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Scene Map 42
# PG SLUGLINE
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Scene Map
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# PG SLUGLINE
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1 EXT. PARKING LOT - EARLY MORNING 1 A strip mall in the San Fernando Valley. A front wheel of a car pulls slowly into view. A curb reads ‘Short Stay. 5 Mins Only.’ 2 INT. CAR - CONTINUOUS 2
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4 EXT. THE STREETS OF LA - CONTINUOUS 4 JON SPENCER “I’m gonna daaaaance.” Baby’s car sails into busy traffic, the track blasting on the car stereo, building in speed and energy.
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9 EXT. DOWNTOWN BUSINESS DISTRICT - CONTINUOUS 9 Baby passes the Beat Cop, only doing a subtle strut in time. att His swagger returns as he approaches the building from where he came. We see POLICE CARS reflected in the glass of the
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11 INT. FREIGHT ELEVATOR - LATER 11 ‘Secondo Intermezzo Pop’ by Ennio Morricone. AA Baby travels with Griff, Darling, Buddy and Doc in a packed elevator. All five of them clutch HOLDALLS.
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12 INT. UNDERGROUND PARKING P3 - CONTINUOUS 12 PING. Baby and Doc exit into a cavernous parking lot. They walk over to Doc’s shiny Black Merc. Doc opens the trunk. DOC Now you know I don’t like taking candy
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15 INT. BARE APARTMENT - EVENING 15 Baby sits alone. The Elderly Man is asleep in his chair. Baby absent mindedly flicks through kids’ TV CHANNELS. Flip to Alfala from ‘The Little Rascals’ singing - ALFALFA
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19 INT. BARE APARTMENT - EARLY MORNING 19 ‘Intro’ by The Herbaliser. Fra Baby’s back in his bubble. Jacket on. Phones in. Stands by the front door in a hallway with mirrors on both sides.
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22 INT. DISCOUNT RECORD STORE - LATER 22 ‘The Plot’ by Lalo Schifrin. Baby marches into a discount music store, the final resting place of physical media. Zeroes in on the right section. He’s never looked so serious. He flips through jewel cases. Finds.
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26 INT. UNDECORATED WAREHOUSE - DAY 26 ‘Kashmere’ by The Kashmere Stage Band. Baby walks in with Doc. We see what he sees. Three new colleagues. Three hardened criminals. Meet EDDIE, J.D. and BATS.
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27 INT. UNDECORATED WAREHOUSE - LATER 27 Fra ‘Unsquare Dance’ by Dave Brubeck. Over a strong bass line, hand claps and snare drums - Doc relates a plan to the four strong team. Some of it is
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28 INT. NORTH CORONA METROLINK PARKING STRUCTURE - EARLY MORNING 28 ‘Bongolia’ by The Incredible Bongo Band. On a bongo roll, we see a windshield POV, as we pull into a concrete parking structure and park up in a long stay spot.
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30 EXT./INT. BANCO POPULAR/AVALANCHE - LATER THAT MORNING 30 The Avalanche pulls into a strip mall lot outside the bright red facade of a Banco Popular. Parks up. Baby is still at the wheel. In the back are Eddie and J.D. dressed in black duds. In shotgun and in black is Bats.
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31 EXT. VALLEY BLVD / I-10 - CONTINUOUS 31 Sweating, Baby speeds out of there. Screams down the shoulder. Going 70... 80. The gang in the car have their masks off and att slump down, out of sight. Bats curses.
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33 EXT. ROSEMEAD SHOPPING CENTER - CONTINUOUS 33 Baby eases this unplanned ride into a shopping center parking lot. The GPS is going crazy (all in time with the music) FEMALE GPS VOICE AA
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40 EXT./INT. HALF EMPTY DINER/AVALANCHE - MOMENTS LATER 40 ‘Debora’ by T-Rex. Baby sits in a Red Chrysler Lebaron singing along. Loudly. Out li of his window, he sees the real Debora leave work.
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43 EXT. APARTMENT BLOCK - DAY 43 Baby comes bounding out of his block. He gets into his Red Chrysler Lebaron and peels out. He doesn’t see- -C A BLACK MERC behind him. It follows slowly.
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45 EXT. DINER PARKING LOT / INT. DINER - DAY 45 Baby walks up to Doc. Shades firmly on. The hum continues. DOC AA I called three times. Something wrong?
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47 EXT. US POST OFFICE. WATTS - DAY 47 Doc pulls into a unremarkable strip mall that houses a post office. Construction is occurring nearby. The noise is disorienting. It is hot outside. Sticky. Close. AA
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49 INT. DOC’S MERC - MOMENTS LATER 49 AA Baby jumps back in shotgun. Samm in the back. DOC So?
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51 INT. UNDECORATED LOFT - MOMENTS LATER 51 Walking through the doorway of Doc’s warehouse, we see what 51. BATS He’s got tinnitus. A hum in his drum
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52 INT. UNDECORATED LOFT - MOMENTS LATER 52 ‘This Is Soul’ by Paul Nero. Doc relates the plan on the chalkboard. Again Baby drowns this out with incongruously jazzy music in his ears. This time Baby only half watches. He looks up at the lights,
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53 INT. ‘96 CADILLAC DEVILLE - NIGHT 53 ‘Nowhere To Run’ by Martha and the Vandellas. Baby drives. Bats in shotgun. Buddy and Darling in back. She li sings along. She has some really good lungs.
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55 INT./EXT. CADILLAC DEVILLE/OUTSIDE TRAIN YARD - EVENING 55 ‘Fog On The Hudson’ by Moondog. nL The gang wait in the dark outside a deserted train yard. Headlights off. It’s eerie quiet. Inside, everyone chews gum.
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58 INT. SUV - NIGHT 58 AA The foursome drive in the newly acquired SUV. All are silent. Bats is still jonesing from the previous encounter. Baby drives past his usual DINER and subtly looks in to see if
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60 INT. UNDECORATED LOFT - NIGHT 60 nL Doc enters. He’s instantly aware of - A mood. And three camps. Bats on the opposite side of the room to Buddy and Darling, while Baby lies on his makeshift bed in
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61 INT. UNDECORATED LOFT - LATER 61 ‘Ready Let’s Go’ by Boards of Canada. 76. Some time later. Doc is gone. Bats sleeps in a chair. Buddy and Darling curl up on a couch.
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63 INT. UNDECORATED LOFT - MOMENTS LATER 63 A D90 audio cassette plays in the handheld recorder. Baby sits li in the middle of the room. Forced to listen. We can hear the hum in his ears again, underlining the tense mood.
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64 INT./EXT. SUV - MOMENTS LATER 64 -C The hum in Baby’s ears underscores this section, adding uneasy menace as the SUV drives fast down deserted streets. Baby is in the back seat. Buddy drives. Bats is in shotgun with
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69 EXT. ALLEY - EARLY MORNING 69 We see a smashed cassette. The audio tape spooled out on the concrete like brown spaghetti. The morning sun rises. 82. 70 INT. UNDECORATED LOFT - EARLY MORNING 70
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73 EXT. US POST OFFICE. WATTS - DAY 73 ‘Intermission’ by Blur. A solo piano plays an endlessly descending melody. Baby pulls up into the strip mall. The place is quiet but everything feels bad. The heat, the traffic, the summer
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74 EXT. THE STREETS OF WATTS - CONTINUOUS 74 The three of them disappear out of the back of the strip mall. Ducking into to a back alley. The sound of police boots and screeching tires gaining on them. li
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78 INT. FIRE EXIT STAIRS - CONTINUOUS 78 nL Baby busts down the stairs. TRIPS ALARMS. Up above the cops burst into the stairwell. Baby sees them. But doesn’t see - The cop who enters the stairwell at a lower level. FUCK.
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80 EXT. BACK ON THE STREETS OF WATTS - CONTINUOUS 80 AA We stay with Baby as he sprints through back alleys. The sirens and firing sounds fall away and the sound of blood in Baby’s eardrums gets louder and louder.
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81 INT. BARE APARTMENT - LATER 81 The Elderly Man asleep in front of the TV news. On it: live att helicopter footage of Buddy carjacking a Red Durango as he battles police in the streets.
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84 EXT. APARTMENT BLOCK - CONTINUOUS 84 And heads down. Behind him gunfire, massed sirens, ‘copters. Baby puts his ear phones in. Spins the wheel on this (older) AA iPod. Gets half way down the escape, jumps to the next roof-
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90 INT./EXT. CALLBOX/ PARK - NIGHT 90 “3108045898” Fra Baby punches the number into a call box phone. He’s in the park near his old apartment block. That area is cordoned and
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92 EXT. PARK - NIGHT 92 Baby sits on a low wall, deciphering that last phone call. He has a portable cassette player and rewinds Doc’s command. DOC (ON TAPE) You’re going to go to the florist’s
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93 EXT. DOWNTOWN STREETS - NIGHT 93 Baby drives through the eerily dead business sector. -C 94 INT. UNDERGROUND PARKING P3 - NIGHT 94 Baby parking the Mustang in his usual spot. The parking lot is
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98 INT. UNDERGROUND PARKING P2 - MOMENTS LATER 98 Baby pulls up to the wreckage of Buddy’s Charger. It rests on top of his crushed Mustang. The driver door of the trashed nL charger is obscured. We hear the engine hiss and die.
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99 INT. CAR - DAY 99 Sunlight. Baby is out cold. He looks bad. Cut, bruised. His damaged hand is bandaged with whatever rag was in the car. He wakes and sits up. He still cannot hear. But he can see. AA
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101 INT./EXT. CAR/DINER - CONTINUOUS 101 Baby takes Debora to his car. A battered white ‘95 Cadillac Eldorado convertible. Opens the door for her like a gentleman. att What’s more, he opens with his bad hand, no longer in his
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103 INT. BABY’S CELL - DAY 103 On Baby, sitting alone in his cell, staring out to nothing. A nL guard comes past and hands him an envelope. Inside is a postcard with a 50s style illustration of a young

Baby Driver

A young getaway driver with tinnitus relies on his personal soundtrack to navigate the criminal underworld, but his desire for a clean getaway with the girl of his dreams leads him on a dangerous collision course with his ruthless employers.

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Overview

Poster
Unique Selling Point

Discover a thrilling journey of self-discovery, redemption, and the power of music in "Baby Driver" - a captivating script that showcases a unique blend of coolness, rebellion, energy, wit, and musicality. This high-octane getaway story follows Baby, a young and skilled driver who uses music to drown out his tinnitus and navigate the chaos of his criminal world. With a distinct voice that combines concise dialogue, descriptive narrative, and specific music references, this screenplay delivers an engaging, fast-paced, and emotionally resonant experience. Witness Baby's transformation from a quiet and reserved individual to a courageous hero, as he confronts his past, forms deep connections, and strives for a chance at a normal life. Immerse yourself in the authentic characters, high-speed chases, and the evocative use of music that underscores the tension and excitement in every scene. "Baby Driver" is a must-read for those who appreciate a unique and unforgettable story that combines action, music, and heart.

AI Verdict & Suggestions

Ratings are subjective. So you get different engines' ratings to compare.

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Gemini
 Recommend
Claude
 Recommend
Story Facts

Genres: Crime, Action, Thriller, Drama, Romance

Setting: Present day, Los Angeles, California

Themes: Music as a form of escape, Redemption and second chances, Family and father figures, Crime and its consequences, Love and romance

Conflict & Stakes: Baby's internal conflict between his love for music and his involvement in criminal activities, as well as the external conflict between Baby and the police, who are chasing him after a series of heists.

Mood: Action-packed and music-driven, with a hint of danger and excitement

Standout Features:

  • Unique Hook: Innovative use of music and sound design to drive the narrative and action sequences.
  • Plot Twist: The unexpected betrayal of a crew member, leading to a tense and action-packed climax.
  • Distinctive Setting: The vibrant and diverse city of Los Angeles, with its iconic landmarks and neighborhoods.
  • Innovative Idea: The use of music as a character in the film, driving the action and emotions of the story.
  • Unique Characters: A diverse cast of characters, each with their own unique backgrounds and motivations.

Comparable Scripts: Drive, The Town, Heat, The Italian Job, Gone in 60 Seconds, The Fast and the Furious, Reservoir Dogs, Pulp Fiction, Snatch, Lock, Stock and Two Smoking Barrels

Script Level Analysis

Writer Exec

This section delivers a top-level assessment of the screenplay’s strengths and weaknesses — covering overall quality (P/C/R/HR), character development, emotional impact, thematic depth, narrative inconsistencies, and the story’s core philosophical conflict. It helps identify what’s resonating, what needs refinement, and how the script aligns with professional standards.

Screenplay Insights

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Overall Score: 8.00
Story Critique
Big-picture feedback on the story’s clarity, stakes, cohesion, and engagement.
Characters

Explores the depth, clarity, and arc of the main and supporting characters.

Emotional Analysis

Breaks down the emotional journey of the audience across the script.

Goals and Philosophical Conflict
Evaluates character motivations, obstacles, and sources of tension throughout the plot.
Themes
Analysis of the themes of the screenplay and how well they’re expressed.
Logic & Inconsistencies
Highlights any contradictions, plot holes, or logic gaps that may confuse viewers.

Scene Analysis

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Scene-Level Percentile Chart
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Other Analyses

Writer Exec

This section looks at the extra spark — your story’s voice, style, world, and the moments that really stick. These insights might not change the bones of the script, but they can make it more original, more immersive, and way more memorable. It’s where things get fun, weird, and wonderfully you.

Unique Voice
Assesses the distinctiveness and personality of the writer's voice.
Writer's Craft
Analyzes the writing to help the writer be aware of their skill and improve.
Memorable Lines
Spotlights standout dialogue lines with emotional or thematic power.
Tropes
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World Building
Evaluates the depth, consistency, and immersion of the story's world.
Correlations
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Loglines
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