLUGLINE
1 2
INT GOLDEN DRAGON RESTAURANT - DINING ROOM NIGHT
INT. GOLDEN DRAGON RESTAURANT - DINING ROOM - NIGHT
INT. GOLDEN DRAGON RESTAURANT - DINING ROOM - NIGHT Chinatown, Boston, MA. A Saturday evening Chinese community wedding banquet. The dining room transformed. Red and gold everywhere — table linens, backdrops, lanterns, floral arrangements. The character 囍 (Double Happiness) prominently
2 4
EXT LAKE MICHIGAN LAKEFRONT PATH, CHICAGO, IL. DAY
EXT. LAKE MICHIGAN LAKEFRONT PATH, CHICAGO, IL. - DAY
EXT. LAKE MICHIGAN LAKEFRONT PATH, CHICAGO, IL. - DAY Early morning. The sun searing copper off the water. MING, Chinese-American, mid-30s, running hard along the shore.
3 6
INT HOME OLD TOWN, CHICAGO, IL. - BEDROOM NIGHT
INT. HOME OLD TOWN, CHICAGO, IL. - BEDROOM - NIGHT
INT. HOME OLD TOWN, CHICAGO, IL. - BEDROOM - NIGHT Early evening, Grace folds a blouse. Sets it aside. Looks up as Ming enters. GRACE How is he?
4 7
INT BAKER & STONE - WACKER DRIVE, CHICAGO, IL. DAY
INT. BAKER & STONE - WACKER DRIVE, CHICAGO, IL. - DAY
INT. BAKER & STONE - WACKER DRIVE, CHICAGO, IL. - DAY Floor-to-ceiling windows. Thirty-fifth floor. The Chicago River below catching the midday light. Beyond it Lake Michigan, flat and enormous. Grace stands at the window for a moment before turning back
5 9
EXT HOME OLD TOWN, CHICAGO, IL. - BACKYARD DAY
EXT. HOME OLD TOWN, CHICAGO, IL. - BACKYARD - DAY
EXT. HOME OLD TOWN, CHICAGO, IL. - BACKYARD - DAY Ming and his daughter SUZIE (8 years old) in the backyard. They are tossing a baseball back and forth. BISCUIT, the beloved family cocker spaniel also playing. She is wearing her Chicago Cubs hat. He is wearing his Boston Red Sox hat.
6 9
INT NORTH SIDE LEGAL AID - CHICAGO, IL. DAY
INT. NORTH SIDE LEGAL AID - CHICAGO, IL. - DAY
INT. NORTH SIDE LEGAL AID - CHICAGO, IL. - DAY The office. Worn carpet. Fluorescent light that flickers slightly. Ming's desk. Case files stacked on top of it. A plant on the
7 11
INT HOME OLD TOWN, CHICAGO, IL. - BEDROOM DAY
INT. HOME OLD TOWN, CHICAGO, IL. - BEDROOM - DAY
INT. HOME OLD TOWN, CHICAGO, IL. - BEDROOM - DAY Grace is going through her closet and dresser drawers. Suitcases open on the bed. MING Let me help you with that suitcase.
8 14
EXT BOSTON, MA. HARBOR - AERIAL DAY
EXT. BOSTON, MA. HARBOR - AERIAL - DAY
EXT. BOSTON, MA. HARBOR - AERIAL - DAY The city rising from the water. Sailboats scattered across the harbor. The financial district catching the afternoon sun. Beyond it, the neighborhoods stretching south toward Quincy.
9 15
EXT CHINATOWN, BOSTON, MA. DAY
EXT. CHINATOWN, BOSTON, MA. - DAY
EXT. CHINATOWN, BOSTON, MA. - DAY Chinatown Gate, Chinatown, Boston. Busy street activity. A delivery cart rattles past, stacked high with produce. Voices. Cars. Trucks. Occasional sounds of car horns.
10 17
INT GOLDEN DRAGON RESTAURANT - DINING ROOM CONTINUOUS
INT. GOLDEN DRAGON RESTAURANT - DINING ROOM - CONTINUOUS
INT. GOLDEN DRAGON RESTAURANT - DINING ROOM - CONTINUOUS QINGBO, 50s, Long-standing employee appears. QINGBO (eyes widening) Bou Bui! Come here!
11 19
INT GOLDEN DRAGON RESTAURANT - OFFICE CONTINUOUS
INT. GOLDEN DRAGON RESTAURANT - OFFICE - CONTINUOUS
INT. GOLDEN DRAGON RESTAURANT - OFFICE - CONTINUOUS Ming’s father on the phone. FATHER …our arrangement was settled a long time ago. There's nothing left to
12 21
INT BAKER & STONE - SEAPORT BLVD. BOSTON, MA. - OFFICE DAY
INT. BAKER & STONE - SEAPORT BLVD. BOSTON, MA. - OFFICE - DAY
INT. BAKER & STONE - SEAPORT BLVD. BOSTON, MA. - OFFICE - DAY Grace on her first morning at her new desk. The office professional and polished. A view of Boston Harbor and Logan Airport through the window. TOM WHITFIELD, 40s, warm, collegial, enters.
13 22
INT HOME MERRYMOUNT, QUINCY, MA. - KITCHEN DAY
INT. HOME MERRYMOUNT, QUINCY, MA. - KITCHEN - DAY
INT. HOME MERRYMOUNT, QUINCY, MA. - KITCHEN - DAY Late afternoon after work and Grace in casual clothes. Moving between the counter and the calendar on the wall. She stops at the calendar. Studies it for a moment. Circles July 4. GRACE
14 24
INT FATHER'S HOUSE - LOWER MILLS, DORCHESTER, MA. - FRONT
INT. FATHER'S HOUSE - LOWER MILLS, DORCHESTER, MA. - FRONT
INT. FATHER'S HOUSE - LOWER MILLS, DORCHESTER, MA. - FRONT STEPS - DAY A modest house in Lower Mills, Dorchester. Ming at the front door. He rings the bell. From inside, the sound of locks. Multiple. Sequential. A deadbolt. Then another. A chain. A
15 27
INT HOME MERRYMOUNT, QUINCY, MA. - KITCHEN DAY
INT. HOME MERRYMOUNT, QUINCY, MA. - KITCHEN - DAY
INT. HOME MERRYMOUNT, QUINCY, MA. - KITCHEN - DAY Grace at the kitchen window speaking with her mother. Phone to her ear. (Grace speaks entirely in Mandarin throughout this scene. Subtitled.)
16 28
EXT TONY’S CLAM SHOP - 861 QUINCY SHORE DRIVE - QUINCY, MA.
EXT. TONY’S CLAM SHOP - 861 QUINCY SHORE DRIVE - QUINCY, MA. -
EXT. TONY’S CLAM SHOP - 861 QUINCY SHORE DRIVE - QUINCY, MA. - DAY The outdoor patio. Full. Families at picnic tables. Wollaston Beach across the street. The water catching the late afternoon light. A man with a guitar behind them
17 30
INT GOLDEN DRAGON RESTAURANT - OFFICE DAY
INT. GOLDEN DRAGON RESTAURANT - OFFICE - DAY
INT. GOLDEN DRAGON RESTAURANT - OFFICE - DAY Ming goes into his father's office. Old. Dusty. The desk cluttered with papers. No computer. A 1970s era electronic calculator. An ashtray. Chinese artifacts. Old abacus. Jade dragon. Beckoning cats. Stacks of paper on the credenza. A
18 31
INT GOLDEN DRAGON RESTAURANT - DINING ROOM DAY
INT. GOLDEN DRAGON RESTAURANT - DINING ROOM - DAY
INT. GOLDEN DRAGON RESTAURANT - DINING ROOM - DAY Suzie arrives at the restaurant mid-afternoon from Chinese summer school program. The restaurant is quiet. She is met by Qingbo. Television behind the bar has an afternoon Red Sox game.
19 32
EXT HOME MERRYMOUNT, QUINCY, MA. - BACKYARD DAY
EXT. HOME MERRYMOUNT, QUINCY, MA. - BACKYARD - DAY
EXT. HOME MERRYMOUNT, QUINCY, MA. - BACKYARD - DAY Suzie alone in the backyard. Baseball glove on her hand. Tossing a ball up and catching it. A face appears at the fence. MADISON, 8. Brunette. Long hair. MADISON
20 34
INT HOME MERRYMOUNT, QUINCY, MA. - LIVING ROOM DAY
INT. HOME MERRYMOUNT, QUINCY, MA. - LIVING ROOM - DAY
INT. HOME MERRYMOUNT, QUINCY, MA. - LIVING ROOM - DAY Grace on the couch with something to read. Ming beside her. Not reading. MING Two weeks.
21 35
INT BETH ISRAEL HOSPITAL, BOSTON, MA. - HOSPITAL ROOM
INT. BETH ISRAEL HOSPITAL, BOSTON, MA. - HOSPITAL ROOM -
INT. BETH ISRAEL HOSPITAL, BOSTON, MA. - HOSPITAL ROOM - NIGHT Ming walks into the hospital room. Two beds. One unoccupied. The room dark except for the floor lamp near his father's bed. Ming approaches slowly. His father resting. IV in his
22 37
INT HOME MERRYMOUNT, QUINCY, MA. - KITCHEN NIGHT
INT. HOME MERRYMOUNT, QUINCY, MA. - KITCHEN - NIGHT
INT. HOME MERRYMOUNT, QUINCY, MA. - KITCHEN - NIGHT Dishwasher humming. Grace wiping down the counter after dinner. Ming comes up behind her. Goes to put his arms around her. She accepts it. Half a beat late. A slight stiffness. She turns to look at him. Really look at him.
23 39
INT BETH ISRAEL HOSPITAL, BOSTON, MA. - LOBBY DAY
INT. BETH ISRAEL HOSPITAL, BOSTON, MA. - LOBBY - DAY
INT. BETH ISRAEL HOSPITAL, BOSTON, MA. - LOBBY - DAY Ming bursts through the front doors of the hospital. He jabs the elevator button. Waits. Paces. Jabs it again. The elevator arrives. He presses 4. The doors close. He checks his phone. No new messages. He shifts his weight. The
24 41
INT HOME MERRYMOUNT, QUINCY, MA. - KITCHEN DAY
INT. HOME MERRYMOUNT, QUINCY, MA. - KITCHEN - DAY
INT. HOME MERRYMOUNT, QUINCY, MA. - KITCHEN - DAY Ming seated at kitchen table. Still in his coat. Grace sits across from him. GRACE I'm so sorry Ming.
25 42
INT WING FOOK FUNERAL HOME, BOSTON, MA. DAY
INT. WING FOOK FUNERAL HOME, BOSTON, MA. - DAY
INT. WING FOOK FUNERAL HOME, BOSTON, MA. - DAY The room is full. Mourners in dark clothing. Spacious, carpeted, softly lit. Ming, Grace and Suzie enter the parlor. Seats filled with the grieving. Others standing. Employees from the restaurant. Faces Ming recognizes and faces he
26 44
INT HOME MERRYMOUNT, QUINCY, MA. - KITCHEN NIGHT
INT. HOME MERRYMOUNT, QUINCY, MA. - KITCHEN - NIGHT
INT. HOME MERRYMOUNT, QUINCY, MA. - KITCHEN - NIGHT It is late. Dim light over the sink. Ming at the table. Still in his funeral clothes. Tie loosened. Grace enters. Also still dressed. Removes her earrings. Sets them on the counter.
27 45
EXT MOUNT HOPE CEMETERY - MATTAPAN, MA. DAY
EXT. MOUNT HOPE CEMETERY - MATTAPAN, MA. - DAY
EXT. MOUNT HOPE CEMETERY - MATTAPAN, MA. - DAY Ming, Grace and Suzie already gathered graveside. Qingbo nearby. A canopy tent. A brass urn of burning incense, smoke rising in thin threads. The coffin positioned above the open grave.
28 46
INT GOLDEN DRAGON RESTAURANT - OFFICE DAY
INT. GOLDEN DRAGON RESTAURANT - OFFICE - DAY
INT. GOLDEN DRAGON RESTAURANT - OFFICE - DAY Ming at his father's desk. Not working. A knock at the door. Before he can answer, Qingbo steps inside. She doesn't speak immediately. She looks at Ming. QINGBO
29 49
INT GOLDEN DRAGON RESTAURANT - DINING ROOM DAY
INT. GOLDEN DRAGON RESTAURANT - DINING ROOM - DAY
INT. GOLDEN DRAGON RESTAURANT - DINING ROOM - DAY Lunch service winding down. The room still half-full. Carts moving slower now. Conversations quieter. Qingbo efficiently moves between tables. Suzie sits at the corner table. Backpack on the floor beside
30 50
INT GOLDEN DRAGON RESTAURANT - OFFICE DAY
INT. GOLDEN DRAGON RESTAURANT - OFFICE - DAY
INT. GOLDEN DRAGON RESTAURANT - OFFICE - DAY Ming at the office desk. Going through restaurant paperwork. The lunar calendar on the wall — the 13th. Two days past what he told Fong he needed. He exhales. Sits back. A knock at the open door. Qingbo leans
31 54
INT GOLDEN DRAGON RESTAURANT - DINING ROOM DAY
INT. GOLDEN DRAGON RESTAURANT - DINING ROOM - DAY
INT. GOLDEN DRAGON RESTAURANT - DINING ROOM - DAY Early morning. Ming steps through the service entrance. Stops. The dining room is wrong. Not destroyed. Not vandalized. Just moved. Tables shifted. Chairs stacked differently. The cart
32 55
INT GOLDEN DRAGON RESTAURANT - DINING ROOM DAY
INT. GOLDEN DRAGON RESTAURANT - DINING ROOM - DAY
INT. GOLDEN DRAGON RESTAURANT - DINING ROOM - DAY The kitchen quiet in the mid-afternoon. A few tables occupied. Suzie pushes through the door. Backpack over one shoulder. Red Sox hat. She drops her
33 57
INT GOLDEN DRAGON RESTAURANT - OFFICE CONTINUOUS
INT. GOLDEN DRAGON RESTAURANT - OFFICE - CONTINUOUS
INT. GOLDEN DRAGON RESTAURANT - OFFICE - CONTINUOUS Ming closes the door. He stands behind it. His back against it. His hand on the handle. He doesn't move for a long time. EXT. WAH LUM CHINESE SCHOOL - CHINATOWN, BOSTON, MA. - DAY
34 58
INT GOLDEN DRAGON RESTAURANT - OFFICE DAY
INT. GOLDEN DRAGON RESTAURANT - OFFICE - DAY
INT. GOLDEN DRAGON RESTAURANT - OFFICE - DAY Qingbo appears in the doorway. She doesn't knock. She looks at Ming. Ming sets his pen down. QINGBO Two men came before we opened. This
35 59
EXT HOME MERRYMOUNT, QUINCY, MA. - DRIVEWAY DAY
EXT. HOME MERRYMOUNT, QUINCY, MA. - DRIVEWAY - DAY
EXT. HOME MERRYMOUNT, QUINCY, MA. - DRIVEWAY - DAY Grace's car already in the driveway. Ming pulls into the driveway. Cuts the engine. Remains seated. Suzie comes out of the house into the driveway. SUZIE
36 61
INT HOME MERRYMOUNT, QUINCY, MA. - BEDROOM NIGHT
INT. HOME MERRYMOUNT, QUINCY, MA. - BEDROOM - NIGHT
INT. HOME MERRYMOUNT, QUINCY, MA. - BEDROOM - NIGHT Late. The house dark. Suzie at Madison's for a sleepover. Ming and Grace in bed. Outside, the wind is blowing off Quincy Bay. A foghorn somewhere out on the water.
37 62
INT HOME MERRYMOUNT, QUINCY, MA. - KITCHEN DAY
INT. HOME MERRYMOUNT, QUINCY, MA. - KITCHEN - DAY
INT. HOME MERRYMOUNT, QUINCY, MA. - KITCHEN - DAY Early morning light through the window. Ming at the kitchen table. Coffee in front of him. He's been up for a while. Grace enters. Still in her robe. She sees his face. GRACE
38 64
INT BAKER & STONE - SEAPORT BLVD. BOSTON, MA. - OFFICE DAY
INT. BAKER & STONE - SEAPORT BLVD. BOSTON, MA. - OFFICE - DAY
INT. BAKER & STONE - SEAPORT BLVD. BOSTON, MA. - OFFICE - DAY The office emptying. Colleagues gathering bags. Conversations wrapping. Grace at her desk. Still working. A brief open in front of her. A highlighter in her hand. She finishes a page. Closes the brief. Caps the highlighter.
39 67
EXT HOME MERRYMOUNT, QUINCY, MA. - BACKYARD DAY
EXT. HOME MERRYMOUNT, QUINCY, MA. - BACKYARD - DAY
EXT. HOME MERRYMOUNT, QUINCY, MA. - BACKYARD - DAY Grace alone in the backyard. Still in her work clothes. Her coat over her arm. She stands at the back fence. The sun going down over the water.
40 71
INT HOME MERRYMOUNT, QUINCY, MA. - BEDROOM DAY
INT. HOME MERRYMOUNT, QUINCY, MA. - BEDROOM - DAY
INT. HOME MERRYMOUNT, QUINCY, MA. - BEDROOM - DAY Mid morning light through the curtains. Soft. Grace's eyes open. She lies still for a moment. Looking at the ceiling. She turns her head. The digital clock on the nightstand. 9:05 AM.
41 72
INT HOME MERRYMOUNT, QUINCY, MA. - SUZIE’S BEDROOM
INT. HOME MERRYMOUNT, QUINCY, MA. - SUZIE’S BEDROOM -
INT. HOME MERRYMOUNT, QUINCY, MA. - SUZIE’S BEDROOM - CONTINUOUS Grace opens the door. Empty. Bed made. Backpack gone. Suzie already left for school with Ming.
42 74
INT BAKER & STONE - SEAPORT BLVD. BOSTON, MA. - GARAGE DAY
INT. BAKER & STONE - SEAPORT BLVD. BOSTON, MA. - GARAGE - DAY
INT. BAKER & STONE - SEAPORT BLVD. BOSTON, MA. - GARAGE - DAY Grace pulls into her space. She turns off the engine. Her hands on the wheel. The fluorescent hum overhead. She looks at the space beside her car. Then she picks up her bag. Gets out. Goes to the elevator.
43 74
INT BAKER & STONE - SEAPORT BLVD. BOSTON, MA. - MANAGING
INT. BAKER & STONE - SEAPORT BLVD. BOSTON, MA. - MANAGING
INT. BAKER & STONE - SEAPORT BLVD. BOSTON, MA. - MANAGING PARTNER’S OFFICE - CONTINUOUS The MANAGING PARTNER looks up from his desk. Grace opens her mouth—
44 76
INT BAKER & STONE - SEAPORT BLVD. BOSTON, MA. - HALLWAY
INT. BAKER & STONE - SEAPORT BLVD. BOSTON, MA. - HALLWAY -
INT. BAKER & STONE - SEAPORT BLVD. BOSTON, MA. - HALLWAY - CONTINUOUS A SECURITY OFFICER waiting outside the door. Grace walks beside him. Her bag over her shoulder. Her coat over her arm.
45 77
INT HOME MERRYMOUNT, QUINCY, MA. - KITCHEN CONTINUOUS
INT. HOME MERRYMOUNT, QUINCY, MA. - KITCHEN - CONTINUOUS
INT. HOME MERRYMOUNT, QUINCY, MA. - KITCHEN - CONTINUOUS Ming at the kitchen table. Coffee in front of him. The morning paper open but unread. He looks up. MING (casually)
46 81
INT HOME MERRYMOUNT, QUINCY, MA. - KITCHEN DAY
INT. HOME MERRYMOUNT, QUINCY, MA. - KITCHEN - DAY
INT. HOME MERRYMOUNT, QUINCY, MA. - KITCHEN - DAY The kettle rumbles. Early light through the window. Suitcases already by the front door. INT. HOME MERRYMOUNT, QUINCY, MA. - SUZIE’S BEDROOM - CONTINUOUS
47 82
INT HOME MERRYMOUNT, QUINCY, MA. - FRONT HALLWAY
INT. HOME MERRYMOUNT, QUINCY, MA. - FRONT HALLWAY -
INT. HOME MERRYMOUNT, QUINCY, MA. - FRONT HALLWAY - CONTINUOUS Grace stands near the door, coat on. Keys in her hand. Bag at her feet. Ming stands a few steps away. They face each other. They do
48 83
INT GOLDEN DRAGON RESTAURANT - DINING ROOM DAY
INT. GOLDEN DRAGON RESTAURANT - DINING ROOM - DAY
INT. GOLDEN DRAGON RESTAURANT - DINING ROOM - DAY The restaurant is open. Ming enters. Qingbo is at the host stand, organizing menus. She sees him. Something in his face. She nods once. Goes back to work. Lunch service. Steam rises from the kitchen. Orders are
49 84
INT GOLDEN DRAGON RESTAURANT - OFFICE DAY
INT. GOLDEN DRAGON RESTAURANT - OFFICE - DAY
INT. GOLDEN DRAGON RESTAURANT - OFFICE - DAY Ming at his father's desk. A knock. QINGBO leans in. QINGBO There's someone here to see you. He
50 86
INT HOME MERRYMOUNT, QUINCY, MA. - KITCHEN DAY
INT. HOME MERRYMOUNT, QUINCY, MA. - KITCHEN - DAY
INT. HOME MERRYMOUNT, QUINCY, MA. - KITCHEN - DAY Ming comes downstairs. His phone on the counter. He picks it up. Opens his contacts. Finds Grace's name. His thumb hovers. He sets the phone down. His phone buzzes. He picks the phone back up.
51 90
INT GOLDEN DRAGON RESTAURANT - OFFICE NIGHT
INT. GOLDEN DRAGON RESTAURANT - OFFICE - NIGHT
INT. GOLDEN DRAGON RESTAURANT - OFFICE - NIGHT The restaurant is dark. Chairs up. Through the office window, distant voices. Sounds of a delivery truck. At his father's desk. He doesn't move for a moment.
52 92
INT HOME OLD TOWN, CHICAGO, IL. - BEDROOM NIGHT
INT. HOME OLD TOWN, CHICAGO, IL. - BEDROOM - NIGHT
INT. HOME OLD TOWN, CHICAGO, IL. - BEDROOM - NIGHT Grace in the doorway. Her eyes find the dresser. The book on the dresser where she last left it in June when she said she wouldn't need it. The textbook. 古文入門. Classical Chinese Primer. Chinese
53 102
INT GOLDEN DRAGON RESTAURANT - OFFICE NIGHT
INT. GOLDEN DRAGON RESTAURANT - OFFICE - NIGHT
INT. GOLDEN DRAGON RESTAURANT - OFFICE - NIGHT Ming at his father's desk. He opens the drawer. The ledger. He looks at it for a long moment. Closes the drawer. He picks up his keys. He gets up and leaves.
54 103
INT FATHER'S HOUSE - LOWER MILLS, DORCHESTER, MA. - BACK
INT. FATHER'S HOUSE - LOWER MILLS, DORCHESTER, MA. - BACK
INT. FATHER'S HOUSE - LOWER MILLS, DORCHESTER, MA. - BACK BEDROOM - CONTINUOUS A hutch against the far wall. Old. Heavy. Dark wood. Ming opens its drawers. Checks the contents. Nothing of note
55 106
INT JOHN JOSEPH MOAKLEY FEDERAL COURTHOUSE - CONFERENCE ROOM
INT. JOHN JOSEPH MOAKLEY FEDERAL COURTHOUSE - CONFERENCE ROOM
INT. JOHN JOSEPH MOAKLEY FEDERAL COURTHOUSE - CONFERENCE ROOM - DAY Already in progress. Ming and Doyle seated on one side of the table. Across from them is LEAD PROSECUTOR O'BRIEN . Late fifties. Precise. A
56 109
INT GOLDEN DRAGON RESTAURANT - OFFICE DAY
INT. GOLDEN DRAGON RESTAURANT - OFFICE - DAY
INT. GOLDEN DRAGON RESTAURANT - OFFICE - DAY Saturday 10AM. Fong enters. He doesn't knock. He closes the door behind him. Sits down across from Ming. Completely at ease. He looks around the office. The jade dragon. The abacus. The
57 110
INT GREAT WALL RESTAURANT, CHINATOWN, BOSTON, MA. DAY
INT. GREAT WALL RESTAURANT, CHINATOWN, BOSTON, MA. - DAY
INT. GREAT WALL RESTAURANT, CHINATOWN, BOSTON, MA. - DAY A booth by the window. Fong eating alone. A pot and cup of tea. A newspaper folded nearby.
58 112
INT JOHN JOSEPH MOAKLEY FEDERAL COURTHOUSE - CONFERENCE ROOM
INT. JOHN JOSEPH MOAKLEY FEDERAL COURTHOUSE - CONFERENCE ROOM
INT. JOHN JOSEPH MOAKLEY FEDERAL COURTHOUSE - CONFERENCE ROOM - DAY Late-September. Ming sits across from federal prosecutors in a conference room. Fluorescent light. His own attorney beside him. The lead prosecutor slides a
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EXT JOHN JOSEPH MOAKLEY FEDERAL COURTHOUSE - FRONT STEPS
EXT. JOHN JOSEPH MOAKLEY FEDERAL COURTHOUSE - FRONT STEPS -
EXT. JOHN JOSEPH MOAKLEY FEDERAL COURTHOUSE - FRONT STEPS - CONTINUOUS Ming walks out of the courthouse. Top of the steps. GRACE (TEXT) How you doing?
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INT GOLDEN DRAGON RESTAURANT - DINING ROOM NIGHT
INT. GOLDEN DRAGON RESTAURANT - DINING ROOM - NIGHT
INT. GOLDEN DRAGON RESTAURANT - DINING ROOM - NIGHT The restaurant is full. Steam from the kitchen. Orders called. Plates moving. Ming moves between the office and the dining room. Checking a

The Ledger

Caught between federal agents building a RICO case and a ruthless extortionist hunting for a hidden ledger, a devoted family man must choose whether to expose an illicit neighborhood lending network to protect his wife’s security clearance and his daughter’s safety, knowing full cooperation will permanently end his legal career.

See other logline suggestions

Overview

Poster
Unique Selling Proposition

The crime engine unfolds through restrained domestic behavior, Chinese-American ritual, restaurant life, coded calligraphy, and the intimate fracture between a husband and wife whose opposing duties are both morally defensible.

AI Verdict

How to read these: in industry coverage, Pass is the default outcome for the majority of professional scripts, and Consider means the reader stayed in the room. Industry-wide, the median professional evaluation sits at a 6 — scores of 8+ are rare everywhere, on purpose.


Synthesis Where readers agree and split
7.1

A qualified coverage shape anchored by a distinctive voice and strong community worldbuilding, and it requires targeted revision to clarify the protagonist’s agency and tighten the second-act causal chain before it can be championed.

Readers read as Elevated commercial2 Specialty1 Prestige2 unresolved
Genres Drama5 Crime5 Thriller1

A prestige-leaning family crime drama that uses restrained domestic emotion, specific cultural texture, and slow-burn procedural tension to explore the cost of inherited moral obligation.

Readers split on the primary lane between prestige and elevated commercial, tracing to whether the script’s procedural escalation and thriller mechanics elevate it toward genre accessibility or keep it anchored in quiet, culturally specific moral drama.

Why not lower

The script’s strong first act, distinctive cultural specificity, and consistent emotional restraint demonstrate enough craft control to support a Consider or Recommend verdict despite the second-act drag.

Why not higher

The protagonist’s diffuse desire and the resulting causal chain breaks in the middle act prevent the script from delivering the sustained, character-driven momentum required for a higher advocacy band.

Rewrite map

A script with a distinctive, culturally grounded voice and a compelling central moral dilemma that requires targeted revision to clarify the protagonist’s agency and tighten the causal chain in the second half.

Readers read as Elevated commercial2 Specialty1 Prestige2 unresolved

Start here

Re-anchoring Ming’s post-discovery scenes around a single, active governing choice will naturally clarify the causal chain, integrate the extortion subplot, and give the marital rupture a concrete foundation, directly addressing the primary fix_first item while reducing the cost of the secondary structural adjustments.

What's working 1
Community ritual as dramatic infrastructure

Wedding customs, funeral practices, and restaurant routines are embedded in action rather than presented as cultural decoration, grounding the legal stakes in a lived human system.

Protect while fixing 2
Restrained emotional register and cultural specificity

Clarifying Ming’s agency and tightening the threat chain risks over-explaining subtext or shifting the tone toward a conventional thriller, which would flatten the quiet register that currently carries the script’s emotional weight.

Keep emotional beats grounded in behavior, silence, and ritual detail rather than adding expository dialogue or overt action sequences to drive the plot forward.

The ledger as a tangible moral object

Dramatizing the investigative process or clarifying causal chains could reduce the ledger to a mere plot device or evidence file, stripping it of its inherited moral weight.

Maintain the ledger’s dual function as a physical artifact and a record of community obligation, ensuring any new investigative scenes emphasize moral cost over procedural mechanics.

Fix first 3
Protagonist's agency diffuses after the ledger discovery

The reader loses forward pull as scenes accumulate external threats rather than tracking a clear chain of choices driven by the protagonist.

Root cause

The script prioritizes moral ambiguity and atmospheric tension over a governing want, leaving Ming to react to Fong and the legal system rather than pursue a defined objective.

One direction

Anchor Ming’s post-discovery scenes around a concrete, active goal—such as protecting specific borrowers or decoding the ledger’s moral cost—so subsequent threats register as consequences of his choices.

Marital rupture arrives without accumulated emotional evidence Medium confidence

The reader understands the structural necessity of the separation but lacks the emotional investment to feel its weight, making the final reunion feel unearned.

Root cause

The script establishes a functional early marriage but delays the articulation of competing loyalties until the confrontation, leaving the rupture feeling like a plot turn rather than a relationship collapse.

One direction

Seed the marital fault line earlier through concrete disagreements about disclosure and community obligation, or add a failed attempt at joint problem-solving before the separation.

Antagonist escalation relies on diffuse, unexplained reach Medium confidence

The reader experiences the threat as episodic and authorially convenient rather than as a credible, escalating system, which reduces suspense.

Root cause

The script uses a checklist of domestic intimidation tropes without establishing a clear operational bridge or causal trigger for each escalation.

One direction

Define Fong’s access channels early and tie each escalation directly to Ming’s actions or the ledger’s exposure, replacing generic intimidation with targeted, credible pressure.

Your decisions 1
Primary lane positioning: prestige moral drama vs. elevated commercial thriller Consequential
Side A

Committing to prestige means preserving the slow-burn ambiguity and accepting that the procedural elements serve character study rather than plot momentum.

Side B

Committing to elevated commercial means leaning into the thriller mechanics and tightening the causal chain to satisfy genre expectations for suspense and payoff.

Quick credibility wins 2
Trim repetitive action-line emphasis on stillness

Replace the recurring 'goes completely still' and 'does not move' phrasing with varied behavioral cues or environmental details that convey interiority without telegraphing the emotional beat.

Remove on-the-nose emotional and professional exposition

Cut dialogue where characters explicitly state their professional credentials or enumerate their emotional losses, trusting the established context and subtext to carry the stakes.

Ask AI about this read
Would readers champion it · Rewrite depth · Voice · Score stability
What's working All 5 readers agree

The script’s restrained emotional register and deeply textured community worldbuilding provide a distinctive, championable voice that survives structural critique.

What's blocking All 5 readers agree

The protagonist’s reactive posture and diffuse desire in the second act break the causal chain, preventing the script from generating the sustained emotional pressure its contract requires.

Would readers champion it?
Not yetNot yetReaders wouldn’t actively push for it.
Early interestEarly interestMentioned, but no real push behind it.
ModeratelyModeratelyMentioned favorably to the right buyer.
StronglyStronglyActively championed across their network.
DeepSeekEarly interestClaudeModeratelyGPT5ModeratelyGeminiModeratelyGrokModerately
How much rewrite does it need?
Start from scratchStart from scratchPremise or core engine isn’t working. Page-one rebuild.
Structural rewriteStructural rewriteSpecific acts or zones need rebuilding — not starting over, but significant revision work on those sections.
Targeted rewriteTargeted rewriteSpecific scenes or threads need rework. ~1 month.
Just polishJust polishLines and pacing tweaks. A few weeks.
ClaudeTargeted rewriteDeepSeekTargeted rewriteGeminiTargeted rewriteGrokTargeted rewriteGPT5Structural rewrite
How distinctive is the voice?
GenericGenericReads like other scripts in the genre.
EmergingEmergingHints of a distinctive voice, not yet locked in.
DistinctiveDistinctiveA clear, recognizable authorial voice.
One-of-a-kindOne-of-a-kindA voice that couldn’t be anyone else’s.
DeepSeekEmergingClaudeDistinctiveGPT5DistinctiveGeminiDistinctiveGrokDistinctive

On the score: The score sits at the high edge of its band — a focused revision could push it to the next verdict.

Story Facts
Genres:
Drama 90% Crime 60% Thriller 40% Romance 20% Comedy 10%

Setting: Contemporary (present day), Boston, Massachusetts (Chinatown, Quincy, Dorchester) and Chicago, Illinois (Old Town, Lake Michigan)

Themes: Family and Filial Duty, Secrets and Deception, Cultural Identity and Assimilation, Legal and Ethical Consequences, Marriage and Communication, Community and Legacy, Redemption and Reconciliation

Conflict & Stakes: Ming's struggle to navigate the legal and moral consequences of his father's secret loan operation, balancing family loyalty, his own career as a lawyer, and the safety of his wife and daughter, with stakes including imprisonment, disbarment, and the dissolution of his marriage.

Mood: Somber, tense, and introspective, with moments of warmth and familial tenderness, shifting to suspense and moral gravity.

Standout Features:

  • Unique Hook: A Chinese-American lawyer discovers his late father ran an illegal lending operation in Boston's Chinatown, forcing him to choose between family loyalty and legal integrity.
  • Plot Twist: The revelation that Fong, the antagonist, was once a partner of Ming's father, and that the ledger contains evidence of money laundering and extortion, leading to a federal RICO case.
  • Distinctive Setting: The vibrant, authentic world of Boston's Chinatown, from the Golden Dragon Restaurant to the Kwong Wah Association, providing a rich cultural backdrop rarely seen in mainstream cinema.
  • Genre Blend: A seamless fusion of family drama, crime thriller, and legal procedural, with elements of a character study and a moral dilemma.
  • Unique Characters: Grace, a forensic accountant who uses her professional skills to decode her father-in-law's ledger, and Qingbo, a loyal restaurant employee who becomes a key ally and moral compass.

Comparable Scripts: The Godfather (1972 film, Mario Puzo novel), The Joy Luck Club (1993 film, Amy Tan novel), Gran Torino (2008 film), Chinatown (1974 film), The Farewell (2019 film), Breaking Bad (2008-2013 TV series), The Sopranos (1999-2007 TV series), A Simple Plan (1998 film), The Kite Runner (2007 film, Khaled Hosseini novel), The Judge (2014 film)

How 5 AI Readers Scored The Script

Readers graded as Elevated commercial2 Specialty1 Prestige2 unresolved
Claude GPT5 Gemini DeepSeek Grok Average spread Row tint: weak mid strong excellent
Premise i
7.2
Plot i
6.0
Structure i
6.4
Character i
7.2
Dialogue i
6.6
Tone / Voice i
7.4
Theme i
7.4
Marketability i
6.2

Script Level Analysis

Writer Exec

This section delivers a top-level assessment of the screenplay’s strengths and weaknesses — covering overall quality (P/C/R/HR), character development, emotional impact, thematic depth, narrative inconsistencies, and the story’s core philosophical conflict. It helps identify what’s resonating, what needs refinement, and how the script aligns with professional standards.

Screenplay Insights

Breaks down your script along various categories.

Overall Score: 8.18
Key Suggestions:
The screenplay has a strong emotional core and cultural authenticity, but it needs sharper dialogue subtext, especially in early Ming-Grace scenes, to make conversations feel less functional and more layered. Grace's arc also requires earlier hints of internal conflict to make her later fracture more impactful. Tightening the middle act by condensing repetitive domestic scenes and adding more visual variety to static office sequences will sustain suspense. Finally, ensure that key emotional beats—like Ming's reaction to losing his law license—are given a quiet, visual moment to land fully.
Story Critique

Big-picture feedback on the story’s clarity, stakes, cohesion, and engagement.

Key Suggestions:
The script has a strong emotional core and a compelling metaphor in the ledger, but the middle section bogs down with repetitive beats (e.g., multiple 'disturbed dining room' scenes, overlong dog subplot) and an antagonist who remains a generic villain. To raise the stakes and deepen character arcs, focus on tightening the middle by condensing repetitive scenes, giving Fong a nuanced backstory and motivation, and showing the borrowers' community to make the moral weight tangible. Also consider adding a brief moment of shared vulnerability between Ming and Grace before their big confrontation to make the conflict more painful.
Characters

Explores the depth, clarity, and arc of the main and supporting characters.

Key Suggestions:
The character analysis reveals strong foundations but identifies a need to deepen emotional arcs, particularly for Grace and Fong. The writer should focus on adding vulnerability to Fong to avoid one-dimensional villainy, and clarify the father's past backstory. Most critically, the reconciliation between Ming and Grace in the final scene is underplayed; consider adding a moment of explicit emotional payoff (e.g., a shared gesture or line) to make the audience feel the earned resolution. Additionally, using symbols like the crane and the Red Sox/Cubs hats more deliberately can reinforce thematic unity.
Emotional Analysis

Breaks down the emotional journey of the audience across the script.

Key Suggestions:
The script's emotional journey is compelling but risks audience fatigue after the father's death, as the palette narrows to sadness and suspense for an extended period. To enhance engagement, reintroduce moments of warmth and humor in the second half—such as a quiet scene between Ming and Suzie or a regular customer's gratitude—to provide contrast and relief. Additionally, building early empathy for the father (e.g., a prologue showing his vitality or a community kindness) will make his collapse and secret legacy more devastating. Deepening Grace's vulnerability earlier and adding emotional layers to key scenes (e.g., the ledger discovery, the plea deal) will strengthen the audience's investment.
Goals and Philosophical Conflict

Evaluates character motivations, obstacles, and sources of tension throughout the plot.

Key Suggestions:
The analysis reveals that the script's strongest engine is the philosophical conflict between duty to family and moral/legal integrity. Ming's internal and external goals are tightly interwoven, driving a nuanced transformation from a career-focused lawyer to a steward of his father's community legacy. To enhance the script, ensure that each scene directly serves one of these goals or conflicts—especially the middle act, where the tension between protecting his family and uncovering the truth must remain palpable. The resolution's ambiguity (Ming loses his license but gains tentative reconciliation) is a strength; lean into the emotional cost of integrity rather than providing easy closure. Consider deepening Grace's parallel journey to mirror Ming's sacrifice, as her forensic work and professional risk are currently underutilized as a dramatic counterpoint.
Themes

Analysis of the themes of the screenplay and how well they’re expressed.

Key Suggestions:
The thematic analysis reveals that the script's emotional core is the tension between filial duty and personal integrity, driven by inherited secrets. To deepen the craft, ensure that Ming's obligation to his father's legacy is consistently shown through small, behavioral choices—not just plot moves. The marriage breakdown should feel inevitable but not rushed; each lie and withheld truth must register as a quiet betrayal. The cultural specificity (Chinatown, language, generational gap) enriches the conflict, but be careful that it doesn't become exposition. The final reconciliation is earned because Ming ultimately chooses truth over blind loyalty, but the audience must feel the cost clearly at every stage.
Logic & Inconsistencies

Highlights any contradictions, plot holes, or logic gaps that may confuse viewers.

Key Suggestions:
The analysis reveals that while your script has a strong emotional core and a compelling family drama, several logical gaps in the legal thriller subplot undermine its credibility. Key missing connective tissue includes: how the safe was secured without Ming reporting it, whether the recording device was actually activated during the crucial meeting with Fong, and how Fong entered the family home undetected. These are not minor oversights—they are essential to the plot's resolution. Additionally, Ming's concealment of Fong's approach to his daughter needs a deeper psychological justification, and the legal dialogue often sounds like an exposition dump rather than authentic lawyer conversation. Tightening these elements will elevate the script from promising to airtight.

Scene Analysis

All of your scenes analyzed individually and compared, so you can zero in on what to improve.

Scene-Level Percentile Chart
Hover over the graph to see more details about each score.
Go to Scene Analysis

Other Analyses

Writer Exec

This section looks at the extra spark — your story’s voice, style, world, and the moments that really stick. These insights might not change the bones of the script, but they can make it more original, more immersive, and way more memorable. It’s where things get fun, weird, and wonderfully you.

Unique Voice

Assesses the distinctiveness and personality of the writer's voice.

Key Suggestions:
The analysis underscores that your voice excels in restraint, observational precision, and trust in subtext—qualities that give the script emotional depth without melodrama. To build on this strength, continue leaning into cultural specificity and small, loaded gestures, while being mindful that the economy of expression may occasionally underplay emotional beats for audiences less attuned to implication. The technical risk assessment suggests this style is highly effective for literary character-driven drama but may require careful calibration in moments where direct emotional release could heighten impact without sacrificing subtlety.
Writer's Craft

Analyzes the writing to help the writer be aware of their skill and improve.

Key Suggestions:
Your script demonstrates strong technical craft—clean prose, natural dialogue, and a restrained, atmospheric style. However, the core issue is that scenes consistently lack dramatic tension, subtext, and active character wants. Ming is often passive, and emotional beats are delivered through exposition instead of action and subtext. To elevate this from competent to compelling, you need to inject friction into every scene, even quiet domestic ones. Study the suggested screenplays (especially *Manchester by the Sea* and *The Farewell*) and practice exercises like rewriting dialogue-heavy scenes without words. This will help you internalize how to dramatize conflict through gesture, silence, and objects, which is essential for the prestige drama you're aiming for.
Memorable Lines
Spotlights standout dialogue lines with emotional or thematic power.
Tropes
Highlights common or genre-specific tropes found in the script.
World Building

Evaluates the depth, consistency, and immersion of the story's world.

Key Suggestions:
The world-building analysis reveals that your script effectively uses contrasting physical environments (Chinatown, Quincy home, Chicago offices) to mirror characters' internal conflicts between heritage and assimilation. To deepen craft, consider tightening the symbolic resonance of the ledger and the restaurant—they are central anchors but occasionally get lost in plot mechanics. Ensure every scene in the restaurant or the Quincy home advances both narrative and thematic tension, and avoid over-explaining the lending system; trust the audience to infer from cultural cues. The cultural rituals (wedding, funeral) are strong emotional beats—use them more consistently to underscore character motivations, especially Ming's sense of duty.
Correlations

Identifies patterns in scene scores.

Key Suggestions:
The analysis reveals that every scene in the script scored zero across all crucial craft elements—concept, plot, characters, dialogue, emotional impact, conflict, stakes, momentum, and character change—and tone is entirely unassigned. This suggests either the scoring rubric was not properly applied or the script currently lacks identifiable strengths in any of these categories. To improve, you should revisit each scene and ensure it has a clear purpose, emotional beats, character development, rising stakes, and distinct tone. Consider using the scoring criteria as a checklist to build more layered and engaging scenes that advance the story and resonate with audiences.
Loglines
Presents logline variations based on theme, genre, and hook.

Comparison with Previous Draft

See how your script has evolved from the previous version. This section highlights improvements, regressions, and changes across all major categories, helping you understand what revisions are working and what may need more attention.

Version Comparison Analysis
Summary of Changes
Improvements (1)
  • Conflict: 7.5 → 8.0 +0.5
Areas to Review (2)
  • Theme: 8.2 → 7.6 -0.6
  • Premise: 8.5 → 8.1 -0.4