Missing Clayton
When a young boy goes missing, his single mother must navigate a complex investigation, her estranged relationship with her husband, and a dangerous confrontation with the disturbed man who has taken her son.
See other logline suggestionsOverview
Unique Selling Point
This gripping screenplay delves into the heart-wrenching journey of a mother desperate to find her missing son, weaving a complex tapestry of family dynamics, suspenseful twists, and raw emotions. Unlike other thrillers, this story shines a spotlight on the authentic, intimate struggles of everyday characters, captivating audiences with its realistic dialogue and nuanced portrayal of fear, love, and resilience. The script promises a rollercoaster of emotional highs and lows, leaving audiences on the edge of their seats as they root for Jenny's courage and the eventual reunion of a family torn apart by tragedy.
AI Verdict & Suggestions
Ratings are subjective. So you get different engines’ ratings to compare.
Claude
Recommend
Recommend
Gemini
Consider
Consider
GPT4
Consider
Consider
Story Facts
Genres: Drama, Mystery, Thriller, Crime, Family, Slice of Life
Setting: Present day, Scottsville, a small town in a rural setting
Themes: Parental Protection, Misjudgment and Prejudice, Resilience and Overcoming Adversity
Conflict & Stakes: Jenny's desperate search for her missing son, Clayton, with her relationship with Ray, the police's skepticism, and a growing sense of danger escalating the stakes. Jenny faces the threat of a possible wrongful accusation while navigating the complexities of single parenthood and the fear of losing her son.
Mood: Suspenseful, tense, and emotionally charged
Standout Features:
- Unique Hook: The screenplay incorporates a unique blend of genres, including suspense thriller, mystery, and family drama. This mix of elements could create a compelling narrative and appeal to diverse audiences.
- Plot Twist: The identity of the antagonist, Tyrell Watson, as the school janitor, adds a surprising twist to the storyline, subverting audience expectations. His motivation and disturbing actions add a layer of suspense and intrigue.
- Distinctive Setting: The small-town setting of Scottsville provides a unique backdrop for the suspenseful narrative, allowing for a claustrophobic and isolated atmosphere that enhances the tension and intrigue.
- Unique Character: The character of Steve Townsend, with his troubled past and desire to clear his name, provides a compelling counterpoint to the central conflict. His complex motivations and connection to the antagonist add a layer of intrigue and mystery.
- Innovative Idea: The exploration of themes like wrongful accusations and the dark side of small-town life provide a fresh perspective on the typical suspense thriller genre. The screenplay explores the complexities of human nature and the consequences of prejudice and suspicion.
Comparable Scripts: Taken (2008), The Silence of the Lambs (1991), Room (2015), The Sixth Sense (1999), The Missing (2003), The Lovely Bones (2009)
Screenplay Video
The video is a bit crude as the tool is still Alpha code. Contact us if there's a problem or with suggestions.
Script Level Analysis
This section delivers a top-level assessment of the screenplay’s strengths and weaknesses — covering overall quality (P/C/R/HR), character development, emotional impact, thematic depth, narrative inconsistencies, and the story’s core philosophical conflict. It helps identify what’s resonating, what needs refinement, and how the script aligns with professional standards.
Screenplay Insights
Story Critique
Big-picture feedback on the story’s clarity, stakes, cohesion, and engagement.
Characters
Explores the depth, clarity, and arc of the main and supporting characters.
Emotional Analysis
Goals and Philosophical Conflict
Evaluates character motivations, obstacles, and sources of tension throughout the plot.
Logic & Inconsistencies
Highlights any contradictions, plot holes, or logic gaps that may confuse viewers.
Scene Analysis
All of your scenes analyzed individually and compared, so you can zero in on what to improve.
Scene-Level Percentile Chart
Hover over the graph to see more details about each score.
This screenplay has strong emotional impact but struggles with character development, dialogue, and plot. The writer appears intuitive, emphasizing emotional resonance over complex plot mechanics. Focusing on these areas will significantly elevate the screenplay's overall appeal.
Go to Scene Analysis
Analysis of the Scene Percentiles
Key Strengths
Note: The ratings are the averages of all the scenes.
- The screenplay's emotional impact is a major strength, ranking in the 90th percentile. This suggests the writer is skilled at creating engaging and emotionally resonant scenes.
- The screenplay also excels in its stakes, ranking in the 68th percentile. This indicates the writer effectively establishes the importance of the story's central conflict.
- Character development needs significant attention, ranking in the 23rd percentile. Consider exploring character motivations and backstories in greater depth to make them more compelling and relatable.
- Dialogue is another area for improvement, ranking in the 22nd percentile. Focus on crafting dialogue that is natural, engaging, and contributes to the story's advancement.
- The screenplay's concept and plot are also relatively weak, ranking in the 31st and 52nd percentiles respectively. Experiment with more unique and original concepts, and ensure the plot unfolds in a clear and engaging way.
- The originality score is low, indicating the concept may be unoriginal or too similar to other works. Consider exploring unique ideas or putting a fresh spin on familiar themes.
The screenplay shows potential for a strong emotional impact but requires strengthening character development and dialogue. The writer may be more intuitive, focused on creating powerful emotional moments rather than intricate plots.
Balancing Elements- The writer should focus on balancing the strong emotional impact with more engaging character development and dialogue to create a more cohesive and compelling narrative.
- Explore ways to elevate the concept and plot while retaining the screenplay's emotional depth to create a truly engaging and original story.
The writer appears to be more intuitive, prioritizing emotional impact over complex plot development. However, a balanced approach, incorporating strong character development and plot, would significantly enhance the screenplay's overall potential.
Overall AssessmentThe screenplay has potential due to its strong emotional impact and stakes but needs significant improvement in character development, dialogue, and plot to reach its full potential. Addressing these areas would create a more well-rounded and engaging story.
How this was done: Each criteria is ranked in comparison to scripts in our Vault
(such as The Matrix, Breaking Bad, etc.) This allows you to see where you stand compared to other
produced scripts for each criteria.
How scenes compare to the Scripts in our Library
|
|
|
Percentile | Before | After |
|---|---|---|---|---|
| Scene Emotional Impact | 8.6 | 89 | Dune Part Two: 8.5 | Casablanca: 8.6 |
| Script Structure | 8.31 | 81 | Dune Part Two: 8.30 | a few good men: 8.31 |
| Scene Internal Goal | 8.17 | 79 | LA confidential - draft: 8.16 | a few good men: 8.17 |
| Scene Formatting | 8.33 | 73 | El Mariachi: 8.31 | Stranger Things: 8.36 |
| Scene High Stakes | 8.2 | 73 | Ex-Machina: 8.1 | Titanic: 8.2 |
| Scene External Goal | 7.29 | 59 | The King's speech: 7.28 | Gran Torino: 7.29 |
| Scene Conflict Level | 7.8 | 59 | Birdman: 7.7 | Spy kids: 7.8 |
| 1 | 50 | - | Get Out: 1 | |
| 1 | 50 | - | Get Out: 1 | |
| Scene Plot | 8.0 | 48 | Triangle of sadness: 7.9 | True Blood: 8.0 |
| Scene Character Changes | 7.0 | 46 | Zootopia: 6.9 | the pursuit of happyness: 7.0 |
| Scene Story Forward | 8.0 | 41 | Silicon Valley: 7.9 | severance (TV): 8.0 |
| Scene Overall | 8.3 | 40 | The Umbrella Academy: 8.2 | fight Club: 8.3 |
| Scene Pacing | 8.18 | 36 | Jojo rabbit: 8.17 | True Blood: 8.18 |
| Scene Engagement | 8.88 | 28 | American Fiction: 8.87 | Stranger Things: 8.88 |
| Scene Unpredictability | 7.21 | 26 | A Complete Unknown: 7.20 | Joker: 7.21 |
| Scene Concept | 7.9 | 20 | 500 days of summer: 7.8 | The Wolf of Wall Street: 7.9 |
| Script Originality | 7.40 | 18 | Silicon Valley: 7.30 | Terminator 2: 7.40 |
| Scene Characters | 8.0 | 18 | Narcos Pilot: 7.9 | Knives Out: 8.0 |
| Scene Dialogue | 7.4 | 18 | Inside Out: 7.3 | face/off: 7.4 |
| Scene Originality | 8.14 | 17 | The father: 7.96 | A real pain : 8.21 |
| Script Characters | 7.40 | 10 | Silicon Valley: 7.30 | glass Onion Knives Out : 7.40 |
| Script Conflict | 6.80 | 6 | Anora: 6.60 | fight Club: 6.80 |
| Script Emotional Impact | 6.60 | 4 | Fear and loathing in Las Vegas: 6.50 | Mulholland Drive: 6.60 |
| Script Theme | 7.40 | 4 | Ted: 7.20 | the pursuit of happyness: 7.40 |
| Script Visual Impact | 6.50 | 3 | Le souvenir des belles choses: 6.40 | Cruel Intentions: 6.60 |
| Script Premise | 6.60 | 2 | Inside Out: 6.50 | Mulholland Drive: 6.60 |
| Script Structure | 6.60 | 1 | Clerks: 5.90 | Midsommar: 6.60 |
| Overall Script | 6.91 | 0 | - | Hors de prix: 7.00 |
Other Analyses
This section looks at the extra spark — your story’s voice, style, world, and the moments that really stick. These insights might not change the bones of the script, but they can make it more original, more immersive, and way more memorable. It’s where things get fun, weird, and wonderfully you.
Unique Voice
Assesses the distinctiveness and personality of the writer's voice.
Writer's Craft
Analyzes the writing to help the writer be aware of their skill and improve.
Memorable Lines
Spotlights standout dialogue lines with emotional or thematic power.
World Building
Evaluates the depth, consistency, and immersion of the story's world.
Unique Voice
Assesses the distinctiveness and personality of the writer's voice.
Writer's Craft
Analyzes the writing to help the writer be aware of their skill and improve.
Memorable Lines
Spotlights standout dialogue lines with emotional or thematic power.
World Building
Evaluates the depth, consistency, and immersion of the story's world.
Engine: Claude
Screenplay Rating:
Recommend
Executive Summary
The screenplay for 'Missing Clayton' is a compelling family drama with elements of suspense and thriller. It centers around a single mother, Jenny, whose young son goes missing, and the subsequent investigation and search efforts to find him. The script effectively develops the characters, particularly Jenny and her relationship with her estranged husband Ray, as well as her neighbor Steve, who becomes an important ally. The pacing is strong, with a well-structured narrative that builds tension and drama. While there are a few areas that could use further development, such as the motivations of the antagonist Tyrell, the overall screenplay is well-crafted and would likely appeal to a broad audience seeking an engaging and emotional story.
Strengths
- The script effectively establishes the close bond between Jenny and her son Clayton, particularly through their interactions and the details of their daily life. This helps to make the stakes of Clayton's disappearance more emotionally resonant for the audience. high ( Scene 2 (EXT. JENNY'S BACKYARD - DAY) Scene 6 (EXT. JENNY'S BACK PORCH - DAY) )
- The script does a great job of developing the supporting character of Steve Townsend, Jenny's neighbor, and exploring his own backstory and complicated relationship with the local police. This adds depth and complexity to the story. medium ( Scene 7 (EXT. STREET IN FRONT OF JENNY'S HOUSE - DAY) Scene 21 (INT. STEVE TOWNSEND'S LIVING ROOM - NIGHT) )
- The script effectively portrays the strained relationship between Jenny and her mother Gladys, which adds an additional layer of emotional complexity to Jenny's journey. Their interactions feel authentic and help to flesh out Jenny's character. medium ( Scene 11 (INT. JENNY'S KITCHEN - DAY) Scene 14 (INT. JENNY'S LIVING ROOM - NIGHT) )
Areas of Improvement
- The interrogation scene with Steve Townsend could be strengthened to provide more insight into his character and motivations. While the scene establishes his past involvement in a kidnapping case, it could delve deeper into how this has shaped him and his relationship with the local police. medium ( Scene 10 (INT. POLICE STATION - INTERROGATION ROOM) )
- The media interview scene could be expanded to further develop the public's perception of the case and the Kingsley family. This could help to create a stronger sense of the broader social and community context surrounding the disappearance. medium ( Scene 13 (INT. JENNY'S LIVING ROOM - DAY) )
MissingElements
- The script could benefit from providing more insight into the antagonist Tyrell's motivations and backstory. While his actions are clear, a deeper understanding of what drives him and why he targeted the Kingsley family could strengthen the narrative. medium ( Scene 9 (INT. TYRELL'S CABIN - DAY) )
NotablePoints
- The inclusion of the psychic's phone call to Jenny is an interesting narrative choice that adds an element of the supernatural to the story. While this could be seen as a divisive plot point, it effectively heightens the sense of mystery and suspense surrounding Clayton's disappearance. medium ( Scene 29 (INT. JENNY'S BEDROOM - NIGHT) )
- The intense, climactic confrontation between Tyrell, Jenny, and Clayton is a well-executed sequence that builds tension and suspense. The use of elements like the fire and the storm adds to the drama and heightens the stakes for the characters. high ( Scene 40 (INT. TYRELL'S CABIN - DAY) )
Blind Spots
- Character Development While the script does a strong job of developing the main characters of Jenny, Clayton, and Steve, the antagonist Tyrell could use more depth and exploration of his backstory and motivations. The script focuses primarily on his actions and their impact on the other characters, but providing more insight into what drives him and why he targeted the Kingsley family could make him a more compelling and well-rounded villain. medium
Amateur Giveaways
- Exposition In a few instances, the script relies on a bit too much expository dialogue to convey information, such as the scene where Officer Charlton explains the details of the police investigation to Jenny. While this information is necessary, it could be woven more seamlessly into the dialogue or presented in a more dynamic way to avoid feeling overly explanatory. low
Engine: Gemini
Screenplay Rating:
Consider
Executive Summary
Missing Clayton has the potential to be a gripping thriller, but it needs more development. The story is strong, but the pacing is uneven and the character motivations are not fully explored. The narrative is engaging, but the screenplay would benefit from streamlining and a more nuanced exploration of its themes. While the screenplay shows promise, it needs further refinement to reach its full potential.
Strengths
- The screenplay effectively builds suspense throughout. The tension mounts as Jenny searches for Clayton, leading the audience to suspect various characters and creating a sense of uncertainty. The dramatic climax, where Jenny finds Clayton with Tyrell, is suspenseful and engaging. high ( Scene 7 Scene 14 Scene 21 Scene 31 Scene 39 Scene 41 )
- The use of physical action, particularly Jenny's kickboxing, provides a visual contrast to the emotional turmoil of the story, adding depth to her character and showcasing her resilience. medium ( Scene 2 Scene 5 Scene 6 Scene 12 Scene 29 Scene 30 )
- The screenplay does a good job of establishing a sense of isolation and vulnerability for Jenny. The focus on her emotional state, her reliance on Steve, and her interactions with the townspeople underscores her isolation and makes the audience connect with her struggles. high ( Scene 14 )
- The inclusion of subplots, such as the police investigation and the introduction of other characters like Bill Clements and his bloodhound, adds layers to the story, making it more complex and intriguing. medium ( Scene 23 Scene 38 )
- The ending is satisfying and provides a sense of closure, with Clayton safely returned to Jenny and Steve emerging as a hero figure. The resolution, while somewhat predictable, still delivers a sense of hope and justice. medium ( Scene 41 )
Areas of Improvement
- The pacing in the first few sequences is slow. The introduction of Jenny and Clayton is drawn out. A more immediate introduction to the threat could add to the sense of urgency and enhance the overall impact of the story. high ( Scene 1 Scene 2 Scene 3 Scene 4 Scene 5 )
- The screenplay could benefit from a more detailed exploration of Jenny's character arc. While her emotional distress is evident, her growth and resilience are not fully developed. Her relationship with Steve could be further explored, adding a layer of complexity to her journey. high ( Scene 2 Scene 6 Scene 12 Scene 29 Scene 30 )
- The screenplay relies heavily on dialogue and internal monologues to convey character motivations. Adding more visual storytelling elements, such as subtle facial expressions, body language, and actions, could enhance the emotional depth and understanding of the characters. medium ( Scene 20 Scene 24 Scene 25 Scene 26 Scene 27 Scene 32 )
- The character of Gladys is underdeveloped and somewhat stereotypical. A more nuanced portrayal of her motivations and relationship with Jenny would provide a more complex and engaging dynamic. medium ( Scene 11 Scene 17 Scene 19 Scene 24 Scene 37 )
- The inclusion of red herrings, like Tyrell’s wife and the possibility that Steve took the child, creates confusion and detracts from the main narrative. A tighter focus on the key suspects, perhaps a more direct indication of Tyrell’s involvement early in the story, would streamline the plot and increase the overall impact. medium ( Scene 36 Scene 37 )
MissingElements
- The screenplay lacks a clear sense of setting. While the town of Scottsville is mentioned, there is little to no description of the physical environment or the cultural atmosphere. A more detailed and immersive setting would enhance the reader's understanding of the story and its characters. medium ( Scene 1 Scene 2 Scene 3 Scene 4 Scene 5 )
- The screenplay could benefit from a more developed portrayal of the relationship between Jenny and Clayton. While their love for each other is evident, their interactions lack a deeper sense of connection and intimacy. Adding scenes that showcase their everyday life and moments of tenderness would deepen the emotional impact of their story. medium ( Scene 4 Scene 5 )
- The screenplay could benefit from a more nuanced exploration of Steve's character. While his history with Roberts is revealed, his motivations and relationship with Jenny are not fully explored. Adding scenes that delve into his past and his feelings for Jenny would create a more compelling and layered character. medium ( Scene 16 Scene 26 Scene 30 Scene 31 )
- The screenplay lacks a clear sense of time. While the events occur over a few days, there is no clear indication of the passing of time. A more precise timeframe would enhance the sense of urgency and provide a clearer understanding of the narrative flow. medium ( Scene 22 Scene 24 Scene 25 Scene 36 )
- The screenplay could benefit from a more developed exploration of the relationship between Tyrell and Clayton. While it's clear that Tyrell is the kidnapper, the nature of their interaction is unclear. Adding scenes that delve into their relationship and the reasons behind the kidnapping would create a more complex and nuanced antagonist. medium ( Scene 38 Scene 39 )
NotablePoints
- The opening scene establishes the quiet, seemingly ordinary setting of Scottsville, which creates a stark contrast with the suspenseful events that unfold. This sets the stage for a story that explores the darker side of seemingly peaceful communities. high ( Scene 1 )
- The screenplay cleverly uses the punching bag as a recurring motif, symbolizing Jenny's pent-up frustration, her fight against the darkness, and her gradual growth in strength and resilience. This visual element adds a layer of depth and complexity to her character arc. medium ( Scene 4 Scene 5 Scene 6 Scene 12 Scene 29 Scene 30 Scene 36 )
- The screenplay uses the element of storm and rain as a recurring motif, reflecting the emotional turmoil and uncertainty faced by the characters. The storms, often coinciding with significant events in the narrative, add an atmospheric quality and emphasize the suspenseful nature of the story. medium ( Scene 18 Scene 23 Scene 24 Scene 37 Scene 39 )
- The screenplay effectively utilizes the element of a mysterious intruder, adding a layer of suspense and leaving the audience questioning the intentions of the unknown person. This subplot creates a sense of unease and reinforces the feeling of vulnerability within the story. medium ( Scene 31 Scene 32 Scene 33 )
- The ending scene is heartwarming and hopeful, showcasing the resilience of the characters and highlighting the importance of community support. This provides a satisfying conclusion and a positive message for the audience. medium ( Scene 42 )
Blind Spots
- Character Motivation The motivations of some characters, especially the antagonist, Tyrell, are not fully explained. While his actions suggest a desire for revenge or a twisted need for a family, this is not explicitly explored. This lack of clarity makes him seem less compelling and leaves the audience with unanswered questions. high
- Storytelling Pacing The screenplay’s pacing is inconsistent. The first half of the story feels slow and lacks a sense of urgency. The second half, however, accelerates dramatically, creating a jarring shift in tone and pace. This uneven pacing can make the story feel disjointed and detract from the overall impact. medium
Amateur Giveaways
- Dialogue The dialogue is often stilted and expository, especially in scenes where characters are conveying information to the audience. There are instances where characters directly tell each other what they already know. This makes the dialogue feel unnatural and less engaging. medium
- Character Portrayal Some characters, especially Gladys, appear as caricatures or stereotypes rather than fully realized individuals. Their dialogue and actions feel predictable, lacking complexity and depth. A more nuanced portrayal of these characters would make the story more believable and engaging. medium
- Plot Structure The inclusion of red herrings and subplots, while aiming to add complexity, can feel distracting and unnecessary. The screenplay could benefit from a tighter focus on the core narrative, ensuring that all plot elements contribute to the main story's resolution. medium
Engine: GPT4
Screenplay Rating:
Consider
Executive Summary
Missing Clayton is a compelling drama that explores the emotional turmoil of a mother searching for her missing son. The screenplay excels in character development and emotional depth, but it could benefit from tighter pacing and more consistent thematic elements. The narrative is engaging, but some plot points feel unresolved, and the climax could be more impactful.
Strengths
- The screenplay sets a strong emotional tone from the beginning, establishing the close bond between Jenny and Clayton. high ( Scene 1 )
- Jenny's character development is well-handled, showing her growth from a timid woman to a determined mother. high ( Scene 6 )
- The introduction of the bloodhound Missy adds a unique element to the search, showcasing the screenplay's attention to detail. medium ( Scene 10 )
- The climax is intense and emotionally charged, providing a satisfying resolution to the main conflict. high ( Scene 40 )
- The final scene offers a heartwarming conclusion, reinforcing the themes of family and resilience. medium ( Scene 42 )
Areas of Improvement
- The pacing in the middle sections drags, with some scenes feeling repetitive and slowing down the narrative. high ( Scene 9 )
- Some plot points, such as the psychic's call, feel underdeveloped and could be more integrated into the main narrative. medium ( Scene 25 )
- The antagonist's motivations are not fully explored, making his actions feel somewhat arbitrary. medium ( Scene 34 )
- The resolution of the subplot involving Steve's past feels rushed and could benefit from more development. medium ( Scene 37 )
- The climax could be more impactful with higher stakes and more tension. high ( Scene 41 )
MissingElements
- A deeper exploration of the small-town dynamics and how the community reacts to Clayton's disappearance. medium ( Scene general )
- More backstory on the antagonist to understand his motivations and actions better. medium ( Scene general )
- A clearer resolution for the subplot involving Jenny's relationship with her mother. low ( Scene general )
- More scenes showing the impact of Clayton's disappearance on the broader community. medium ( Scene general )
- A stronger thematic consistency throughout the screenplay. high ( Scene general )
NotablePoints
- The screenplay effectively establishes the setting and main characters in the opening scenes. high ( Scene 1 )
- Jenny's character arc is compelling and well-developed. high ( Scene 6 )
- The use of the bloodhound Missy adds a unique and engaging element to the search. medium ( Scene 10 )
- The climax is intense and emotionally satisfying. high ( Scene 40 )
- The final scene provides a heartwarming conclusion. medium ( Scene 42 )
Blind Spots
- Character Motivation The antagonist's motivations are not fully explored, making his actions feel somewhat arbitrary. For example, Tyrell Watson's reasons for kidnapping Clayton are not clearly explained. medium
Amateur Giveaways
- Pacing Issues The screenplay has sections where the pacing drags, particularly in the middle. This can make the narrative feel slow and repetitive. high
- Underdeveloped Subplots Some subplots, such as the psychic's call and Steve's past, feel underdeveloped and could be more integrated into the main narrative. medium
Screenplay Insights:
Overall Grade: 6.91
Characters: 7.4, The screenplay's character development demonstrates a strong foundation, showcasing relatable characters with distinct personalities and compelling arcs, particularly for Jenny, Clayton, and Steve. However, there are opportunities to enhance the complexity of Ray and Gladys, particularly by exploring their motivations and inner conflicts more deeply. Additionally, further development of the antagonist, Tyrell, could create a more compelling and layered conflict. See More
Premise: 6.6, The screenplay's premise, a missing child investigation with twists and a potential villain within the community, is a common trope in thriller and mystery genres, yet it showcases an engaging potential with complex character dynamics and escalating suspense. The screenplay relies heavily on the audience's investment in the characters and their arcs, which appear well-developed and intriguing. Strengthening the initial hook and establishing a clear, unique element in the premise could heighten the overall intrigue and engagement. See More
Structure: 6.6, This screenplay boasts a compelling premise with an engaging mystery, but requires structural and plot refinement for optimal impact. The narrative is driven by the missing child's storyline and benefits from a well-defined cast of characters. However, the pacing suffers from a slow start and some plot inconsistencies that detract from the overall narrative flow. With targeted revisions, the story's inherent potential can be fully realized. See More
Theme: 7.4, The screenplay effectively establishes themes of family, resilience, and the complexities of human nature, but it could benefit from deepening the exploration of those themes through character development and nuanced dialogue. The screenplay effectively explores the emotional toll of a child's disappearance, but the thematic resolution feels somewhat rushed and could be further developed. See More
Visual Impact: 6.5, The screenplay showcases a solid foundation for visual storytelling with compelling descriptions that evoke the setting and characters' emotions. However, it could benefit from more nuanced visual details and strategic use of visual metaphors to deepen the emotional impact and enhance the overall visual richness of the narrative. See More
Emotional Impact: 6.6, The screenplay effectively utilizes tension and suspense to create a sense of unease and concern for the characters, particularly Jenny. However, the emotional depth could be enhanced by exploring the characters' inner journeys and developing more complex emotional arcs. The screenplay also benefits from incorporating moments of emotional vulnerability, silence, and reflection to amplify the impact of key scenes. See More
Conflict: 6.8, The screenplay successfully establishes a central conflict revolving around the missing child, Clayton. However, while the stakes are initially high, their escalation and impact on the characters could be amplified for greater narrative tension and audience engagement. See More
Originality: 7.4, The screenplay demonstrates originality and creativity in its character development and thematic depth, offering a unique perspective on the struggles of single motherhood and the impact of trauma on a family. The use of unconventional narrative techniques adds to the story's intrigue, making it a compelling read. See More
Characters: 7.4, The screenplay's character development demonstrates a strong foundation, showcasing relatable characters with distinct personalities and compelling arcs, particularly for Jenny, Clayton, and Steve. However, there are opportunities to enhance the complexity of Ray and Gladys, particularly by exploring their motivations and inner conflicts more deeply. Additionally, further development of the antagonist, Tyrell, could create a more compelling and layered conflict. See More
Premise: 6.6, The screenplay's premise, a missing child investigation with twists and a potential villain within the community, is a common trope in thriller and mystery genres, yet it showcases an engaging potential with complex character dynamics and escalating suspense. The screenplay relies heavily on the audience's investment in the characters and their arcs, which appear well-developed and intriguing. Strengthening the initial hook and establishing a clear, unique element in the premise could heighten the overall intrigue and engagement. See More
Structure: 6.6, This screenplay boasts a compelling premise with an engaging mystery, but requires structural and plot refinement for optimal impact. The narrative is driven by the missing child's storyline and benefits from a well-defined cast of characters. However, the pacing suffers from a slow start and some plot inconsistencies that detract from the overall narrative flow. With targeted revisions, the story's inherent potential can be fully realized. See More
Theme: 7.4, The screenplay effectively establishes themes of family, resilience, and the complexities of human nature, but it could benefit from deepening the exploration of those themes through character development and nuanced dialogue. The screenplay effectively explores the emotional toll of a child's disappearance, but the thematic resolution feels somewhat rushed and could be further developed. See More
Visual Impact: 6.5, The screenplay showcases a solid foundation for visual storytelling with compelling descriptions that evoke the setting and characters' emotions. However, it could benefit from more nuanced visual details and strategic use of visual metaphors to deepen the emotional impact and enhance the overall visual richness of the narrative. See More
Emotional Impact: 6.6, The screenplay effectively utilizes tension and suspense to create a sense of unease and concern for the characters, particularly Jenny. However, the emotional depth could be enhanced by exploring the characters' inner journeys and developing more complex emotional arcs. The screenplay also benefits from incorporating moments of emotional vulnerability, silence, and reflection to amplify the impact of key scenes. See More
Conflict: 6.8, The screenplay successfully establishes a central conflict revolving around the missing child, Clayton. However, while the stakes are initially high, their escalation and impact on the characters could be amplified for greater narrative tension and audience engagement. See More
Originality: 7.4, The screenplay demonstrates originality and creativity in its character development and thematic depth, offering a unique perspective on the struggles of single motherhood and the impact of trauma on a family. The use of unconventional narrative techniques adds to the story's intrigue, making it a compelling read. See More
Screenplay Story Analysis
Note: This is the overall critique. For scene by scene critique click here
Summaries
- Jenny, a young woman struggling for independence, receives a phone call from her controlling mother. During the call, her mother expresses concern for Jenny’s well-being and attempts to convince her to move back home and reconcile with her ex-boyfriend. Jenny resists, asserting her desire for autonomy. Their conversation grows heated, culminating in an abrupt end to the call, leaving a palpable tension in the air.
- Jenny, frustrated by her son Clayton's extended hide-and-seek game, finds him and expresses her concern for his safety. After a brief chat, they engage in a playful kickboxing session in the backyard, sharing their excitement for Clayton's upcoming school year. The scene ends with them heading inside for lunch, leaving their gloves and punching bag behind.
- Jenny and Clayton walk down their street, practicing his street safety rules. Jenny tests him on topics like stopping before crossing and avoiding strangers. While walking, Clayton jumps over sidewalk cracks. They encounter their neighbor, Mrs. Hawthorne, who ignores Jenny's greeting. Clayton questions why Jenny spoke to her, but she explains it was out of politeness. The scene ends with Clayton focused on jumping over cracks, seemingly unfazed by Mrs. Hawthorne's silence.
- Jenny and Clayton are at the principal's office to register Clayton for school. Mrs. Norton, the principal, reviews Clayton's paperwork and asks for an additional contact number. Jenny explains that Clayton's father is not involved in his life. Mrs. Norton also notes Clayton's asthma and requests his inhaler. Jenny provides the inhaler and the directions. Clayton boasts about his skills, but Jenny corrects him, stating that he only punches a bag, not people. Mrs. Norton, skeptical but eager to move on, takes Clayton to meet his teacher.
- Jenny and Clayton arrive at their new school, Scottsville Public, and meet the principal, Mrs. Norton, and Clayton's teacher, Mrs. Taylor. While exploring the classroom, Jenny receives a call from her mother, who is upset about the move to Scottsville. Jenny insists on staying, leading to a heated argument and a frustrated end to the call. The scene highlights the conflicting emotions of excitement for a new beginning and the lingering tension of a family disagreement.
- Jenny frantically searches for her son, Clayton, after finding the front gate open and him missing. She questions neighbors, but no one seems to remember him. Mrs. Hawthorne, particularly hostile, accuses Clayton of damaging her garden. Jenny, distraught and desperate, continues her search, leaving Mrs. Hawthorne's accusations unanswered.
- Jenny is frantic after her son Clayton disappears from the sandbox. Neighbor Steve tries to comfort her, but Jenny remains distressed. Steve's mother, Myrtle, arrives and seems to understand the seriousness of the situation, although she tries to stay calm. Steve takes charge of the search while Jenny and Myrtle return to the house, leaving the ending with a sense of unresolved tension.
- Clayton, a young boy, goes missing while playing hide-and-seek in his backyard. His mother, Jenny, is visibly distressed and calls the police. Jenny's other son, Steve, searches for Clayton and finds a torn shirt near the porch, suggesting Clayton might be hiding under it. Steve, unable to locate Clayton, informs his mother and the police are called. The scene ends with Jenny providing details to the police about Clayton, leaving the outcome of the search unknown.
- Jenny's son, Clayton, has gone missing. Officer Roberts, initially suspicious of her neighbor Steve, is replaced by Officer Charlton who advises Jenny to contact Clayton's father, Ray. Despite Ray's confirmation that he doesn't have Clayton, a frantic search ensues, involving the house, backyard, and the deployment of a search party. As the tension mounts, Jenny reveals Clayton's asthma condition, prompting the call for a canine unit. The scene culminates with the arrival of a German Shepherd who picks up Clayton's scent at the back door, leaving the audience on a cliffhanger.
- Jesse, the tracking dog, leads Jenny, Ray Kingsley, and Officer Denison on a scent trail in Jenny's backyard. The trail leads to the curb, where the scent abruptly ends, suggesting Clayton was taken in a vehicle. Ray is frustrated by the lack of further leads and lashes out at the dog, creating tension between him and Jenny. The scene ends with the uncertainty surrounding Clayton's location and Ray's anger.
- Police officers arrive at Jenny's home, suspecting her estranged husband, Ray, of involvement in their son Clayton's disappearance. Ray denies any involvement and becomes increasingly agitated by the officers' scrutiny. Jenny, visibly distressed, expresses her concern for Clayton's safety. The police leave to continue their investigation, leaving Ray and Jenny in a tense and uncertain state.
- Jenny and Ray are preparing tea when a news report about the disappearance of Clayton Kingsley, Ray's ex-wife's son, breaks. Jenny is deeply affected by the news and vomits. Officer Charlton arrives and informs them about the lack of leads and encourages them to participate in the evening's search party and a media interview the next morning. The scene ends with Officer Charlton leaving, leaving the couple grappling with the unsettling news and the uncertainty of Clayton's whereabouts.
- Reporters from WSTO descend upon Jenny and Ray's home, aggressively interviewing them about their missing son, Clayton. Rhonda Fleming, the reporter, pushes for details, causing tension with Officer Charlton who attempts to guide the interview towards finding Clayton. The scene ends with the media leaving, leaving Jenny and Ray alone in a tense and anxious silence.
- Jenny and Ray, overwhelmed with grief after their son Clayton's disappearance, find themselves at odds. Jenny blames Ray for Clayton's absence, accusing him of taking him, while Ray desperately tries to comfort her. Despite his efforts, Jenny remains inconsolable and rejects his attempts at reconciliation. As the night deepens, they retreat to separate bedrooms, leaving a lingering sense of despair and uncertainty. Ray, unable to bear the weight of their loss, seeks solace in Clayton's room, where he breaks down in tears.
- Jenny, deeply distressed over her missing son Clayton, wakes up feeling exhausted and anxious. She calls the police station for updates on the search, finding no new information. Her neighbor, Myrtle, brings her muffins and offers support, attempting to comfort Jenny as she worries about her son. Jenny expresses her fear and desire for Clayton's return, clutching her grandmother's embroidered handkerchief. Just as she prepares to go to the police station, a knock on the door leaves the audience in suspense, wondering who it could be and what news they bring.
- As police continue searching for Jenny's missing son, her anxiety mounts. When presented with mugshots at the police station, Jenny is startled to recognize her neighbor, Steve Townsend, as a potential suspect. Officer Charlton reassures her that Steve's past involvement was a misunderstanding, but Jenny's suspicion remains, adding another layer of tension to her already desperate situation.
- Jenny and Ray nervously await Gladys' arrival at the bus station. Upon her arrival, Jenny informs Gladys that Clayton is missing. While Gladys expresses concern, her focus is on her own discomfort and her husband's health. Tensions arise as Gladys' anxieties overshadow Jenny's worries about Clayton. The scene ends with Gladys dismissing Jenny's concern for her father and Ray suggesting they call him later.
- Gladys picks up Jenny and her son from the bus station in Ray’s red Mustang. Upon arriving at Jenny’s house, Gladys expresses disapproval of its size and luxury, considering it inappropriate for Jenny’s current situation. She criticizes Jenny’s decision to become a stay-at-home mother instead of pursuing college. Jenny attempts to defend her choices, but the ringing phone interrupts the conversation, leaving the tension unresolved.
- Jenny receives a menacing phone call accusing her of harming her son, Clayton. Ray, trying to calm Jenny, assures the caller they haven't hurt their child. Despite their denials, another threatening call comes in shortly after, leaving them in a state of fear and paranoia. Gladys, witnessing the unsettling events, offers to make coffee, providing a silent presence as they anxiously await the next call.
- As evening descends, Jenny anxiously waits for news about her missing son, Clayton. While Ray tries to comfort her, Gladys's smoking habit causes tension in the house. Jenny tries to sleep in her living room but is disturbed by the media, who relentlessly question her about Clayton's disappearance. Steve Townsend steps in to shield Jenny from the press, pulling her back inside. Despite Steve's intervention, the worry and uncertainty surrounding Clayton's fate remain palpable.
- Steve, frantic after discovering Jenny's son is missing, calls the police. He then confides in Jenny, revealing a dark secret from his past: he was falsely accused of killing a child, an ordeal that he believes Joe Roberts orchestrated. Steve reveals Roberts is also responsible for the death of his best friend, leaving Jenny shaken and concerned. The scene ends with Steve pushing Jenny inside, locking the door, and leaving her to grapple with the unsettling truth.
- Jenny wakes up in an empty living room, Ray's neatly folded blankets the only sign of his departure. As she gazes at a photo of Clayton, the media vans return, bringing with them Officer Charlton and devastating news. A child's body has been found, and while its identity remains unknown, the possibility that it could be Clayton shatters Jenny's hope. Overwhelmed by despair, she collapses and agrees to accompany the officer to identify the body.
- Jenny visits the morgue, hoping to identify the body found in the river as her missing son, Clayton. Doctor Murray warns her about the body's condition, but she insists on seeing it. Ultimately, she realizes the body isn't Clayton and rushes out, overwhelmed. Instead of going home, Jenny decides to join the search party, continuing her desperate quest to find her son.
- Jenny grapples with her mother, Gladys, who is consumed by anger and frustration over the police's lack of progress in finding Clayton. Jenny expresses her exhaustion with Gladys' negativity, leading to a heated exchange and Gladys' departure. Jenny, overwhelmed, finds solace in the support of her friend Myrtle, who arrives to offer comfort and company.
- Officer Charlton visits Jenny at her home to question her about her marriage to Ray and their son, Clayton. Jenny becomes defensive as Charlton probes into Ray's temper and potential involvement in Clayton's disappearance. Despite Jenny's attempts to defend Ray, Charlton leaves with unanswered questions, leaving Jenny feeling anxious and suspicious.
- Officer Joe Roberts arrives at Steve Townsend's automotive shop, demanding information about the missing boy. He accuses Steve of knowing more than he's letting on, which sparks a heated confrontation. Steve, angered by the accusations, lunges at Roberts, but the officer threatens him with his baton. Just as the tension reaches a peak, Mike Thompson, an employee, interrupts the confrontation. Roberts ultimately takes Steve to the police station for questioning, leaving the outcome of the situation unresolved.
- Steve is interrogated by a skeptical Officer Roberts about his whereabouts on the morning of Clayton Kingsley's disappearance. Steve insists he was at his garage, but Roberts doesn't believe him. Officer Evans, who is more neutral, suggests a lie detector test to which Steve reluctantly agrees, leaving the tension unresolved.
- Steve Townsend undergoes a polygraph test at a police station, denying involvement in the abduction of Cheryl Hubert's baby. He claims to have been helping Clayton Kingsley retrieve his own child. The technician remains neutral, leaving the viewer unsure of Steve's truthfulness. Despite a tense atmosphere, the test concludes, and Steve departs without a word, seemingly in shock.
- Haunted by a cryptic phone call from a psychic predicting her son's disappearance, Jenny frantically searches for Clayton at a park. She mistakenly identifies another boy as her son, leading to a tense confrontation. The scene ends on a note of both hope and confusion as she sees Steve with a young boy, leaving the audience questioning the boy's identity and the fate of Clayton.
- Steve and Mike are at a bar when police officer Joe Roberts enters and accuses Steve of being involved in the disappearance of a young boy. Steve loses his temper and physically assaults Roberts, forcing him to leave the bar. The bar owner, Casey, intervenes and offers to buy the next round of drinks for Steve and Mike, who toast to the good people of Scottsville. The scene ends with a tense atmosphere as Roberts leaves the bar.
- A man breaks into Jenny's house through the basement window. He steals clothes and a stuffed bear from Clayton's room, but is startled by a falling ornament and runs away. Jenny is awakened by the commotion and chases the man down the stairs, kicking him in the process. The man stumbles out of the house, slamming the door shut behind him. Jenny is unable to open the door and is left locked inside her own home.
- Jenny returns home to find her front door open and believes a man broke in. She frantically searches the house but finds nothing. Just as she is panicking, Steve Townsend arrives with a drunk Ray who needs help getting into the house. Steve dismisses Jenny's concerns about the intruder and suggests they deal with Ray first, leaving Jenny's fear unresolved.
- Jenny discovers a broken ornament in Clayton's room, indicating an intrusion. She believes the intruder is the man who previously threatened them. Officer Charlton investigates, finding evidence of forced entry but no footprints. He reassures Jenny that the intruder may not return but advises her to secure her home. The scene ends with Jenny and Steve left alone with their fear and uncertainty.
- After receiving a threatening call, Jenny is left feeling vulnerable at home. Steve, concerned for her safety, secures the house before leaving, promising to return if needed. Ray, Jenny's ex-husband, arrives and offers to stay, but Jenny, worried for his safety, insists he leave. Despite his desire to help, Ray ultimately agrees and departs, leaving Jenny alone to face the threat.
- Desperate to find her missing son, Clayton, Jenny reluctantly allows Bill Clements, a rugged man with a Bloodhound named Missy, to help. Clements, confident in Missy's tracking abilities, uses Clayton's pajamas to give Missy a scent. Missy leads them to the back door, following Clayton's trail, offering a glimmer of hope in the tense search.
- The search for missing Clayton intensifies. Mrs. Hawthorne provides a tip about a possible sighting, and Missy tracks with Bill Clements to find him. Clayton is ultimately discovered shivering and coughing in a dugout below a cabin. Meanwhile, Tyrell interacts with Mrs. Stockley at the store, and Jenny encounters Clayton's school janitor, adding another layer of intrigue to the situation.
- Clayton, ill and shivering, follows his dog through a tunnel leading out of a remote cabin. Meanwhile, Jenny frantically tries to reach Officer Charlton at Stockley's store. Watson drives out of town, followed by Jenny, who arrives at a secluded log cabin in the woods. Missy leads Clements to the same cabin. At Stockley's, Mrs. Stockley reveals Watson's recent purchase of liquid Tylenol, raising Charlton's suspicions. Alarmed, Charlton leaves the store, drawn deeper into the mystery surrounding Watson.
- After receiving a call from Bill Clements, Officer Charlton learns his son Clayton has been found and rushes to Tyrell Watson's cabin. Meanwhile, Steve discovers Jenny's car parked on the side of the road and becomes concerned. Clayton, having escaped from the cabin, hides in the woods. Jenny, suspicious of Watson, investigates his truck, while Watson frantically searches for Clayton after realizing he has escaped. The scene ends with Watson spotting a figure in the shed, leaving the audience wondering if Clayton has been caught.
- Tyrell discovers Jenny hiding in his shed, where he's been keeping her son. He brutally attacks her with a tire iron, leaving her injured. Tyrell then taunts her, claiming her son has died, and drags her towards the cabin despite her desperate pleas and attempts to fight back. The scene ends with Tyrell's control over Jenny solidified, leaving her fate uncertain.
- Clayton races to save his mother, Jenny, from the clutches of the villainous Tyrell Watson. Despite Clayton's valiant efforts, Watson overpowers him and takes them both to his cabin. Jenny is tied up while Clayton tries to intervene, only to be knocked down. A fight breaks out between Steve and Watson when Steve arrives, ending with Steve unconscious. Jenny, desperate to protect her son, kicks Watson's injured leg and frees herself, leading to a dramatic confrontation that culminates in the cabin catching fire as Watson is engulfed in flames. Jenny and Clayton escape the burning cabin, rescuing Steve in the process.
- As a raging storm rages, Jenny and Clayton drag the unconscious Steve from a burning cabin. Police arrive and extinguish Tyrell, who is engulfed in flames. They tend to the injured Steve and Clayton, and an ambulance transports Tyrell and Steve to the hospital. The police escort Jenny and Clayton, while the cabin collapses in flames. Tyrell is officially arrested for kidnapping Clayton.
- Bill Clements arrives at Jenny's kitchen with a surprise gift for Clayton - a fluffy black puppy. Clayton is overjoyed and everyone shares in the happiness, celebrating the new addition to the family.
CharacterInconsistencies
-
Character Mrs. Hawthorne
Description Mrs. Hawthorne's sudden shift from being polite and acknowledging Jenny to being cold and hostile is jarring and lacks a clear motivation. This inconsistency makes her character appear more like a plot device than a realistic person.
( Scene 3 Scene 6 ) -
Character Ray Kingsley
Description Ray's behavior fluctuates between concerned father and emotionally distant. His sudden outbursts of anger and then quick shifts back to a more caring demeanor feel inconsistent. This lack of depth in his character makes it difficult for the audience to understand his motivations and actions.
( Scene 21 Scene 28 Scene 30 Scene 34 ) -
Character Steve Townsend
Description Steve's sudden shift from being a concerned neighbor to an aggressive and even violent individual lacks a clear explanation. His behavior towards Roberts appears inconsistent with his generally helpful demeanor. This inconsistency makes his character confusing and detracts from the overall narrative coherence.
( Scene 14 Scene 19 Scene 21 Scene 31 Scene 33 Scene 37 Scene 41 Scene 42 ) -
Character Officer Roberts
Description Officer Roberts's personality swings between harsh and skeptical, then suddenly turning to a more professional and remorseful persona. This inconsistency in behavior feels out of place for a law enforcement officer. He seems more like a plot device driving the tension in the narrative rather than a well-developed character.
( Scene 9 Scene 18 Scene 20 Scene 23 Scene 27 Scene 30 Scene 41 ) -
Character Jenny Kingsley
Description Jenny's emotional state is inconsistent. She swings between being timid and passive, then becomes surprisingly aggressive and even violent. This inconsistency in her character makes it difficult to understand her motivations and reactions to events.
( Scene 1 Scene 2 Scene 3 Scene 4 Scene 5 Scene 6 Scene 7 Scene 8 Scene 9 Scene 10 Scene 11 Scene 12 Scene 13 Scene 14 Scene 15 Scene 16 Scene 17 Scene 18 Scene 19 Scene 20 Scene 21 Scene 22 Scene 23 Scene 24 Scene 25 Scene 26 Scene 29 Scene 31 Scene 32 Scene 33 Scene 34 Scene 35 Scene 36 Scene 37 Scene 38 Scene 39 Scene 40 Scene 41 )
StoryInconsistencies
-
Description The scene where Clayton asks if Mrs. Hawthorne is a stranger after Jenny says hello to her is an unnecessary attempt at emphasizing Jenny's anxieties and lack of confidence. This scene feels forced and disrupts the natural flow of the story.
( Scene 3 ) -
Description The scene where Jenny practices boxing with the bag after being told that Clayton is missing feels out of place. It's a sudden shift in tone and doesn't contribute to the overall narrative flow or character development.
( Scene 12 ) -
Description The sudden and almost unmotivated introduction of Gladys’s dislike for buses feels out of place and doesn't add to the overall narrative.
( Scene 17 ) -
Description The scene with Mrs. Stockley mentioning Tyrell's wife Patty and her taking their son seems to imply a potential connection to Clayton's disappearance, but it's left unresolved and adds an unnecessary layer of confusion.
( Scene 37 ) -
Description The scene where Roberts apologizes to Steve after Tyrell is arrested feels rushed and out of character for Roberts, who has been consistently antagonistic towards Steve. This sudden shift in Roberts's demeanor feels unearned and undermines the tension established in their earlier interactions.
( Scene 41 )
PlotHoles
-
Description The sudden appearance of the psychic Zaphira VanAlton and her dream about Clayton's location feels like a deus ex machina. It's an illogical and convenient plot device that serves to advance the story rather than organically emerging from the narrative.
( Scene 29 ) -
Description The scene where Tyrell purchases children's Tylenol at the store is a significant plot hole. The motivation for this action is not clearly established, and it feels forced. This sudden introduction of a plot point that is not fully explained creates a sense of disjointedness and confusion.
( Scene 37 ) -
Description The scene where Clayton suddenly has a knife and uses it to cut Jenny free feels implausible. It's unclear where he obtained the knife or how he learned to use it. This plot point feels like a convenient way to create conflict, but it lacks a logical foundation within the narrative.
( Scene 39 )
DialogueAuthenticity
-
Description The dialogue often feels stilted and unnatural, lacking a natural flow. Some of the phrases feel overly dramatic, especially for the characters' personalities. The dialogue feels more like it's serving the plot than organically arising from the characters' interactions.
( Scene 6 Scene 11 Scene 14 Scene 18 Scene 21 Scene 27 Scene 30 Scene 36 Scene 39 Scene 40 ) -
Description Rhonda Fleming, the news reporter, uses overly formal language, which doesn't feel authentic. The way she asks questions and her tone feel more like a theatrical performance than a real news interview.
( Scene 13 ) -
Description The dialogue between Officer Charlton and Jenny in the morgue feels stiff and lacking empathy. The doctor's clinical tone about the child's body, while realistic, doesn't connect emotionally with the audience.
( Scene 22 )
Redundancies
-
Element Repeated emphasis on checking the backyard
( Scene 2 Scene 6 Scene 8 Scene 9 Scene 12 )
Suggestion Streamline the repetition by focusing on Jenny's initial frantic search and then highlighting her later anxiety and fear through other means, like her interaction with other characters. -
Element Repeated emphasis on the gate
( Scene 3 Scene 6 Scene 8 Scene 11 Scene 36 )
Suggestion Condense the emphasis on the gate. Focus on the gate's importance in the initial disappearance and then reference it later to reinforce Jenny's anxiety, but avoid repeating the same information. -
Element Repeated scenes of Jenny's crying
( Scene 6 Scene 8 Scene 9 Scene 11 Scene 12 Scene 13 Scene 14 Scene 15 Scene 16 Scene 17 Scene 22 Scene 24 Scene 25 Scene 29 Scene 31 Scene 32 Scene 33 Scene 35 Scene 39 Scene 41 )
Suggestion Reduce the number of scenes where Jenny is shown crying. Use dialogue or other actions to convey her emotional state. Too much crying can become repetitive and lose its dramatic impact. -
Element Repeated use of the phrase 'shit'
( Scene 10 Scene 16 Scene 21 Scene 38 Scene 39 )
Suggestion Vary the language used to convey the characters' frustration and anger. Using the same phrase repeatedly can feel repetitive and detract from the dialogue's authenticity.
Characters in the screenplay, and their arcs:
| Character | Arc | Critique | Suggestions |
|---|---|---|---|
| Jenny | Jenny's character arc in the screenplay begins with her timid and insecure demeanor as she grapples with her son's disappearance. Throughout the story, she undergoes a transformation, finding inner strength and determination to confront danger and protect her loved ones. By the end of the film, Jenny emerges as a brave and resilient mother who overcomes her fears and insecurities to save her son. | The character arc for Jenny is well-developed, showcasing her growth and transformation throughout the story. However, to enhance the emotional impact of her journey, it would be beneficial to delve deeper into Jenny's internal struggles and conflicts. Providing more insight into her past traumas or fears could add layers to her character and make her arc even more compelling. | To improve Jenny's character arc, consider incorporating flashback scenes or moments of introspection that reveal her inner turmoil and fears. This could help the audience connect more deeply with Jenny's emotional journey and understand the motivations behind her actions. Additionally, exploring her relationships with other characters, such as her mother or estranged husband, could add complexity to her arc and create more opportunities for growth and resolution. |
| Clayton | Clayton starts as a playful and curious child who looks up to his mother for guidance. As the story progresses, he becomes more courageous and resilient, facing danger with bravery and determination to protect his loved ones. Throughout the film, Clayton learns the importance of loyalty, family, and bravery, ultimately growing into a brave and resilient young boy who values his relationships and stands up for what he believes in. | The character arc for Clayton is well-developed, showcasing his growth from a playful child to a brave and resilient young boy. However, to enhance the arc, there could be more specific challenges or obstacles that Clayton faces to test his courage and resilience further. Additionally, exploring Clayton's internal struggles and emotions in more depth could add complexity to his character development. | To improve the character arc, consider introducing specific challenges or conflicts that push Clayton out of his comfort zone and force him to confront his fears. This could include moments where Clayton has to make difficult decisions or face moral dilemmas that test his bravery and resilience. Additionally, delving deeper into Clayton's emotional journey and internal struggles can add layers to his character, making his growth more impactful and relatable to the audience. |
| Steve Townsend | Steve Townsend's character arc in the screenplay begins with him being a guarded and defensive individual with a troubled past. As the story progresses, he is forced to confront his past and his loyalty to his friends is put to the test. Through his actions and interactions with Jenny and Clayton, Steve learns to trust others and open up about his past, ultimately finding redemption and closure. | The character arc for Steve Townsend is well-developed and provides a compelling journey for the audience to follow. However, there could be more emphasis on his internal struggles and emotional growth throughout the screenplay. Additionally, his interactions with other characters could be further explored to deepen his relationships and add more depth to his character development. | To improve the character arc for Steve Townsend, consider adding more scenes that delve into his internal struggles and emotional journey. Show moments of vulnerability and growth that highlight his transformation throughout the story. Additionally, explore his relationships with other characters in more depth to showcase the impact they have on his development. This will create a more well-rounded and compelling character arc for Steve in the feature screenplay. |
| Ray Kingsley | Ray Kingsley's character arc in the screenplay starts with him being defensive and angry about being accused of taking his son. As the story progresses, he begins to show a more vulnerable side and tries to offer support to his estranged wife, Jenny. Despite his initial confrontational nature, Ray ultimately learns to confront his own emotions and guilt, leading to a more understanding and supportive relationship with Jenny. | The character arc for Ray Kingsley is well-developed, showing a progression from defensiveness to vulnerability and ultimately to understanding. However, there could be more depth added to his internal struggles and growth throughout the feature. Additionally, more exploration of his past relationship with Jenny and how it impacts his actions in the present could enhance the character's complexity. | To improve the character arc for Ray Kingsley, consider incorporating flashback scenes or dialogue that delve deeper into his past with Jenny and the reasons for their estrangement. This could provide more context for his conflicted emotions and behavior. Additionally, showing more moments of introspection and self-reflection for Ray could further highlight his growth and development throughout the screenplay. |
| Officer Dave Charlton | Officer Dave Charlton starts off as a confident and authoritative police officer who takes charge of the investigation into the missing child. As the investigation progresses, he becomes more empathetic and understanding towards the family, while still maintaining his determination to uncover the truth. Charlton faces challenges that test his composure and professionalism, but ultimately he grows to become a more well-rounded and compassionate officer, finding a balance between empathy and pragmatism. | The character arc for Officer Dave Charlton is well-developed, showing growth and complexity throughout the feature. However, it could benefit from more internal conflict or personal stakes for Charlton to make his journey even more compelling. Additionally, exploring his backstory or personal motivations could add depth to his character and make the audience more invested in his arc. | To improve the character arc for Officer Dave Charlton, consider adding a personal connection to the case that creates internal conflict for him. This could be a past trauma related to a missing child case, a strained relationship with his own family, or a personal stake in finding the missing boy. Delving into Charlton's backstory and motivations can add layers to his character and make his growth more impactful for the audience. |
| Jenny Kingsley | Jenny Kingsley's character arc in the screenplay begins with her as a protective and determined mother, but as she grapples with the trauma of her son's disappearance, she becomes overwhelmed, emotional, and desperate. Throughout the story, Jenny's fear and desperation escalate, pushing her to confront her vulnerabilities and ultimately find strength in the face of adversity. By the end of the screenplay, Jenny emerges as a resilient and empowered mother who has faced her worst fears and come out stronger on the other side. | The character arc for Jenny Kingsley is well-developed and effectively portrays her journey from a protective mother to a resilient and empowered figure. However, there could be more depth added to her character by exploring her backstory, motivations, and internal struggles. This would help the audience connect with Jenny on a deeper level and make her transformation even more impactful. | To improve the character arc for Jenny Kingsley, consider incorporating flashbacks or dialogue that reveal more about her past experiences, relationships, and fears. This will provide context for her protective nature and emotional vulnerability, making her journey more relatable and compelling. Additionally, focus on her internal struggles and growth throughout the story, showing how she evolves and learns from the challenges she faces. This will create a more dynamic and engaging character arc for Jenny. |
| Ray | Ray's character arc in the screenplay follows his journey from a defensive and conflicted estranged father to a more understanding and supportive figure within the family. As he navigates the tensions, accusations, and emotional turmoil surrounding his son's disappearance, Ray learns to confront his past mistakes, reconcile with his ex-wife, and ultimately find redemption through his actions and words. | While Ray's character arc is compelling and well-developed, there could be more opportunities to explore his internal struggles and growth throughout the feature. The transitions in his speaking style could be more pronounced to reflect his evolving emotions and relationships. Additionally, delving deeper into Ray's backstory and motivations could add depth and complexity to his character. | To improve Ray's character arc, consider incorporating flashback scenes or dialogue that shed light on his past mistakes and strained relationships. Allow Ray to have more introspective moments where he grapples with his guilt and desires for redemption. Strengthen the emotional connections between Ray and the other characters, particularly his ex-wife and son, to showcase his growth and transformation more effectively. |
| Gladys | Gladys starts off as a critical and judgmental character, but as the story progresses, she begins to soften and show more empathy towards Jenny and Ray. Through moments of vulnerability and reflection, Gladys starts to address her own past regrets and resentments, leading to a more understanding and supportive relationship with her daughter. | The character arc for Gladys is well-developed, but it could benefit from more subtle and gradual changes in her behavior. The transition from critical and confrontational to understanding and supportive could be more nuanced to make it feel more authentic and believable. | To improve the character arc for Gladys, consider adding more scenes that delve into her past regrets and resentments, showing the audience the root of her critical nature. Additionally, focus on building more emotional depth in her interactions with Jenny and Ray, allowing for a more gradual and realistic transformation in her character. |
| Officer Joe Roberts | Officer Joe Roberts starts off as a relentless and aggressive interrogator with a personal vendetta against Steve Townsend. However, as the story progresses, he begins to question his methods and motives, realizing that his actions may have been driven by personal bias rather than a pursuit of justice. Through a series of events and interactions with other characters, Roberts undergoes a transformation, learning to trust others and work collaboratively to solve the case. By the end of the screenplay, he has evolved into a more empathetic and understanding officer, willing to admit his mistakes and seek redemption. | The character arc for Officer Joe Roberts is well-developed and engaging, showing a clear progression from a one-dimensional antagonist to a more complex and nuanced character. However, there could be more emphasis on the internal struggles and conflicts that drive his behavior, providing a deeper insight into his motivations and personal growth. Additionally, the resolution of his arc could be more impactful and satisfying, with a clearer redemption arc that highlights his transformation and growth as a character. | To improve the character arc for Officer Joe Roberts, consider adding more scenes that delve into his backstory, motivations, and internal conflicts. This will provide a deeper understanding of his actions and behavior, making his transformation more believable and compelling. Additionally, focus on creating a more satisfying resolution for his arc, with a clear redemption moment that showcases his growth and development as a character. By strengthening these aspects, the character of Officer Joe Roberts will become more dynamic and memorable in the screenplay. |
| Theme | Theme Details | Theme Explanation | ||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Parental Protection (50%) | The story revolves around Jenny's fierce determination to protect her son Clayton from harm and her struggles with a past relationship that threatens his well-being. She is shown to be a devoted mother, taking meticulous care of him, teaching him safety rules, and fiercely defending him against any perceived threat. | This theme explores the primal instinct of parents to protect their children, highlighting the lengths a mother will go to ensure her child's safety and well-being, even in the face of adversity and personal trauma. | ||||||||||||
Strengthening Parental Protection:
| ||||||||||||||
| Misjudgment and Prejudice (30%) | The screenplay portrays the wrongful accusations and suspicions directed towards Steve Townsend, who is wrongly implicated in Clayton's disappearance due to his past. This prejudice stems from assumptions made based on his past involvement with a similar case, showcasing the dangers of misjudgment and the consequences of labeling individuals based on past actions. | This theme explores the dangers of prejudging individuals based on their past, highlighting how societal biases and preconceived notions can lead to wrongful accusations and the erosion of trust. It underscores the importance of seeking truth and understanding beyond superficial judgments. | ||||||||||||
| Resilience and Overcoming Adversity (20%) | Jenny exhibits incredible resilience throughout the story. Despite facing numerous challenges including a difficult ex-husband, a suspicious community, and the loss of her son, Jenny never gives up hope and actively fights for the truth and her son's safe return. | This theme emphasizes the strength and adaptability of human spirit, showing how individuals can overcome traumatic experiences and persevere in the face of overwhelming odds. It celebrates the power of hope and determination in the face of adversity. | ||||||||||||
Screenwriting Resources on Themes
Articles
| Site | Description |
|---|---|
| Studio Binder | Movie Themes: Examples of Common Themes for Screenwriters |
| Coverfly | Improving your Screenplay's theme |
| John August | Writing from Theme |
YouTube Videos
| Title | Description |
|---|---|
| Story, Plot, Genre, Theme - Screenwriting Basics | Screenwriting basics - beginner video |
| What is theme | Discussion on ways to layer theme into a screenplay. |
| Thematic Mistakes You're Making in Your Script | Common Theme mistakes and Philosophical Conflicts |
Robert McKee: "The audience doesn’t go to the movies to see plot; they go to feel emotion, to be moved."
| Goals and Philosophical Conflict | |
|---|---|
| internal Goals | The protagonist's internal goals revolved around finding her missing son, asserting her independence, and dealing with the emotional turmoil of the situation. |
| External Goals | The protagonist's external goals were focused on cooperating with law enforcement, navigating the media scrutiny, and protecting her family from false accusations and invasive questioning. |
| Philosophical Conflict | The overarching philosophical conflict in the screenplay intertwines themes of trust, justice, and the impact of past actions on present relationships. |
Character Development Contribution: The protagonist's evolving internal and external goals contribute to her growth as a strong and resilient character, navigating through challenging circumstances with determination and courage.
Narrative Structure Contribution: The protagonist's goals and the overarching philosophical conflict drive the narrative forward, creating tension, suspense, and emotional depth throughout the screenplay.
Thematic Depth Contribution: The goals and conflicts in the screenplay add thematic depth by exploring themes of family, trust, resilience, and the complexities of relationships in the face of adversity.
Screenwriting Resources on Goals and Philosophical Conflict
Articles
| Site | Description |
|---|---|
| Creative Screenwriting | How Important Is A Character’s Goal? |
| Studio Binder | What is Conflict in a Story? A Quick Reminder of the Purpose of Conflict |
YouTube Videos
| Title | Description |
|---|---|
| How I Build a Story's Philosophical Conflict | How do you build philosophical conflict into your story? Where do you start? And how do you develop it into your characters and their external actions. Today I’m going to break this all down and make it fully clear in this episode. |
| Endings: The Good, the Bad, and the Insanely Great | By Michael Arndt: I put this lecture together in 2006, when I started work at Pixar on Toy Story 3. It looks at how to write an "insanely great" ending, using Star Wars, The Graduate, and Little Miss Sunshine as examples. 90 minutes |
| Tips for Writing Effective Character Goals | By Jessica Brody (Save the Cat!): Writing character goals is one of the most important jobs of any novelist. But are your character's goals...mushy? |
What's going on here? - Scenes are rated on many critreia. The goal isn't to try to maximize every number; \
It's to make you aware of what's happening in your scenes. You might have very good reasons to have character development but not advance the story, or have a scene without conflict. Obviously if your dialogue is really bad, you should probably look into that.
| Story Content | Character Development | Scene Elements | Audience Engagement | Technical Aspects | |||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Click for Full Analysis | Tone | Overall | Concept | Plot | Originality | Characters | Character Changes | Internal Goal | External Goal | Conflict | Opposition | High stakes | Story forward | Twist | Emotional Impact | Dialogue | Engagement | Pacing | Formatting | Structure | |
| 1 - A Mother's Call Improve | Tense, Emotional, Resigned | 8 | 8 | 7 | 9 | 9 | 8 | 8 | 7 | 8 | 7 | 7 | 7 | 6 | 9 | 8 | 8 | 8 | 8 | 8 | |
| 2 - Kickboxing Lunch Break Improve | Tender, Playful, Serious | 8 | 8 | 7 | 8 | 9 | 6 | 8 | 7 | 4 | 7 | 3 | 6 | 6 | 7 | 8 | 8 | 8 | 9 | 9 | |
| 3 - Street Safety and a Silent Neighbor Improve | Heartwarming, Inquisitive, Polite | 8 | 8 | 7 | 8 | 9 | 5 | 8 | 7 | 3 | 6 | 2 | 6 | 6 | 7 | 8 | 8 | 8 | 9 | 9 | |
| 4 - First Day Jitters Improve | Serious, Anxious, Hopeful | 8 | 8 | 7 | 8 | 9 | 6 | 8 | 7 | 6 | 7 | 5 | 8 | 7 | 7 | 8 | 8 | 8 | 9 | 9 | |
| 5 - A New School, An Old Conflict Improve | Anxious, Resigned, Hopeful | 8 | 7 | 8 | 8 | 8 | 7 | 8 | 7 | 6 | 7 | 6 | 7 | 7 | 8 | 7 | 9 | 8 | 8 | 8 | |
| 6 - A Mother's Panic Improve | Tense, Anxious, Suspenseful | 8 | 8 | 8 | 8 | 7 | 7 | 9 | 8 | 9 | 8 | 9 | 8 | 7 | 9 | 6 | 9 | 8 | 9 | 9 | |
| 7 - Clayton's Disappearance Improve | Anxious, Suspenseful, Heart-wrenching | 9 | 8 | 9 | 8 | 8 | 7 | 9 | 8 | 9 | 8 | 10 | 9 | 7 | 10 | 8 | 9 | 8 | 9 | 9 | |
| 8 - Clayton's Disappearance Improve | Anxious, Heart-wrenching, Suspenseful | 9 | 8 | 9 | 8 | 8 | 8 | 8 | 9 | 9 | 8 | 10 | 9 | 8 | 10 | 7 | 9 | 9 | 9 | 9 | |
| 9 - Clayton's Disappearance Improve | Anxious, Desperate, Tense, Suspenseful | 9 | 8 | 9 | 8 | 8 | 7 | 9 | 8 | 8 | 8 | 9 | 9 | 8 | 9 | 7 | 9 | 9 | 9 | 9 | |
| 10 - A Scent That Ends at the Curb Improve | Tense, Suspenseful, Emotional, Dramatic | 8 | 8 | 8 | 9 | 7 | 7 | 8 | 7 | 9 | 8 | 9 | 8 | 7 | 8 | 7 | 9 | 8 | 8 | 8 | |
| 11 - The Interrogation Improve | Tense, Emotional, Accusatory, Desperate | 8 | 8 | 8 | 8 | 7 | 6 | 8 | 7 | 9 | 8 | 9 | 8 | 7 | 9 | 7 | 9 | 8 | 8 | 8 | |
| 12 - A Child Vanishes Improve | Suspenseful, Anxious, Emotional, Tense | 8 | 8 | 8 | 7 | 7 | 7 | 8 | 7 | 9 | 8 | 9 | 8 | 7 | 9 | 7 | 9 | 8 | 8 | 8 | |
| 13 - The Media Storm Improve | Anxious, Suspenseful, Emotional, Informative | 8 | 8 | 8 | 9 | 7 | 7 | 8 | 7 | 8 | 7 | 9 | 8 | 7 | 9 | 7 | 9 | 8 | 8 | 8 | |
| 14 - Lost and Alone Improve | Tense, Emotional, Suspenseful | 9 | 8 | 9 | 8 | 9 | 8 | 8 | 7.5 | 8 | 8 | 9 | 9 | 7 | 10 | 8 | 9 | 8 | 8 | 8 | |
| 15 - Waiting for News Improve | Anxious, Hopeful, Supportive | 8 | 7 | 8 | 8 | 9 | 7 | 8 | 7 | 5 | 6 | 8 | 6 | 7 | 9 | 7 | 9 | 8 | 8 | 8 | |
| 16 - The Familiar Face Improve | Suspenseful, Anxious, Concerned | 8 | 8 | 8 | 7 | 7 | 7 | 8 | 7 | 8 | 8 | 9 | 8 | 8 | 9 | 7 | 9 | 8 | 8 | 8 | |
| 17 - The Arrival Improve | Anxious, Tense, Emotional | 8 | 7 | 8 | 8 | 9 | 7 | 8 | 7 | 8 | 7 | 9 | 7 | 6 | 9 | 8 | 8 | 8 | 9 | 9 | |
| 18 - Clash of Generations Improve | Tense, Emotional, Confrontational | 8 | 7 | 8 | 8 | 9 | 8 | 8 | 7 | 9 | 8 | 9 | 8 | 8 | 9 | 8 | 9 | 8 | 9 | 9 | |
| 19 - The Ringing Phone Improve | Tense, Anxious, Emotional | 9 | 8 | 9 | 8 | 9 | 8 | 8 | 7 | 9 | 8 | 10 | 9 | 7 | 10 | 8 | 9 | 8 | 8 | 8 | |
| 20 - Waiting for News Improve | Tense, Emotional, Suspenseful | 8 | 7 | 8 | 8 | 8 | 7 | 8 | 7 | 9 | 8 | 9 | 8 | 8 | 9 | 7 | 9 | 8 | 8 | 8 | |
| 21 - A Past Resurfacing Improve | Tense, Emotional, Revealing, Intense | 8 | 8 | 8 | 9 | 9 | 8 | 9 | 8 | 7 | 8 | 7 | 8 | 7 | 9 | 8 | 9 | 8 | 8 | 8 | |
| 22 - Hope Crumbles Improve | Suspenseful, Heart-wrenching, Anxious | 9 | 8 | 9 | 9 | 8 | 7 | 8 | 7 | 8 | 7 | 9 | 9 | 7 | 9 | 7 | 9 | 8 | 8 | 8 | |
| 23 - Facing the Worst Improve | Suspenseful, Heart-wrenching, Intense, Grim | 9 | 8 | 9 | 8 | 8 | 8 | 9 | 8 | 8 | 8 | 9 | 9 | 7 | 10 | 7 | 9 | 9 | 9 | 9 | |
| 24 - Frustration and Support Improve | Tense, Emotional, Confrontational | 8 | 8 | 7 | 8 | 9 | 7 | 8 | 7 | 8 | 7 | 7 | 7 | 7 | 9 | 8 | 9 | 8 | 8 | 8 | |
| 25 - Interrogation in the Kitchen Improve | Tense, Suspenseful, Emotional, Confrontational | 8 | 8 | 8 | 8 | 7 | 7 | 8 | 7 | 9 | 8 | 9 | 8 | 7 | 9 | 7 | 9 | 8 | 8 | 8 | |
| 26 - Accusations and Confrontation Improve | Tense, Confrontational, Suspenseful, Intense | 8 | 8 | 8 | 7 | 9 | 7 | 8 | 7 | 9 | 9 | 9 | 9 | 8 | 8 | 9 | 9 | 8 | 8 | 8 | |
| 27 - Under Suspicion Improve | Tense, Suspenseful, Confrontational, Defensive | 8 | 8 | 9 | 8 | 8 | 7 | 8 | 7 | 9 | 8 | 9 | 9 | 7 | 7 | 9 | 9 | 8 | 8 | 8 | |
| 28 - The Polygraph Improve | Tense, Suspenseful, Defensive, Emotional | 8 | 8 | 7 | 8 | 8 | 7 | 8 | 7 | 9 | 8 | 9 | 8 | 7 | 8 | 7 | 9 | 8 | 8 | 8 | |
| 29 - A Mother's Desperation Improve | Anxious, Heartbreaking, Suspenseful | 8 | 8 | 8 | 9 | 7 | 7 | 8 | 7.5 | 8 | 8 | 9 | 8 | 8 | 9 | 7 | 9 | 8.5 | 8 | 8 | |
| 30 - Bar Confrontation Improve | Tense, Confrontational, Intense | 8 | 7 | 8 | 7 | 9 | 7 | 8 | 7 | 9 | 8 | 8 | 8 | 8 | 8 | 8 | 9 | 9 | 8 | 8 | |
| 31 - Trapped Improve | Suspense, Fear, Tension | 8 | 8 | 7 | 6 | 7 | 6 | 8 | 9 | 9 | 8 | 9 | 8 | 8 | 8 | 6 | 9 | 9 | 9 | 9 | |
| 32 - Intruder and a Drunk Improve | Tense, Suspenseful, Emotional | 8 | 8 | 7 | 9 | 8 | 7 | 8 | 7 | 7 | 7 | 8 | 8 | 7 | 9 | 7 | 9 | 8 | 8 | 8 | |
| 33 - An Unwelcome Guest Improve | Intense, Distraught, Suspenseful | 8 | 8 | 8 | 7 | 7 | 6 | 8 | 7 | 9 | 7 | 9 | 8 | 7 | 8 | 7 | 9 | 8 | 8 | 8 | |
| 34 - Alone in the Face of Danger Improve | Tense, Emotional, Resigned | 8 | 7 | 8 | 8 | 8 | 7 | 8 | 7 | 7 | 7 | 8 | 8 | 7 | 9 | 7 | 9 | 8 | 8 | 8 | |
| 35 - The Scent of Hope Improve | Suspenseful, Hopeful, Informative | 8 | 8 | 7 | 9 | 8 | 5 | 8 | 7 | 4 | 7 | 6 | 7 | 7 | 6 | 7 | 9 | 8 | 9 | 8 | |
| 36 - Searching for Clayton Improve | Suspenseful, Emotional, Tense, Mysterious | 8 | 8 | 8 | 9 | 7 | 7 | 8 | 7 | 7 | 7 | 9 | 8 | 8 | 9 | 7 | 9 | 8 | 8 | 8 | |
| 37 - A Gathering Storm Improve | Suspenseful, Intense, Mysterious, Anxious | 8 | 8 | 8 | 9 | 7 | 6 | 8 | 7 | 8 | 7 | 9 | 9 | 8 | 8 | 7 | 9 | 8 | 8 | 8 | |
| 38 - The Escape and the Chase Improve | Tense, Suspenseful, Foreboding, Desperate | 8 | 8 | 8 | 9 | 7 | 7 | 8 | 7 | 9 | 8 | 9 | 9 | 8 | 8 | 7 | 9 | 8 | 8 | 8 | |
| 39 - Tyrell's Grip Tightens Improve | Intense, Suspenseful, Terrifying | 9 | 8 | 9 | 9 | 9 | 8 | 9 | 8 | 9 | 9 | 10 | 9 | 8 | 9 | 8 | 9 | 9 | 9 | 9 | |
| 40 - A Mother's Fury Improve | Intense, Suspenseful, Dramatic, Tense | 9 | 9 | 9 | 9 | 8 | 8 | 9 | 8 | 10 | 8 | 10 | 9 | 8 | 9 | 8 | 9 | 9 | 8 | 8 | |
| 41 - Escape From The Flames Improve | Tense, Suspenseful, Dramatic, Emotional | 9 | 8 | 9 | 8 | 8 | 8 | 8 | 7 | 9 | 7 | 9 | 9 | 7 | 9 | 8 | 9 | 8 | 9 | 9 | |
| 42 - Clayton's Puppy Surprise Improve | Heartwarming, Hopeful, Joyful | 9 | 8 | 8 | 8 | 9 | 7 | 8 | 7 | 2 | 5 | 3 | 6 | 6 | 9 | 7 | 9 | 8 | 8 | 8 | |
Summary of Scene Level Analysis
Here are some things that came out of the scene level analysis.
This is a summary of the strengths, weaknesses, and suggestions found in each scene. Some things might appear in both strengths and weaknesses based on the variety of your scenes.
For summary of each criteria click in the top row on the criteria.
Scene Strengths
- Emotional depth
- Tension building
- Realistic dialogue
- Character development
- Intense emotional impact
Scene Weaknesses
- Limited plot progression
- Some cliched moments
- Some dialogue could be more nuanced
- Low conflict level
- Possible lack of resolution
Suggestions
- Consider adding more external conflict to drive the plot forward
- Avoid cliched moments and dialogue, strive for originality
- Work on making dialogue more nuanced and impactful
- Increase conflict level to create a more engaging story
- Make sure to provide clear resolution to all plot points
Scene 1 - A Mother's Call
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 2 - Kickboxing Lunch Break
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 3 - Street Safety and a Silent Neighbor
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 4 - First Day Jitters
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 5 - A New School, An Old Conflict
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 6 - A Mother's Panic
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 7 - Clayton's Disappearance
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 8 - Clayton's Disappearance
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 9 - Clayton's Disappearance
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 10 - A Scent That Ends at the Curb
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 11 - The Interrogation
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 12 - A Child Vanishes
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 13 - The Media Storm
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 14 - Lost and Alone
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 15 - Waiting for News
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 16 - The Familiar Face
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 17 - The Arrival
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 18 - Clash of Generations
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 19 - The Ringing Phone
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 20 - Waiting for News
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 21 - A Past Resurfacing
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 22 - Hope Crumbles
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 23 - Facing the Worst
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 24 - Frustration and Support
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 25 - Interrogation in the Kitchen
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 26 - Accusations and Confrontation
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 27 - Under Suspicion
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 28 - The Polygraph
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 29 - A Mother's Desperation
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 30 - Bar Confrontation
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 31 - Trapped
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 32 - Intruder and a Drunk
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 33 - An Unwelcome Guest
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 34 - Alone in the Face of Danger
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 35 - The Scent of Hope
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 36 - Searching for Clayton
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 37 - A Gathering Storm
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 38 - The Escape and the Chase
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 39 - Tyrell's Grip Tightens
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 40 - A Mother's Fury
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 41 - Escape From The Flames
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 42 - Clayton's Puppy Surprise
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene by Scene Emotions
suspense Analysis
Executive Summary
Suspense is effectively woven throughout the screenplay, particularly in scenes involving Jenny's frantic search for her son, Clayton. The escalating tension surrounding his disappearance creates a gripping narrative that keeps the audience engaged. However, there are moments where the suspense could be heightened further to maintain a consistent level of tension.
Usage Analysis
Critique
Suggestions
Questions for AI
fear Analysis
Executive Summary
Fear is a dominant emotion in the screenplay, particularly as it relates to Jenny's anxiety about her missing son. The portrayal of fear is visceral and effectively evokes empathy from the audience. However, there are opportunities to deepen the emotional impact of fear in certain scenes.
Usage Analysis
Critique
Suggestions
Questions for AI
joy Analysis
Executive Summary
Joy is used sparingly in the screenplay, primarily as a contrast to the overarching themes of fear and sadness. The moments of joy serve to highlight the innocence of childhood and the bond between Jenny and Clayton. However, the screenplay could benefit from more frequent moments of joy to balance the emotional weight.
Usage Analysis
Critique
Suggestions
Questions for AI
sadness Analysis
Executive Summary
Sadness is a pervasive emotion in the screenplay, deeply intertwined with Jenny's journey as a mother searching for her missing son. The portrayal of sadness is poignant and effectively evokes empathy from the audience. However, there are opportunities to deepen the emotional resonance of sadness in certain scenes.
Usage Analysis
Critique
Suggestions
Questions for AI
surprise Analysis
Executive Summary
Surprise is used sparingly in the screenplay, primarily to create moments of tension and intrigue. The unexpected developments serve to keep the audience engaged, but there are opportunities to enhance the impact of surprise in certain scenes.
Usage Analysis
Critique
Suggestions
Questions for AI
empathy Analysis
Executive Summary
Empathy is a central emotion in the screenplay, effectively drawing the audience into Jenny's struggles as a mother searching for her missing son. The portrayal of empathy resonates deeply, allowing viewers to connect with the characters on an emotional level. However, there are opportunities to deepen the emotional impact of empathy in certain scenes.
Usage Analysis
Critique
Suggestions
Questions for AI