Numbers Up 5-13-24
A janitor who wins the Powerball finds himself in a deadly game of deceit after accidentally killing his wife's lover.
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AI Verdict & Suggestions
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Story Facts
Genres: Drama, Thriller, Crime, Comedy, Action, Slice of Life, Musical, Mystery, Family
Setting: Contemporary, Suburban cul-de-sac in Los Angeles
Themes: Betrayal, Deception, Greed, Infidelity, Power, Family
Conflict & Stakes: The primary conflicts revolve around betrayal, infidelity, power struggles, and the consequences of past actions. The stakes include relationships falling apart, lives being endangered, and the characters' moral compass being tested.
Mood: Tense and suspenseful, with moments of emotional intensity and dramatic confrontations
Standout Features:
- Complex Character Dynamics: The intricate relationships and conflicts between the characters drive the narrative forward.
- Twists and Turns: The screenplay is filled with unexpected plot twists that keep the audience engaged.
- Emotional Depth: The story delves into deep emotional themes, adding layers of complexity to the characters and their arcs.
Comparable Scripts: American Beauty, Crash, Magnolia, Short Cuts, The Ice Storm, Little Children, Revolutionary Road, The Hours
Screenplay Video
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Script Level Analysis
This section delivers a top-level assessment of the screenplay’s strengths and weaknesses — covering overall quality (P/C/R/HR), character development, emotional impact, thematic depth, narrative inconsistencies, and the story’s core philosophical conflict. It helps identify what’s resonating, what needs refinement, and how the script aligns with professional standards.
Screenplay Insights
Story Critique
Characters
Emotional Analysis
Goals and Philosophical Conflict
Logic & Inconsistencies
Scene Analysis
All of your scenes analyzed individually and compared, so you can zero in on what to improve.
Analysis of the Scene Percentiles
- The screenplay excels in dialogue, conflict level, emotional impact, and unpredictability, which can engage the audience and create a compelling narrative.
- Strong character development and character changes contribute to a dynamic and evolving story.
- The screenplay could benefit from enhancing the originality score and external goal score to make the concept more unique and the plot more engaging.
- Improving the formatting score and engagement score could enhance the overall readability and audience connection.
The writer demonstrates a potential strength in character-driven storytelling with a focus on emotional impact and conflict, while also showing room for growth in conceptual originality and plot development.
Balancing Elements- To balance the screenplay effectively, the writer should work on integrating the strong character development with a more original and engaging concept.
- Maintaining the high levels of dialogue and character engagement while refining the plot structure and pacing can create a well-rounded script.
The writer showcases an integrated approach, blending intuitive strengths in character and dialogue with conceptual areas for improvement in plot and originality.
Overall AssessmentThe screenplay has the potential to resonate with audiences due to its strong character dynamics and emotional depth, but refining the concept and plot could elevate its impact further.
How scenes compare to the Scripts in our Library
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Percentile | Before | After |
---|---|---|---|---|
Scene Conflict Level | 8.4 | 84 | Dune Part Two: 8.3 | Pawn sacrifice: 8.4 |
Scene Unpredictability | 7.80 | 80 | Everything Everywhere All at Once: 7.79 | Pirates of the Caribbean: 7.81 |
Scene Pacing | 8.40 | 73 | Dune Part Two: 8.39 | Amadeus: 8.40 |
Scene High Stakes | 8.1 | 69 | Mulholland Drive: 8.0 | the boys (TV): 8.1 |
Scene Story Forward | 8.3 | 65 | The Brutalist: 8.2 | Titanic: 8.3 |
Scene Dialogue | 8.0 | 61 | Nickel Boys : 7.9 | fight Club: 8.0 |
Scene Emotional Impact | 8.0 | 57 | Spotlight: 7.9 | the dark knight rises: 8.0 |
Script Structure | 8.13 | 51 | Silicon Valley: 8.12 | Erin Brokovich: 8.13 |
1 | 50 | - | Get Out: 1 | |
1 | 50 | - | Get Out: 1 | |
Scene Engagement | 8.95 | 46 | September 5: 8.94 | Erin Brokovich: 8.95 |
Scene Character Changes | 7.0 | 46 | Zootopia: 6.9 | the pursuit of happyness: 7.0 |
Scene Characters | 8.3 | 45 | Argo: 8.2 | Erin Brokovich: 8.3 |
Scene Formatting | 8.13 | 44 | Silicon Valley: 8.12 | Erin Brokovich: 8.13 |
Scene External Goal | 7.18 | 44 | Coda: 7.17 | Ted: 7.18 |
Scene Plot | 7.9 | 41 | Manchester by the sea: 7.8 | the 5th element: 7.9 |
Scene Internal Goal | 8.02 | 33 | Argo: 8.00 | the pursuit of happyness: 8.02 |
Script Originality | 7.80 | 32 | Sing Sing: 7.70 | face/off: 7.80 |
Scene Concept | 8.0 | 30 | Poor Things: 7.9 | a few good men: 8.0 |
Scene Originality | 8.51 | 30 | American Fiction: 8.50 | the pursuit of happyness: 8.52 |
Script Conflict | 7.20 | 28 | Mr Robot: 7.10 | There's something about Mary: 7.20 |
Scene Overall | 8.2 | 28 | Ted: 8.1 | a few good men: 8.2 |
Script Emotional Impact | 7.00 | 8 | Charlie and The Choclate Factory: 6.90 | Dr. Strangelove: 7.00 |
Script Characters | 7.30 | 6 | September 5: 7.10 | Pawn sacrifice: 7.30 |
Script Structure | 7.00 | 4 | The whale: 6.90 | The Wolf of Wall Street: 7.00 |
Script Visual Impact | 6.30 | 2 | scream : 6.00 | Dr. Horrible's Sing-Along Blog: 6.40 |
Script Premise | 6.20 | 0 | - | Midsommar: 6.20 |
Script Theme | 6.40 | 0 | - | Inception: 7.20 |
Overall Script | 6.90 | 0 | - | Hors de prix: 7.00 |
Other Analyses
This section looks at the extra spark — your story’s voice, style, world, and the moments that really stick. These insights might not change the bones of the script, but they can make it more original, more immersive, and way more memorable. It’s where things get fun, weird, and wonderfully you.
Unique Voice
Writer's Craft
Memorable Lines
World Building
Unique Voice
Writer's Craft
Memorable Lines
World Building
Engine: Gemini
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Executive Summary
This screenplay, "Numbers Up 5-13-24", is a dark comedy with a unique premise. The story revolves around Bert, a janitor who wins the Powerball with his coworkers but finds himself in a complicated situation after accidentally killing his wife's lover. While the screenplay boasts strong dialogue, engaging characters, and a fast-paced narrative, it suffers from pacing issues in the first act, stereotypical portrayals of certain characters, and a lack of depth in exploring the moral dilemmas presented. With some revisions, this screenplay has the potential to be a successful dark comedy.
- The dialogue is sharp, witty, and often hilarious, particularly during the interactions between Bert, Nestor, and Dale. The banter and comedic timing contribute significantly to the entertainment value of the screenplay. high ( Scene 3 Scene 4 Scene 8 Scene 10 )
- The screenplay features an array of eccentric and memorable characters, each with their distinct quirks and motivations. The diverse cast adds layers to the story and provides ample opportunities for both humor and tension. high ( Scene 3 Scene 8 Scene 9 Scene 18 )
- The story unfolds at a fast pace, keeping the audience engaged with unexpected twists and turns. The constant escalation of events contributes to the screenplay's suspenseful and thrilling nature. medium ( Scene 7 Scene 9 Scene 17 Scene 30 )
- The use of flashbacks effectively reveals backstory and adds depth to Bert and Mina's complicated relationship. These scenes provide insight into their past choices and motivations. medium ( Scene 22 Scene 24 Scene 25 )
- The ending, though somewhat abrupt, provides a darkly humorous twist that leaves a lasting impression on the audience. The resolution, while unconventional, aligns with the comedic tone of the screenplay. medium
- The pacing in the first act is slow. The initial scenes could be condensed to get to the central conflict more quickly. medium ( Scene 1 Scene 2 )
- Certain characters, particularly Vera and the Latino gangsters, fall into stereotypical portrayals. Adding more nuance and depth to these characters would elevate the screenplay. high ( Scene 1 Scene 2 Scene 6 Scene 16 )
- The emotional and moral implications of Bert's actions are not fully explored. Delving deeper into his internal struggle and the consequences of his choices would add a layer of complexity to the narrative. medium ( Scene 7 Scene 8 Scene 18 )
- The sudden resurrection of Boss-Man feels somewhat contrived. This plot point could be handled more organically to maintain the screenplay's credibility. medium ( Scene 29 Scene 30 )
- The ending, while darkly humorous, lacks a sense of resolution. The audience is left with unanswered questions and a somewhat unsatisfying conclusion. low ( Scene 41 Scene 42 )
- A clear exploration of the themes of greed, betrayal, and the corrupting power of wealth is missing. While these themes are touched upon, delving deeper into their impact on the characters would enhance the screenplay's depth. medium
- The screenplay could benefit from a stronger sense of setting. Providing more vivid descriptions of the locations would create a more immersive experience for the reader. low
- A deeper understanding of Mina's motivations is lacking. Exploring her reasons for staying with Boss-Man and her conflicted feelings towards Bert would add complexity to her character. medium
- The screenplay could benefit from more emotional depth. Exploring the characters' feelings of grief, guilt, and despair would make them more relatable and the story more impactful. medium
- The dynamic between Bert and Boss-Man is particularly intriguing. Their complex relationship, rooted in sibling rivalry and resentment, provides a compelling subplot. high ( Scene 3 Scene 4 Scene 29 )
- The choreographed dance sequence in Sequence 11 is a highlight, showcasing the characters' camaraderie and providing a moment of pure entertainment. The final scene with the ankle bracelets adds a touch of irony and social commentary. medium ( Scene 11 Scene 42 )
- Delores, Bert's mother, is a comedic gem. Her eccentric personality and sharp wit provide comic relief and add a unique perspective to the story. medium ( Scene 24 Scene 29 )
- Stereotypical Portrayals The writer relies on stereotypical depictions for some characters, particularly Vera and the Latino gangsters. Vera is portrayed as a ruthless and controlling figure, while the gangsters are depicted as violent and threatening. These portrayals lack nuance and reinforce harmful stereotypes. high
- Moral Complexity The writer shies away from fully exploring the moral implications of Bert's actions. While his killing of Boss-Man is presented as an accident, the emotional and ethical consequences are not deeply explored. This lack of introspection limits the character's development and the overall impact of the story. medium
- Over-reliance on Dialogue The screenplay leans heavily on dialogue to convey information, sometimes resulting in exposition dumps. Incorporating more visual storytelling techniques and showing rather than telling would enhance the screenplay's cinematic quality. medium
- Contrived Plot Point The resurrection of Boss-Man feels forced and undermines the believability of the narrative. This plot point could be handled more organically to maintain the screenplay's credibility. medium
Engine: GPT4
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Executive Summary
Numbers Up 5-13-24 is a compelling screenplay that blends elements of drama, thriller, and dark comedy. The narrative is engaging with well-developed characters and a unique plot twist involving a Powerball jackpot. However, the screenplay could benefit from tightening its pacing and resolving some inconsistencies in character motivations and plot points.
- The screenplay effectively establishes a relatable and grounded setting, making the characters' later actions more impactful. high ( Scene 1 )
- The twist of Bert discovering his wife with Boss-Man adds a significant emotional and dramatic layer to the story. high ( Scene 7 )
- The screenplay's ability to blend humor with tension, particularly in the interactions between the characters, adds a unique flavor to the narrative. medium ( Scene 20 )
- The climactic fight scenes are well-choreographed and maintain high tension, keeping the audience engaged. high ( Scene 36 )
- The resolution and the final scene provide a satisfying conclusion to the characters' arcs and the overall narrative. high ( Scene 41 )
- The pacing in the middle sections drags slightly, which could be tightened to maintain engagement. medium ( Scene 24 )
- Some character motivations, particularly Vera's, need clearer exposition to make their actions more believable. high ( Scene 27 )
- The subplot involving the gangsters feels somewhat disconnected from the main narrative and could be better integrated. medium ( Scene 35 )
- The fight scenes, while engaging, could benefit from more realistic choreography to enhance believability. medium ( Scene 38 )
- The resolution of the Powerball ticket subplot feels rushed and could use more development. high ( Scene 40 )
- A deeper exploration of the moral and ethical implications of the characters' actions would add depth to the narrative. medium ( Scene general )
- More backstory on the relationship between Bert and Boss-Man would provide better context for their rivalry. medium ( Scene general )
- The screenplay could benefit from a stronger thematic throughline to tie together the various plot elements. medium ( Scene general )
- The screenplay's opening effectively sets the tone and introduces the main characters in a relatable manner. high ( Scene 1 )
- The discovery of the affair is a pivotal moment that significantly raises the stakes. high ( Scene 7 )
- The blend of humor and tension in the interactions between characters adds a unique flavor to the narrative. medium ( Scene 20 )
- The climactic fight scenes are well-choreographed and maintain high tension, keeping the audience engaged. high ( Scene 36 )
- The resolution and the final scene provide a satisfying conclusion to the characters' arcs and the overall narrative. high ( Scene 41 )
- Character Motivation Some characters, particularly Vera, have motivations that are not fully fleshed out, making their actions seem less believable. high
- Pacing Issues The screenplay has sections where the pacing drags, particularly in the middle, which can lose the audience's engagement. medium
- Disconnected Subplots The subplot involving the gangsters feels somewhat disconnected from the main narrative and could be better integrated. medium
Screenplay Insights:
Characters: 7.3, The screenplay demonstrates a commendable effort in character development, with complex and multi-dimensional characters. However, there is room for improvement in terms of character arcs and consistency. The characters are generally relatable and engaging, with diverse backgrounds and perspectives. The dialogue effectively reveals character, but inconsistencies and missed opportunities for character growth detract from the overall impact. See More
Premise: 6.2, The screenplay presents a darkly comedic thriller premise with potential, but its clarity and focus could be enhanced. While the initial setup of a lottery win amidst infidelity and murder is intriguing, the narrative becomes overcrowded with subplots and characters, diluting the impact of its core themes. See More
Structure: 7.0, The screenplay exhibits a strong foundation in structure and plot development, with well-defined characters and engaging conflicts. However, there is room for improvement in pacing, tension and release, and resolution satisfaction. See More
Theme: 6.4, The screenplay explores themes of loyalty, betrayal, and the consequences of one's actions with reasonable clarity and impact. However, there is room for improvement in terms of thematic originality and integration with the plot. The messages could be more resonant and relevant to contemporary issues, and the themes could be more seamlessly woven into the narrative. See More
Visual Impact: 6.3, While the screenplay effectively employs visual elements to establish setting and character, it lacks a distinct visual style and misses opportunities for deeper symbolic representation. Strengthening the visual metaphors and incorporating references to films like "Pulp Fiction" or "Fargo" could elevate the overall impact. See More
Emotional Impact: 7.0, The screenplay presents a darkly comedic and chaotic story with strong potential for emotional impact. While it effectively balances humor and suspense, exploring the complexities of betrayal, loyalty, and unlikely alliances, there's room for deeper exploration of the characters' inner lives and emotional journeys to create a more resonant experience for the audience. See More
Conflict: 7.2, The screenplay effectively presents conflict and stakes, with opportunities for deeper character development and higher stakes to enhance audience engagement. See More
Originality: 7.8, This screenplay showcases commendable originality and creativity through its complex characters, intricate plot, and exploration of themes such as loyalty, betrayal, and the consequences of one's actions. The unique blend of humor, drama, and action adds depth to the narrative, making it an engaging and thought-provoking read. See More
Screenplay Story Analysis
Note: This is the overall critique. For scene by scene critique click here
Summaries
- The scene takes place on July 4th, 2025, in a suburban cul-de-sac in Los Angeles, introducing the characters Hector, Vera, Bert, and Felicia. Tension arises between Bert and Felicia regarding socializing and fireworks, while Vera expresses her dislike for Bert's previous wife. The emotional tone is light with underlying tension, and the scene ends with Bert walking off, leaving unresolved conflict.
- Bert catches a bus to work, chats with the bus driver Lois about her son's graduation, reads the newspaper about a Powerball jackpot, and arrives at a small office building in South Los Angeles where he meets his coworkers Nestor and Dale. There is a minor conflict about being late at the office building, but it is quickly resolved when Boss-Man realizes Bert and his coworkers are on time. The tone of the scene is casual and light-hearted, with key dialogue including Bert asking Lois about her son's graduation and Nestor greeting Boss-Man. Visual elements include Bert checking his watch, reading the newspaper, and the arrival of Boss-Man in a flashy Corvette. The scene ends with Bert and his coworkers being greeted by Boss-Man at the office building.
- Boss-Man meets with Bert, Nestor, and Dale in a deserted office building, giving them a deadline to clean up by 8 o'clock. There is banter between the characters, with Bert expressing his desire to increase his stake in the company. A conflict arises between Nestor and Boss-Man over a comment about Nestor's wife, which is resolved. The scene ends with Boss-Man giving Bert a $100 bill as a 4th of July gift before leaving the office building.
- Boss-Man leaves the office building after a phone call and sees young boys lighting firecrackers. Inside, Nestor, Bert, and Dale have a choreographed dance routine while cleaning. Mina interrupts them looking for Boss-Man, but leaves when they inform her he's not there. The scene ends with the men returning to work.
- As the skyline transitions from day to night, Bert, Nestor, and Dale leave the office building at dusk. Bert decides to go home instead of joining the others for drinks, leading to a conflict that is resolved when Bert insists on taking the bus home. The scene ends with Bert walking off to catch the bus while Nestor and Dale head to their van.
- Nestor drives the mini-van with Bert and Dale as passengers. They discuss Bert's flowers, race, and Nestor's mixed heritage. Bert gets out of the van, and Nestor refuses to let Dale sit in the front seat, leading to unresolved conflict. The tone is light-hearted with humorous banter among the characters.
- Bert witnesses a firecracker explosion by African-American teenagers, then discovers Boss-Man's Corvette parked nearby. He enters his home to find candles lit and his wife having sex with Boss-Man. Bert struggles with anger and hurt, eventually grabbing a handgun and firing shots into the bedroom.
- Various characters react to gunshots in a city street, with Mina revealing a handgun in her car. Bert, emotionally distraught, receives a call from Nestor and Dale who inform him they won the Powerball. The tension and fear from the gunshots contrast with the excitement of the Powerball win, leaving unresolved emotional turmoil for Bert.
- Bert is shocked to see a picture of him and his wife on his phone, then notices a gun on the floor. Mina waits in her car while Nestor and Dale arrive at Bert's house. Bert tries to hide the gun before letting Nestor and Dale in, creating a tense and suspenseful atmosphere.
- Nestor and Dale confront Bert at his house, demanding to be let in. Bert hesitates but eventually allows them inside. Meanwhile, Mina is in her car talking to Tanya from Network Wireless about a moral dilemma involving an app on someone's phone. The scene is tense and secretive, with unresolved conflicts between the characters.
- Nestor, Dale, and Bert are in Bert's house discussing their Powerball win. They try to get Felicia to come out and celebrate, but Bert insists she is asleep. Tension arises as Nestor and Dale leave with the winning ticket, causing conflict between them and Bert.
- Mina observes a commotion inside Bert's house from her car. Nestor and Dale discover Felicia's dead body in the bedroom, along with Boss-Man's deceased body. Bert explains that he shot Boss-Man in self-defense. Nestor and Dale debate whether to help Bert cover up the crime. The scene ends with Dale answering a phone call from Mina, revealing her as Boss-Man's wife.
- Mina angrily curses at Boss-Man in her car while Bert takes action to protect him by hiding his phone. Nestor expresses concern about Bert potentially going to prison, while Dale adds humor to the tense situation. The scene ends with a knock at the door, leaving the characters startled and uncertain about who is outside.
- Mina confronts Bert at his house, demanding to see Reginald Carter. Bert, Nestor, and Dale try to figure out how Mina tracked Reginald to the house and how to get rid of her. Dale suggests using the phone to distract Mina while Bert goes out the back door. The scene ends with Bert heading towards the back door to try and get rid of Mina while Dale plans to distract her.
- Mina confronts Dale and Nestor in their living room, accusing them of hiding her husband. Tension rises as accusations are made and privacy is questioned. Mina checks her phone to track her husband's location, only to discover he is moving away from the house. The scene ends with Mina leaving in frustration, unresolved conflict lingering in the air.
- Bert successfully gets rid of Boss-Man's phone by tossing it into a passing truck. Mina tracks the phone's location and starts driving towards it, while Dale and Nestor watch her movements from Bert's house. The tense and suspenseful scene ends with Bert asking if Mina has left.
- Mina watches a pick-up truck park at a dead end while Nestor questions Bert's actions inside his house. Bert realizes he put something in his neighbor's truck by mistake, leading to a tense conversation between the three men. The conflict arises from Bert's mistake, causing tension and blame between the characters. The scene ends with Bert admitting his fear and vulnerability, showing a deeper emotional layer.
- Mina confronts Hector about her husband's phone being in his truck, pulls out a gun, and Hector runs away. Dale and Nestor see Mina with the gun and decide to help Bert. Meanwhile, Hector's wife, Vera, suspects they are being tracked and starts to make a phone call.
- Mina confronts Bert at his house demanding to know the whereabouts of Boss-Man. Nestor and Dale try to subdue Mina but fail, leading to a tense and confrontational confrontation. Mina easily overpowers them, leaving Bert to face her alone as the scene ends with Mina slamming the front door.
- The scene takes place at Bert's house after a fireworks show where Bert, Nestor, and Dale are nursing their injuries from a fight. Mina confronts Bert about his involvement with Nestor and Dale, hinting at a deeper connection between them. Tension and questions about their relationship arise as Mina questions Bert about his knowledge of Nestor and Dale, leading to a confrontational tone. The scene ends with Mina demanding the truth about Bert's brother.
- Neighbors continue to light fireworks while two low-rider cars with Latino gang members pull into Hector and Vera's driveway. Julio, the lead gangster, confronts Vera while inside Bert's house, Mina questions Bert about his brother and the lottery winnings, leading to a tense negotiation for Mina to leave in exchange for money.
- Bert and Boss-Man celebrate the grand opening of their janitorial business with Mina taking their picture. However, tension arises when Boss-Man makes inappropriate advances towards Mina, causing discomfort and unease among the characters. The conflict is not fully resolved as Mina ends up riding with Boss-Man in his Corvette, leaving a sense of tension lingering in the air.
- Bert confronts Mina about their marriage issues in a tense conversation in their living room. Flashbacks show Bert waiting in a diner, riding a bus alone, and visiting his mother, Delores Carter. The conflict revolves around Bert questioning Mina's actions, with Dale and Nestor providing commentary. The emotional tone is reflective as Bert and Mina discuss their past and present issues. The scene ends with Bert approaching his mother, Delores, who notices his downtrodden appearance.
- Mina confronts Bert about his old-fashioned ways and his relationship with his brother in Bert's living room. A flashback to a conversation between Bert and his mother, Delores, reveals Bert's suspicions about his brother trying to sleep with his wife. The emotional tone is tense and confrontational, with Mina expressing frustration and Bert attempting to continue the conversation despite her objections.
- In this scene, Mina confronts Bert, Nestor, and Dale about their lack of response to a situation. Bert then has a flashback to catching Mina with Boss-Man in a compromising position. The conflict arises from Bert feeling betrayed by Mina and seeking acknowledgement from her. The emotional tone is tense and reflective, with underlying feelings of betrayal and unresolved issues. The scene ends with Bert seeking acknowledgement from Mina, who struggles to understand his need for closure.
- Hector discreetly hides drugs in a stroller while Vera watches. They enter a house where Latino Gangsters are present, discussing what to do. Julio questions Hector's decision, leading to a tense conflict. Vera contemplates her next move as the scene ends with Hector being asked to check on their crying baby, leaving the audience in suspense.
- Bert and Mina discuss their feelings about the deaths of Felicia and Boss-Man, with Mina revealing she knew about the affair. They contemplate whether to tell the truth or keep it a secret, with Bert considering honesty despite the consequences. The scene ends with Bert giving Mina a moment alone with Boss-Man before he exits the room.
- In this scene, Bert is confronted by Nestor and Dale about their plan to get rid of his ex-wife. Tensions rise as they discuss the risks involved in their scheme, leading Bert to make a decision that surprises his friends. The main conflict revolves around the disagreement between the characters, but is ultimately resolved when Bert surprises Nestor and Dale with his decision, leading to a group hug symbolizing their solidarity.
- Mina confronts Boss-Man in the bedroom where she finds him alive and Felicia dead. Boss-Man reveals he was attacked by Felicia and asks for Mina's help. Mina discovers a gunshot wound on Boss-Man and they discuss a Powerball ticket worth over six-hundred million dollars. The conflict arises from Mina's suspicion of Boss-Man's involvement in Felicia's death and his affair, but is partially resolved as Boss-Man explains his side of the story and asks for Mina's help. The scene ends with Boss-Man and Mina planning to retrieve the Powerball ticket and address their current situation.
- Hector walks into his house to find Gangsters preparing for warfare, while Dale, Bert, Nestor, Boss-Man, and Mina are in Bert's kitchen discussing a Powerball ticket. Tensions rise as Boss-Man demands the ticket from the others, leading to a tense standoff filled with humor and threat. The scene ends with negotiations still ongoing, leaving the resolution uncertain.
- Hector puts his baby to sleep before sneaking out to Bert's house. Inside, Boss-Man asks Mina to check the numbers on a Powerball ticket, leading to tense discussions about potential winnings and shares of the money. The scene ends with Mina being tasked with verifying the ticket numbers.
- Mina is caught off guard by Hector's unannounced visit at Bert's house, while Boss-Man instructs Bert to make him leave. Tensions rise as Boss-Man demands Mina to check some numbers on her phone, adding to the suspense of the scene.
- Bert is warned by Hector about people coming to kill his ex-wife. Boss-Man confronts Bert in the backyard, while Mina discovers she has the winning Powerball numbers. Delores, Bert's mother, arrives looking for her son. Mina tries to escape as gangsters approach her car.
- In Bert's house, Vera interrogates the group about a phone found in her husband's truck, leading to tensions and revelations about infidelities. Bert eventually confesses that Felicia is dead, escalating the conflict and leaving tensions high among the characters.
- Vera discovers Felicia's dead body in the bedroom, cleans up the crime scene, confronts the other characters about a Powerball ticket, and makes a deal with Bert to settle the situation. The scene takes place in a tense and confrontational kitchen setting where conflicting interests and accusations come to a head. The conflict is temporarily resolved through Bert's deal with Vera to settle the matter through a physical challenge, leaving the fate of the characters uncertain.
- In this intense scene, Bert and Julio engage in a physical confrontation in Bert's backyard, while Vera manipulates the situation and fights against Bert's allies. Delores expresses concern for Vera, Boss-Man tries to assert dominance but is defeated by Vera, and Mina is overpowered by Vera. The conflicts are resolved through physical combat, with Vera emerging victorious in each altercation under the night sky with fireworks in the background.
- Dale removes the masking tape from Nestor's mouth, while Vera fights Mina in the backyard. Bert calls for a time-out and tries to mediate between Mina and Boss-Man. Mina decides to stand up for herself and confront Vera, showing her determination and strength in the face of conflict.
- Nestor and Dale suspect Mina's Powerball ticket is in her purse. Mina and Vera engage in a physical fight in the backyard, with Mina ultimately gaining the upper hand by pummeling Vera with punches. Meanwhile, Felicia wakes up in the bedroom and struggles to get up.
- In this scene, Felicia is injured and stumbling, Nestor and Dale are trying to get Mina's purse, a wrestling match is happening in the backyard, and a gun is introduced into the situation. Julio tries to grab the gun, leading to a physical altercation. The conflict is resolved when Vera is shot by Delores, ending the chaotic and tense scene.
- A chaotic scene unfolds as a bullet crashes through the kitchen window, leading to a confrontation in the backyard involving multiple characters. Bert refuses to release Julio, who he is holding in a chokehold over a broken watch. Felicia intervenes, causing Bert to let go of Julio. The scene ends with a police helicopter shining a spotlight on the characters, instructing them to freeze and drop their weapons.
- Bert helps Felicia stand while Mina and Boss-Man support her, leading to a tender moment between Bert and Mina. The police intervene, causing tension as Hector rushes into the backyard with his baby. The scene ends with Hector freezing as the police warn him not to move.
- Nestor and Dale are detained by police officers while Bert and Mina share a kiss under a spotlight. The scene transitions to a fireworks show, a federal office building celebration, a house overlooking the beach, and finally the backyard by the infinity pool where Bert and Mina reconcile after discussing past mistakes.
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Character Nestor
Description Nestor's abrupt shift in attitude towards Bert, from threatening him about the Powerball winnings to later expressing concern for his wellbeing, seems out of character and not fully justified by the events.
( Scene 15 ) -
Character Dale
Description Dale's crude and inappropriate comments about Bert's wife and the sexual situation seem at odds with his generally more passive demeanor earlier in the script.
( Scene 19 )
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Description The revelation that Boss-Man is still alive after being shot multiple times by Bert creates a coherence issue, as it is not immediately clear how he survived the gunshot wounds.
( Scene 29 ) -
Description The decision by Bert to challenge Julio to a one-on-one fight, with the promise of the Powerball ticket as the prize, seems like a risky and out-of-place narrative choice that could undermine the overall story logic and character motivations.
( Scene 35 )
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Description It is not entirely clear how Mina was able to track Boss-Man's location to Bert's house, as the script does not provide a clear explanation for this plot point.
( Scene 26 ) -
Description The sudden appearance of Hector and the revelation that he had called the police creates a significant plot hole, as it is not explained why he would do this or how he knew about the events unfolding at Bert's house.
( Scene 36 )
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Description The exchange between Bert and Vera regarding the Powerball ticket winnings feels a bit expository and not entirely natural in its delivery.
( Scene 3 ) -
Description The dialogue between Bert and Mina regarding the acknowledgment of her betrayal could be more nuanced and emotionally charged to better reflect the weight of the situation.
( Scene 21 )
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Element Dialogue
( Scene 3 Scene 19 )
Suggestion Some of the repeated dialogue between Bert, Nestor, and Dale regarding the Powerball winnings could be condensed or rearranged to avoid feeling overly repetitive. -
Element Action
( Scene 4 Scene 9 )
Suggestion The repeated scenes of the characters cleaning the office space could be reduced or consolidated to avoid feeling overly drawn out.
Characters in the screenplay, and their arcs:
Character | Arc | Critique | Suggestions |
---|---|---|---|
Hector | Hector starts off as a hardworking and proud man dedicated to his family and work. As he becomes involved in criminal activities, he struggles with moral dilemmas and the consequences of his decisions. Ultimately, he must choose between his loyalty to his family and his involvement in dangerous situations, leading to a climax where he must confront his inner conflicts and make a difficult choice to protect his loved ones. | The character arc for Hector is well-developed, showcasing his internal struggles and moral dilemmas. However, there could be more clarity in depicting the catalyst that pushes Hector to become involved in criminal activities, as well as a stronger resolution that highlights his growth and decision-making process. | To improve the character arc, consider adding more backstory or context to explain Hector's initial involvement in criminal activities. Develop key moments that highlight his internal conflict and moral dilemmas, leading to a more impactful resolution where Hector must make a definitive choice that showcases his growth and character development. |
Vera | Vera starts off as a confident and outspoken individual who challenges social norms and speaks her mind. As the story progresses, she evolves into a nurturing and empathetic character, offering support and guidance to those around her. However, she also becomes more perceptive and strategic, uncovering hidden truths and navigating dangerous situations with intelligence and resourcefulness. Ultimately, Vera transforms into a formidable and determined figure, willing to confront challenges head-on and fight for what she believes in. | The character arc for Vera is well-developed, showcasing her growth and evolution throughout the feature. However, there could be more consistency in her character traits and development. Some transitions between her different personas could be smoother to create a more cohesive and believable character journey. | To improve the character arc for Vera, consider establishing clearer connections between her various traits and actions. Show how her confidence and outspoken nature contribute to her nurturing and empathetic side, and how her perceptive and strategic abilities lead to her becoming formidable and determined. Additionally, provide more opportunities for Vera to showcase her multifaceted personality in different situations, allowing for a more nuanced and dynamic character arc. |
Bert | Bert's character arc in the screenplay follows his journey from a witty and sarcastic individual to a conflicted and emotionally distraught man grappling with betrayal and difficult decisions. As the story progresses, Bert is forced to confront his inner turmoil, make tough choices, and ultimately seek redemption for his past actions. His arc culminates in a moment of self-realization and growth, where he learns to balance his loyalty to others with his own moral compass. | Overall, Bert's character arc is compelling and well-developed, showcasing his internal struggles and growth throughout the story. However, there could be more consistency in his emotional journey and a clearer resolution to his conflicts. Additionally, some scenes could benefit from more nuanced dialogue and interactions to further explore Bert's complexity. | To improve Bert's character arc, consider adding more depth to his relationships with other characters, particularly those who challenge his beliefs and values. Develop key moments of conflict and resolution to highlight Bert's growth and transformation. Additionally, explore different facets of Bert's personality through varied speaking styles and interactions to showcase his complexity and emotional depth. |
Nestor | Nestor starts as a fun-loving and carefree individual who enjoys music and dancing, but as the story progresses, he becomes more pragmatic and cautious, prioritizing self-preservation and loyalty to his friend Bert. He goes through a transformation from impulsive risk-taker to a more thoughtful and diplomatic character, ultimately finding a balance between loyalty and practicality. | The character arc for Nestor is well-developed, showing growth and complexity throughout the feature. However, there could be more consistency in his character traits and development. Some scenes portray him as impulsive and hot-headed, while others show him as cautious and diplomatic. This inconsistency can be confusing for the audience and weaken the overall impact of his arc. | To improve the character arc for Nestor, consider establishing clearer motivations and internal conflicts that drive his transformation. Focus on developing a consistent character arc that shows a gradual shift from impulsive to pragmatic, with specific events or interactions that trigger this change. Additionally, ensure that Nestor's actions and decisions align with his established traits and growth throughout the screenplay. |
Dale | Dale starts off as a carefree and fun-loving individual who enjoys socializing with his colleagues. However, as the story progresses, he is faced with ethical dilemmas and challenges that force him to confront his own values and priorities. Through a series of events, Dale learns the importance of honesty, integrity, and loyalty, ultimately transforming into a more self-aware and morally grounded individual who uses his wit and charm for the greater good. | While Dale's character arc is compelling and shows growth, it could benefit from more consistency in his development. The transitions between his carefree, humorous side and his more serious, ethical dilemmas could be smoother to create a more cohesive character journey. Additionally, exploring Dale's internal struggles and motivations in greater depth could add more depth and complexity to his arc. | To improve Dale's character arc, consider incorporating more internal monologues or moments of reflection to showcase his inner turmoil and growth. Develop key turning points in the story that challenge his beliefs and values, leading to a more gradual and believable transformation. Furthermore, ensure that Dale's actions and decisions align with his evolving character traits to create a more cohesive and impactful arc. |
Mina | Mina starts off as a woman driven by revenge and justice, seeking answers and taking action to find her missing husband. As the story progresses, she faces betrayal, loss, and a violent event that forces her to confront difficult truths and make tough decisions. Through these challenges, Mina undergoes a transformation, standing up for herself, confronting her inner conflicts, and ultimately finding a balance between her loyalty to her husband and her own desires. She emerges as a stronger, more resilient character who faces the consequences of her actions with courage and determination. | The character arc for Mina is well-developed, showing her growth and transformation throughout the feature. However, there could be more depth added to her inner conflicts and vulnerabilities to make her journey even more compelling and relatable to the audience. Additionally, providing more backstory or context to Mina's past and motivations could enhance the audience's understanding of her actions and decisions. | To improve the character arc for Mina, consider incorporating flashback scenes or dialogue that reveal more about her past experiences and how they have shaped her into the determined and resilient character she is. Explore her emotional journey more deeply, showing her struggles with betrayal, guilt, and inner conflicts in a way that allows the audience to empathize with her. Additionally, consider adding moments of self-reflection and growth for Mina, where she learns from her mistakes and evolves as a character throughout the feature. |
Boss-man | Boss-Man starts off as a charismatic and manipulative character who uses charm to get what he wants. As the story progresses, his true manipulative and ruthless nature is revealed, leading to a climax where his deceit and betrayal come to light. In the resolution, Boss-Man faces the consequences of his actions, ultimately losing the power and control he once held. | The character arc for Boss-Man is well-developed, showcasing his transformation from a charming manipulator to a ruthless betrayer. However, the arc could benefit from more nuanced moments of vulnerability and internal conflict to make Boss-Man a more complex and relatable character. | To improve the character arc, consider adding scenes that delve deeper into Boss-Man's motivations and inner turmoil. Show moments of doubt and conflict that humanize him and make his eventual downfall more impactful. Additionally, explore his relationships with other characters to add depth and complexity to his character development. |
Delores | Delores starts off as a strong-willed and outspoken character who is protective of her family. As the story progresses, she is faced with increasingly difficult choices that test her loyalty and bravery. Through a critical moment, Delores shows a surprising amount of courage and strength, ultimately solidifying her role as a fierce protector and matriarch of the family. | The character arc for Delores is well-developed, showcasing her evolution from a no-nonsense figure to a fierce protector. However, there could be more depth added to her internal struggles and emotional journey throughout the story. Delores' interactions with other characters could also be further explored to enhance her relationships and dynamics within the narrative. | To improve the character arc for Delores, consider delving deeper into her backstory and motivations, providing insight into what drives her fierce loyalty and protective instincts. Additionally, explore more nuanced interactions between Delores and the other characters to showcase her complexity and depth. Adding moments of vulnerability and growth for Delores can further enhance her character development and make her arc even more compelling. |
Theme | Theme Details | Theme Explanation | ||
---|---|---|---|---|
Betrayal (High%) | Betrayal is a prominent theme in the screenplay, as characters deceive and hurt each other in various ways. Examples include Bert discovering his wife's affair with Boss-Man, Nestor and Dale hiding the truth about winning the Powerball from Bert, and Mina's knowledge of the affair. | Betrayal drives the plot and character motivations, leading to conflicts and consequences throughout the screenplay. | ||
Strengthening Betrayal:
| ||||
Deception (High%) | Deception is prevalent in the screenplay, with characters lying, hiding information, and manipulating situations. Examples include Bert hiding the gun after the shooting, Nestor and Dale concealing their Powerball win from Bert, and Mina's secret knowledge of the affair. | Deception creates tension and conflict, driving the characters' actions and relationships in the screenplay. | ||
Greed (Medium%) | Greed is a recurring theme in the screenplay, as characters are motivated by money and power. Examples include the characters' reactions to winning the Powerball, Boss-Man's inappropriate advances towards Mina, and the tension surrounding the lottery winnings. | Greed influences character decisions and relationships, leading to conflicts and moral dilemmas throughout the screenplay. | ||
Infidelity (Medium%) | Infidelity plays a significant role in the screenplay, with characters engaging in extramarital affairs and betrayals. Examples include Bert's discovery of his wife's affair with Boss-Man, Mina's knowledge of the affair, and the tensions arising from these relationships. | Infidelity drives character motivations and relationships, leading to emotional turmoil and conflicts in the screenplay. | ||
Power (Medium%) | Power dynamics are explored in the screenplay, with characters vying for control and influence. Examples include Boss-Man's authority over his employees, Mina's manipulation of situations, and the struggles for power within relationships. | Power struggles shape character interactions and conflicts, highlighting the complexities of human relationships in the screenplay. | ||
Family (Low%) | Family relationships are present in the screenplay, with characters dealing with issues related to their relatives. Examples include Bert's interactions with his mother, Delores, and the revelations about his brother's involvement in the plot. | Family dynamics add depth to the characters and their motivations, influencing their decisions and actions in the screenplay. |
Screenwriting Resources on Themes
Articles
Site | Description |
---|---|
Studio Binder | Movie Themes: Examples of Common Themes for Screenwriters |
Coverfly | Improving your Screenplay's theme |
John August | Writing from Theme |
YouTube Videos
Title | Description |
---|---|
Story, Plot, Genre, Theme - Screenwriting Basics | Screenwriting basics - beginner video |
What is theme | Discussion on ways to layer theme into a screenplay. |
Thematic Mistakes You're Making in Your Script | Common Theme mistakes and Philosophical Conflicts |
Goals and Philosophical Conflict | |
---|---|
internal Goals | The protagonist, Bert's internal goal is to navigate a complex web of personal relationships, betrayal, and self-discovery. |
External Goals | Bert's external goal is to survive dangerous situations, protect his loved ones, and maintain a sense of control in a chaotic environment. |
Philosophical Conflict | The overarching philosophical conflict revolves around the clash between loyalty and betrayal, trust and deception, and the search for justice and closure in a world filled with moral ambiguity. |
Character Development Contribution: The protagonist's internal and external goals push him to confront his own values, beliefs, and actions, leading to personal growth, self-reflection, and a deeper understanding of his relationships and the world around him.
Narrative Structure Contribution: The goals and conflicts drive the plot forward, creating tension, suspense, and emotional depth in the narrative. They provide a framework for character interactions, plot twists, and thematic exploration.
Thematic Depth Contribution: The exploration of loyalty, betrayal, trust, and justice adds layers of complexity to the themes of relationships, morality, and personal responsibility. The characters' struggles with these conflicts deepen the emotional resonance and philosophical undertones of the screenplay.
Screenwriting Resources on Goals and Philosophical Conflict
Articles
Site | Description |
---|---|
Creative Screenwriting | How Important Is A Character’s Goal? |
Studio Binder | What is Conflict in a Story? A Quick Reminder of the Purpose of Conflict |
YouTube Videos
Title | Description |
---|---|
How I Build a Story's Philosophical Conflict | How do you build philosophical conflict into your story? Where do you start? And how do you develop it into your characters and their external actions. Today I’m going to break this all down and make it fully clear in this episode. |
Endings: The Good, the Bad, and the Insanely Great | By Michael Arndt: I put this lecture together in 2006, when I started work at Pixar on Toy Story 3. It looks at how to write an "insanely great" ending, using Star Wars, The Graduate, and Little Miss Sunshine as examples. 90 minutes |
Tips for Writing Effective Character Goals | By Jessica Brody (Save the Cat!): Writing character goals is one of the most important jobs of any novelist. But are your character's goals...mushy? |
Story Content | Character Development | Scene Elements | Audience Engagement | Technical Aspects | |||||||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Click for Full Analysis | Tone | Overall | Concept | Plot | Originality | Characters | Character Changes | Internal Goal | External Goal | Conflict | Opposition | High stakes | Story forward | Twist | Emotional Impact | Dialogue | Engagement | Pacing | Formatting | Structure | |
1 - Neighbors' Tension on July 4th Improve | Dramatic, Realistic, Intimate | 8 | 8 | 7 | 8 | 9 | 6 | 8 | 7 | 6 | 7 | 5 | 7 | 6 | 7 | 8 | 9 | 8 | 8 | 8 | |
2 - Morning Commute Improve | Light-hearted, Humorous, Nostalgic | 8 | 8 | 7 | 8 | 9 | 5 | 8 | 7 | 5 | 7 | 4 | 7 | 7 | 6 | 8 | 8 | 8 | 9 | 9 | |
3 - Deadline and Banter Improve | Sarcastic, Tense, Confrontational, Casual | 8 | 8 | 7 | 8 | 9 | 6 | 8 | 7 | 8 | 7 | 7 | 8 | 7 | 6 | 9 | 9 | 8 | 8 | 8 | |
4 - Office Dance Routine Improve | Humorous, Lighthearted, Playful | 8 | 8 | 7 | 9 | 9 | 5 | 8 | 7.5 | 6 | 8 | 5 | 7 | 8 | 6 | 8 | 9 | 8 | 8 | 8 | |
5 - Dusk Departure Improve | Light-hearted, Reflective, Playful | 8 | 8 | 7 | 8 | 8 | 5 | 8 | 7 | 5 | 7 | 4 | 7 | 7 | 6 | 7 | 9 | 8 | 8 | 8 | |
6 - The Mini-Van Banter Improve | Humorous, Confrontational, Casual | 8 | 7 | 7 | 9 | 9 | 4 | 8 | 7 | 6 | 7 | 4 | 7 | 7 | 5 | 9 | 9 | 8 | 8 | 8 | |
7 - Betrayal and Retaliation Improve | Tense, Angry, Heartbreaking, Intense | 9 | 9 | 8 | 9 | 9 | 8 | 9 | 8 | 9 | 9 | 9 | 8 | 8 | 10 | 8 | 9 | 9 | 8 | 8 | |
8 - Reactions to Gunshots and Powerball Win Improve | Tense, Emotional, Suspenseful | 8 | 8 | 8 | 8 | 7 | 8 | 8 | 7 | 9 | 8 | 8 | 8 | 8 | 9 | 7 | 8 | 9 | 9 | 9 | |
9 - Hidden Gun Improve | Tense, Suspenseful, Dramatic | 8 | 7 | 9 | 8 | 8 | 8 | 8 | 7 | 9 | 8 | 9 | 8 | 8 | 9 | 7 | 9 | 9 | 8 | 8 | |
10 - Confrontation and Dilemma Improve | Tense, Emotional, Suspenseful | 8 | 8 | 8 | 8.5 | 7 | 8 | 8 | 7.5 | 9 | 8 | 9 | 8 | 8 | 9 | 7 | 9 | 8.5 | 8 | 8 | |
11 - The Powerball Win Improve | Tense, Conspiratorial, Humorous | 8 | 8 | 8 | 9 | 9 | 7 | 8 | 7 | 8 | 8 | 9 | 9 | 8 | 8 | 9 | 9 | 9 | 8 | 8 | |
12 - Murderous Revelation Improve | Tense, Dramatic, Suspenseful, Confrontational | 9 | 8 | 9 | 9 | 8 | 8 | 8 | 7.5 | 9 | 8 | 9 | 9 | 9 | 9 | 9 | 9 | 8.5 | 8 | 8 | |
13 - Secrets and Suspicion Improve | Tense, Serious, Anxious | 8 | 8 | 9 | 8 | 8 | 8 | 8 | 7 | 9 | 8 | 9 | 9 | 9 | 9 | 9 | 9 | 8 | 8 | 8 | |
14 - Confrontation at Bert's House Improve | Tense, Suspenseful, Dramatic | 8 | 8 | 9 | 8 | 8 | 7 | 8 | 7.5 | 9 | 8 | 9 | 9 | 8 | 8 | 7 | 9 | 9 | 8 | 8 | |
15 - Confrontation in the Living Room Improve | Tense, Suspenseful, Confrontational, Dramatic | 8 | 8 | 8 | 9 | 9 | 7 | 8 | 7 | 9 | 8 | 9 | 8 | 8 | 8 | 9 | 9 | 9 | 8 | 8 | |
16 - Phone Toss Improve | Suspenseful, Intense, Dramatic | 8 | 8 | 8 | 8 | 7 | 6 | 8 | 7 | 9 | 8 | 9 | 9 | 7 | 8 | 6 | 9 | 9 | 9 | 9 | |
17 - Neighborly Mistake Improve | Tense, Emotional, Confrontational | 8 | 7 | 8 | 8 | 9 | 8 | 8 | 7 | 9 | 8 | 9 | 8 | 7 | 9 | 8 | 9 | 8 | 8 | 8 | |
18 - Confrontation and Suspicion Improve | Tense, Suspenseful, Dramatic | 9 | 8 | 9 | 8 | 8 | 8 | 8 | 7.5 | 9 | 8 | 9 | 9 | 8 | 9 | 7 | 9 | 8 | 8 | 8 | |
19 - Confrontation at Bert's House Improve | Tense, Dramatic, Suspenseful | 8 | 8 | 8 | 9 | 9 | 7 | 8 | 7.5 | 9 | 8 | 9 | 9 | 9 | 8 | 9 | 9 | 8.5 | 8 | 8 | |
20 - Revelations and Confrontations Improve | Tense, Confrontational, Suspenseful | 8 | 8 | 8 | 8 | 9 | 8 | 8 | 7 | 9 | 8 | 9 | 9 | 8 | 8 | 9 | 9 | 9 | 9 | 9 | |
21 - Tense Confrontation on Fourth of July Improve | Tense, Confrontational, Sarcastic, Serious | 8 | 8 | 8 | 8 | 8 | 7 | 8 | 7 | 9 | 7 | 9 | 9 | 8 | 8 | 9 | 9 | 8 | 8 | 8 | |
22 - Unwanted Advances Improve | Tense, Emotional, Suspenseful | 8 | 8 | 8 | 8 | 7 | 7 | 8 | 7 | 9 | 7 | 8 | 8 | 7 | 8 | 7 | 9 | 8 | 8 | 8 | |
23 - Confrontation and Reflection Improve | Tense, Emotional, Confrontational | 8 | 8 | 7 | 8 | 9 | 7 | 8 | 7 | 9 | 7 | 8 | 7 | 7 | 8 | 8 | 9 | 8 | 8 | 8 | |
24 - Family Tensions Improve | Tense, Reflective, Emotional | 8 | 8 | 7 | 9 | 9 | 7 | 8 | 7 | 7 | 7 | 6 | 7 | 7 | 9 | 8 | 9 | 8 | 8 | 8 | |
25 - Seeking Acknowledgement Improve | Tense, Reflective, Confrontational, Humorous | 8 | 8 | 7 | 9 | 9 | 7 | 8 | 7 | 8 | 8 | 7 | 8 | 7 | 8 | 9 | 9 | 8 | 8 | 8 | |
26 - Undercover Operation Improve | Tense, Conspiratorial, Contemplative | 8 | 8 | 8 | 8 | 7 | 7 | 8 | 7 | 9 | 8 | 9 | 9 | 8 | 8 | 7 | 9 | 8 | 8 | 8 | |
27 - Contemplating Truth Improve | Tense, Serious, Emotional | 8 | 8 | 7 | 9 | 9 | 8 | 8 | 7.5 | 7 | 8 | 8 | 7 | 9 | 9 | 8 | 9 | 8.5 | 8 | 8 | |
28 - Unexpected Decision Improve | Tense, Reflective, Serious, Somber | 8 | 8 | 8 | 9 | 9 | 8 | 8 | 7.5 | 9 | 8 | 9 | 9 | 9 | 8 | 9 | 9 | 9 | 8 | 8.5 | |
29 - The Powerball Dilemma Improve | Tense, Confrontational, Dark | 8 | 8 | 8 | 9 | 8 | 7 | 8 | 7.5 | 9 | 8 | 8 | 9 | 9 | 8 | 9 | 9 | 8.5 | 8 | 8 | |
30 - Tense Standoff in Bert's Kitchen Improve | Tense, Sarcastic, Intense, Suspenseful | 9 | 8 | 9 | 9 | 8 | 7 | 8 | 7 | 9 | 8 | 9 | 9 | 8 | 8 | 9 | 9 | 8 | 8 | 8 | |
31 - Powerball Tension Improve | Tense, Suspenseful, Confrontational | 8 | 8 | 8 | 8 | 7 | 7 | 8 | 7 | 9 | 7 | 9 | 9 | 7 | 8 | 9 | 9 | 8 | 8 | 8 | |
32 - Unexpected Visitor Improve | Tense, Suspenseful, Anxious | 8 | 7 | 8 | 8 | 8 | 6 | 8 | 7 | 8 | 8 | 8 | 9 | 7 | 7 | 7 | 9 | 9 | 8 | 8 | |
33 - Dangerous Encounters Improve | Tense, Suspenseful, Dramatic, Mysterious | 8 | 8 | 7 | 9 | 8 | 7 | 8 | 7.5 | 9 | 8 | 9 | 8 | 9 | 7 | 7 | 9 | 8.5 | 8.5 | 8 | |
34 - Revelations and Tensions Improve | Tense, Suspenseful, Confrontational, Dramatic | 9 | 8 | 9 | 9 | 9 | 8 | 8 | 7.5 | 9 | 8 | 9 | 9 | 9 | 8 | 9 | 9 | 8.5 | 8 | 8 | |
35 - Powerball Peril Improve | Tense, Suspenseful, Dramatic, Intense | 9 | 9 | 9 | 9 | 9 | 8 | 8 | 7 | 9 | 8 | 9 | 9 | 9 | 9 | 9 | 9 | 8 | 8 | 8 | |
36 - Backyard Brawl Improve | Intense, Confrontational, Violent | 8 | 8 | 7 | 9 | 8 | 7 | 8 | 7 | 9 | 8 | 9 | 8 | 8 | 8 | 7 | 9 | 8 | 8 | 8 | |
37 - Confrontation and Liberation Improve | Tense, Emotional, Confrontational | 8 | 7 | 8 | 9 | 9 | 8 | 8 | 7 | 9 | 8 | 8 | 9 | 8 | 9 | 8 | 9 | 8 | 8 | 8 | |
38 - Fight for the Powerball Ticket Improve | Intense, Violent, Confrontational | 8 | 8 | 7 | 9 | 9 | 7 | 8 | 7 | 9 | 8 | 9 | 8 | 7 | 8 | 7 | 9 | 9 | 8 | 8 | |
39 - Chaos and Gunfire Improve | Intense, Suspenseful, Dramatic, Violent | 9 | 9 | 8 | 8 | 8 | 7 | 8 | 7 | 9 | 8 | 10 | 9 | 8 | 8 | 7 | 9 | 9 | 9 | 9 | |
40 - Chaos in the Kitchen Improve | Intense, Suspenseful, Dramatic | 9 | 8 | 9 | 9 | 8 | 7 | 8 | 7.5 | 9 | 8 | 9 | 9 | 9 | 8 | 7 | 9 | 9 | 8 | 8 | |
41 - Tense Standoff in the Kitchen and Backyard Improve | Tense, Emotional, Suspenseful, Dramatic | 8 | 8 | 9 | 8 | 8 | 7 | 8 | 7.5 | 9 | 8 | 9 | 9 | 9 | 8 | 7 | 9 | 8.5 | 8 | 8 | |
42 - Reconciliation by the Infinity Pool Improve | Tense, Chaotic, Humorous, Reflective | 8 | 8 | 8 | 9 | 7 | 7 | 8 | 7 | 9 | 8 | 9 | 9 | 8 | 8 | 7 | 9 | 8 | 8 | 8 |
Summary of Scene Level Analysis
Here are some things that came out of the scene level analysis.
This is a summary of the strengths, weaknesses, and suggestions found in each scene. Some things might appear in both strengths and weaknesses based on the variety of your scenes.
For summary of each criteria click in the top row on the criteria.
Scene Strengths
- Intense dialogue
- Tension-building
- Emotional depth
- Strong character development
- Compelling plot twists
Scene Weaknesses
- Limited character development
- Low external stakes
- Some cliched dialogue
- Slightly predictable plot twists
- Some dialogue may be overly dramatic
Suggestions
- Focus on developing characters further, especially female characters to avoid potential stereotypical portrayal.
- Consider introducing higher external stakes to increase tension and conflict.
- Strengthen dialogue by avoiding cliched or melodramatic lines and make it more concise.
- Introduce more unpredictability in plot twists to avoid predictability.
- Avoid excessive violence and potentially triggering content to widen the audience.
Scene 1 - Neighbors' Tension on July 4th
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 2 - Morning Commute
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 3 - Deadline and Banter
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 4 - Office Dance Routine
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 5 - Dusk Departure
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 6 - The Mini-Van Banter
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 7 - Betrayal and Retaliation
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 8 - Reactions to Gunshots and Powerball Win
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 9 - Hidden Gun
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 10 - Confrontation and Dilemma
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 11 - The Powerball Win
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 12 - Murderous Revelation
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 13 - Secrets and Suspicion
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 14 - Confrontation at Bert's House
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 15 - Confrontation in the Living Room
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 16 - Phone Toss
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 17 - Neighborly Mistake
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 18 - Confrontation and Suspicion
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 19 - Confrontation at Bert's House
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 20 - Revelations and Confrontations
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 21 - Tense Confrontation on Fourth of July
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 22 - Unwanted Advances
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 23 - Confrontation and Reflection
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 24 - Family Tensions
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 25 - Seeking Acknowledgement
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 26 - Undercover Operation
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 27 - Contemplating Truth
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 28 - Unexpected Decision
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 29 - The Powerball Dilemma
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 30 - Tense Standoff in Bert's Kitchen
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 31 - Powerball Tension
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 32 - Unexpected Visitor
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 33 - Dangerous Encounters
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 34 - Revelations and Tensions
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 35 - Powerball Peril
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 36 - Backyard Brawl
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 37 - Confrontation and Liberation
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 38 - Fight for the Powerball Ticket
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 39 - Chaos and Gunfire
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 40 - Chaos in the Kitchen
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 41 - Tense Standoff in the Kitchen and Backyard
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 42 - Reconciliation by the Infinity Pool
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene by Scene Emotions
suspense Analysis
Executive Summary
Suspense is effectively woven throughout the screenplay, particularly in scenes involving confrontations and revelations. The buildup of tension keeps the audience engaged, especially as characters navigate precarious situations. However, there are moments where the suspense could be heightened further to maintain a consistent level of engagement.
Usage Analysis
Critique
Suggestions
Questions for AI
fear Analysis
Executive Summary
Fear is a prominent emotion in the screenplay, particularly in scenes involving violence and betrayal. The portrayal of fear effectively heightens the stakes for the characters, making their struggles more relatable. However, there are opportunities to deepen the emotional impact of fear in certain scenes.
Usage Analysis
Critique
Suggestions
Questions for AI
joy Analysis
Executive Summary
Joy is present in the screenplay, primarily during moments of connection and celebration among characters. These moments provide a necessary contrast to the darker themes of betrayal and violence. However, the joy could be more pronounced in certain scenes to enhance emotional depth.
Usage Analysis
Critique
Suggestions
Questions for AI
sadness Analysis
Executive Summary
Sadness is a pervasive emotion in the screenplay, deeply intertwined with themes of betrayal, loss, and regret. The portrayal of sadness effectively resonates with the audience, enhancing the emotional weight of the narrative. However, there are opportunities to deepen the exploration of sadness in certain scenes.
Usage Analysis
Critique
Suggestions
Questions for AI
surprise Analysis
Executive Summary
Surprise plays a crucial role in the screenplay, particularly in moments of revelation and unexpected character actions. The effective use of surprise keeps the audience engaged and heightens emotional stakes. However, there are opportunities to enhance the impact of surprise in certain scenes.
Usage Analysis
Critique
Suggestions
Questions for AI
empathy Analysis
Executive Summary
Empathy is a central emotion in the screenplay, allowing the audience to connect deeply with the characters' struggles and emotional journeys. The portrayal of empathy enhances the narrative's emotional depth, making the characters' experiences relatable. However, there are opportunities to deepen the exploration of empathy in certain scenes.
Usage Analysis
Critique
Suggestions
Questions for AI