Conclave
In the aftermath of a Pope's sudden death, a crisis-ridden Catholic Church convenes a Conclave to elect a new leader, as a veteran cardinal, torn between his faith and doubts, must navigate the political intrigue and personal revelations that threaten to undermine the integrity of the process.
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Unique Selling Point
Conclave offers a unique perspective on the secretive world of a Papal conclave, combining elements of mystery, political thriller, and character drama. Unlike typical religious dramas, it delves into the moral complexities and personal struggles of the cardinals, creating relatable characters despite their high-stakes environment. The compelling narrative keeps the audience guessing until the very end, offering a fresh approach to the genre.
AI Verdict & Suggestions
Ratings are subjective. So you get different engines’ ratings to compare.
Recommend
Recommend
Recommend
Story Facts
Genres: Drama, Thriller, Mystery, Political, Religious, Spiritual
Setting: Contemporary, Vatican City, primarily within Casa Santa Marta and the Sistine Chapel
Themes: Faith and Doubt, Secrecy and Transparency, Institutional Corruption and Reform, Personal Sacrifice and Duty
Conflict & Stakes: The struggle for power and integrity within the Catholic Church during a papal conclave, with personal reputations and the future direction of the Church at stake.
Mood: Tense and contemplative, with moments of introspection and urgency.
Standout Features:
- Unique Hook: The internal struggles of cardinals during a pivotal moment in the Church's history, set against the backdrop of a papal conclave.
- Plot Twist: The revelation of Cardinal Benitez's complex identity challenges traditional views within the Church.
- Distinctive Setting: The Vatican, with its rich history and political intrigue, serves as a unique and visually striking backdrop.
- Innovative Ideas: The screenplay explores themes of faith and doubt in a contemporary context, making it relatable to modern audiences.
Comparable Scripts: The Two Popes, The Name of the Rose, The Vatican Tapes, The Exorcist, Spotlight, The Young Pope, Angels & Demons, The Da Vinci Code, The Pope's Exorcist
Screenplay Video
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Conclave Synopsis
Synopsis
In the heart of Rome, the sudden death of the Pope sends shockwaves through the Catholic Church, igniting a fierce battle for the papacy among the College of Cardinals. The story unfolds within the confines of the Casa Santa Marta, where the cardinals are sequestered to elect a new leader. Cardinal Lawrence, a weary and introspective figure, finds himself thrust into the role of Dean of the College, tasked with guiding the Conclave amidst a backdrop of political maneuvering, personal ambition, and deep-seated secrets.
As the cardinals gather, tensions rise. Each cardinal represents different factions within the Church, with their own agendas and beliefs. Cardinal Tremblay, a charismatic yet controversial figure, emerges as a frontrunner, while the more progressive Cardinal Bellini struggles to gain traction. Meanwhile, the newly appointed Cardinal Benitez, who has a mysterious past, enters the fray, complicating the dynamics further. Lawrence, who has his own crisis of faith, grapples with the weight of leadership and the moral implications of the choices he must make.
The Conclave begins with a series of ballots, each revealing the shifting alliances and hidden agendas of the cardinals. As the voting progresses, Lawrence uncovers a scandal involving Tremblay, who may have orchestrated a scheme to undermine his rivals. The stakes escalate when a bomb explodes outside the Vatican, heightening the urgency of the election and forcing the cardinals to confront not only their ambitions but also the safety of the Church in a world fraught with violence.
Amidst the chaos, Lawrence must navigate the treacherous waters of ecclesiastical politics while remaining true to his principles. He faces pressure from his peers to support Tremblay, but his conscience compels him to seek the truth. As secrets unravel, including the revelation of Benitez's unique identity and the implications of his past, the Conclave becomes a crucible for faith, power, and redemption.
In a climactic moment, Lawrence stands before the assembled cardinals, ready to reveal the truth about Tremblay's misconduct. However, he is met with resistance and fear of the repercussions that such revelations could bring. Ultimately, Lawrence must decide whether to uphold the integrity of the Church or succumb to the political machinations that threaten to engulf them all. The film culminates in a dramatic vote that will determine not only the future of the papacy but also the very soul of the Church itself.
As the new Pope is elected, the cardinals must confront the reality of their choices and the path forward for the Church in a modern world. Lawrence, having faced his own doubts and fears, emerges transformed, ready to embrace a new chapter in his life and the life of the Church.
Script Level Analysis
This section delivers a top-level assessment of the screenplay’s strengths and weaknesses — covering overall quality (P/C/R/HR), character development, emotional impact, thematic depth, narrative inconsistencies, and the story’s core philosophical conflict. It helps identify what’s resonating, what needs refinement, and how the script aligns with professional standards.
Screenplay Insights
Story Critique
Characters
Emotional Analysis
Goals and Philosophical Conflict
Logic & Inconsistencies
Scene Analysis
All of your scenes analyzed individually and compared, so you can zero in on what to improve.
Analysis of the Scene Percentiles
- High plot rating (92.68) indicates a compelling and well-structured narrative that likely engages the audience effectively.
- Strong dialogue rating (89.02) suggests that the screenplay features engaging and realistic conversations, enhancing character development.
- Exceptional character changes rating (98.15) implies that characters undergo significant and meaningful transformations, which can resonate with viewers.
- Low structure score (33.68) indicates potential issues with the overall framework of the screenplay; focusing on a clearer three-act structure could enhance coherence.
- Formatting score (31.60) suggests that the screenplay may not adhere to industry standards, which could hinder its readability and professionalism.
- Pacing score (12.50) indicates that the screenplay may suffer from uneven pacing; the writer should consider tightening scenes to maintain audience engagement.
The writer appears to be more intuitive, with strengths in dialogue and character development but lower scores in concept and structure.
Balancing Elements- Improving the structure and formatting will help balance the strong character and dialogue elements, creating a more cohesive screenplay.
- Enhancing the pacing will ensure that the engaging dialogue and character arcs do not lose impact due to slow or uneven storytelling.
Intuitive
Overall AssessmentThe screenplay shows strong potential due to its engaging plot and character development, but it requires attention to structure, pacing, and formatting to fully realize its impact.
How scenes compare to the Scripts in our Library
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Percentile | Before | After |
|---|---|---|---|---|
| Scene Character Changes | 7.9 | 96 | 12 years a slave: 7.8 | Conclave: 7.9 |
| Scene Plot | 8.5 | 93 | Ex-Machina: 8.4 | the dark knight rises: 8.5 |
| Scene Story Forward | 8.7 | 91 | The big short: 8.6 | Rambo: 8.7 |
| Scene Dialogue | 8.3 | 86 | Ex-Machina: 8.2 | Casablanca: 8.3 |
| Scene Emotional Impact | 8.4 | 78 | Parasite: 8.3 | Birdman: 8.4 |
| Scene Overall | 8.6 | 78 | American Fiction: 8.5 | face/off: 8.6 |
| Scene High Stakes | 8.2 | 73 | Ex-Machina: 8.1 | Titanic: 8.2 |
| Scene Internal Goal | 8.12 | 72 | Breaking Bad: 8.11 | Memento: 8.12 |
| Scene Concept | 8.3 | 70 | Silicon Valley: 8.2 | the 5th element: 8.3 |
| Script Emotional Impact | 8.00 | 67 | Argo: 7.90 | the 5th element: 8.00 |
| Scene Characters | 8.5 | 63 | Triangle of sadness: 8.4 | fight Club: 8.5 |
| Scene Conflict Level | 7.8 | 59 | Birdman: 7.7 | Spy kids: 7.8 |
| Scene Originality | 8.77 | 58 | The substance: 8.76 | Titanic: 8.77 |
| Scene Unpredictability | 7.52 | 53 | Fargo Pilot: 7.51 | a few good men: 7.52 |
| Scene External Goal | 7.24 | 51 | American Beauty: 7.23 | Schindler's List: 7.24 |
| Overall Script | 8.10 | 51 | Dr. Jekyll and Mr Hyde : 8.06 | the pursuit of happyness: 8.10 |
| Scene Engagement | 8.95 | 46 | September 5: 8.94 | Erin Brokovich: 8.95 |
| Script Structure | 7.80 | 42 | American Fiction: 7.70 | fight Club: 7.80 |
| Script Premise | 7.90 | 39 | Zootopia: 7.80 | fight Club: 7.90 |
| Script Structure | 8.08 | 32 | The Brutalist: 8.07 | Her: 8.08 |
| Scene Formatting | 8.07 | 29 | Witness: 8.06 | Breaking bad: 8.07 |
| Script Conflict | 7.20 | 28 | Mr Robot: 7.10 | There's something about Mary: 7.20 |
| Script Originality | 7.60 | 22 | A Quiet Place: 7.50 | Requiem for a dream: 7.60 |
| Script Theme | 7.80 | 21 | 2001: 7.70 | the 5th element: 7.80 |
| Script Characters | 7.60 | 20 | Witness: 7.50 | severance (TV): 7.60 |
| Scene Pacing | 8.11 | 16 | Sing Sing: 8.10 | Community: 8.11 |
| Script Visual Impact | 7.10 | 14 | Triangle of sadness: 7.00 | Labyrinth : 7.10 |
Other Analyses
This section looks at the extra spark — your story’s voice, style, world, and the moments that really stick. These insights might not change the bones of the script, but they can make it more original, more immersive, and way more memorable. It’s where things get fun, weird, and wonderfully you.
Unique Voice
Writer's Craft
Memorable Lines
World Building
Unique Voice
Writer's Craft
Memorable Lines
World Building
Engine: Claude
Recommend
Executive Summary
The screenplay for 'Conclave' is a compelling and thoughtful exploration of the complex process of selecting a new Pope, set against the backdrop of a crisis in the Catholic Church. The narrative adeptly balances the high-stakes political intrigue of the Conclave with the deeply personal journeys of the cardinal-electors, particularly the Dean of the College of Cardinals, Lawrence. The script effectively portrays the tensions between tradition and progress, faith and doubt, and the weight of responsibility that comes with leading the Church. While the plot is driven by a series of revelations and power struggles, the true heart of the story lies in the moral dilemmas faced by the characters, which are skillfully woven throughout. Overall, 'Conclave' is a well-crafted drama that would likely appeal to a wide audience interested in the inner workings of the Vatican and the human dimension of religious leadership.
- The opening sequence effectively establishes the somber and reflective tone of the story, setting the stage for the high-stakes drama to come. The description of the Vatican and the Pope's personal belongings creates a vivid sense of place and foreshadows the emotional weight of the events to follow. high ( Scene 14 (1) )
- Lawrence's homily in the Sistine Chapel is a standout moment, where the screenplay delves into the thematic core of the story. The dean's embrace of doubt and his call for a Pope who is willing to confront their own flaws and sins resonates powerfully, both within the context of the Conclave and as a universal statement on the nature of faith. high ( Scene 45 )
- The sequence in which Lawrence confronts Adeyemi about his past indiscretion is a masterfully crafted character study, exploring the human cost of the Conclave's power struggles. The scene effectively balances the political stakes with the personal tragedy of Adeyemi's fall from grace. high ( Scene 40 (85) )
- The revelation of Benitez's true identity as an intersex individual is a bold and imaginative narrative choice that adds depth and complexity to the character. The sensitive handling of this sensitive topic demonstrates the screenwriter's commitment to exploring the nuances of faith and identity. high ( Scene 49 (125) )
- The screenplay's treatment of the terrorist attacks outside the Vatican is a powerful and timely commentary on the challenges facing the Church in the modern world. The debate between Tedesco and Benitez serves as a thought-provoking exploration of the role of religion in a pluralistic society. high ( Scene 117 )
- The sequence in the dining room could be tightened to maintain a stronger narrative momentum. While the character interactions are well-written, the pacing feels slightly uneven at times, and some of the dialogue could be trimmed to avoid repetition. medium ( Scene 39 (79) )
- The conversation between Lawrence, Bellini, and Sabbadin in the staircase feels slightly contrived, with the characters' motivations and alliances shifting a bit too abruptly. A more gradual buildup of the political tensions within the Conclave could strengthen this sequence. medium ( Scene 28 (64) )
- While the screenplay effectively explores the personal journeys of the cardinal-electors, there could be opportunities to further develop the supporting characters, such as the nuns and the Vatican staff, to add additional layers of complexity to the story. low ( Scene )
- The screenplay could potentially benefit from a more overt exploration of the broader social and political implications of the Church's leadership transition, beyond the immediate concerns of the Conclave. Addressing how the choice of the new Pope might impact the Church's relationship with the wider world could add additional depth and relevance to the story. medium ( Scene )
- While the screenplay effectively focuses on the central conflict within the Conclave, there may be opportunities to further develop the backstories and motivations of some of the secondary characters, such as Tremblay and Tedesco, to provide a more well-rounded understanding of the power dynamics at play. medium ( Scene )
- The revelation of Benitez's intersex identity is a bold and sensitive narrative choice that adds depth and complexity to the character. The screenplay's handling of this topic demonstrates a thoughtful and nuanced approach to exploring issues of identity and representation within the context of the Catholic Church. high ( Scene 49 (125) )
- The screenplay's treatment of the terrorist attacks outside the Vatican is a timely and thought-provoking commentary on the challenges facing the Church in the modern world. The debate between Tedesco and Benitez serves as a compelling exploration of the role of religion in a pluralistic society. high ( Scene 117 )
- Lawrence's homily in the Sistine Chapel is a standout moment, where the screenplay delves into the thematic core of the story. The dean's embrace of doubt and his call for a Pope who is willing to confront their own flaws and sins resonates powerfully, both within the context of the Conclave and as a universal statement on the nature of faith. high ( Scene 45 )
- Lack of diverse representation While the screenplay does a commendable job of exploring the personal and political dynamics within the College of Cardinals, there is a relative lack of representation of diverse perspectives and backgrounds among the supporting characters. The majority of the cardinal-electors are depicted as older, European men, with limited insight into the experiences and challenges facing women, younger generations, or non-European members of the Church. Incorporating a more diverse cast of characters could enhance the screenplay's ability to reflect the true diversity of the Catholic Church and its global reach. medium
- Uneven pacing While the overall pacing of the screenplay is generally strong, there are a few instances where the narrative momentum slows down, particularly in some of the dialogue-heavy sequences. For example, the conversation between Lawrence, Bellini, and Sabbadin in the staircase (scene 91) feels slightly drawn out, with the characters' motivations and alliances shifting a bit too abruptly. Tightening the dialogue and maintaining a more consistent rhythm could help to strengthen the pacing and keep the audience engaged throughout the story. medium
Engine: GPT4
Recommend
Executive Summary
The screenplay for 'Conclave' presents a compelling narrative centered around the complexities of the papal election process, interwoven with themes of faith, ambition, and moral dilemmas. The character arcs are well-developed, particularly that of Cardinal Lawrence, who grapples with his own faith and the political machinations of the Church. The dialogue is sharp and reflective of the high stakes involved, while the pacing maintains tension throughout. However, there are areas for improvement, particularly in character motivations and the resolution of certain plot threads.
- The screenplay effectively establishes a tense atmosphere from the outset, drawing the audience into the gravity of the situation surrounding the Pope's death. high ( Scene 1 (2) Scene 2 (9) )
- Character development is strong, particularly for Cardinal Lawrence, whose internal conflicts and growth are compellingly portrayed. high ( Scene 3 (10) Scene 4 (10A) )
- The dialogue is sharp and reflective of the characters' personalities and the high stakes involved, enhancing the overall narrative. medium ( Scene 5 (11) Scene 6 (12) )
- The pacing is generally well-maintained, with a good balance between dialogue-driven scenes and moments of tension. medium ( Scene 7 (14) Scene 8 (15) )
- The thematic exploration of faith, doubt, and the human condition resonates throughout the screenplay, making it thought-provoking. high ( Scene 9 (17) Scene 10 (21) )
- Some character motivations, particularly for secondary characters, could be more clearly defined to enhance their arcs. medium ( Scene 11 (22) Scene 12 (26) )
- Certain plot threads, such as the implications of the Pope's death and the subsequent power struggle, feel rushed and could benefit from deeper exploration. high ( Scene 13 (28) Scene 14 (32) )
- The pacing in the latter half of the screenplay occasionally drags, particularly during exposition-heavy scenes. medium ( Scene 15 (37) Scene 16 (39) )
- The resolution of certain character arcs, particularly for Tremblay and Adeyemi, feels abrupt and could be more satisfying. medium ( Scene 17 (41) Scene 18 (46) )
- The stakes could be raised further in the final act to enhance the climax and resolution of the narrative. high ( Scene 19 (49) Scene 20 (56) )
- A deeper exploration of the political implications of the Conclave and its impact on the Church's future is lacking. high ( Scene 21 (58) Scene 22 (60) )
- More background on the Church's recent history and the significance of the Pope's death could provide context for the stakes involved. medium ( Scene 23 (70) Scene 24 (80) )
- The emotional stakes for the characters could be heightened, particularly in relation to their personal beliefs and struggles. medium ( Scene 25 (90) Scene 26 (100) )
- A clearer depiction of the public's reaction to the events within the Vatican could enhance the narrative's stakes. medium ( Scene 27 (110) Scene 28 (120) )
- The role of women in the Church and their perspectives could be more prominently featured to provide a fuller picture. low ( Scene 29 (130) Scene 30 (140) )
- The use of symbolism, such as the turtle representing healing and transformation, adds depth to the narrative. medium ( Scene 31 (140) Scene 32 (150) )
- The screenplay's exploration of doubt and faith resonates strongly, making it relatable to a wide audience. high ( Scene 33 (160) Scene 34 (170) )
- The tension built around the Conclave process is palpable, keeping the audience engaged throughout. high ( Scene 35 (180) Scene 36 (190) )
- The character dynamics, particularly between Lawrence and Benitez, provide a rich emotional layer to the story. medium ( Scene 37 (200) Scene 38 (210) )
- The screenplay's ability to weave personal stories into the larger narrative of the Church's future is commendable. high ( Scene 39 (220) Scene 40 (230) )
- Character Development The motivations and backgrounds of secondary characters are not fully explored, which can lead to a lack of emotional investment in their arcs. For example, characters like Adeyemi and Tremblay could benefit from deeper backstories to enhance their roles in the narrative. medium
- Pacing Issues Certain scenes feel overly drawn out or rushed, particularly in the latter half of the screenplay. For instance, the exposition-heavy scenes could be trimmed to maintain momentum and keep the audience engaged. medium
Engine: Gemini
Recommend
Executive Summary
Conclave is a compelling and well-crafted screenplay with a strong narrative and intriguing characters. The script successfully builds suspense and explores complex themes of faith, doubt, and power within the Vatican. While the pacing is generally good, some scenes could benefit from tightening, and minor plot inconsistencies need addressing. Overall, the screenplay demonstrates a high level of writing skill and presents a unique and engaging story.
- The arrival of the cardinals in sequence 20 is brilliantly staged, showcasing the diverse cultures and personalities within the Church. high ( Scene 20 )
- Lawrence's unconventional homily in scene 46 is a powerful moment, challenging the traditional depiction of unwavering faith and injecting unexpected depth into the narrative. It's a turning point for Lawrence's character and the script. high ( Scene 46 )
- The 'Room of Tears' scene (15A) provides a crucial moment of intimacy and character development, revealing Lawrence's internal struggle and his strained relationship with the deceased Pope. medium ( Scene 15 (15A) )
- The revelation of Cardinal Benitez's intersexuality in scene 125 is handled with sensitivity and provides a surprising twist that adds unexpected depth to the narrative and the character of Benitez. high ( Scene 125 )
- The introduction of Cardinal Benitez at the dinner (37) is well-executed, creating immediate tension and raising questions about his true intentions and background. medium ( Scene 37 )
- The opening scenes (2 & 3) feel somewhat abrupt and could benefit from smoother transitions and more context. The initial mystery element isn't fully established. medium ( Scene 2 Scene 3 )
- The pacing in scene 26 could be improved. The revelation of Tremblay's potential misconduct feels rushed, and the subsequent dialogue feels somewhat expository. medium ( Scene 26 )
- The ending is somewhat abrupt, and the resolution of the Tremblay plotline could be more satisfying. A more detailed aftermath of the bomb explosion would increase emotional impact. medium ( Scene 117 )
- The dream sequence (71A) is somewhat unclear in its purpose and could be either strengthened or removed. It needs to tie more strongly into Lawrence's current emotional state and storyline. low ( Scene 71 (71A) )
- Some minor plot inconsistencies exist, particularly regarding the timeline of events and the handling of certain revelations. Careful revision is needed for a polished final draft. low ( Scene )
- While the script explores the internal conflicts of the cardinals, it could benefit from expanding on the external pressures and societal contexts influencing their decisions. More scenes depicting the external world and reactions to the conclave would add depth. medium
- The screenplay could benefit from more detailed exploration of the political machinations and power dynamics within the Vatican. While hinted at, these aspects could be more explicitly shown. medium
- Greater development of the supporting characters would add depth. Some supporting characters feel somewhat underdeveloped and underutilized. More character background and additional interactions could strengthen the overall impact. low
- The visual imagery used throughout the screenplay, particularly the meticulous depiction of the sealing of the Papal suite (13) and the preparations for the Conclave, is striking and adds to the overall atmosphere. high ( Scene 13 )
- The discovery of the hidden report in scene 104 is a critical plot point that adds a crucial layer of suspense and raises the stakes considerably. high ( Scene 104 )
- The use of multiple languages throughout the screenplay adds authenticity and reflects the diverse nature of the Vatican community. medium
- Underdeveloped female characters While Sister Agnes is a strong presence, most other female characters are given limited development and screen time. The script might benefit from exploring the perspectives and roles of women within the Vatican more fully. The nun who triggers the Adeyemi scandal feels underdeveloped, lacking proper character background and motivation. medium
- Inconsistent character motivations At times, some characters' actions and decisions seem inconsistent with their established personalities or motivations. For example, some plot points are introduced and then seemingly forgotten without sufficient follow-through. low
Screenplay Insights:
Characters: 7.6, The screenplay 'Conclave' demonstrates a strong foundation in character development, particularly through Cardinal Lawrence and his interactions with other characters. The depth and complexity of the characters are commendable, with notable arcs that reflect their internal struggles and moral dilemmas. However, some characters, like Tedesco and Adeyemi, could benefit from further exploration to enhance their relatability and emotional engagement with the audience. See More
Premise: 7.9, The screenplay 'Conclave' effectively establishes a compelling premise centered around the political and emotional intricacies of a papal conclave following the death of a Pope. The narrative is rich with character depth and moral dilemmas, but there are opportunities to enhance clarity and hook strength to better engage the audience from the outset. See More
Structure: 7.8, The screenplay 'Conclave' demonstrates a strong structure with a compelling narrative that effectively explores themes of faith, power, and moral conflict within the Church. The character arcs, particularly that of Cardinal Lawrence, are well-developed and resonate with the audience. However, there are areas for improvement, particularly in pacing and the clarity of certain plot points, which could enhance engagement and dramatic tension. See More
Theme: 7.8, The screenplay 'Conclave' effectively conveys its themes of faith, moral integrity, and the complexities of leadership within the Church. It presents a nuanced exploration of the characters' internal struggles and the political dynamics of the papal conclave. However, there are opportunities to deepen the thematic resonance and clarity, particularly in the integration of personal and institutional conflicts. See More
Visual Impact: 7.1, The screenplay 'Conclave' effectively utilizes visual imagery to convey the emotional weight and political intricacies of the papal election process. Its strengths lie in the vivid descriptions of settings and character interactions, which enhance the narrative's tension and depth. However, there is room for improvement in the consistency and originality of visual elements to elevate the overall storytelling experience. See More
Emotional Impact: 8.0, The screenplay 'Conclave' effectively elicits emotional responses through its complex characters and the weighty themes surrounding the papal election. The depth of emotional arcs, particularly for Cardinal Lawrence and Cardinal Bellini, resonates well with the audience. However, there are opportunities to enhance emotional depth by further exploring the internal conflicts of secondary characters and incorporating more moments of vulnerability and connection among them. See More
Conflict: 7.2, The screenplay effectively presents a complex web of conflicts and stakes, particularly through Cardinal Lawrence's internal struggles and the political machinations surrounding the papal conclave. However, there are opportunities to enhance narrative tension by further escalating stakes and deepening character conflicts, particularly through more explicit consequences for decisions made by the characters. See More
Originality: 7.6, The screenplay 'Conclave' presents a compelling exploration of the complexities within the Vatican during a pivotal moment in Church history. Its originality lies in the nuanced portrayal of characters grappling with moral dilemmas, the intricate political landscape, and the emotional weight of leadership. The creative execution of dialogue and character interactions enhances the depth of the narrative, making it a thought-provoking piece that challenges traditional representations of the Church. See More
Screenplay Story Analysis
Note: This is the overall critique. For scene by scene critique click here
Summaries
- In a quiet Roman night, Cardinal Lawrence is abruptly awakened by a cracked window and a ringing phone. He rushes through empty streets towards the Vatican, his disheveled appearance reflecting his urgency. After smoothing his hair and donning his red zucchetto, he encounters a distressed Archbishop Wozniak in the Papal corridor, whom he comforts by acknowledging the happiness he brought to someone. The scene culminates as Lawrence enters a crowded Papal Suite, realizing he is among the last summoned, setting the stage for a significant moment ahead.
- In a stark papal bedroom, three senior cardinals gather around the deceased Pope, participating in a solemn liturgy led by Joshua Adeyemi. As they pray, Lawrence reflects on the personal details of the room, underscoring the gravity of the moment. After the prayer, Joseph Tremblay declares the Pope is with God and announces the vacancy of the Holy See, while Wozniak struggles to remove the Pope's ring, which Tremblay ultimately cuts free, symbolizing the end of an era. The scene concludes with Tremblay's declaration of 'Sede vacante,' marking the official transition of power.
- In the Papal Suite at night, Cardinal Bellini reminisces about his friendship with the deceased Pope while fixated on a travel chess set. As he expresses his grief and reveals the Pope's secret heart condition, Lawrence offers comfort and emphasizes the importance of discretion regarding the media's portrayal of the Pope's death. The scene is marked by somber reflections and emotional connections, symbolized by the chess set.
- In the dimly lit Papal Suite, Lawrence and Bellini confront Archbishop Wozniak, who reveals he found the Holy Father dead and called for help too late. Tensions escalate as Tremblay presents a timeline of the Holy Father's last day, highlighting a heart blockage. Adeyemi questions the implications of the Holy Father's final meetings, while Bellini directs his anger towards Cardinal Tedesco, blaming him for the tragedy. Despite the rising conflict, Lawrence insists on contacting Tedesco, underscoring the unresolved tensions and grief in the room.
- In a small papal office at night, Lawrence delivers the somber news of the Pope's death to Cardinal Tedesco, who is already aware of the situation. As Lawrence's colleagues gather, they debate the urgency of acting quickly versus maintaining dignity in light of the Pope's passing. Tensions rise as Tremblay advocates for immediate action while Adeyemi suggests waiting for daylight. Ultimately, Adeyemi places the responsibility for the upcoming Conclave on Lawrence, who realizes the heavy burden that lies ahead.
- In the somber atmosphere of the Papal Suite's bedroom, Lawrence oversees the preparation of the deceased Pope's body, as Wozniak gently lays a white veil over his face. The priests seal the room with red tape, creating a crime-scene-like environment. The Pope's body is placed in a semi-transparent body bag and wheeled out on a gurney, with Lawrence fixated on the ghostly feet visible through the plastic. The scene shifts to the underground garage where the body is loaded into an ambulance, and the final wax seal is affixed to the door. The ambulance departs, marking the end of the sealing process, followed by a title card indicating 'THREE WEEKS LATER.'
- In the Sistine Chapel, Lawrence observes the frantic preparations for the upcoming papal conclave, where workmen install metal panels to block out light. Archbishop Mandorff updates him on security measures, while Monsignor O'Malley highlights the urgency of the situation, mentioning Archbishop Wozniak's desire to speak with Lawrence, who declines. Amidst the chaos, Lawrence reflects on the temporary nature of his role and expresses concern for the cardinals' comfort, all while maintaining a sense of dark humor. The scene culminates in Lawrence's discomfort as he winces at the noise of a drill, symbolizing the tension and disarray surrounding the conclave.
- In the somber setting of the Room of Tears behind the altar of the Sistine Chapel, Lawrence grapples with his faith and feelings of betrayal regarding the late Pope John the Twenty-Third. As he reflects on their past relationship, Bellini enters and offers support, revealing the Pope's own doubts about the Church. Their conversation fosters a moment of shared understanding, leaving Lawrence in contemplation as they share a silent connection, symbolized by the weight of papal vestments around them.
- In the morning at Casa Santa Marta, Sister Agnes prepares for her day while Lawrence, accompanied by O'Malley and Mandorff, awaits the arrival of cardinals. As the cardinals arrive, Lawrence greets them, but Cardinal Mendoza expresses frustration over the increased security and negative public perception due to ongoing protests. The atmosphere is tense as Mendoza learns that Don Tutino will not be attending, leaving him with a grim acknowledgment of the situation before he departs, highlighting the ongoing conflict between the clergy and public scrutiny.
- In a montage at Casa Santa Marta, various dignitaries, including African leaders and Eastern Archbishops, arrive for a conclave. Lawrence shares a humorous moment with Tremblay about Cardinal Guttoso's excessive luggage while discussing the attendees and the absence of Tedesco. Bellini confides in Lawrence about his fears of being unworthy for the papacy, and Lawrence encourages him to reject the notion of being voted for. Tedesco arrives late, engaging in light-hearted banter with Lawrence. The scene concludes with Lawrence offering a quiet prayer for guidance, highlighting the tension and camaraderie among the characters.
- In the evening at Casa Santa Marta, nuns prepare for the cardinals' arrival by turning down beds and organizing toiletries. A surreal moment unfolds as cardinals queue to surrender their mobile devices under Sister Agnes's supervision. Lawrence, accompanied by Monsignor O'Malley and Father Haas, is impatiently searching for someone, asserting his authority by instructing Haas to take his belongings upstairs while dismissing O'Malley's offer to assist. The scene captures a tense atmosphere as the cardinals prepare for the upcoming conclave.
- In a tense meeting room at Casa Santa Marta, Lawrence finds Archbishop Wozniak in distress, grappling with a troubling secret about Cardinal Tremblay's dismissal by the Pope for gross misconduct. Initially irritated, Lawrence listens as Wozniak reveals the Pope's directive to keep the information confidential, creating a moral dilemma just before the conclave. The emotional weight of the revelation leaves Lawrence in pained contemplation, burdened by the implications of the scandal.
- In the dimly lit Casa Santa Marta, Lawrence witnesses the departure of Wozniak as nuns quietly prepare dinner for the cardinals. He is approached by Monsignor O'Malley, who reveals the shocking news of a new cardinal, Vincent Benitez, appointed in secret by the Pope. This revelation unsettles Lawrence, who was unaware of Benitez's existence, and raises concerns about the legitimacy of his appointment. As O'Malley and Archbishop Mandorff discuss the implications, tension mounts, leaving Lawrence anxious about the unfolding situation and the whereabouts of the mysterious cardinal.
- In a tense night scene at Casa Santa Marta, Benitez, a cardinal in shabby attire, sits in a kitchen storage area while Lawrence, Bellini, Mandorff, and O'Malley observe him through a glass wall. Bellini questions the legitimacy of having a cardinal in Afghanistan, expressing doubts about the Holy Father's judgment in appointing Benitez. Lawrence defends Benitez's legal status and insists on the necessity of admitting him, highlighting the conflict between skepticism and the gravity of the situation. The scene captures the uncertainty and concern surrounding Benitez's presence, ending with Lawrence affirming Benitez's right to participate in the election.
- In the kitchen office of Casa Santa Marta at the Vatican, Archbishop Benitez meets with Father Lawrence and Father Bellini. Despite Bellini's concerns about the dangers he faces as a Christian in Central Asia and the diplomatic implications of his presence, Benitez remains resolute in his decision to participate in the election. Lawrence offers to assist him, only to find out that Benitez has no luggage, indicating his intent to disguise his mission. The scene is marked by tension and skepticism, culminating in Benitez's determination to follow his faith as he leaves with Monsignor O'Malley, leaving Lawrence and Bellini puzzled about the irregularity of the situation.
- In a corridor at Casa Santa Marta, Lawrence meets his neighbor Adeyemi, leading to a brief, awkward conversation about Lawrence's upcoming homily. After returning to his room, Lawrence reflects on his sermon, feeling frustrated by its blandness and the pressures of his role. He practices in the bathroom, expressing a desire for the future Pope to promote peace, while grappling with his responsibilities. The scene captures his internal struggle and determination as he contemplates his reflection, reminding himself, 'You’re a manager. Manage.'
- During a dinner at Casa Santa Marta, Sister Agnes observes the lively yet chaotic atmosphere among the cardinals, particularly the loud Americans at one table. Lawrence introduces Vincent Benitez as a new cardinal, who nervously blesses the meal in both English and Spanish. Tension arises when Tedesco expresses skepticism about the church's evolution and the absence of an Italian pope, clashing with Lawrence's progressive views. As the meal progresses, Lawrence feels the hostility from traditionalists and decides to circulate among the other cardinals, leaving the conflict unresolved.
- In a tense gathering at Casa Santa Marta, Lawrence, Cardinal Sabbadin, and Bellini discuss the upcoming papal election. Sabbadin predicts the candidates' chances, while Bellini expresses his reluctance to pursue the papacy due to his progressive beliefs. After a brief interruption, Bellini leaves the group, standing firm in his convictions. Sabbadin assigns tasks to the other cardinals, highlighting the political maneuvering at play, while Lawrence voices concern for Bellini's situation. The scene concludes with Sabbadin reflecting on the dangers posed by those who actively seek the papacy.
- In Tremblay's room at Casa Santa Marta, Lawrence confronts him about a troubling allegation that the Pope demanded his resignation. Tremblay, shocked and defensive, denies the claim and suggests that Archbishop Wozniak's drinking may have clouded his judgment. The tension escalates as Tremblay insists on the sanctity of his private conversation with the Holy Father. The scene culminates with Tremblay turning off the lights and closing the door, leaving the audience in darkness and suspense.
- Lawrence wakes up at Casa Santa Marta, disturbed by snoring, and decides to walk on the treadmill. As the conclave approaches, he feels anxious observing the cardinals. Father Haas helps him dress in ceremonial attire, and in the 'Room of Cardinals,' Lawrence grapples with his internal turmoil. He begins to read his prepared sermon but chooses to speak from the heart instead, emphasizing tolerance and collaboration, surprising the cardinals and creating a moment of connection.
- In a tense scene, Lawrence delivers a provocative speech on the necessity of diversity and doubt within the Church, arguing that certainty hinders unity. Quoting Christ in Italian, he emphasizes that faith and doubt coexist. Following his speech, Lawrence navigates a courtyard of shocked cardinals and later discusses the implications of his homily with Monsignor O'Malley, who reveals the stir it has caused. Lawrence expresses a desire to investigate Cardinal Tremblay's suitability for the papacy, asking O'Malley to gather information about Tremblay's final meeting with the Holy Father, setting the stage for further intrigue.
- In the bustling lobby of Casa Santa Marta, Lawrence is drawn into a loud debate with Tedesco about St. Paul, which embarrasses him in front of onlookers. Attempting to escape the confrontation, he forgets his key and awkwardly returns to the reception, where Sister Agnes scolds him for his carelessness. Bellini then confronts Lawrence about his resignation, expressing confusion and anger over his indecisiveness, leaving Lawrence frustrated and without a chance to respond as Bellini storms off.
- As rain falls, cardinals board white minibuses under the direction of Monsignor O'Malley, while Lawrence reflects on the weight of their responsibilities. Inside the minibus, he contemplates the gravity of the moment amidst organ music and choir singing. The scene transitions to the Scala Regia, where security personnel interact casually, contrasting with the solemnity of the cardinals taking their oaths in Latin in the Sistine Chapel. Lawrence admires Michelangelo's artwork as Archbishop Mandorff commands the clearing of the chamber, marking the transition to the conclave.
- Inside the Sistine Chapel, the Conclave commences as Cardinal Lawrence instructs his fellow cardinals on the voting process for the new Pope. He casts his vote for Bellini, invoking Christ as his witness, while subtly acknowledging Cardinal Tedesco, hinting at underlying tensions. The atmosphere is solemn as each cardinal rises to cast their votes, holding their ballots aloft in a ritualistic display, marking the beginning of a pivotal moment for the Church.
- In the Sistine Chapel during a papal conclave, Cardinals Luksa, Lombardi, and Mercurio meticulously count votes. As they announce the results, tension rises when Cardinal Lawrence is startled to hear his own name as a candidate, while Cardinal Bellini watches him closely. The scene captures the suspense of the election process, culminating in Lawrence's growing anxiety as he hurriedly notes the names on his list.
- In the Sistine Chapel, Cardinal Lombardi announces the results of the first ballot for the papal election, revealing that no candidate has secured the required majority of seventy-two votes. Cardinal Adeyemi leads with twenty-one votes, while Lawrence is disheartened to learn he only received five. Following the announcement, Lawrence adjourns the session until the next morning, and Junior Cardinal-Deacon Guerrini signals the end of the voting by calling for the doors to be opened, leaving a tense atmosphere among the cardinals.
- In a tense scene set in the Vatican, a canister inside a stove activates, producing a whoosh that coincides with jet-black smoke billowing from a temporary chimney outside the Sistine Chapel, signaling a significant event to the gathered crowd. Inside, Lawrence and Monsignor O'Malley rush through the Sala Regia, discussing a cardinal not officially listed, whose health issues and past in conflict zones raise concerns amidst media scrutiny. Lawrence instructs O'Malley to investigate further, hinting at another undisclosed matter, leaving an air of unresolved tension.
- Monsignor O'Malley and Lawrence discuss Cardinal Tremblay's candidacy for Pope as they descend the Scala Regia. O'Malley expresses skepticism about assurances from Monsignor Morales, hinting at a conflicting report. Once in the minibus, Lawrence, feeling embarrassed about his own candidacy, reveals his intention to support Bellini instead. Cardinal Sabbadin critiques Lawrence's lack of backing and emphasizes the need for strategic voting. The scene captures the tension and political dynamics of the election, ending with Lawrence's uncertainty about their conversation being overheard.
- In the dining room of Casa Santa Marta, cardinals mingle before dinner, with Lawrence observing Benitez's interactions with Asian and Oceanic cardinals. Cardinal Mendoza comments on Benitez's reputation, while Tedesco and Tremblay confront Lawrence about his candidacy in the conclave. Lawrence expresses his wish to withdraw to maintain neutrality, but Tedesco insists it's too late, claiming Lawrence is splitting the liberal vote. Despite Tremblay's light-hearted remarks suggesting that Lawrence's stance could make him appear virtuous, Lawrence walks away, leaving the political tension unresolved.
- In the quiet of the Apostolic Palace at night, Lawrence and O'Malley search for a missing report in the Papal Secretary's office, but their efforts yield no results. O'Malley suggests consulting Monsignor Morales, but Lawrence feels they have done enough. As they leave, Lawrence encounters Benitez by a fountain, where they discuss the turtles kept by the Holy Father, symbolizing healing and transformation. The scene concludes with Lawrence deciding it's time to return due to the evening curfew, reflecting a contemplative and somber mood.
- In a contemplative night walk through the Vatican grounds, Lawrence and Benitez discuss their health and recent conclave votes. Benitez reveals he voted for Lawrence, who is surprised and expresses his intention to resign due to personal struggles with faith. They share a moment of vulnerability, acknowledging their unworthiness for the papacy and the heavy implications of such a role. The scene captures their camaraderie amidst deep introspection, ending with a gesture of connection as Lawrence squeezes Benitez's shoulder.
- In the dimly lit Papal corridor, Lawrence encounters Bellini, who is troubled by the political maneuvering surrounding the Conclave. As they debate the candidates for Pope, tensions rise, with Bellini warning that Tedesco's ascension could undo years of progress. Lawrence, feeling guilty about his ambitions, insists he has no desire for the papacy, but Bellini accuses him of lacking commitment and urges him to choose a side. Their heated exchange ends with Bellini walking away, leaving Lawrence distressed and alone amidst the flickering candles and symbolic ribbons.
- In a dimly lit room at Casa Santa Marta, Lawrence kneels in prayer, reflecting on a memory before succumbing to exhaustion and dreaming of the Late Pope. He awakens to muffled voices, overhearing a tense conversation between a woman and Adeyemi, which leaves him unsettled. Curious yet hesitant, he peeks into the corridor but only catches a glimpse of a figure in a blue uniform before retreating to his bed, his mind racing with questions. The scene concludes as Lawrence sits in contemplation, marking the transition to the second day of the Conclave.
- In the Vatican Gardens, Lawrence walks under the watchful eye of a SECURITY MAN and the sound of helicopters, feeling the weight of political tension. Adeyemi joins him, awkwardly praising Lawrence's recent homily while hinting at support for his rise within the Church, which Lawrence interprets as a potential bribe. Their conversation is cut short when Cardinal Nakitanda calls for Adeyemi, leaving Lawrence to contemplate the implications of their exchange as he walks alone, symbolizing the instability of his position.
- In the Sistine Chapel during a papal conclave, Cardinal Lombardi announces the results of the second and third ballots as Cardinal Lawrence decides to proceed with the next vote without burning the ballots. A tremor disrupts the proceedings, and outside, nuns witness black smoke rising, hinting at an explosion. Cardinal Lawrence learns from Monsignor O'Malley about an explosion in Piazza Barberini but instructs him to keep this information from the cardinal-electors to maintain their focus. The scene is marked by tension and somberness as the cardinals remain committed to their voting amidst the chaos.
- During a tense lunch at Casa Santa Marta, cardinals discuss the potential election of Adeyemi as Pope, highlighting the significance of his race. Lawrence enforces isolation rules while Bellini attempts to quell dissenting opinions. The atmosphere is disrupted by a nun's accident, but Landolfi dismisses it. The scene captures the cardinals' unease and unresolved conflicts regarding Adeyemi's candidacy, ending with Lawrence's gaze at Adeyemi's empty chair.
- In the dining room of Casa Santa Marta, Lawrence is approached by three concerned African Cardinals regarding Cardinal Joshua Adeyemi, who left abruptly after a troubling interaction with a nun speaking Yoruba. Cardinal Nakitanda leads the discussion, emphasizing the importance of Adeyemi's purity of heart and conscience as they await the possibility of an African Pope. The scene is tense and somber, highlighting the gravity of the situation and leaving unresolved tension about Adeyemi's future.
- In the kitchen of Casa Santa Marta, Lawrence searches for a nun who had an accident. He learns from another nun that she is with Sister Agnes and insists on seeing her. A tense standoff ensues as Sister Agnes asserts her control over the situation, believing she can handle it. However, Lawrence declares that the Conclave is his responsibility, leading Sister Agnes to relent and allow him entry to check on the nun's welfare.
- In a tense meeting at Casa Santa Marta, Cardinal Lawrence attempts to engage Sister Shanumi about her concerns regarding Cardinal Adeyemi, but she remains hesitant to speak. Sister Agnes tries to intervene but is dismissed by Lawrence, who asserts his authority. Frustrated by Shanumi's reluctance, Lawrence decides to confront Cardinal Adeyemi directly, ending the scene with a determined knock on his door.
- Adeyemi confronts the fallout from accusations of misconduct as Lawrence reveals the truth about his past relationship and a child. Despite Adeyemi's pleas for understanding and his claims of change, Lawrence delivers the harsh reality that his aspirations of becoming Pope are shattered. The scene culminates in a moment of shared vulnerability as they kneel together in prayer, reflecting the weight of moral accountability and the struggle for redemption.
- In a tense scene set in the Vatican Gardens and the Sistine Chapel, Lawrence encounters Nakitanda and his dismayed colleagues before participating in the Fourth and Fifth Ballots for the papal election. Moved by Adeyemi's dignified vote, Lawrence reluctantly casts his own for Bellini. Cardinal Lombardi announces the results, revealing Cardinal Tremblay as the frontrunner, which escalates the scrutiny among the cardinals. The scene concludes with no candidate achieving a majority, leading to a continuation of the voting process the next day.
- In the empty vestibule of the Sistine Chapel, Monsignor O'Malley attempts to discuss sensitive matters with Cardinal Lawrence, including Cardinal Benitez's health and the withdrawn report on Cardinal Tremblay. However, Lawrence, preoccupied and dismissive, insists on remaining uninformed to protect the integrity of the conclave. Tension arises as O'Malley pushes for an investigation into Tremblay's past, but Lawrence firmly rejects the idea, leading to a moment of frustration. The scene concludes with Lawrence reaffirming his decision to cease further inquiries and seeking divine guidance.
- In a tense night at Casa Santa Marta, Lawrence struggles with his shoes as he meets with Bellini and Cardinal Sabbadin to discuss the troubling papal election. They express their concerns about the lack of support for Bellini and the dominance of front-runners Tremblay and Tedesco. Despite their reservations about the candidates' integrity, they reluctantly agree to support Tremblay, highlighting the grim reality of their political maneuvering. The scene concludes with a heavy silence, underscoring the weight of their decision.
- In a tense elevator ride at Casa Santa Marta, Lawrence grapples with the political turmoil surrounding the papal election as Cardinal Lowenstein expresses frustration over the prolonged selection process. A charged glance between Lawrence and the defiant Adeyemi hints at deeper conflicts, while Benitez cautiously invites Lawrence into his room, reflecting the urgency and weight of their situation.
- In the Benitez Room of Casa Santa Marta, Lawrence and Benitez engage in a tense conversation about prayer and the upcoming papal election. Benitez advocates for the power of silence in prayer, which frustrates Lawrence. The discussion turns to the election, where Lawrence pleads with Benitez to support another candidate, Cardinal Tremblay, believing he is unworthy of the papacy. However, Benitez insists that Lawrence is the most deserving candidate, leaving Lawrence frustrated and contemplative as he notices a razor in the room, symbolizing his troubled state of mind.
- In the back office of Casa Santa Marta, Lawrence discusses Sister Shanumi's unexpected departure to Nigeria with Sister Agnes. She reveals that Sister Shanumi was sent to Rome by the Superioress General and suggests Lawrence inquire further after the Conclave. As Lawrence reflects on his past with the late Pope and his current responsibilities, Sister Agnes checks on a silent canary and types an email that hints at Cardinal Joseph Tremblay's request for Sister Shanumi. The scene is tense and contemplative, culminating in Lawrence's realization as he stares at the email, highlighting the urgency and mystery surrounding the situation.
- After dinner, Cardinal Tremblay is confronted by Lawrence in a dimly lit corridor, where Lawrence urges him to withdraw from the papal ballot due to concerns about his character. Tremblay, shocked by the accusations, defends his actions as being in service of the late Holy Father. The conversation escalates into a tense exchange filled with accusations of ambition and deceit. Ultimately, Tremblay dismisses the conversation and walks away, leaving Lawrence frustrated and powerless.
- In the quiet of Casa Santa Marta, Lawrence, driven by a mix of determination and grief, uses a pass key to enter the locked papal suite. As he searches through the Pope's belongings, he is struck by the emotional weight of the empty bed and the memories it holds. Just as he feels the presence of Sister Agnes nearby, he hides in the darkness, grappling with his internal conflict. After she leaves, he continues his search and discovers hidden papers within a frayed headboard, hinting at a deeper revelation.
- In a tense confrontation at Casa Santa Marta, Lawrence presents evidence of Tremblay's simony to Bellini, urging him to continue his candidacy for Pope despite the corruption. Bellini grapples with the moral implications of using the evidence, ultimately rejecting it to preserve his integrity and the Church's reputation. The conflict escalates as Lawrence accuses Bellini of lacking courage, leading to Lawrence's departure and leaving Bellini in deep contemplation.
- In the tense early morning hours of the conclave at Casa Santa Marta, Lawrence faces backlash from Cardinal Sabbadin for mishandling a confidential report. As accusations fly, Tremblay confronts Lawrence, claiming the report is false and accusing him of breaking into the Holy Father's apartment. Sister Agnes intervenes, revealing Tremblay's manipulative tactics, shocking the assembly and shifting the power dynamics. The scene culminates in heightened tensions as Adeyemi accuses Tremblay of betrayal, leaving the cardinals in a state of uncertainty.
- In the prayer room of Casa Santa Marta, Lawrence kneels in prayer, joined by Bellini. They discuss the papal election, with Bellini expressing admiration for Lawrence's leadership and seeking forgiveness for his past advice on ambition. Encouraging Lawrence to choose a papal name, Lawrence ultimately decides on 'John,' a choice that carries significant weight, as acknowledged by Bellini. The scene captures their contemplative and introspective dialogue, highlighting the internal struggle with ambition and the solemnity of their decisions.
- In the Sistine Chapel, Lawrence grapples with a blank ballot, ultimately deciding to vote for himself, invoking Christ as his witness. As he casts his vote, an explosion shatters the chapel's windows, flooding the space with light and revealing Michelangelo's fresco of The Last Judgement. In the ensuing chaos, Lawrence stands in shock as security guards rush in, guns drawn.
- In the Pauline Chapel, Lawrence contemplates Michelangelo's Crucifixion of St. Peter, interpreting its dark imagery as a symbol of the violence engulfing the city. Monsignor O'Malley expresses concern for the Conclave's future, but Lawrence is overwhelmed by the chaos outside. As he observes the turmoil from a police car, he grapples with the implications for the Church. The scene culminates with Lawrence arriving at Casa Santa Marta, demanding privacy to confront the crisis ahead.
- In a tense meeting at Casa Santa Marta, cardinals confront the aftermath of a devastating car and suicide bombing that killed fifty-two people. Lawrence reveals the tragic news, prompting a heated debate between Tedesco, who calls for a strong response against perceived liberal ideologies, and Benitez, who advocates for compassion and unity. The scene captures the emotional turmoil and differing perspectives among the cardinals as they grapple with the implications for the Church's future.
- At Casa Santa Marta, a sense of urgency fills the air as nuns and cardinals bustle about. Cardinal Benetiz sits alone, while Archbishop Mandorff informs Lawrence that the drivers are not ready. In a decisive move, Lawrence opts to walk instead, leading a group of cardinals through the Vatican Gardens under a light drizzle, each holding white umbrellas. This silent procession symbolizes their unity, culminating in a moment of solidarity as Bellini joins Lawrence, reinforcing their shared purpose.
- In the Sistine Chapel, Lawrence leads the final ballot of the Conclave, praying for guidance as the crowd gathers outside. After a tense voting process, he asks Cardinal Benitez if he accepts his election as Supreme Pontiff. Initially hesitant, Benitez ultimately accepts and chooses the name Innocent, bringing relief and applause from the cardinals. The scene concludes with Lawrence kneeling before the newly elected Pope Innocent, who smiles down at him.
- In the Sistine Chapel, Lawrence and Mandorff prepare the acceptance deed for the new Pope, Benitez. Lawrence notices a troubled O'Malley, who expresses confusion and fear about the election's outcome. While Lawrence reassures him about Benitez's leadership, O'Malley's stricken smile hints at deeper concerns. The scene ends with O'Malley requesting a private conversation, leaving an air of tension and uncertainty.
- Monsignor O'Malley confesses to Lawrence about Cardinal Benitez's alarming trip to Switzerland, revealing it was to a clinic rather than a hospital. This news leaves Lawrence alarmed and seeking clarification. As he moves through the Sistine Chapel, he encounters Father Haas, who expresses concern about the Pope not being robed, heightening the tension. The scene captures a sense of urgency and foreboding as Lawrence prepares to confront the unfolding crisis.
- In the Room of Tears within the Sistine Chapel, Cardinal Benitez confides in Lawrence about his complex identity as someone born with both male and female biological characteristics. He shares his past struggles, including the discovery of his female anatomy during an appendectomy and his decision not to undergo surgery, believing it would be a sin to alter God's creation. As Lawrence grapples with this revelation, the emotional tone shifts to one of vulnerability and acceptance, culminating in a profound connection between the two as they acknowledge the shared secret of Benitez's identity.
- In the Pauline Chapel, Lawrence reflects on unsettling revelations about Benitez while finding solace in a small turtle he encounters. After returning the turtle to a fountain, he hears the jubilant cheers of a crowd celebrating the election of a new Pope, marked by the rising white smoke from the Vatican. As he packs his belongings, he feels a mix of exhaustion and accomplishment, before witnessing the vibrant celebration in the streets of Rome. The scene culminates in a café where Cardinal Brotzkus announces the new Pope, igniting a deafening celebration that contrasts with Lawrence's earlier introspection.
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Character Cardinal Lawrence
Description Lawrence's sudden shifts between exhaustion, decisive action, and prayer feel jarring. His internal conflict isn't consistently or convincingly portrayed, making his actions sometimes appear driven by plot convenience rather than genuine character motivations. The juxtaposition of his exhaustion and his determined actions feels contrived.
( Scene 41 Scene 42 Scene 73 Scene 100 Scene 102 ) -
Character Cardinal Bellini
Description Bellini's sudden outburst of anger at Lawrence in sequence 70 feels out of character given their close friendship. His later actions in sequence 106, where he vacillates between wanting to expose Tremblay and protecting the Church's image, lack consistency and clarity of motivation.
( Scene 70 Scene 106 ) -
Character Archbishop Wozniak
Description Wozniak's revelation about Tremblay's dismissal feels incredibly late in the narrative and lacks sufficient prior characterization to justify such a significant act. His motivation is unclear, and the timing feels manipulative for plot purposes.
( Scene 26 ) -
Character Sister Agnes
Description Sister Agnes's sudden and decisive intervention at the end feels deus ex machina. Her knowledge and actions lack sufficient buildup and seem primarily designed to resolve the plot rather than stemming from established character traits. Her unwavering control and access to information are not previously established.
( Scene 97 Scene 108 Scene 110 )
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Description The opening scene with the cracked window pane feels disjointed and lacks immediate context. Its connection to the overall narrative is not immediately clear.
( Scene 1 (2) ) -
Description The sudden shift to a public discussion of the bomb attack in sequence 117 feels jarring. The transition is not well-handled, and the sudden access to information about the global impact lacks narrative preparation. The scene feels too abrupt.
( Scene 117 ) -
Description Benitez's revelation about his intersex condition feels unearned and tacked on. The narrative doesn't adequately prepare for this development, and it lacks sufficient emotional weight or resonance.
( Scene 125 )
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Description The plot hinges on the alleged dismissal of Tremblay by the Pope, but the evidence is flimsy and contradictory. Wozniak's testimony is unreliable and unsupported, and Tremblay's denial lacks sufficient consequences. The resolution with Sister Agnes feels too easy and convenient.
( Scene 26 Scene 39 ) -
Description The sudden appearance of Cardinal Benitez is unexplained. His creation in pectore and his later actions raise questions about the believability of this narrative device.
( Scene 32 )
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Element Repeating the Conclave voting process
( Scene 58 Scene 75 Scene 76 Scene 87 Scene 121 )
Suggestion Streamline the repetitive voting sequences. Use montage or other cinematic techniques to convey the passage of time and the unfolding results without detailed repetition of each ballot. -
Element Overuse of Italian and Latin
( Scene 11 Scene 37 Scene 57 Scene 58 )
Suggestion While using multiple languages adds flavor, the frequent switching and the extensive use of subtitled dialogue could be toned down for improved pacing and clarity. Prioritize scenes where the language choice adds character or significance.
Lawrence - Score: 82/100
Role
Protagonist
Character Analysis Overview
Cardinal - Score: 82/100
Role
Protagonist
Character Analysis Overview
Bellini - Score: 66/100
Character Analysis Overview
Tedesco - Score: 75/100
Character Analysis Overview
Primary Theme: The struggle between faith and doubt within the context of institutional power and secrecy.
How Multiple Themes Interact: The themes of faith/doubt, secrecy/transparency, institutional corruption/reform, and personal sacrifice/duty all intertwine to create a complex narrative. While each is explored independently, they all contribute to the central conflict of Lawrence grappling with his faith and his role in navigating the corrupt system of the Church. The secondary themes don't overshadow the primary; instead, they provide a rich tapestry of challenges and choices that complicate Lawrence’s internal struggle and heighten the dramatic stakes.
| Theme | Theme Details | Theme Explanation | Primary Theme Support | ||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Faith and Doubt (40%) | Cardinal Lawrence's internal struggle with his faith is a recurring motif, mirrored by other characters' crises of belief and the institutional questioning of the Church's teachings and practices. Lawrence's personal doubts are shown in his consideration of retirement and his contemplative moments. | The screenplay explores the complex nature of faith, acknowledging both the profound belief and the intense questioning that can coexist within a religious context, particularly in the face of hypocrisy and corruption. | This is the central emotional core of the screenplay. Lawrence's internal conflict drives the plot and shapes his decisions, directly impacting the Conclave's outcome. | ||||||||||||
Strengthening Faith and Doubt:
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| Secrecy and Transparency (30%) | The concealed illness of the Pope, the secret dismissal of Cardinal Tremblay, the clandestine appointment of Cardinal Benitez, and the withholding of information regarding the bombing all contribute to a pervasive atmosphere of secrecy. The contrast between this and Lawrence's attempts to uncover the truth drives much of the conflict. | The screenplay highlights the destructive potential of secrecy within a powerful institution, contrasting it with the need for openness and honesty to address corruption and build trust. | This theme directly challenges the established order and forces Lawrence to confront the ethical implications of upholding secrecy versus revealing the truth, influencing his actions and challenging his faith. | ||||||||||||
| Institutional Corruption and Reform (20%) | The screenplay exposes instances of corruption within the Church hierarchy, including Cardinal Tremblay's misconduct and potential simony. The actions of Lawrence and other progressive cardinals suggest a desire for reform. | The screenplay examines the tension between the ideals of the Church and the reality of its human failings, questioning the ability of the institution to address its own internal corruption and promoting the idea of reform. | This theme creates external conflict for Lawrence, forcing him to choose between loyalty to the institution and his commitment to justice and ethical conduct. This further complicates his internal struggle with faith. | ||||||||||||
| Personal Sacrifice and Duty (10%) | Lawrence consistently demonstrates a commitment to his duty as Dean of the College of Cardinals, even as he grapples with personal doubts and the immense pressure of the situation. He sacrifices personal peace and comfort to uphold the integrity of the Conclave process. | The screenplay explores the weight of responsibility and the sacrifices individuals make in service to a larger cause, particularly within a context of profound personal conflict. | This theme provides a counterpoint to Lawrence’s personal struggles. His sense of duty and commitment to the institution showcase the potential for good within the Church, even amidst corruption. | ||||||||||||
Screenwriting Resources on Themes
Articles
| Site | Description |
|---|---|
| Studio Binder | Movie Themes: Examples of Common Themes for Screenwriters |
| Coverfly | Improving your Screenplay's theme |
| John August | Writing from Theme |
YouTube Videos
| Title | Description |
|---|---|
| Story, Plot, Genre, Theme - Screenwriting Basics | Screenwriting basics - beginner video |
| What is theme | Discussion on ways to layer theme into a screenplay. |
| Thematic Mistakes You're Making in Your Script | Common Theme mistakes and Philosophical Conflicts |
Emotional Analysis
Emotional Variety
Critique
- The screenplay exhibits a range of emotions, primarily focusing on sadness, empathy, and tension, particularly in scenes surrounding the Pope's death and the subsequent conclave. However, there are moments where the emotional tone feels repetitive, especially in scenes 2, 3, and 4, which all heavily emphasize grief and somber reflection.
- Scenes such as 5 and 6 introduce slight variations in emotional tone but still remain largely focused on sadness and tension. The emotional landscape could benefit from more diverse emotional experiences, such as moments of levity or hope, to break the heaviness.
- The emotional variety is somewhat limited, with many scenes relying on similar emotional beats, particularly around the themes of loss and responsibility. This could lead to emotional fatigue for the audience.
Suggestions
- Incorporate moments of humor or light-heartedness in scenes like 7 and 10, where the cardinals interact in a more casual setting. This could provide a necessary emotional break and enhance engagement.
- Introduce scenes that explore themes of hope or resilience, particularly in the lead-up to the conclave, to balance the prevailing sadness and tension. For example, a scene where the cardinals share personal stories of faith could evoke a sense of unity and optimism.
Emotional Intensity Distribution
Critique
- The emotional intensity distribution is uneven, with peaks of high tension and sadness in scenes like 12 and 54, while other scenes, such as 20 and 21, feel less impactful emotionally. This inconsistency can lead to moments of emotional fatigue.
- Scenes 26 and 35 showcase significant emotional stakes, but the intensity drops in subsequent scenes, such as 42 and 43, where the focus shifts to logistical discussions rather than emotional engagement.
- The screenplay could benefit from a more balanced emotional arc, where moments of high intensity are followed by quieter, reflective scenes to allow the audience to process the emotions.
Suggestions
- Consider adjusting the pacing of emotional scenes by interspersing quieter moments after high-intensity scenes, such as placing a reflective scene after the explosive moments in scenes 52 and 53.
- Enhance the emotional impact of key scenes by building up to them with increased tension in preceding scenes, ensuring that the audience is fully engaged and invested in the characters' emotional journeys.
Empathy For Characters
Critique
- Empathy for characters like Lawrence and Bellini is strong in scenes where their internal struggles are highlighted, such as in scenes 8 and 31. However, empathy for characters like Tremblay and Tedesco feels weaker, as their motivations are less explored.
- Scenes 12 and 49 provide opportunities for deeper emotional connection, but the focus on political maneuvering can detract from the audience's ability to empathize with the characters' personal struggles.
- The emotional depth of secondary characters could be enhanced to foster greater empathy, particularly for those involved in the political dynamics of the conclave.
Suggestions
- Add backstory or personal stakes for characters like Tremblay and Tedesco in key scenes, such as 19 and 49, to provide context for their actions and decisions, allowing the audience to empathize with their struggles.
- Incorporate moments of vulnerability for all characters, not just the protagonists, to create a more rounded emotional experience. For instance, showing Tedesco's fears about the Church's future could enhance empathy for his character.
Emotional Impact Of Key Scenes
Critique
- Key scenes such as 56 and 57 deliver strong emotional impacts, particularly with the election of Benitez as Pope. However, some pivotal moments, like the confrontation in scene 47, feel underwhelming and lack the emotional punch needed to resonate with the audience.
- Scenes that should evoke high emotional stakes, such as 54 and 58, sometimes fall flat due to a lack of character depth or connection, leading to missed opportunities for impactful storytelling.
- The emotional resonance in climactic scenes could be heightened by ensuring that the stakes are clearly defined and that the audience is emotionally invested in the outcomes.
Suggestions
- Enhance the emotional impact of confrontational scenes, like 47, by incorporating more visceral reactions from the characters, allowing the audience to feel the weight of the accusations and the stakes involved.
- In key moments, such as the announcement of the new Pope in scene 56, consider adding more emotional dialogue or reactions from the cardinals to amplify the sense of relief and joy, ensuring that the audience feels the significance of the moment.
Complex Emotional Layers
Critique
- Many scenes, particularly those focused on grief and loss, feel one-dimensional emotionally, primarily relying on sadness without exploring the complexities of the characters' feelings. For example, scenes 2 and 3 could benefit from additional emotional layers.
- While some scenes, like 31 and 59, introduce complex emotional dynamics, others lack sub-emotions that could enrich the audience's experience, leading to a more simplistic portrayal of character struggles.
- The screenplay could better utilize sub-emotions, such as guilt, regret, or hope, to create a more nuanced emotional landscape.
Suggestions
- Introduce sub-emotions in scenes that focus on grief, such as adding moments of nostalgia or regret in scenes 2 and 3, to deepen the emotional experience and provide a more rounded portrayal of the characters' feelings.
- Incorporate dialogue that reflects the characters' internal conflicts and complexities, particularly in scenes like 12 and 49, to enhance the emotional layers and create a richer narrative.
Additional Critique
Character Development
Critiques
- Some characters, particularly secondary ones like Tremblay and Tedesco, lack depth and complexity, making it difficult for the audience to empathize with their struggles.
- The screenplay often focuses on the political dynamics of the conclave at the expense of character backstories, which could enhance emotional engagement.
- Key moments of vulnerability are often reserved for primary characters, leaving secondary characters feeling flat and underdeveloped.
Suggestions
- Incorporate backstory elements for secondary characters in key scenes, such as 19 and 49, to provide context for their motivations and enhance audience empathy.
- Allow for moments of vulnerability for all characters, not just the protagonists, to create a more rounded emotional experience and deepen the audience's connection to the narrative.
Pacing and Emotional Flow
Critiques
- The pacing of emotional scenes can feel uneven, with some moments dragging on while others rush through significant emotional beats, leading to a disjointed viewing experience.
- Scenes that should provide emotional relief often follow high-tension moments too closely, preventing the audience from fully processing the emotions before moving on.
- The emotional flow could benefit from a more deliberate structure that allows for peaks and valleys in intensity, giving the audience time to breathe.
Suggestions
- Consider restructuring the screenplay to create a more balanced emotional arc, where high-intensity scenes are followed by quieter, reflective moments to allow the audience to process the emotions.
- Incorporate transitional scenes that provide emotional relief after high-stakes moments, ensuring that the audience has time to absorb the weight of the narrative before moving on.
| Goals and Philosophical Conflict | |
|---|---|
| internal Goals | Throughout the screenplay, Lawrence's internal goals evolve from seeking control and stability in the wake of the Pope's death to grappling with his own faith and identity as he faces the pressures of potential papacy and the moral implications of the election process. His journey reflects a struggle for personal integrity amidst institutional demands. |
| External Goals | Lawrence's external goals shift from handling the logistics surrounding the Pope's death to steering the turbulent waters of the papal conclave, actively engaging in political maneuvering and managing relationships among the cardinals, culminating in his support for a worthy successor. |
| Philosophical Conflict | The overarching philosophical conflict revolves around the tension between authenticity and institutional obligation, exemplified through Lawrence's struggle to balance the need for personal integrity against the pressures and expectations of the Church hierarchy. |
Character Development Contribution: The evolution of Lawrence's goals reflects his deepening self-awareness and understanding of his role within the Church, highlighting his transition from a desire for power to embracing a more compassionate and authentic leadership style.
Narrative Structure Contribution: Lawrence's internal and external goals drive the plot forward by creating tension and conflict within the conclave, thereby structuring the narrative around key decision-making moments that emphasize character choices and their consequences.
Thematic Depth Contribution: The interplay of Lawrence's goals and the philosophical conflicts enhances the thematic depth by exploring the complexities of faith, identity, and the moral responsibilities carried by individuals within powerful institutions.
Screenwriting Resources on Goals and Philosophical Conflict
Articles
| Site | Description |
|---|---|
| Creative Screenwriting | How Important Is A Character’s Goal? |
| Studio Binder | What is Conflict in a Story? A Quick Reminder of the Purpose of Conflict |
YouTube Videos
| Title | Description |
|---|---|
| How I Build a Story's Philosophical Conflict | How do you build philosophical conflict into your story? Where do you start? And how do you develop it into your characters and their external actions. Today I’m going to break this all down and make it fully clear in this episode. |
| Endings: The Good, the Bad, and the Insanely Great | By Michael Arndt: I put this lecture together in 2006, when I started work at Pixar on Toy Story 3. It looks at how to write an "insanely great" ending, using Star Wars, The Graduate, and Little Miss Sunshine as examples. 90 minutes |
| Tips for Writing Effective Character Goals | By Jessica Brody (Save the Cat!): Writing character goals is one of the most important jobs of any novelist. But are your character's goals...mushy? |
| Story Content | Character Development | Scene Elements | Audience Engagement | Technical Aspects | |||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Click for Full Analysis | Tone | Overall | Concept | Plot | Originality | Characters | Character Changes | Internal Goal | External Goal | Conflict | Opposition | High stakes | Story forward | Twist | Emotional Impact | Dialogue | Engagement | Pacing | Formatting | Structure | |
| 1 - A Night of Urgency | Tense, Mysterious, Serious | 8.5 | 8 | 9 | 8 | 8 | 7 | 8 | 9 | 8 | 8 | 8 | 9 | 8 | 8 | 8 | 9 | 8 | 9 | 9 | |
| 2 - The Last Rites | Somber, Reverent, Reflective | 8.5 | 8 | 8 | 9 | 9 | 7 | 8 | 7 | 3 | 7 | 7 | 8 | 7 | 9 | 8 | 9 | 8 | 8 | 8 | |
| 3 - Reflections in the Papal Suite | Somber, Reflective, Intimate | 8.5 | 8 | 8 | 9 | 9 | 8 | 9 | 8 | 7 | 7 | 7 | 8 | 7 | 9 | 9 | 9 | 8 | 8 | 8 | |
| 4 - The Weight of Responsibility | Somber, Tense, Reflective | 8.5 | 8 | 9 | 8 | 8 | 8 | 8 | 7 | 8 | 7 | 8 | 9 | 7 | 9 | 9 | 9 | 8 | 8 | 8 | |
| 5 - The Weight of the Papacy | Somber, Tense, Mysterious | 8.5 | 8 | 9 | 9 | 8 | 8 | 8 | 7.5 | 9 | 8 | 9 | 9 | 8 | 9 | 9 | 9 | 8.5 | 8 | 8 | |
| 6 - The Final Farewell | Somber, Tense, Reflective | 8.5 | 8 | 9 | 9 | 8 | 7 | 8 | 7 | 7 | 7 | 8 | 8 | 7 | 8 | 8 | 9 | 8 | 8 | 8 | |
| 7 - Chaos in the Chapel | Somber, Tense, Reflective | 8.5 | 8 | 9 | 9 | 8 | 7 | 8 | 7 | 7 | 7 | 8 | 8 | 7 | 8 | 8 | 9 | 8 | 8 | 8 | |
| 8 - Reflections in the Room of Tears | Somber, Reflective, Intimate | 8.5 | 8 | 8 | 9 | 9 | 8 | 8 | 7 | 7 | 7 | 7 | 7 | 7 | 9 | 9 | 9 | 8 | 8 | 8 | |
| 9 - Tensions at Casa Santa Marta | Somber, Tense, Reflective | 8.5 | 8 | 9 | 9 | 8 | 8 | 8 | 7 | 8 | 7 | 8 | 9 | 7 | 9 | 9 | 9 | 8 | 8 | 8 | |
| 10 - Arrival at Casa Santa Marta | Somber, Tense, Reflective | 8.5 | 8 | 9 | 9 | 9 | 8 | 8 | 7 | 9 | 7 | 9 | 9 | 8 | 8 | 8 | 9 | 8 | 8 | 8 | |
| 11 - The Conclave Preparations | Somber, Tense, Reflective | 8.5 | 8 | 9 | 9 | 8 | 8 | 8 | 7 | 7 | 7 | 8 | 8 | 7 | 9 | 8 | 9 | 8 | 8 | 8 | |
| 12 - Secrets Before the Conclave | Tense, Suspenseful, Revealing, Intense, Dramatic | 9.2 | 9 | 9 | 9 | 9 | 9 | 8 | 7.5 | 10 | 8 | 9 | 9 | 9 | 9 | 9 | 9 | 8.5 | 8 | 8 | |
| 13 - The Unexpected Cardinal | Tense, Suspenseful, Intriguing | 8.5 | 9 | 9 | 9 | 8 | 7 | 8 | 7 | 9 | 8 | 8 | 9 | 9 | 8 | 8 | 9 | 8 | 8 | 8 | |
| 14 - The Cardinal's Dilemma | Tense, Intriguing, Contemplative | 8.5 | 9 | 9 | 9 | 9 | 9 | 8 | 7 | 9 | 7 | 8 | 9 | 8 | 8 | 8 | 9 | 8 | 8 | 8 | |
| 15 - A Risky Resolve | Tense, Serious, Resigned | 8.5 | 8 | 8 | 8 | 9 | 7 | 8 | 7 | 8 | 7 | 7 | 8 | 7 | 8 | 9 | 9 | 8 | 8 | 8 | |
| 16 - Reflections of a Manager | Contemplative, Introspective, Somber | 8.5 | 8 | 8 | 8 | 9 | 7 | 8 | 6 | 6 | 6 | 6 | 7 | 6 | 8 | 8 | 8 | 7 | 7 | 7 | |
| 17 - A Tense Gathering at Casa Santa Marta | Tense, Serious, Reflective, Contentious | 8.5 | 8 | 8 | 9 | 9 | 7 | 8 | 7 | 8 | 8 | 8 | 8 | 7 | 8 | 9 | 9 | 8 | 8 | 8 | |
| 18 - The Weight of Ambition | Tense, Reflective, Serious | 8.5 | 8 | 9 | 9 | 9 | 8 | 8 | 7.5 | 9 | 8 | 9 | 9 | 8 | 8 | 9 | 9 | 8.5 | 8 | 8 | |
| 19 - Shadows of Allegation | Tense, Mysterious, Intriguing | 8.5 | 8 | 9 | 9 | 8 | 7 | 8 | 7 | 8 | 7 | 8 | 9 | 8 | 8 | 9 | 9 | 8 | 8 | 8 | |
| 20 - A Moment of Clarity | Trepidation, Calm, Reflective, Authoritative | 8.5 | 8 | 8 | 9 | 9 | 8 | 8 | 7 | 6 | 7 | 7 | 8 | 7 | 9 | 8 | 9 | 8 | 8 | 8 | |
| 21 - A Call for Doubt and Unity | Reflective, Serious, Contemplative | 9.2 | 9 | 9 | 9 | 9 | 9 | 9 | 7 | 9 | 7 | 9 | 9 | 8 | 9 | 9 | 9 | 8 | 8 | 8 | |
| 22 - Confrontation in the Lobby | Tense, Serious, Reflective, Confrontational | 8.5 | 8 | 9 | 8 | 9 | 8 | 8 | 7 | 8 | 7 | 8 | 9 | 7 | 8 | 9 | 9 | 8 | 8 | 8 | |
| 23 - A Somber Oath | Tense, Sombre, Serious | 8.5 | 8 | 9 | 9 | 8 | 5 | 8 | 7 | 6 | 7 | 9 | 9 | 7 | 8 | 7 | 8 | 8 | 8 | 8 | |
| 24 - The Sacred Vote | Tense, Serious, Contemplative | 9.2 | 9 | 9 | 9 | 9 | 9 | 8 | 7 | 9 | 7 | 9 | 9 | 7 | 9 | 9 | 9 | 8 | 8 | 8 | |
| 25 - The Unexpected Candidate | Tense, Intriguing, Startled, Somber | 8.5 | 8 | 9 | 9 | 8 | 7 | 8 | 7 | 8 | 7 | 9 | 9 | 7 | 8 | 8 | 9 | 8 | 8 | 8 | |
| 26 - First Ballot Results in the Sistine Chapel | Tense, Surprising, Intriguing, Somber | 8.5 | 8 | 9 | 9 | 8 | 7 | 8 | 7 | 8 | 7 | 9 | 9 | 8 | 8 | 8 | 9 | 8 | 8 | 8 | |
| 27 - Whispers in the Vatican | Tense, Serious, Intriguing | 8.5 | 8 | 9 | 9 | 8 | 7 | 8 | 7 | 8 | 7 | 8 | 9 | 7 | 8 | 8 | 9 | 8 | 8 | 8 | |
| 28 - Political Maneuvering in the Scala Regia | Tense, Serious, Reflective | 8.5 | 9 | 8 | 9 | 9 | 8 | 8 | 7.5 | 8 | 8 | 9 | 9 | 8 | 9 | 9 | 9 | 8 | 8 | 8 | |
| 29 - The Tension of Neutrality | Tense, Serious, Confrontational | 8.5 | 8 | 9 | 8 | 9 | 8 | 8 | 7 | 8 | 7 | 8 | 9 | 7 | 8 | 9 | 8 | 8 | 9 | 9 | |
| 30 - A Night of Reflection | Tense, Reflective, Somber | 8.5 | 8 | 9 | 9 | 8 | 7 | 8 | 7 | 7 | 7 | 7 | 8 | 7 | 8 | 8 | 9 | 8 | 8 | 8 | |
| 31 - A Night of Doubt and Understanding | Reflective, Introspective, Serious | 8.5 | 9 | 8 | 9 | 9 | 8 | 8 | 7 | 7 | 7 | 8 | 8 | 7 | 9 | 9 | 9 | 8 | 8 | 8 | |
| 32 - Divided Loyalties | Tense, Urgent, Contemplative | 8.5 | 8 | 9 | 8.5 | 9 | 8 | 8 | 7.5 | 9 | 8 | 9 | 9 | 8 | 9 | 9 | 9 | 8.5 | 8 | 8 | |
| 33 - Whispers in the Night | Tense, Somber, Reflective | 8.5 | 8 | 9 | 9 | 8 | 7 | 8 | 7 | 7 | 7 | 8 | 8 | 7 | 8 | 8 | 9 | 8 | 8 | 8 | |
| 34 - Whispers of Power | Serious, Reflective, Tense | 8.5 | 8 | 8 | 8 | 9 | 8 | 8 | 7 | 7 | 7 | 8 | 8 | 8 | 9 | 9 | 9 | 9 | 9 | 9 | |
| 35 - Tension in the Conclave | Tense, Suspenseful, Serious | 8.5 | 8 | 9 | 8 | 8 | 8 | 8 | 7.5 | 9 | 8 | 9 | 9 | 8 | 8 | 8 | 9 | 8 | 8 | 8 | |
| 36 - Tensions at the Table | Tense, Serious, Emotional | 8.5 | 8 | 9 | 9 | 9 | 8 | 8 | 7.5 | 9 | 8 | 9 | 9 | 8 | 9 | 8 | 9 | 8 | 8 | 8 | |
| 37 - A Disturbing Encounter | Tense, Suspenseful, Mysterious, Serious | 8.7 | 9 | 9 | 9 | 9 | 9 | 8 | 7.5 | 9 | 8 | 9 | 9 | 8 | 9 | 8 | 9 | 8.5 | 8 | 8 | |
| 38 - Authority and Compassion | Tense, Suspenseful, Confrontational | 8.5 | 9 | 8 | 9 | 9 | 8 | 8 | 7.5 | 9 | 8 | 8 | 8 | 8 | 8 | 9 | 9 | 8 | 8 | 8 | |
| 39 - Confrontation at Casa Santa Marta | Tense, Inquisitive, Authoritative | 8.5 | 8 | 9 | 8 | 8 | 7 | 8 | 7 | 7 | 7 | 8 | 9 | 7 | 8 | 9 | 9 | 8 | 8 | 8 | |
| 40 - A Moment of Reckoning | Conflicted, Regretful, Intense, Emotional | 9.2 | 9 | 9 | 8 | 10 | 9 | 9 | 8 | 9 | 8 | 8 | 9 | 8 | 10 | 9 | 9 | 9 | 9 | 9 | |
| 41 - The Weight of Choice | Tense, Dramatic, Serious, Intriguing | 9.2 | 9 | 9 | 9 | 9 | 9 | 8 | 7.5 | 9 | 8 | 9 | 9 | 8 | 9 | 9 | 9 | 8.5 | 8 | 8.5 | |
| 42 - Secrets in the Chapel | Tense, Serious, Intriguing | 8.5 | 8 | 9 | 8 | 9 | 9 | 8 | 7 | 9 | 7 | 8 | 9 | 7 | 8 | 8 | 9 | 8 | 8 | 8 | |
| 43 - The Weight of Choice | Serious, Tense, Conspiratorial | 8.5 | 8 | 9 | 9 | 8 | 8 | 8 | 7 | 9 | 8 | 9 | 9 | 8 | 8 | 9 | 9 | 8 | 8 | 8 | |
| 44 - Elevator Tensions | Tense, Suspenseful, Contemplative | 8.5 | 8 | 9 | 8 | 8 | 7 | 8 | 7.5 | 8 | 7 | 9 | 9 | 8 | 8 | 9 | 9 | 8.5 | 8 | 8 | |
| 45 - The Weight of Worthiness | Tense, Reflective, Frustrated, Calm | 8.5 | 8 | 9 | 9 | 9 | 8 | 8 | 7 | 8 | 8 | 8 | 9 | 8 | 8 | 9 | 9 | 8 | 8 | 8 | |
| 46 - Whispers in the Night | Intriguing, Serious, Contemplative | 8.5 | 9 | 9 | 9 | 8 | 7 | 8 | 7 | 7 | 7 | 8 | 9 | 7 | 8 | 9 | 9 | 8 | 8 | 8 | |
| 47 - Confrontation in the Shadows | Tense, Confrontational, Revealing | 9.2 | 9 | 9 | 9 | 9 | 9 | 8 | 7.5 | 10 | 8 | 9 | 9 | 8 | 9 | 9 | 9 | 8.5 | 8 | 8 | |
| 48 - A Night of Reckoning | Tense, Suspenseful, Emotional | 8.5 | 8 | 9 | 9 | 8 | 8 | 8 | 7 | 7 | 7 | 8 | 9 | 8 | 9 | 8 | 9 | 8 | 8 | 8 | |
| 49 - Moral Dilemma in Casa Santa Marta | Tense, Confrontational, Revealing | 9.2 | 9 | 9 | 9 | 9 | 9 | 9 | 8 | 9 | 8 | 9 | 9 | 8 | 9 | 10 | 9 | 8 | 8 | 8 | |
| 50 - Revelations at Casa Santa Marta | Tense, Confrontational, Revealing | 9.2 | 9 | 9 | 9 | 9 | 8 | 9 | 8 | 9 | 8 | 9 | 9 | 8 | 9 | 9 | 9 | 8 | 8 | 8 | |
| 51 - A Moment of Reflection | Reflective, Regretful, Resigned | 8.5 | 8 | 8 | 9 | 9 | 8 | 9 | 8 | 6 | 7 | 7 | 7 | 7 | 9 | 9 | 9 | 8 | 8 | 8 | |
| 52 - The Weight of Choice | Tense, Dramatic, Suspenseful | 9.2 | 9 | 9 | 8.5 | 9 | 9 | 8 | 7.5 | 9 | 8 | 9 | 9 | 8 | 9 | 9 | 9 | 8.5 | 8 | 8 | |
| 53 - Reflections of Chaos | Tense, Suspenseful, Reflective | 8.5 | 8 | 9 | 8 | 8 | 8 | 8 | 7 | 9 | 7 | 9 | 9 | 7 | 9 | 8 | 9 | 8 | 8 | 8 | |
| 54 - Divided Responses: A Crisis in the Conclave | Serious, Tense, Angry, Reflective | 8.5 | 9 | 9 | 9 | 8 | 8 | 8 | 7 | 9 | 8 | 9 | 9 | 8 | 9 | 9 | 9 | 8 | 8 | 8 | |
| 55 - A Walk of Unity | Tense, Reflective, Contemplative, Defiant | 8.5 | 8 | 9 | 9 | 9 | 8 | 8 | 7 | 9 | 7 | 9 | 9 | 8 | 8 | 8 | 9 | 8 | 8 | 8 | |
| 56 - The Election of Innocent | Reflective, Hopeful, Reverent | 9.2 | 9 | 9 | 9 | 9 | 7 | 8 | 9 | 3 | 8 | 8 | 9 | 8 | 10 | 9 | 9 | 9 | 9 | 9 | |
| 57 - Unsettled Reflections | Tense, Conflicted, Pensive, Relieved | 8.5 | 8 | 9 | 9 | 9 | 8 | 8 | 7 | 8 | 6 | 8 | 9 | 7 | 9 | 8 | 9 | 8 | 8 | 8 | |
| 58 - Urgent Revelations in the Vatican | Tense, Suspenseful, Revealing | 8.5 | 8 | 9 | 9 | 8 | 8 | 8 | 7 | 9 | 7 | 8 | 9 | 8 | 8 | 8 | 9 | 8 | 8 | 8 | |
| 59 - A Revelation in the Room of Tears | Confessional, Reflective, Intimate | 9.2 | 10 | 9 | 9 | 10 | 9 | 9 | 7 | 8 | 7 | 8 | 9 | 8 | 10 | 9 | 9 | 8 | 8 | 8 | |
| 60 - A Moment of Reflection Amidst Celebration | Tense, Reflective, Hopeful, Surreal | 9.2 | 9 | 9 | 9 | 9 | 8 | 8 | 7 | 7 | 7 | 7 | 8 | 7 | 9 | 9 | 9 | 8 | 8 | 8 | |
Summary of Scene Level Analysis
Here are some things that came out of the scene level analysis.
This is a summary of the strengths, weaknesses, and suggestions found in each scene. Some things might appear in both strengths and weaknesses based on the variety of your scenes.
For summary of each criteria click in the top row on the criteria.
Scene Strengths
- Emotional depth of characters
- Strong character development
- Tension-filled dialogue
- Intriguing plot developments
- Effective atmosphere and tone setting
Scene Weaknesses
- Limited external conflict
- Some dialogue may be overly expository
- Slow pacing in some parts
- Minimal character development in specific scenes
- Occasional lack of clarity in character motivations
Suggestions
- Enhance external conflict to drive the narrative and create higher stakes for characters.
- Revise dialogue to reduce exposition and allow for more natural, impactful exchanges.
- Pace the screenplay more effectively by interspersing slower sections with action or tension-building sequences.
- Focus on deeper character development in pivotal scenes to ensure all characters resonate with the audience.
- Clarify character motivations and relationships to reduce confusion and strengthen emotional engagement.
Scene 1 - A Night of Urgency
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 2 - The Last Rites
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 3 - Reflections in the Papal Suite
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 4 - The Weight of Responsibility
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 5 - The Weight of the Papacy
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 6 - The Final Farewell
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 7 - Chaos in the Chapel
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 8 - Reflections in the Room of Tears
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 9 - Tensions at Casa Santa Marta
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 10 - Arrival at Casa Santa Marta
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 11 - The Conclave Preparations
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 12 - Secrets Before the Conclave
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 13 - The Unexpected Cardinal
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 14 - The Cardinal's Dilemma
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 15 - A Risky Resolve
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 16 - Reflections of a Manager
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 17 - A Tense Gathering at Casa Santa Marta
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 18 - The Weight of Ambition
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 19 - Shadows of Allegation
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 20 - A Moment of Clarity
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 21 - A Call for Doubt and Unity
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 22 - Confrontation in the Lobby
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 23 - A Somber Oath
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 24 - The Sacred Vote
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 25 - The Unexpected Candidate
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 26 - First Ballot Results in the Sistine Chapel
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 27 - Whispers in the Vatican
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 28 - Political Maneuvering in the Scala Regia
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 29 - The Tension of Neutrality
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 30 - A Night of Reflection
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 31 - A Night of Doubt and Understanding
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 32 - Divided Loyalties
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 33 - Whispers in the Night
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 34 - Whispers of Power
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 35 - Tension in the Conclave
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 36 - Tensions at the Table
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 37 - A Disturbing Encounter
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 38 - Authority and Compassion
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 39 - Confrontation at Casa Santa Marta
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 40 - A Moment of Reckoning
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 41 - The Weight of Choice
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 42 - Secrets in the Chapel
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 43 - The Weight of Choice
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 44 - Elevator Tensions
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 45 - The Weight of Worthiness
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 46 - Whispers in the Night
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 47 - Confrontation in the Shadows
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 48 - A Night of Reckoning
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 49 - Moral Dilemma in Casa Santa Marta
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 50 - Revelations at Casa Santa Marta
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 51 - A Moment of Reflection
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 52 - The Weight of Choice
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 53 - Reflections of Chaos
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 54 - Divided Responses: A Crisis in the Conclave
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 55 - A Walk of Unity
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 56 - The Election of Innocent
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 57 - Unsettled Reflections
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 58 - Urgent Revelations in the Vatican
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 59 - A Revelation in the Room of Tears
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 60 - A Moment of Reflection Amidst Celebration
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene by Scene Emotions
suspense Analysis
Executive Summary
Suspense is effectively woven throughout the screenplay, particularly in scenes involving Cardinal Lawrence's urgent actions and the unfolding political dynamics of the conclave. The tension builds as viewers are left wondering about the implications of various characters' decisions, especially regarding the unexpected arrival of Cardinal Benitez and the potential fallout from the revelations surrounding Cardinal Tremblay.
Usage Analysis
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fear Analysis
Executive Summary
Fear is a recurring theme in the screenplay, particularly as characters navigate the political landscape of the Church amidst the backdrop of the Pope's death. The uncertainty surrounding the future of the Church and the potential for scandal create a pervasive sense of dread that resonates with the audience.
Usage Analysis
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joy Analysis
Executive Summary
Joy is subtly interspersed throughout the screenplay, often contrasting with the heavier themes of loss and political tension. Moments of camaraderie and connection among the cardinals provide brief respites from the overarching seriousness of the narrative.
Usage Analysis
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sadness Analysis
Executive Summary
Sadness permeates the screenplay, particularly in the wake of the Pope's death and the emotional toll it takes on the characters. The exploration of grief and loss adds depth to the narrative, allowing viewers to connect with the characters' struggles.
Usage Analysis
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surprise Analysis
Executive Summary
Surprise plays a crucial role in the screenplay, particularly in moments that shift the narrative direction or reveal hidden truths. The unexpected developments keep viewers engaged and heighten the emotional stakes of the story.
Usage Analysis
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empathy Analysis
Executive Summary
Empathy is a central emotional thread in the screenplay, allowing viewers to connect deeply with the characters' struggles and moral dilemmas. The exploration of personal and collective grief enhances the emotional resonance of the narrative.
Usage Analysis
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Questions for AI